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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Dean"/1) | (@(roleclean,performerclean) "J Dean")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1387 results for: Keyword - J. Dean
We found 898 matches on Performance Comments, 498 matches on Event Comments, 107 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

176
18 February 1800 @ King's Theatre

Performances

Mainpiece Title: I Due Fratelli Rivali

Dance: End I: Hylas et Temire-[see18000128]; End Opera: Les Jeux d'Egle, as18000111, but Mlle J. _Hilligsberg, Mrs _D'Egville, Mme Rose _Didelot

177
01 March 1800 @ King's Theatre

Performances

Mainpiece Title: Semiramide

Dance: End I: Hylas et Temire, as18000201; End Opera: Le Mariage Mexicain-Deshayes, Laborie, Didelot, Mme Hilligsberg, Mme Laborie, Mlle J. Hilligsberg, Mlle Parisot

178
26 March 1708 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; viz. A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers

Performance Comment: A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers.
Cast
Role: Mr Henry Purcell Actor: Dean, Holmes, Feiston
Role: Dean Actor:
Role: Singing to the Lute Actor: Dean

179
17 March 1733 @ King's Theatre

Performances

Mainpiece Title: Deborah

Performance Comment: Edition of 1733 does not list performers' names, but Daily Advertiser, 20 March, states: Wherein Principal Parts-Signor Senosini, Signora Strada, Signora Gismundi, Signora Bertoldi, Signor Montagnana, Miss Young, Miss Arne, Mrs Wright, Mr Swartzs[, perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.], perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.]

180
02 March 1744 @ Covent Garden

Performances

Mainpiece Title: Joseph And His Brethren

Performance Comment: Pharaoh-Reinhold, bass; Joseph-Sullivan, alto; Reuben-Reinhold, bass; Simeon-Beard, tenor; Asenath-Signora Francesina, soprano; Phanor-Signora Galli, mezzosoprano (Deutsch, Handel, pp. 586-67), Esther Young (Dean, Handel's Dramatic Oratorios, p. 407); Benjamin-Samuel Champness (Dean, Handel's Dramatic Oratorios, p. 407).

Music: Concerto on the Organ-

181
16 March 1744 @ Covent Garden

Performances

Mainpiece Title: Saul

Performance Comment: Parts were: Saul-; Jonathan-; David-; High Priest-; Abner-; Messenger-; Apparition of Samuel-; Amalekite-; Michal-; Merab-; Abiathar-; Witch of Endor- (Larpent MS.). [For probable singers, see Dean, Handel's Dramatic Oratorios, pp. 299-300.]For probable singers, see Dean, Handel's Dramatic Oratorios, pp. 299-300.]

Music: Concerto on Organ-

182
27 March 1745 @ King's Theatre

Performances

Mainpiece Title: Belshazzar

Performance Comment: Belshazzar-Beard, tenor; Nitocris-Signora Francesina, soprano; Cyrus-Reinhold or Miss Robinson, contralto; Daniel-Miss Robinson,contralto; Gobrias-Reinhold, bass; Arioch-, tenor; Messenger-, bass. (Deutsch, Handel, p. 610; Dean, Handel's Dramatic Oratorios, p. 454.) Dean, Handel's Dramatic Oratorios, p. 454.)

183
20 March 1747 @ Covent Garden

Performances

Mainpiece Title: Joseph And His Brethren

Performance Comment: Parts were: Pharaoh-; Joseph-; Reuben-; Simeon-; Judah-; Benjamin-; Potiphera-; Phanor-; Asenath-; Chorus of Egyptians-; Hebrews-. [See Dean, Handel's Dramatic Oratorios, pp. 407-8.]See Dean, Handel's Dramatic Oratorios, pp. 407-8.]

184
26 February 1748 @ Covent Garden

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon- (brother to Judas); Messenger-; Eupolemus- (Jewish Ambassador to Rome). (Larpent MS) [Winton Dean in Handel's Dramatic Oratorios, pp. 471-72, adds Second Israelite Woman and Priest, noting that Madam Frasi sang the part of the first Israelite woman.]Winton Dean in Handel's Dramatic Oratorios, pp. 471-72, adds Second Israelite Woman and Priest, noting that Madam Frasi sang the part of the first Israelite woman.]

Afterpiece Title: a Ca Concerto

185
21 November 1751 @ Haymarket Theatre

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: Flora; or, Hob in the Well

Performance Comment: The part of Hob-Hob himself; Roger for Somersetshire-Trimming Dick of Taunton Dean; to play out an old Grudge, Friendly, Flora-Friends of Hob's who never appeared on any Stage before.
Cast
Role: Roger for Somersetshire Actor: Trimming Dick of Taunton Dean

186
27 February 1697 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. James Brydges, Diary: About 2. I came home to dinner, where I found Lady Hussy, & Cozzen Betty, & Mrs Howard, about 5. After dinner I went to Lord Pembroke's who being abroad, I went to Lord Arundell of Treryce, who not being at home, I went to Ld. Allinton's, but he not being within, I went to Mr Pitts, who being abroad, I went to ye Dean of Peterborough's but he being at church I went to ye playhouse in Lincolns inn fields, where I met Dr Davenant & Ld. Rumny (Huntington MS St 26)

Performances

Mainpiece Title: The Mourning Bride

187
17 December 1707 @ York Buildings

Event Comment: Benefit Dean and Keene

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-the best Masters

188
26 April 1711 @ Stationer's Hall

Event Comment: Benefit Dean. At 7 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters

189
02 May 1732 @ King's Theatre

Event Comment: An Oratorio in English. Formerly Compos'd by Mr Handel, and now revised by him, with several Additions, and to be performed by a great Number of the best Voices and Instruments. N.B. There will be no Action on the Stage. but the House will be fitted up in a decent Manner for the Audience. The Musick to be disposed after the maner of the Coronation Service. [Their Majesties, Prince, Princess Royal and Amelia present. See also Egmont, Diary, I, 266, and Dean, Handel's Dramatic Oratorios, pp. 205-97.

Performances

Mainpiece Title: Esther

190
28 March 1735 @ Covent Garden

Performances

Mainpiece Title: Deborah

Performance Comment: Cast not listed, but Dean, Handel's Dramatic Oratorios, p. 238, conjectures: Deborah-Signora Strada; Barak-Carestini; Jael-Miss Cecilia Young; Priest of Baal-Hussey, with Reinhold and Beard possibly singing also. With a new Concerto on the Organ;..

Afterpiece Title: the two Concertos in the Oratorio of Esther

191
27 April 1737 @ Lincoln's Inn Fields

Event Comment: Benefit I. Delagarde, At the Desire of several Ladies of Distinction. [Tickets at Delagarde's Lodgings, at Mrs Stafford's, in Dean Street, Fetter Lane,]

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Lottery

Dance: II: Clown-Vallois; IV: Two Pierrots-Vallois, Delagarde; V: The last new Grand Ballet-Haughton, Mlle Roland,

Song: I: French Horn Song-Miss Jones; III: Singing in Italian-Mrs Chambers

192
13 December 1739 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Acis-Beard; Galatea-Signora Francescina; Polyphemus-Reinhold; Damon-The Boy (Deutsch, Handel, p. 492; Dean, Handel's Dramatic Oratorios, p.177); With two new Concertos for several Instruments-never perform'd before; The last New Ode of Mr Dryden's-; And a Concerto on the Organ-.

193
28 February 1741 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: for a conjectural cast, see Dean, Handel's Dramatic Oratorios, p. 178. With Concertos on the Organ-; and other Instruments-; And a Concerto-Signior Veracini.

194
02 March 1743 @ Covent Garden

Event Comment: RRoyal family attended.-Deutsch, Handel, p. 561. The new Oratorio...has been performed four Times to more crouded Audiences than ever were seen; more People being turned away for Want of Room each Night than hath been at the Italian Opera.-Quoted by Dean, Handel's Dramatic Oratorios, p. 350, from Faulkner's Dublin Journal, 15 March

Performances

Mainpiece Title: Sampson

Music: Solo on Violin-Dubourg

195
25 November 1743 @ Westminster School

Event Comment: New Dormitory in Dean's Yard, Westminster. Mainpiece: of Terence...acted with great applause by the Scholars to a crowded audience.--Daily Advertiser, 28 Nov

Performances

Mainpiece Title: Phormio

196
24 February 1744 @ Covent Garden

Performances

Mainpiece Title: Samson

Performance Comment: Samson-Beard; Dalila-Signora Francesina; Micah-Signora Francesina, Sullivan; Harapha-Reinhold; Israelite Woman-Signora Avolio (Dean, Handel's Dramatic Oratorios, p. 351). Mrs Delany to Mrs Dewes, 25 Feb.: Francesina sings most of Mrs Cibber's parts and some of Mrs Clive's. [See Deutsch, Handel, p. 585.]See Deutsch, Handel, p. 585.]

197
24 November 1744 @ King's Theatre

Event Comment: The Second Night [sung in Italian (Dean, Handel's Dramatic Oratorios, p. 239)]

Performances

Mainpiece Title: Deborah

Music: Concerto on the Organ-

198
01 December 1744 @ King's Theatre

Performances

Mainpiece Title: Semele

Performance Comment: (See Dean, Handel's Dramatic Oratorios, p. 393, for probable cast.)

199
01 March 1745 @ King's Theatre

Performances

Mainpiece Title: Samson

Performance Comment: Micah-Miss Robinson (Dean, p. 351).

200
13 March 1745 @ King's Theatre

Performances

Mainpiece Title: Saul

Performance Comment: but see suggested cast in Dean, Handel's Dramatic Oratorios, pp. 299-300.