SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Aickin"/1) | (@(roleclean,performerclean) "J Aickin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2514 matches on Performance Comments, 740 matches on Roles/Actors, 509 matches on Event Comments, 94 matches on Performance Title, and 12 matches on Author.

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Palmer; Aimwell-Dimond [Public Advertiser: Aickin]; Sir Charles Freeman-R. Palmer; Foigard-Egan; Sullen-Blissett; Gibbet-Gardner; Boniface-Usher; Scrub-Edwin; Dorinda-Mrs Cuyler; Cherry-Mrs Hitchcock; Lady Bountiful-Mrs Poussin; Gipsey-Miss Wood; Mrs Sullen-Miss Farren.

Afterpiece Title: The Waterman

Song: End IV: Ted Blarney-Master Edwin

Entertainment: Monologue End: Bucks have at ye all-Master Edwin

Event Comment: Zoraida [announced on playbill of 24 Jan.] is obliged to be deferred on account of Aickin's Illness. Receipts: #211 9s. 6d. (175.10.0; 34.11.0; 1.8.6)

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Critic

Performances

Mainpiece Title: The Separate Maintenance

Performance Comment: As17820622 but Aickin in place of Bannister Jun .

Afterpiece Title: None are so Blind as Those Who Won't See

Dance: As17820620

Song: As17820620

Event Comment: [In mainpiece the playbill retains Aickin as Dionysius, but on the Kemble playbill his name is deleted. Of the name substituted in MS all but the 1st two letters have been cut by the binder. For Mahon as Dionysius see 12 Feb. 1778.] Receipts: #212 5s. (208/16; 3/9)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Choice of Harlequin

Event Comment: [In mainpiece the playbill assigns Stockwell to Aickin, but on the Kemble playbill his name is deleted, and a MS annotation substitutes Thompson's.] Receipts: #132 12s. 6d. (92/2/0; 40/5/6; 0/0/0; tickets not come in: 0/5/0)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: The Magic Picture

Performance Comment: As17831108 Prologue, listed on playbill (see17831108), spoken by Aickin .

Afterpiece Title: The Poor Soldier

Song: As17831108

Event Comment: [In mainpiece the playbill retains Aickin as Duke Senior but on the Kemble playbill a MS annotation substitutes Staunton.] Receipts: #233 14s. (214/0/0; 18/19/6; 0/14/6)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Humourist

Dance: As17850430

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: The Green Room; or, Cut and Come Again

Performance Comment: Characters by Palmer, Baddeley, Aickin, Wewitzer, R. Palmer, Burton, Bannister. [Larpent MS 635 lists performers as appearing in their own persons.] hathi.

Afterpiece Title: Gretna Green

Performances

Mainpiece Title: Venice Preserv'd

Cast
Role: Priuli Actor: Aickin

Afterpiece Title: The Nabob

Performance Comment: Principal Characters by Palmer, Baddeley, Aickin, Suett, Packer, R. Palmer, Fawcett, Phillimore, Chaplin, Wilson, Alfred, Parsons; Mrs Wilson, Miss Tidswell, Miss Palmer, Mrs Hopkins. Cast not known .

Dance: As17860318athi

Event Comment: Benefit for Nix, Mrs Hedges & Miss Barnes. [As mainpiece the playbill announces The School for Scandal, but "Smith having an inflammation in his eyes, and Aickin being suddenly laid up with the gout, the play was obliged to be changed [to] The Beggar's Opera" (Morning Herald, 25 May).] Morning Chronicle, 22 May: Tickets to be had of Nix, No. 21, Crown-court, Little Russel-street, Covent Garden; of Mrs Hedges, No. 168, opposite New Bondstreet, Piccadilly; of Miss Barnes, at Cateman's, No. 52, Drury Lane. Receipts: #300 0s. 6d. (60/10/0; 19/13/6; 2/0/0; tickets: 217/17/0) (charge: #108 8s. 1d.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Romp

Dance: End of Act III of mainpiece, as17860502

Song: End of Act I of mainpiece Sweet, O sweet!; End of Act II Niddity Nod; End of Act IV a favourite Hunting Song, all three by Miss Barnes [the 3rd song omitted?, i.e. mainpiece has only 3 acts]

Event Comment: Mainpiece: Not acted these 4 years [acted 31 Dec. 1783. Pope had acted Beverley in Edinburgh in the summer of 1786 (Morning Post, 26 Sept.). The playbill assigns Stukeley to Aickin, but he "having had the misfortune to lose his wife, Stukeley was played by Inchbald" (Morning Chronicle, 26 Sept.), from the York theatre, 1st appearance on this stage (see 4 Oct.)]. Afterpiece: Never acted there. Paid Properties the 22nd Instant 6s. 8d.; Wardrobe #6 2s. 6d.; Guard [master carpenter] for Scenemen #10 18s. 6d.; Supernumeraries #4 7s. 6d. Receipts: #194 16s. (193.0.6; 1.15.6)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Romp

Performances

Mainpiece Title: Macbeth

Performance Comment: As17861009, but Ross-Williames; Witches-_Parsons, Aickin.
Cast
Role: Witches Actor: _Parsons, Aickin.

Afterpiece Title: The Gentle Shepherd

Cast
Role: Sir William Worthy Actor: Aickin

Song: Singing, as17861009, but _Williames

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Next Door Neighbours

Performance Comment: As17910813, but Willford-Davies (in place of Aickin; 1st appearance [in that character]). 1st appearance [in that character]).

Afterpiece Title: Gretna Green

Performances

Mainpiece Title: The Author

Afterpiece Title: HOW TO BE HAPPY

Performance Comment: Characters by Palmer, Barrymore, Fawcett, Aickin, Suett, C. Kemble, Johnstone, Parsons / / Mrs Gibbs, Mrs Kemble, Mrs Harlowe, Miss De Camp, Miss Heard, Mrs Hopkins. [Cast from European Magazine, Aug. 1794, p. 139, and Larpent MS: Seagrove-Palmer; Young Manley-Barrymore; Jack Scamper-Fawcett; Sir Charles Manley-Aiclcin; Sir John Marlow-Suett; Young Marlow-C. Kemble; Fitzgerald-Johnstone; Simon-Parsons// Julia-Mrs Gibbs; Miss Harcourt-Mrs Kemble; Mrs Scamper-Mrs Harlowe; Miss Furnish-Miss De Camp; Betsey-Miss Heard; Mrs Furnish-Mrs Hopkins.] Prologue spoken by Palmer. Epilogue spoken by Mrs Gibbs. COMMENT, 2nd piece [1st time; C 5, by George Brewer; incidental music by Dr Arnold. MS: Larpent 1034; not published. Prologue by the author (Morning Herald, 19 Aug.). Author of Epilogue unknown]: With new Scenery by Rooker, Dresses, and Decorations . Prologue spoken by Palmer. Epilogue spoken by Mrs Gibbs. COMMENT, 2nd piece [1st time; C 5, by George Brewer; incidental music by Dr Arnold. MS: Larpent 1034; not published. Prologue by the author (Morning Herald, 19 Aug.). Author of Epilogue unknown]: With new Scenery by Rooker, Dresses, and Decorations .