SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Dean"/1) | (@(roleclean,performerclean) "J Dean")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 898 matches on Performance Comments, 498 matches on Event Comments, 107 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Leonardo Pescatore...a Serenata. Music entirely new and composed by himself, 7 p.m., 5s. Tickets at the Mews Coffee House, Charing Cross; at Pescatore's, No 2, Meard's Court, Dean St., Soho. [And a long letter by Pescatore offering to give lessons on the harsichord and wounded by public suspicion of his loyalty.

Performances

Mainpiece Title: La Forza De L'amore

Event Comment: CCatherine Talbot to Elizabeth Carter, 18 April: These oratorios of Handel's are certainly (next to the hooting of owls) the most solemly striking music one can hear....In this last oratorio he has literally introduced guns, and they have a good effect.--Deutsch, Handel, p. 640, who identifies the guns as kettle-drums. But Winton Dean, Handel's Dramatic Oratorios, p. 471, identifies them as the outsize drums from the Tower of London. See Sheridan's The Critic on off-stage gun shots: This hint I took from Handel. Recced of Mr Handell for rent of his 10 Oratorio's #210.--Account Books, Egerton 2268. [Actually there were twelve nights of oratorios.

Performances

Mainpiece Title: Judas Macchabaeus

Event Comment: [For full discussion see Winton Dean, Handel's Dramatic Oratorios, chapt. 21.

Performances

Mainpiece Title: Alexander Balus

Event Comment: mong the Addresses of the Lords and Commons to the Sovereign which appeared in the Gentleman's Magazine (Nov. 1751, pp. 513-14) one recommended that provision be made for suppressing audacious crimes of robbery and violence. A contributor called Mr Urban's attention to a "method of reformation earnestly recommended more than 40 years ago by an eminent Divine" (Dean Swift). In this treatise occured the following paragraph: "The Reformation of the Stage is entirely in the power of the Court; and in the consequence it hath upon the minds of younger people, doth very well deserve the strictest care. Surely a pension would not be ill employed on some men of wit, learning and virtue, who might have power to strike out every offensive and unbecoming passage from plays already written, as well as those that may be offered to the stage for the future, by which, and other wise regulations, the theatre might become a very innocent and useful diversion instead of being a scandal and reproach to our religion and country."] Receipts: #120 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Lottery

Dance: IV: L'Entree de Flore, as17511017; Peasant Dance, as17511017

Event Comment: Benefit for Miss Turner at the Great Room, Dean St., Soho. Oratorio composed by Dr Boyce. To begin at 7:00 p.m

Performances

Mainpiece Title: Solomon

Event Comment: Benefit for Philidor at the Great Room, Dean St. Soho. Tickets 5s. To begin at 6:30 p.m

Performances

Mainpiece Title: The Power Of Harmony

Event Comment: Benefit for Sga Passerini. [From charges and countercharges published in great length in the Public Advertiser, it appears that Sga Frasi had earlier arranged to produce Samson at the King's on this night for her benefit. Learning that the subscribers to the opera season could enter on their own tickets on this night she decided to change nights to avoid any losses, only to find that her singers were engaged at one theatre or another on other nights. Meanwhile, Signor Passerini got permission to have this night scheduled at King's for his wife's benefit, and Sga Frasi lost out all around. Passerini asserted that the charge for renting the Great Room, Dean St. Soho was 5 guineas for a night.

Performances

Mainpiece Title: Didone

Event Comment: At Mr Ogle's Great Room, Dean St., Soho. A Pastoral Opera [by John Hoadley] set by Dr Green. To begin at 7 p.m. Tickets 5s. Books of the Opera at places of Performance at 6d. Benefit for Robinson, organist of Westminster Abbey

Performances

Mainpiece Title: Phoebe

Event Comment: By Handel. Benefit for Miss Turner. Oratorios by Handel. At the Great Room, Dean St., Soho. To begin at 7 p.m. Tickets 5s

Performances

Mainpiece Title: Esther

Song: I: Praise the Lord- accompanied by Parry

Music: II: Concerto (Arne) on Harpsichord-Miss Turner

Event Comment: Benefit for Sga Passerini at the Great Room, Dean Street, Soho. N.B. The Pastoral will precede the Oratorio. The Pastoral, by Desire. The overture and greatest part of which composed by his Majesty the King of Prussia. Mainpiece by Handel. Tickets for the 29th will be taken. Tickets at half a guinea for the Pit, and 5s. for the Gallery. To begin at 6:30 p.m. [The Pastoral is not named in the Bill, but from comment on its musical composer is deemed to be Charlottenburg Festegiante. See 16 March.

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Charlottenburg Festegiante

Event Comment: By Desire and Consent of Frederic Handel, Esq. Afterpiece: Musick composed by his Majesty the King of Prussia. Pit half a Guinea. Gallery 5s. 6 p.m. At the Great Room, Dean St., Soho

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Charlottenburg Festegiante

Event Comment: At the Great Room, Dean St., Soho. At 6:30 p.m. Prices half a Guinea and 5s. Benefit Mrs Pontifex, Downey, West Wycombe, Bucks, whose Husband was murdered, and all Stock in their Farm destroyed by Fire

Performances

Mainpiece Title: L'allegro, Il Pensoroso

Event Comment: At the Great Room, Dean St., Soho. By Mr Handel. Benefit for Signora Frasi. Tickets Half a Guinea. Gallery 5s. To begin at 6:30 p.m

Performances

Mainpiece Title: Samson

Performances

Mainpiece Title: Jeptha

Performance Comment: Jeptha-Beard; Iphis-Signora Frasi; Hamor-Miss Young [Mrs Scott]; Storage-Miss Frederick; Zebul-Champness (Dean, Handel's Dramatic Oratorios, p. 619).
Event Comment: Benefit for Mrs Abegg. At the Great Room, Dean St. Soho. Announced for 27 March but postponed because of indisposition of Mrs Abegg

Performances

Mainpiece Title: Acis And Galatea

Event Comment: Benefit for a Widow Gentlewoman in great Distress. To begin at half an hour past Six. A greater number of Tickets being disposed of than Mr Hickford's Room can contain, makes it necessary to remove the performance to Dean St. Books of the Serenata will be sold at the place of performance

Performances

Mainpiece Title: Acis And Galatea

Music: First Violin-Brown; Second Violin-Froud; First Violoncello-Gordon; Harpsichord-Cooke; Between I and II: a Concerto on Hautboy-Vincent

Event Comment: Benefit Signora Frasi. At the Great Room, Dean St. A Musical Entertainment by Handel. To begin at half after six

Performances

Mainpiece Title: L'allegro, Il Penseroso Ed Il Moderato

Music: A Concerto on the Organ-Stanley

Event Comment: At the Great Music Room, Dean St., Soho. Set to Music by Handel. 6:30 p.m. Pit 10s. 6d. Gallery 5s

Performances

Mainpiece Title: Judas Maccabaeus

Music: Instrumental: First violin-Passerini

Event Comment: At the Great Music Room, Dean St., Soho. To begin at Half an Hour after Six

Performances

Mainpiece Title: Charlottenburg Festegiante

Music: Instrumental parts: First Violin-Passerini;, with viols and the others by the best performers. Between the First and Second Part: a Concerto on the Organ-Sga Frederick

Event Comment: At the Great Room, Dean St., Soho. By Desire. An Italian Oratorio in Two Acts. Words by Metastasio. Music by Jomelli. First Time of performing this Grand Musical Entertainment in England, and is judged by all conoisseurs to be the most exquisite piece of composition ever heard before. Pit Half a Guinea, Gallerias 5s. To begin at half past six precisely. A very strong rumour prevails, that leave will be applied for to the higher Power, for a third Theatre in this City; and it is even hinted, that two well-known performers have already ventured on a purchase, and are selecting together a company with that design (Public Ledger)

Performances

Mainpiece Title: Isaac

Music: Between the acts aConcert on the organ-Dupuis

Event Comment: Benefit for Tenducci. At the Great Room, Dean St., Soho. The Petition of Ferdinand Tenducci, Musician, arrested for Debt and been in King's Bench for eight Months. Tickets to be had of Tenducci at the King's Bench Prison

Performances

Mainpiece Title: Concert

Event Comment: Benefit for Sga Gambarini. At the Great Concert Room, Dean St., Soho Tickets: Pit, half a guinea. Gallery 5s. Composed by Geminiani, who being lately returned to England, has lent the aforementioned composition in favour of this Benefit. Also a new Ode The Argument Britannia rising from the waves like the morning sun, pointing out her young Monarch, and predicts? the glory and felicity of his reign. The music composed by Sga Gambarini

Performances

Mainpiece Title: The Inchanted Forest

Event Comment: Benefit for a Widow Gentlewoman, at the Great Room, Dean St., Soho. Pit 10s. 6d. Gallery 5s. To begin at 7:00 p.m

Performances

Mainpiece Title: Acis And Galatea

Event Comment: Benefit for Smith. Mainpiece: By Particular Desire. Tickets and Places to be had of Smith, at his house, opposite the concert room in Dean Street, Soho, and of Mr Sarjant at the Stage Door of the Theatre. Part of the Pit will be laid into the Boxes, where servants will be allowed to keep places. N.B. No building on the Stage

Performances

Mainpiece Title: Comus

Afterpiece Title: Catherine and Petruchio

Entertainment: fter the Masque will be presented the Humours of the Age-in imitation of Shakespeare's STAGES by Smith

Event Comment: Benefit for Signora Frasi. At the Great Room, Dean St. Tickets half a Guinea; Gallery 5s. Tickets delivered for 25 March will be taken. To begin at 6:30 p.m

Performances

Mainpiece Title: Judas Maccabaeus

Music: CConcerto on Organ-Stanley