SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Addison Esq"/1) | (@(roleclean,performerclean) "J Addison Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 943 matches on Performance Comments, 767 matches on Event Comments, 424 matches on Author, 141 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: Ferdinand-Johnstone; Spado-Quick; Pedrillo-Munden; Don Caesar-Bowden; Philippo-Townsend; Don Scipio-Powel; Rapino-Haymes; Sanguino-Thompson; Don Juan-Davenport; Vasquez-Farley; Calvette-Ledger; Alphonso-Incledon; Victoria-Mrs Addison; Catalina-Mrs Lee; Isabel-Mrs Platt; Lorenza-Mrs Martyr.

Afterpiece Title: The Irishman in London

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Olympus in an Uproar; or, The Descent of the Deities

Performance Comment: Jupiter-Munden; Mercury-Townsend; Momus-Simmons; Paris-Incledon; Juno-Mrs Addison; Pallas-Mrs Clendining; Erynnis-Mr Delpini (1st appearance these 7 years); Iris-Mrs Castelle; Venus-Mrs Mountain; A Description of Part of the Scenery, Machinery. ACT I. The Palace Garden, and Canal of Tyndarus. The introduction of Leda and the Swan. Leda-Mlle St.Amand. The Hesperean Dragon spouting Fire, pursuing Erynnis to recover the Golden Pippin. A Celestial Palace, with a Magnificent Temple, and the Peacock of Juno in Transparency. ACT II. A Plain in Phoenicia, in which Jupiter descends from the Heavens on an Eagle, and Momus on a Goose. A Procession to a Sacrifice. Jupiter in the form of a Bull, bearing Europa, attended by a train of Priests, Virgins, Nymphs, Shepherds. The Sea, with a distant View of the Isle of Crete. Jupiter bearing Europa across the Sea. A View of Mount Idav The Decree of Paris, and the Ascent and Descent of the Deities: Vulcan, Apollo, Mars, Hercules, Bacchus, Pan, Ceres, Diana, Cybele, Flora, Pomona, Proserpine, Hebe. Mercury descends on a Cloud, and Iris on a Rainbow. Pluto rises from the Infernal Regions in a Chariot drawn by Dragons; Neptune in a watery Car, borne by Sea Horses; and Jupiter descends in a Cloud, attended by Hebe and Ganymede. To conclude with the Re-ascent of Jupiter attended by Flying Cupids.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Capt. Macheath-Incledon; Peachum-Munden; Lockit-Davenport; Mat o' the Mint-Haymes; Filch (1st time)-Simmons; Ben Budge-Street; Lucy-Mrs Martyr; Mrs Peachum-Mrs Davenport; Jenny Diver-Mrs Castelle; Polly-Mrs Addison (1st appearance in that character).

Afterpiece Title: Harlequin and Oberon

Dance: In III: a Hornpipe-Blurton

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Miller of Mansfield

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Trip to Scotland

Dance: II: A Dance, as17730506

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: Achilles; Or, Iphigenia In Aulis

Performance Comment: Edition of 1700: Prologue by Tho. Cheek Esq</a>-Mr Powell; Epilogue by Mr Motteux-Mr Norris; Eriphile-Mrs Wilkins.
Event Comment: At the Desire of several Ladies of Quality. Mainpiece: Written by the late N. Rowe, Esq. Afterpiece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Dido and Aneas

Afterpiece Title: The Burgomaster Trick'd

Dance: As17340112

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Hamlet-Giffard; King-W. Giffard; Polonius-Lyon; Laertes-Richardson; Ostrick-Woodward; Horatio-Havard; Guildenstern-Hamilton; Bernardo-Dove; Queen-Mrs Haughton; Ophelia-Mrs Hamilton; Ghost-Rosco; Gravediggers-Penkethman, Ray. After which will be introduced, The Ceremony of Hamlet's Lying in State, after the Manner of his Grace, the late Duke of Buckingham. With new Musick proper to the Occasion, set by Mr Carey. The Words by Henry Saville, Esq. [but see17351205] .but see17351205] .

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Devil to Pay

Performance Comment: As17380421 With a Prologue to the Farce, written by Aaron Hill, Esq-Miss Wright; in Boy's Cloaths. and an Epilogue to the Farce-Miss Wright, as Captain of the Lilliputians, at the Head of her Company.

Dance: I: Saraband-Miss Wright, Miss Morrison; II: French Peasant-Master Ferg, Miss Wright, Scholars to Leviez; AII: La Pieraite-Leviez, Mrs Thompson; IV: Grand Ballet in Comic Characters-the Lilliputians; V: Minuet-Leviez, Mrs Walter

Song: II: Beard

Event Comment: Yesterday George Frederick Handel, Esq</a>; was couch'd by William Bromfield, Esq</a>; Surgeon to her Royal Highness the Princess of Wales, when it was thought there was all imaginable hopes of success by the Operation, which must give the greatest pleasure to all lovers of Music

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Fair

Event Comment: JJohn Rich Esq</a>, Master and Patentee of the TRCG, died Thursday 26 Nov. 1761, about six o'clock in the evening, at his house adjoining to the Theatre Royal in Covent Garden, in the seventieth year of his age. Mrs Priscilla Rich sole executrix of the Will of John Rich Esq, deceas'd. Mr John Rich was buried in Hillingdon Churchyard. (See his Epitaph, Lysons's Middlesex Parishes, p. 162) Dec. 4, 1761. ibid p. 173 (Hopkins MS Notes). Income from Boxes #85 5s. Rec'd of John Condill on acct of Fruit #20. Expenses #46 3s. 8d. [The balance brought forward to this date for this season was #2007 9s. 1d. From this was subtracted the #1291 19s. 4d. necessary for starting the season (see 9 Sept.), which left Beard a favorable balance of #715 9s. 9d. with which to carry on. The Winston Theatrical Record ceases on this date.

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Coronation

Event Comment: Mainpiece: By Particular Desire. Paid Mr Vincent for 3 sets of Abels Symphonies #2 5s. (Account Book). Receipts: #116 11s. (Account Book). This was the last time Mr Beard appeared on the stage. John Beard Esq</a> Buried in the vault (at Hampton) 12 Feb. 1791. This celebrated actor was bred up at the King's Chapel, and was afterwards one of the singers at the Duke of Chandos's Chapel at Canons, where he took a part in Handel's Oratorio of Hester. His first appearance on the stage was 30 August 1737, in the character of Sir John Loverule [Devil to Pay], at Drury Lane. In 1739 he married Lady Henrietta Herbert, daughter of James, Earl of Waldegrave, and Widow of Lord Edward Herbert. Upon this event he quitted the Stage. After a few years he returned to it again, and continued to be a great favourite with the public both as an actor and a vocal performer till 1767, when he finally retired from the theatre. Lady Henrietta Beard died in 1753; and in 1759 Mr Beard married a Daughter of John Rich Esq</a> Patentee of Covent Garden Theatre. On this occasion he removed a second time to that theatre, where he had acted from 1744 to 1748; and on the death of his father-in-law in 1761, was appointed Manager. Mr Beard, who was as much esteem'd in private life as he was admired on the stage, was for many years an Inhabitant of Hampton. See Lysons's Middlesex Parishes, p. 89 and 80. Mr Beard died 4 Feb. 1791, aged 74 years. See his Epitaph, ibidem. See Lady Beard's Epitaph in St Pancreas Churchyard (Hopkins MS Notes)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: The West Indian

Performance Comment: Belcour-Lewis; Stockwell-Booth; Capt. Dudley-Hull; Charles-Wroughton; Major O'Flaherty-Aickin; Fulmer-Dunstall; Varland-Quick; Lady Rusport-Mrs Green; Louisa-Mrs Bulkley; Mrs Fulmer (1st time)-Mrs Pitt; Charlotte Rusport-Mrs Mattocks; Epilogue for that Charity by Richard? Cumberland, Esq</a>-Hull, Mrs Mattocks.

Afterpiece Title: The Upholsterer

Dance: As17771104

Song: End II: song-Mrs Farrell

Performances

Mainpiece Title: Lord Russel

Performance Comment: Characters are as follows: King Charles II, James Duke of York, Earl of Bedford, Lord Russel, Algernon Sidney, Lord Howard, Sir George Jefferies, Father Peters, Hubert, Lieutenant of the Tower; Lady Russel. Which are kindly undertaken to be represented by Ladies and Gentlemen, who never performed on any Stage. [Cast from text (no pub. [c. 1794]): King Charles II-Capt. Harriett (of the Navy); James Duke of York-Hyanson (a Yorkshire Attorney, Brother to Mrs McNally); Earl of Bedford-Laurence [sic] (Father to the celebrated Painter); Lord Russel-Horne (of the Temple); Algernon Sidney-another Laurence (not the Painter); Lord Howard of Eserick-Supple; Sir George Jefferies-A Young Lawyer of the Temple; Father Peters-Major Sykes; Hubert, Preceptor to Lord Russel-Henry Lucas, Esq. (Son of the late celebrated Dr Lucas) (who also wrote and spoke the Prologue); Kirk, Lieutenant of the Tower-Elliot; Lady Russel-Mrs Batiere (who also wrote and spoke the Epilogue).] Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug . Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug .
Event Comment: Benefit for Wild. 1st Piece: 1st Time at this Theatre, and with Permission of G. Colman, Esq. [owner of the copyright]; written by Joseph Atkinson, Esq. [i.e. altered from his The Mutual Deception (see hay, 29 Aug. 1786)]. 2nd piece: Not acted these 2 years. 3rd piece: Not acted these 7 years [acted 23 May 1783]. Receipts: #225 0s. 6d. (113.0.6; 5.5.0; tickets: 106.15.0)

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: The Nunnery

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End I 1st piece: Oh say Bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr

Entertainment: Monologue. End II 1st piece: A Description of the Curiosities in the Tower-Edwin

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Apprentice

Dance: After 2nd song: A Pas Seul-Mons Symone

Song: End IV: Tippy Bob-C. Stanley; End: Poor Jack in character-Mrs Kennedy

Entertainment: Monologue After Dancing: The Monody on the Death of the late D. Garrick Esq</i>. (Written by R. B. Sheridan, Esq</a>.)-the Lady who performs Zara

Performance Comment: Garrick Esq</i>. (Written by R. B. Sheridan, Esq</a>.)-the Lady who performs Zara.
Event Comment: Benefit for Johnstone. 1st piece [1st time; M. INT 1, by John Cartwright Cross. Text Q. Roach, 1794). For music see 1 May]. 2nd piece: For that night only, by Permission of George Colman, Esq. Jun.; Never (previously] performed here. 3rd piece: For this night only, by Permission of George Colman, Esq. Jun. [holder of copyright of both pieces]. Morning Chronicle, 7 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden. Receipts: #333 8s. 6d. (146/2/0; 5/17/6; tickets: 181/9/0)

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship; Or, An Escape From France

Afterpiece Title: THE LONDON HERMIT; or, Rambles in Dorsetshire

Afterpiece Title: THE SON-IN-LAW

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: LOVE AND HONOR; or, Britannia in Full Glory at Spithead

Performance Comment: William-Incledon; Dick-Blanchard; Grapple-Townsend; Lieutenant Capstem-Johnstone//Mary-Mrs Martyr. [European Magazine, May 1794, p. 388, adds: Farmer Ploughfield-Thompson; Clodpole-Rees; Hobnail-Abbot.] In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead . In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead .

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

Performances

Mainpiece Title: All For Love

Afterpiece Title: The Absent Man

Dance: V: The Wake, as17680220

Performances

Mainpiece Title: Alonzo

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Tea

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The National Prejudice

Dance: Act I afterpiece: a French Dance call'd The Cotillion-Giorgi, Duquesney, Tassoni, Rolley, Mrs King, Sga Giorgi, Miss Tetley, Mrs Grimaldi; V: The Irish Hay@makers, as17670919

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: No Wit Like a Woman's

Dance: End: Pantomime Dance, The Lilliputian Camp, as17680922