Event Comment: Mainpiece: A New Comedy [by Richard Cumberland] never performed. [Genest, V, 282, reports that Garrick was in the House this night and was agreeably surprised at the complimentary reference to him in the Epilogue: Who but has seen the celebrated strife Where Reynolds calls the Canvass into life: And, 'twixt the Tragic, and the Comic Muse, Courted of both, and dubious where to chuse, Th'immortal Actor stands?' A long retelling of the plot appeared in the Freeholder's Magazine for Dec., concluding: This comedy was received with great applause by the Audience. It is said to be written by Mr Cumberland, who has already oblig'd the Public with a musical piece, called the Summer's Tale. The Performers, particularly Mr Smith, Mr Woodward, Mr Yates, Mrs Green, Mrs Bulkley, and Mrs Yates, did great justice to their characters. The Prologue was spoken by Mr Smith, and the Epilogue, which alluded to the celebrated picture of Sir Joshua Reynolds, where Comedy and Tragedy are contending for Mr Garrick, by Mrs Yates." Receipts: #215 18s

Event Comment: Benefit for Mrs Smith. The Farce was much hiss'd (Hopkins Diary). The overture and Songs in it entirely new, composed by Theodore Smith. The farce by Thomas Hull. Paid 1!2 years Poor's rate to Xmas last #32 9s. 6d. Receipts: #98 6s. Charges: #70 6s. Profits to Mrs Smith: #28 (Treasurer's Book)

Event Comment: Benefit for Smith. Mainpiece: not acted these 4 years. No building on stage. Receipts: #60 12s. 6d. plus tickets #222 5s. (boxes 458; pit 605; gallery 170). Charges #63. Mr Robt. Lewis came in for 1 share (Account Book). [Smith advertised, and it appeared his house at his benefit was too full & [there was] confusion in getting to places (Winston MS 8). See Smith's note in Public Advertiser, 16 March.

Event Comment: Benefit for Smith. Tickets sold at the doors will not be admitted. Tickets and Places to be taken of Mr Smith at his house in Beaufort Buildings, Strand; and of Mr Sarjant at the stage-door of the Theatre. Charges: #70 19s. 6d. [Profit to Smith #79 10s. 6d. plus #136 16s. from tickets (Box 388; Pit 198; Gallery 101).] Receipts: #150 10s. (Account Book)

Event Comment: Benefit for Smith. Part of Pit laid into Boxes. To prevent confusion Servants are desired to be at the theatre by 4 o'clock. Charges #73 19s. Balance to Smith #62 3s. plus income from tickets #141 9s. (Box 413; Pit 162; Gallery 139). Paid Miss Potts for walking 12 nights in Man and Wife #1 10s. and Mrs Morris for walking 26 nights in Harlequin's Jubilee #3 5s. (Account Book). Receipts: #136 2s. 6d

Event Comment: Benefit for Smith. [See note for 6 March.] Part of Pit laid into Boxes. Ladies send servants by half past 4 o'clock, and those who have taken places in the Pit requested to come early to prevent Confusion in getting to their seats. Tickets deliver'd for Lady Jane Grey will be taken. Charges #65 10s. Profit to Smith #84 6s. 6d., plus #172 15s. from tickets (Box 640; Pit 85). Paid Blanchville Clark as per certificate from Sir John Fielding 10s. (Account Book). Receipts: #149 16s. 6d

Event Comment: Benefit for Smith. By Particular Desire. Afterpiece: Taken from The Jovial Crew. Part of pit laid into boxes. Send servants by 4 o'clock. Paid Mr Grimaldi's draft on Mrs Adams #100 (Treasurer's Book). Receipts: #291 9s. 6d. Charges: #68 18s. Profits to Smith: #212 9s. 6d. (Treasurer's Book)

Event Comment: Benefit for King. [This was Smith's last appearance on the stage, from which he had officially retired on 9 June 1788.] Broadside in Kemble playbills announcing this benefit: Mr King most respectfully informs the Public that his Night is fixed for Friday the 18th of May, when will be presented The School for Scandal. Mr King has the pleasure to add that Mr Smith, who was so long and so worthily applauded by the Public, and was the original performer of Charles Surface in the above, distinguished Comedy, at the particular request of Mr King, backed by a strong assurance from many admirers and encouragers of the Drama that it will not only add to Mr King's emolument but highly gratify the Town, has kindly consented to return to the Theatre for one night, and resume his favourite Character. "We had been told that Smith pourtrayed the Manners of a finished gentleman with more delicacy and characteristic propriety than any actor of his day; but this did not appear to us to be his particular excellence; he stands too wide to be graceful, and his deportment gains no advantage from a perpetual application of his hand to the lower part of the waist. These habits are far from elegant. His Charles, however, is a favourable specimen of that sort of acting which commonly falls under the denomination of the old school: light, airy, and natural; which excites applause without any anxious endeavour to produce it; which suffers the points to tell of themselves, and does not place them as so many traps to ensnare the injudicious part of the audience" (Monthly Mirror, May 1798, p. 299). "He was received with the most heart-felt gratulations by an audience who did not expect any apology for such acting, though he saw fit to deliver one at the conclusion of the play" (Monthly Visitor, May 1798, p. 72). Times, 4 May: Tickets to be had of King at his house, New Store-street, Bedford-square. Receipts: #674 6s. (388.0.6; 55.17.6; 2.0.0); tickets: 228.8.0) (charge: #212 5s. 6d.)

Event Comment: Betterton's Company. The date of the first performance is not certain, but contemporary sources refer to the fact that William Smith, who died in the last week of December, fell ill on the fourth day of its run; hence, it probably was first presented in mid-December. One song, O take him gently from the pile, set by John Eccles and sung by Mrs Bracegirdle, is in Deliciae Musicae, The Fourth Book, 1696. Downes, Roscius Anglicanus, p. 44: The Grand Cyrus, wrote by Mr Banks; it was a good Play; but Mr Smith, having a long part in it, fell Sick upon the Fourth Day and Dy'd, upon that it lay by, and ne'er have bin Acted since. Gildon, English Dramatick Poets, p. 6: Tho' this Play had been formerly refus'd the Action, yet it held up its Head about Six Days together, and has been since Acted several Times. A Comparison Between the Two Stages: Sullen, p. 16: Banks's, which the Players damn'd and wou'd not Act of a great while, but at length it was acted, and damn'd then in manner and form