SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J "/1) | (@(roleclean,performerclean) "J ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2783 matches on Roles/Actors, 876 matches on Performance Comments, 447 matches on Event Comments, 94 matches on Performance Title, and 12 matches on Author.
Event Comment: [The Duke's Company. For Harris' role, see Pepys, 11 May 1668. For Angel as Stephano, see An Elegy Upon...Mr Edward Angell, reprinted in A Little Ark, pp. 38-39: @Who shall play Stephano now? your Tempest's gone@To raise new Storms i' th' hearts of every one.@ For Underhill as Trincalo, note his nickname of Prince Trincalo. (For Mary Davis as Ariel and Mrs Long as Hypolito, see J. H. Wilson, All the King's Ladies, pp. 140, 166.) Downes (Roscius Anglicanus, p. 33): The Tempest...Acted in Lincolns-Inn-Fields...alter'd by Sir William Davenant and Mr Dryden before 'twas made into an Opera. Pepys, Diary: At noon resolved with Sir W. Pen to go see The Tempest, an old play of Shakespeare's, acted, I hear, the first day; and so my wife, and girl, and W. Hewer by themselves, and Sir W. Pen and I afterwards by ourselves; and forced to sit in the side balcone over against the musique-room at the Duke's house, close by my Lady Dorset and a great many great ones. The house mighty full; the King and Court there: and the most innocent play that ever I saw; and a curious piece of musique in an echo of half sentences, the echo repeating the former half, while the man goes on the latter, which is mighty pretty. The play [has] no great wit, but yet good, above ordinary plays. Thence home with Sir W. Pen, and there all mightily pleased with the play

Performances

Mainpiece Title: The Tempest

Performance Comment: Adapted by Sir William Davenant and John Dryden. A possible cast: Ferdinand-Harris?; Stephano-Angel?; Trincalo-Underhill?; Ariel-Mary Davis?; Hypolito-Mrs Long?.
Cast
Role: Ferdinand Actor: Harris?
Role: Stephano Actor: Angel?
Role: Trincalo Actor: Underhill?
Role: Ariel Actor: Mary Davis?
Role: Hypolito Actor: Mrs Long?.
Related Works
Related Work: The Tempest Author(s): William ShakespeareSir William DavenantJohn Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William DavenantJohn DrydenThomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett
Related Work: The Mock Tempest Author(s): Thomas Duffett
Event Comment: Pepys, Diary: I with Lord Brouncker (who was this day in an unusual manner merry, I believe with drink), J. Minnes, and W. Pen to Bartholomew-Fair; and there saw the dancing mare again, which, to-day, I find to act much worse than the other day, she forgetting many things, which her master beat her for, and was mightily vexed; and then the dancing of the ropes, and also the little stage-play, which is very ridiculous

Performances

Mainpiece Title: Entertainments

Event Comment: The King's Company. This play is on L. C. list, 5@12, p. 17: ye king here. See also Nicoll, Restoration Drama, p. 344. The play was apparently designed for the opening of the Bridges St playhouse in November 1666 but was not then acted. The edition of 1667 gives a intended cast. Bonhomme-; Valerio-$C. Hart; Ergasto-$W. Winterson [$Wintershall">Cartwright; Valerio-$C. Hart; Ergasto-$W. Winterson [$Wintershall]; Don Buisson-; La Fleur-$E. Keninston [$Kynaston">Burt; La Fleur-$E. Keninston [$Kynaston]; Sganarelle-; Mascarillio-$M. Moon [$Mohun">J. Lacy; Mascarillio-$M. Moon [$Mohun]; Jodelet-; Housekeepers-$Alexander, $Wilbraham">R. Shatterel; Housekeepers-$Alexander, $Wilbraham; Mary and Anne-$The Two Marshalls; Isabella-$Mrs Rutter; Lysette-$Nel Guin; Prologue Intended for the Overture of the Theatre, 1666; Epilogue. [In this list the names Alexander and Wilbraham are not otherwise known and may represent errors in the printed list.

Performances

Mainpiece Title: The Damaseiles A La Mode

Performance Comment: For an intended cast, see below.
Related Works
Related Work: The Damaseiles A La Mode Author(s): Richard Flecknoe
Event Comment: See 27 Feb. and 4 March. Pepys, Diary: [Sir W. Coventry] told me the matter of the play [The Rehearsal] that was intended for his abuse, wherein they foolishly and sillily bring in two tables like that which he hath made, with a round hole in the middle, in his closet, to turn himself in; and he is to be in one of them as master, and Sir J. Duncomb in the other, as his man or imitator: and their discourse in those tables, about the disposing of their books and papers, very foolish. But that, that he is offended with, is his being made so contemptible, so that any should dare to make a gentleman a subject for the mirth of the world; and that therefore he had told Tom Killigrew that he should tell his actors, whoever they were, that did offer any thing like representing him, that he would not complain to my Lord Chamberlain, which was too weak, nor get him beaten, as Sir Charles Sidly is said to do, but that he would cause his nose to be cut

Performances

Event Comment: The King's Company. For the identification of this play and details of its performance, see W. J. Lawrence, "Foreign Singers and Musicians at the Court of Charles II," Musical Quarterly, IX (1923), 217-25, and James G. McManaway, "Entertainment for the Grand Duke of Tuscany," Theatre Notebook, XVI (1961), 20-21. The Travels of Cosmo the Third [Monday 3 June 1669 NS; Monday 24 May 1669 OS]: In the afternoon his highness left home earlier than usual to make his visits, that he might be at the King's Theatre in time for the comedy, and a ballet set on foot and got up in honor of his highness by my Lord Stafford, uncle of the Duke of Norfolk. On arriving at the theatre, which was sufficiently lighted on the stage and on the walls to enable the spectators to see the scenes and the performances, his highness seated himself in a front box, where, besides enjoying the pleasure of the spectacle, he passed the evening in conversation with the Venetian ambassador, the Duke of Norfolk, Lord Stafford, and other noblemen. To the story of Psyche, the daughter of Apollo, which abounded with beautiful incidents, all of them adapted to the performers and calculated to express the force of love, was joined a well-arranged ballet, regulated by the sound of various instruments, with new and fanciful dances after the English manner, in which different actions were counterfeited, the performers passing gracefully from one to another, so as to render intelligible, by their movements, the acts they were representing. This spectacle was highly agreeable to his highness from its novelty and ingenuity; and all parts of it were likewise equally praised by the ladies and gentlemen, who crouded in great numbers to the theatre, to fill the boxes, with which it is entirely surrounded, and the pit, and to enjoy the performance, which was protracted to a late hour of the night (pp. 347-48). In BM Add. Mss. 10117, folio 230, Rugge's Diurnall states that towards the end of May 1669 Cosmo, Prince of Tuscany had several plays acted for him

Performances

Mainpiece Title: Psyche; Or, Love's Mistress

Performance Comment: .
Related Works
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Love's Mistress Author(s): Thomas Heywood
Related Work: Love's Mistress; or, The Queen's Mask Author(s): Thomas Heywood
Related Work: Love's Mistress; or, the Queen's Masque Author(s): Thomas Heywood
Related Work: Psyche Author(s): Thomas Shadwell
Related Work: Psyche Debauched Author(s): Thomas Duffett
Related Work: The Queen's Mask Author(s): Thomas Heywood
Event Comment: The Duke's Company. The source of this performance is the diary of Jeffrey Boys. See G. J. Gray, "The Diary of Jeffrey Boys of Gray's Inn, 1671," Notes and Queries, 27 Dec. 1930, p. 455

Performances

Mainpiece Title: The Forc'd Marriage; Or, The Jealous Bridegroom

Performance Comment: See16700920.
Related Works
Related Work: The Forc'd Marriage; or, The Jealous Bridegroom Author(s): Aphra Behn
Event Comment: The King's Company. See G. J. Gray, "The Diary of Jeffrey Boys of Gray's Inn, 1671," Notes and Queries, 27 Dec. 1930, p. 455

Performances

Mainpiece Title: The Conquest Of Granada, Part I

Performance Comment: See16701200.
Related Works
Related Work: The Indian Emperour; or, The Conquest of Granada by the Spaniards Author(s): John Dryden
Related Work: The Conquest of Granada, Part I Author(s): John Dryden
Related Work: The Conquest of Granada by the Spaniards Author(s): John Dryden
Related Work: Henry the Fourth, Part I Author(s): William Shakespeare
Related Work: The Comical History of Don Quixote, Part I Author(s): Thomas D'Urfey
Related Work: The Comical History of Don Quixote, Part II Author(s): Thomas D'Urfey
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden
Related Work: The Siege of Rhodes, Part I Author(s): Sir William Davenant
Related Work: The Siege of Rhodes, Part II Author(s): Sir William Davenant
Related Work: An Eclogue; or, Representation in Four Parts Author(s): Thomas Jordan
Related Work: The Amorous Bigotte: With the Second Part of Tegue O Divelly Author(s): Thomas Shadwell
Related Work: The Second Part of the Rover Author(s): Aphra Behn
Related Work: The Rover, Part II Author(s): Aphra Behn
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part I Author(s): John Crowne
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: The Atheist; or, The Second Part of the Souldiers Fortune Author(s): Thomas Otway
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: Henry ye Fourth, Part II Author(s): William Shakespeare
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): William ShakespeareJohn Crowne
Event Comment: The King's Company. See G. J. Gray, "The Diary of Jeffrey Boys of Gray's Inn, 1671," Notes and Queries, 27 Dec. 1930, p. 455

Performances

Mainpiece Title: The Conquest Of Granada, Part Ii

Performance Comment: See16701200.
Related Works
Related Work: The Indian Emperour; or, The Conquest of Granada by the Spaniards Author(s): John Dryden
Related Work: The Comical History of Don Quixote, Part II Author(s): Thomas D'Urfey
Related Work: The Conquest of Granada, Part I Author(s): John Dryden
Related Work: The Conquest of Granada by the Spaniards Author(s): John Dryden
Related Work: The Siege of Rhodes, Part II Author(s): Sir William Davenant
Related Work: The Rover, Part II Author(s): Aphra Behn
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden
Related Work: Henry ye Fourth, Part II Author(s): William Shakespeare
Related Work: Barataria; or, Sancho Turn'd Governor Author(s): Thomas D'UrfeyFrederick Pilon
Event Comment: The Duke's Company acted at Oxford during this month, offering Cambyses and, presumably, other plays of which we have no record. See W. J. Lawrence, "Oxford Restoration Prologues," Times Literary Supplement, 16 Jan. 1930, p. 43, and Sybil Rosenfeld, "Some Notes on the Players in Oxford, 1661-1713," Review of English Studies, XIX (1943), 368

Performances

Event Comment: Early in 1672 a group of French players may have acted in London, but the evidence is not precise or detailed. See W. J. Lawrence, Early French Players in England, p. 142

Performances

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. This performance may well be the premiere. In the Preface the author states that the play was asked for on Shrove Tuesday and he wrote it within a week; a premiere, then, before this date would allow very little time for rehearsal. This play is certainly a "Lenten" performance, for it was acted on a Wednesday in Lent and was referred to in the Prologue as a "Lenten Play." See the discussion under The Spanish Rogue (March 1673) and Gray, pp. 785-86. See also J. G. McManaway, The Copy for The Careless Lovers," MLN, XLVI (1931), 406-9. Preface to the edition of 1673: [This play] was written at the Desire of the Young Men of the Stage, and given them for a Lenten-Play, they ask't it not above a Week before Shrove-Tuesday

Performances

Mainpiece Title: The Careless Lovers

Performance Comment: Edition of 1673: Mr Machworth-Norrice; Mr Lovell-Cademan; Mr Careless-Smith; De Boastado-Angell; Toby-Sherwood; Jacinta-Mrs Burroughs; Hillaria-Mrs Clough; Beatrice-Mrs Leigh; Mrs Clappam-Mrs Osborn; Mrs Breedwell-Mrs Norris; Epilogue by Mr Settle-.
Cast
Role: Mr Machworth Actor: Norrice
Role: Mr Lovell Actor: Cademan
Role: Mr Careless Actor: Smith
Role: De Boastado Actor: Angell
Role: Toby Actor: Sherwood
Role: Jacinta Actor: Mrs Burroughs
Role: Hillaria Actor: Mrs Clough
Role: Beatrice Actor: Mrs Leigh
Role: Mrs Clappam Actor: Mrs Osborn
Role: Mrs Breedwell Actor: Mrs Norris
Role: Epilogue by Mr Settle Actor: .
Related Works
Related Work: The Careless Lovers Author(s): Edward Ravenscroft
Event Comment: It is not certain what work this is. Boswell, Restoration Court Stage, pp. 111-12, doubts W. J. Lawrence's suggestion that it was Ariadne, which seems not to have been produced until 30 March 1674. It is possible, but perhaps not likely, that it is the Ballet et Musique which is herein assigned to early February 1674

Performances

Mainpiece Title: An Opera

Performance Comment: Evelyn, Diary: I saw an Italian Opera in musique, the first that had been in England of this kind.
Related Works
Related Work: The Welch Opera Author(s): Henry Fielding
Related Work: The Cobler's Opera Author(s): Lacy Ryan
Related Work: Hob's Opera Author(s): John Hippisley
Related Work: The Village Opera Author(s): Charles Johnson
Related Work: The Beggar's Opera Author(s): J.C. PepuschJohn Gay
Related Work: The Lovers Opera Author(s): W.R. Chetwood
Related Work: Sequel to the Opera of Flora; or, Hob's Wedding Author(s): John Hippisley
Related Work: The Fashionable Lady; or, Harlequin's Opera Author(s): James Ralph
Related Work: The Stage Coach Opera Author(s): William Chetwood
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Eliza HaywoodWilliam HatchettThomas Arne
Related Work: The Cataclysm; or, General Deluge of the World. An Opera, Adorned with Various Sculptures Author(s): Edward Ecclestone
Related Work: L'Opera du Gueux Author(s): John GayM.A. Hallam
Related Work: The Patron; or, The Statesman's Opera Author(s): Thomas Odell
Related Work: Baye's Opera Author(s): Gabriel Odingsells
Related Work: La Prova Dell' Opera Author(s): Giovanni PaisielloDomenico CimarosaGiuseppe Diodati
Related Work: Hob; or, The Country Wake Author(s): Colley CibberThomas Doggett
Event Comment: The King's Company. This performance (entitled The French Opera) is on the L. C. list, 5@141, p. 73. See also Nicoll, Restoration Drama, p. 345. The edition of 1674 (appearing in both an English and a French version) states: An Opera, or, a Vocal Representation. First Compos'd by Monsieur P. P. Now put into Musick by Monsieur Grabut, Master of His Majesties Musick. And Acted by the Royall Academy of Musick, At the Theatre-Royal in Covent-Garden. The names of the singers for this production are not known, but it is possible that some of the French singers who appeared in Calisto in the following season, 1674-75, were in London for this production. See Boswell, Restoration Court Stage, pp. 201, 222, and W. J. Lawrence, Early French Players in England, The Elizabethan Playhouse and Other Studies, p. 145. French dancers in the opera were Pecurr [Preux], LeTemps, Shenan, D'muraile. See L. C. 5@140, p. 472, in Nicoll, Restoration Drama, p. 355

Performances

Mainpiece Title: Ariadne; Or, The Marriage Of Bacchus

Performance Comment: Edition of 1674: Prologue-.
Cast
Role: Prologue Actor: .
Related Works
Related Work: Ariadne; or, The Marriage of Bacchus Author(s): Pierre Perrin
Related Work: Ariadne Author(s): Nicola Porpora
Related Work: Ariadne in Creta Author(s): Samuel HumphreysFrancis Colman
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Virtuoso. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407. The Diary of Robert Hooke, 25 May 1676: Mr Abraham Hill gave J. Hoskins, Aubery and I an account of Vertuoso play. A song, How retched is the slave to love, the music by Francis Forcer, is in Choice Ayres and Songs, The Second Book, 1679. Downes (Roscius Anglicanus, p. 37): The Libertine and Virtuoso: Both Wrote by Mr Shadwell; they were both very well Acted, and got the company great Reputation

Performances

Mainpiece Title: The Virtuoso

Performance Comment: Edition of 1676: Prologue-; Epilogue-; A copy in the William Andrews Clark Jr Memorial Library, Los Angeles, has the following manuscript cast, which may well be the original cast. (The trimming of the page has sometimes cut off the first letter or two of a name, and these have been supplied.) Sir NicholasGimcrack-Percivall; Sir Formal Trifle-Anthony Leigh; Sir Samuel Hearty-Underhill; Longvill-Betterton; Bruce-Smythe; Hazard-Jevon; Lady Gimcrack-Mrs Shadwell; Clarinda-Mrs Currer; Miranda-Mrs Betterton; unassigned-Mrs Price.
Cast
Role: Prologue Actor:
Role: Epilogue Actor:
Role: Sir NicholasGimcrack Actor: Percivall
Role: Sir Formal Trifle Actor: Anthony Leigh
Role: Sir Samuel Hearty Actor: Underhill
Role: Longvill Actor: Betterton
Role: Bruce Actor: Smythe
Role: Hazard Actor: Jevon
Role: Lady Gimcrack Actor: Mrs Shadwell
Role: Clarinda Actor: Mrs Currer
Role: Miranda Actor: Mrs Betterton
Role: unassigned Actor: Mrs Price.
Related Works
Related Work: Virtuoso Author(s): Thomas Shadwell
Event Comment: Henry Savile to the Earl of Rochester, 17 Dec. 1677: I had allmost forgott for another argument to bring you to towne that a French troop of comaedians bound for Nimeguen were by adverse winds cast into this hospitable port and doe act at Whitehall soe very well that it is a thousand pittyes they should not stay, especially a young wench of fifteen, who has more beauty and sweetnesse than ever was seen upon the stage since a friend of our left it (HMC, Bath MSS., 1907, II, 161). W. J. Lawrence (Early French Players in England, pp. 148-49) identifies the French actress as Francoise Pitel, later Mlle Raisin

Performances

Event Comment: During February and March 1678@9 two plays, titles unknown, were acted before the King. See an order: To Edward Griffin, Esq. Treasurer of the Chamber, to be paid over to John Lacy, assigne of Charles Killigrew, Mastr of the revells, for two plays acted before his said Majestie in Feb'ry and March 1678@9 (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII 1851, 34)

Performances

Event Comment: The Duke's Company. The date of the first production is not known, but the fact that Narcissus Luttrell purchased a copy on 22 March 1679@80 suggests that the premiere occurred not later than February. A copy, with Luttrell's date of purchase, is in the Ohio State University Library. (I am indebted to Professor J. H. Wilson for this information.

Performances

Mainpiece Title: The Misery Of Civil-war

Performance Comment: Edition of 1680: Prologue-; King Henry the Sixth-Joseph Williams; Richard Plantagenet-David Williams; Edward-Smith; George, Duke of Clarence-Bowman; Richard-Gillow; Earl of Warwick-Batterton; Old Lord Clifford-Percival; Young Clifford-Wiltshire; Queen Margaret-Mrs Leigh [Mrs Mary Lee]; Lady Grey-Mrs Batterton; Lady Eleanor Butler-Mrs Currer; Epilogue-.
Cast
Role: Prologue Actor:
Role: King Henry the Sixth Actor: Joseph Williams
Role: Richard Plantagenet Actor: David Williams
Role: Edward Actor: Smith
Role: Duke of Clarence Actor: Bowman
Role: Richard Actor: Gillow
Role: Earl of Warwick Actor: Batterton
Role: Old Lord Clifford Actor: Percival
Role: Young Clifford Actor: Wiltshire
Role: Queen Margaret Actor: Mrs Leigh
Role: Lady Grey Actor: Mrs Batterton
Role: Lady Eleanor Butler Actor: Mrs Currer
Role: Epilogue Actor: .
Related Works
Related Work: The Misery of Civil War Author(s): William ShakespeareJohn Crowne
Event Comment: Lord Preston (in Paris) to the Duke of York, 22 Sept. 1683, N.S.: I should not have presumed to give your Highness the trouble of this if something of charity had not induced me to it. I do it at the instance of a poor servant of his Majesty's who some time since was obliged by a misfortune to leave England. It is Mr Grahme [Grabut?], sir, whom perhaps your Highness may remember. Mr Betterton coming hither some weeks since by his Majesty's command, to endeavour to carry over the Opera, and finding that impracticable, did treat with Monsr Grahme to go over with him to endeavour to represent something at least like an Opera in England for his Majesty's diversion. He hath also assured him of a pension from the House, and finds him very willing and ready to go over. He only desireth his Majesty's protection when he is there, and what encouragement his Majesty shall be pleased to give him if he finds that he deserves it (HMC, 7th Report, Part I, p. 290). W. J. Lawrence (Early French Players in England, p. 149) argued that Grahme should be Grabut, who had once been Master of the King's Music (to 1674) and who had settled in Paris. Grabut was certainly back in London in the spring of 1684

Performances

Event Comment: The United Company. The date of this revival is not precisely known but that it occurred in mid-March is indicated by Luttrell's date of 21 March 1683@4 on his copy of the separately-printed Prologue and Epilogue (Bindley Collection, William Andrews Clark@Jr@Library). It should be noted, however, that Friday 21 March is a Friday in Lent, a day on which the companies sometimes did not act. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 202-6. When this play was advertised to be acted on 8 Nov. 1704, the bill bore the heading: "Not Acted these 20 Years." Langbaine (English Dramatic Poets, p. 37): This Play was reviv'd by the Players, since the Union of the Two Houses, and reprinted in quarto Lond. 1684 with a new Prologue and Epilogue, the former written by Jo. Haynes the Comedian

Performances

Mainpiece Title: The Northern Lass

Performance Comment: Edition of 1684: Sir Phillip Luckless-Kynaston; Tridewell-Wilshire; Sir Paul Squelch-Lee; Bullfinch-Haines; Widgine-Gevon; Anvile-Griffen; Nonsense-Monfort; Pate-Lisle [Carlisle]; Beavis-Saunders; Howdee-Bright; Clark-Lowe; Mrs Fitchow-Mrs Barrey; Constance-Mrs Butler; Mrs Trainwell-Mrs Cory; Constance Holdup-Mrs Percivall; Prologue to the Northern Lass [by J. H. (Joseph Haines)]-; Epilogue-Mrs Butler.
Cast
Role: Sir Phillip Luckless Actor: Kynaston
Role: Tridewell Actor: Wilshire
Role: Sir Paul Squelch Actor: Lee
Role: Bullfinch Actor: Haines
Role: Widgine Actor: Gevon
Role: Anvile Actor: Griffen
Role: Nonsense Actor: Monfort
Role: Pate Actor: Lisle
Role: Beavis Actor: Saunders
Role: Howdee Actor: Bright
Role: Clark Actor: Lowe
Role: Mrs Fitchow Actor: Mrs Barrey
Role: Constance Actor: Mrs Butler
Role: Mrs Trainwell Actor: Mrs Cory
Role: Constance Holdup Actor: Mrs Percivall
Role: ] Actor:
Role: Epilogue Actor: Mrs Butler.
Related Works
Related Work: The Northern Lass Author(s): Richard Brome
Event Comment: On this day Luttrell purchased a copy (Bindley Collection, William Andrew Clark@Jr@Library) of The Beggars Delight As it was Sung at the Theatre Royal, published in 1684 by J. Dean

Performances

Event Comment: The United Company. The date of the first performance is not known, but Luttrell dated his copy of the separately-printed Prologue and Epilogue 5 April 1684 (J. W. Dodds, Thomas Southerne, p. 48). Very probably the play first appeared during the week of 31 March-5 April, immediately following Easter. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 191-94. This may have been the last new role William Smith undertook for some years; see Cibber, Apology, ed. Lowe, 1, 78-79, for the incident which prompted Smith's leaving the stage for awhile. One song, I never saw a face till now, with music by Captain Pack, is in The Theater of Music, the First Book, 1685; and another, O why did e'er my thoughts aspire, the music by R. King, is in the same collection. A third song, See how fair Corinna lies, the music by Captain Pack, is in A Collection of Twenty-Four Songs, 1685

Performances

Mainpiece Title: The Disappointment; Or, The Mother In Fashion

Performance Comment: Edition of 1684: Alphonso-Betterton; Lorenzo-Smith; Alberto-Wilshire; Lesbino-Carlisle; Rogero-Leigh; Erminia-Mrs Cook; Juliana-Mrs Percival; Angelline-Mrs Knight; Her Supposed Mother-Mrs Corey; Clara-Mrs Leigh; The Prologue by Mr John Dryden-Mr Betterton; The Epilogue by the Honourable John Stafford, Esq-.
Cast
Role: Alphonso Actor: Betterton
Role: Lorenzo Actor: Smith
Role: Alberto Actor: Wilshire
Role: Lesbino Actor: Carlisle
Role: Rogero Actor: Leigh
Role: Erminia Actor: Mrs Cook
Role: Juliana Actor: Mrs Percival
Role: Angelline Actor: Mrs Knight
Role: Her Supposed Mother Actor: Mrs Corey
Role: Clara Actor: Mrs Leigh
Role: Mr John Dryden Actor: Mr Betterton
Role: Esq Actor: .
Related Works
Related Work: The Disappointment; or, The Mother in Fashion Author(s): Thomas Southerne
Related Work: The Double Disappointment Author(s): Moses Mendez
Related Work: Love Betray'd; or, The Agreable Disapointment Author(s): William ShakespeareWilliam Burnaby
Related Work: The Disappointment Author(s): Henry Carey
Related Work: The Disappointment: or, The Maid's the Mistress Author(s): William Taverner
Related Work: Twelfth Night Author(s): William Shakespeare
Event Comment: Cardell Goodman, the actor, was brought to court for complicity in a poisoning case. See Luttrell, A Brief Relation, I, 318, and J. C. Jeaffreson, A Young Squire of the Seventeenth Century (London, 1878), II, 143-44

Performances

Event Comment: On this date a payment was made to the foreign performers who had come in the spring: To Francis Duperier, for the charge and expences of ye French players attending his Majestie at Windsor and Winchester, and returning to London (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII [1851], 93)

Performances

Event Comment: Christopher Jeaffreson to Colonel Hill, 29 Oct. 1684: Sir James Hackett, lieutenant-colonell to the Lord Dunbarton's regiment, was wounded in the thigh by one Mr Potter in the Playhouse; of which woud he has since died. He is much lamented by his Majesty, and all that knew him (J. C. Jeaffreson, A Young Squire of the Seventeenth Century [London, 1878], II, 143-44)

Performances

Event Comment: The United Company. The date of the first performance is not known, but Luttrell's date of acquistion of the separately-printed Prologue and Epilogue is 6 Feb. 1687@8 (see A. S. Borgman, The Life and Death of William Mountford [Cambridge, Mass., 1935], p. 26n). Very probably the play had its premiere early in February. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 256-58. A song, Lucinda close or veil those eyes, with music by J. B. Draghi, is in The Banquet of Musick, The Second Book, 1688. Charles Gildon, The Lives and Characters of the English Dramatick Poets (London, 1698 (?), p. 102: [It] did not succeed as the Author wish'd

Performances

Mainpiece Title: The Injured Lovers; Or, The Ambitious Father

Performance Comment: Edition of 1688. Prologue to the Injur'd Lovers-Mr Mountfort; King of Sicily-Williams; Rheusanes-Betterton; Ghinotto-Griffin; Dorenalus-Mountfort; Old Colonel-Sanford; Soldiers-Lee, Jevon, Underhill; Princess Oryala-Mrs Barry; Antelina-Mrs Bracegirdle; Epilogue-Mr Jevon.
Cast
Role: Prologue to the Injur'd Lovers Actor: Mr Mountfort
Role: King of Sicily Actor: Williams
Role: Rheusanes Actor: Betterton
Role: Ghinotto Actor: Griffin
Role: Dorenalus Actor: Mountfort
Role: Old Colonel Actor: Sanford
Role: Soldiers Actor: Lee, Jevon, Underhill
Role: Princess Oryala Actor: Mrs Barry
Role: Antelina Actor: Mrs Bracegirdle
Role: Epilogue Actor: Mr Jevon.
Related Works
Related Work: The Injured Lovers; or, The Ambitious Father Author(s): William Mountfort