SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J "/1) | (@(roleclean,performerclean) "J ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2783 matches on Roles/Actors, 876 matches on Performance Comments, 447 matches on Event Comments, 94 matches on Performance Title, and 12 matches on Author.
Event Comment: Receipts: #205 16s. 6d. (183.6.0; 22.10.6)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Lewis; Strickland-Murray; Jack Meggot-Macready; Bellamy-Toms; Tester-Townsend; Buckle-Farley; Frankly-Holman; Mrs Strickland-Miss Chapman; Lucetta-Mrs Mattocks; Jacintha-Miss Mansel; Milliner-Mrs Watts; Clarinda-Mrs Pope.

Afterpiece Title: Harlequin and Oberon

Performance Comment: As17961219.
Event Comment: Receipts: #252 19s. (238.10.6; 14.8.6)

Performances

Mainpiece Title: The Mysteries Of The Castle

Performance Comment: Hillario-Lewis; Fractioso-Quick; Montauban-Incledon; Carlos-Pope; Valoury-Munden; Cloddy-Fawcett; Count Montoni-Toms; Bernardo-Macready; Annette-Mrs Mattocks; Constantia-Mrs Mountain; Julia-Miss Mansel.

Afterpiece Title: Harlequin and Oberon

Performance Comment: As17961219.
Event Comment: Receipts: #220 13s. (207.16; 12.17)

Performances

Mainpiece Title: Abroad And At Home

Performance Comment: As17961121, but Bailiffs-_.

Afterpiece Title: Harlequin and Oberon

Performance Comment: As17961219.
Event Comment: By Command of Their Majesties. [1st piece in place of A Cure for the Heart Ache, advertised on playbill of 18 Feb.] Receipts: #484 19s. (478.13; 6.6)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manley-Murray; Sir Francis Wronghead-Munden; Count Basset-Macready; Squire Richard-Knight; John Moody-Quick; Lady Grace-Miss Mansel; Lady Wronghead-Mrs Davenport; Miss Jenny-Mrs Knight; Myrtilla-Miss Logan; Mrs Motherly-Mrs Platt; Trusty-Mrs Fawcett; Lady Townly-Miss Wallis.

Afterpiece Title: Bantry Bay

Performance Comment: As17970218.

Afterpiece Title: The Irish Mimick

Performance Comment: As17961029.
Event Comment: [3rd piece in place of Cross Purposes, advertised on playbill of 21 Feb.] Receipts: #270 12s. (262.10; 8.2)

Performances

Mainpiece Title: A Cure For The Heart Ache

Performance Comment: As17970218.

Afterpiece Title: Bantry Bay

Performance Comment: As17970218.

Afterpiece Title: The Deaf Lover

Performance Comment: As17961119, but James-_; here called Harry-Farley; Canteen-_; John-_; Sternhold-_; William-_; Bob-_; Cook-_.
Event Comment: Receipts: #214 0s. 6d. (208.12.0; 5.8.6)

Performances

Mainpiece Title: A Cure For The Heart Ache

Performance Comment: As17970218.

Afterpiece Title: Bantry Bay

Performance Comment: As17970218.

Afterpiece Title: Cross Purposes

Performance Comment: Grub-Munden; Chapeau-Knight; George Bevil-Macready; Robin-Farley; Frank Bevil-Claremont; Harry Bevil-Lee; Emily-Miss Mansel; Mrs Grub-Mrs Mattocks.
Event Comment: [The playbill omits the Epilogue to 1st piece, but the Gallery called for it, and after "a shower of oranges and apples, some of which hit the performers" Mrs Mattocks was induced to speak it (True Briton, 27 Feb.)]. Receipts: #209 14s. 6d. (203.12.6; 6.2.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Performance Comment: As17970218, but Jessy Oatland-Mrs Mountain in place of Miss Wallis. Epilogue as17970110 .

Afterpiece Title: Bantry Bay

Performance Comment: As17970218.

Afterpiece Title: Two Strings to your Bow

Performance Comment: As17961209, but Don Sancho-_; Drunken Porter-_; Waiters-_.
Event Comment: Receipts: #214 5s. (208.8; 5.17)

Performances

Mainpiece Title: A Cure For The Heart Ache

Performance Comment: As17970218.

Afterpiece Title: Bantry Bay

Performance Comment: As17970218.

Afterpiece Title: The Prisoner at Large

Performance Comment: As17961122, but Tough-_; Count Fripon-_; Phelim-_.
Event Comment: [3rd piece in place of Comus, advertised on playbill of 6 Mar.] Receipts: #213 11s. (202.3; 11.8)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Performance Comment: As17970306but Blurton_; Hawtin_; Abbot_; Lee_; Curties_.

Afterpiece Title: Bantry Bay

Performance Comment: As17970218.

Afterpiece Title: The Poor Sailor

Performance Comment: As17961215.
Event Comment: Receipts: #245 12s. 6d. (235.5.0; 10.7.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Performance Comment: As17970306 .

Afterpiece Title: Bantry Bay

Performance Comment: As17970218.

Afterpiece Title: The Midnight Hour

Performance Comment: As17960914.
Event Comment: [2nd and 3rd pieces in place of Raymond and Agnes, advertised on playbill of 11 Mar.] Receipts: #207 0s. 6d. (198.16.0; 8.4.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Performance Comment: As17970306 .

Afterpiece Title: Bantry Bay

Performance Comment: As17970218.

Afterpiece Title: The Romp

Performance Comment: Watty Cockney-Knight; Capt. Sightly-Haymes; Old Cockney-Thompson; Barnacle-Powel; Penelope-Miss Logan; Miss La Blonde-Miss Leserve; Priscilla Tomboy-Mrs Knight.
Event Comment: Receipts: #181 15s. (172.7; 9.8)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Performance Comment: As17970307but Sir George Evelyn-Holman in place of Pope; Oliver-Simmons in place of Fawcett.

Afterpiece Title: Bantry Bay

Performance Comment: As17970218.

Afterpiece Title: The Poor Sailor

Performance Comment: As17961215.
Event Comment: Receipts: #165 11s. (160.12; 4.19)

Performances

Mainpiece Title: Italian Villagers

Performance Comment: As17970425, but Abbot_; Lawyer's Clerks-_Gray; Chorusses-_.

Afterpiece Title: Raymond and Agnes

Performance Comment: As17970320but Principal Characters-_Simmons, _Simpson, _Cranfield, _Hawtin, _Blurton.
Event Comment: Receipts: #168 7s. 6d. (162.12.6; 5.15.0)

Performances

Mainpiece Title: Italian Villagers

Performance Comment: As17970427.

Afterpiece Title: Raymond and Agnes

Performance Comment: As17970427, but added: Miss Burnett.
Event Comment: Benefit for Holman. 1st piece [1st time; C 5, by Benjamin Hoadly, based partly on L'Ecole des Femmes, by Moliere. Larpent MS 1160; not published. Prologue by John Taylor; Epilogue by Edward Jerningham (European Magazine, May 1797, p. 342)]: Mr Holman having been favored by the Family of Doctor Hoadly, Author of the Suspicious Husband, with a Manuscript Comedy in Five Acts, the production of that celebrated Writer, he most respectfully informs the Public that it will be presented under the Title of The Tatlers. True Briton, 1 May: The Play was given to Holman by Dr Hoadly Ashe, Hoadly's nephew. Ibid, 10 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Account-Book: Paid Insurance and Duty on #10,000 for one year from 16th Inst. at the Royal Exchange Fire Office #136 17s; ditto on #10,000 for one year from Lady Day at the Phoenix Fire Office #112 10s. Receipts: #290 11s. 6d. (143.16.0; 10.11.6; tickets: 136.4.0)

Performances

Mainpiece Title: The Tatlers

Performance Comment: Principal Characters-Quick, Holman, Pope, Munden, Murray, Middleton, Thompson, Miss Chapman, Miss Mansel, Mrs Davenport, Mrs Mattocks. Cast from European Magazine, May 1797, p. 341: Cobler-Quick; Shatter-Holman; Allworthy-Pope; Froward-Munden; Sir ThomasSevern-Murray; Woodville-Middleton; Jonathan-Thompson; Miss Severn-Miss Chapman; Fanny Allworthy-Miss Mansel; Madge Haggard-Mrs Davenport; Lady Nettleton-Mrs Mattocks; Prologue-Holman; Epilogue-Mrs Mattocks.

Afterpiece Title: Cross Purposes

Performance Comment: As17970223, but Mrs Grub-Mrs Davenport; Harry Bevil-_.

Afterpiece Title: Netley Abbey

Performance Comment: As17961006, but added to Capt. Oakland: A Sail on our Lee Bow-Incledon.
Event Comment: Receipts: #215 17s. (209.2; 6.15)

Performances

Mainpiece Title: Italian Villagers

Performance Comment: As17970427.

Afterpiece Title: Raymond and Agnes

Performance Comment: As17970427.
Event Comment: Receipts: #149 7s. (142.4; 7.3)

Performances

Mainpiece Title: Italian Villagers

Performance Comment: As17970427.

Afterpiece Title: Raymond and Agnes

Performance Comment: As17970320but Principal Characters-_Cranfield, _Hawtin, _Blurton.
Event Comment: Benefit for Pope. 1st piece: Not acted these 10 years. [3rd piece in place of The Irish Mimick, advertised on playbill of 3 May.] True Briton, 2 May: Tickets to be had of Pope at his house, No. 5, Moon-street, Piccadilly. Receipts: #398 12s. 6d. (237.14.6; 10.15.6; tickets: 150.2.6)

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverly-Pope; Lewson-Middleton; Jarvis-Hull; Bates-Powel; Dawson-Thompson; Stukely-Murray (1st appearance in that character); Charlotte-Miss Chapman; Lucy-Mrs Platt; Mrs Beverly (for that night only)-Mrs Siddons (of dl, [she] having in a manner the most obliging and liberal consented to perform for Pope's Benefit).she] having in a manner the most obliging and liberal consented to perform for Pope's Benefit).

Afterpiece Title: The Ghost

Performance Comment: As17970218, but Sir Jeffery-_.

Afterpiece Title: Hartford Bridge

Performance Comment: As17960923, but Bar@maid-_.
Event Comment: Receipts: #126 0s. 6d. (120.3.6; 5.17.0)

Performances

Mainpiece Title: Italian Villagers

Performance Comment: As17970427.

Afterpiece Title: Raymond and Agnes

Performance Comment: As17970503.
Event Comment: Benefit for Mrs Mountain. 2nd piece [1st time: CO 2, by James Hook Jun. Larpent MS 1172; not published]: With appropriate Scenery, Dresses, and Decorations. The Overture and Music by James Hook? Sen.. True Briton, 16 May: Tickets to be had of Mrs Mountain, No. 28, Maiden-lane, Covent-Garden. Receipts: #287 3s. (86.4.6; 14.6.0; tickets: 186.12.6)

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: As17970509, but Inkle-Bowden; Yarico (for that night only)-Mrs Powell (of dl; 1st appearance in that character). 1st appearance in that character).

Afterpiece Title: Diamond Cut Diamond; or, Venetian Revels

Performance Comment: Principal Characters-Incledon, Knight, [Fawcett, Powel, Simmons, Curties, [Munden, Mrs Mountain, Mrs Clendining, Mrs Martyr; [Partial cast from musical score (A. Bland & Weller [1797]): Martino-Incledon; Durazzo-Fawcett; Doctor Vivaldo-Munden; Adriana-Mrs Mountain; Julia-Mrs Clendining; Rosa-Mrs Martyr; [Larpent MS lists the other parts: Claudio-; Uberto-; Lento-; Pieto-.

Afterpiece Title: Cross Purposes

Performance Comment: As17970223, but Mrs Grub-Mrs Davenport.

Song: In: Ma chere Amie-Incledon; End Act I 2nd piece: to conclude with a Grand Serenade-, by Moonlight, on the Water, representing a View in the Bay of Venice, with distant Illuminations; A Madrigal-Incledon, Gray, Linton, which is echoed from various Gondolas, as they pass and repass, sounding their Oars to the Time of the Singers; The Storm-Incledon

Event Comment: Afterpiece: With the Fantoccini, by Martinelli. Receipts: #266 (262.12; 3.8)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17971025.

Afterpiece Title: Harlequin and Oberon

Performance Comment: As17971016.

Dance: As17971025

Song: In: Old Towler-Incledon

Event Comment: Mainpiece: In Act I incidental to the Tragedy, a Grand Masquerade. [This was included in all subsequent performances.] Afterpiece: With the Fantoccini, as 30 Oct. ["In the late performance of this play at Covent Garden theatre, we perceive that this objection [i.e. Romeo and Juliet in III. v standing on the stage] is removed; the principal part of the scene is spoken from a balcony...The grand funeral dirge is introduced with magnificence and ostentation. A long procession of monks, friars, &c., accompanied with music, is made to passover the stage. But what end is all this farce and shew to answer?...We must rather laugh at so much pomp and expence bestowed on Juliet. If there is any distress stirring, the candle-snuffers and scene-shifters, who assist as chief mourners, have it all to themselves" (Monthly Mirror, Nov. 1797, p. 293). Receipts: #197 3s. 6d. (193.5.6; 3.18.0)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Johnston; Capulet-Powel; Benvolio-Whitfield; Friar Lawrence-Hull; Prince-Clarke; Tibalt-Claremont; Paris-Toms; Montague-Davenport; Balthazar-Abbot; Peter-Rees; Friar John-Thompson; Apothecary-Simmons; Mercutio-Lewis; Lady Capulet-Mrs Platt; Nurse-Mrs Davenport; Juliet-Mrs Spencer.

Afterpiece Title: Harlequin and Oberon

Performance Comment: As17971016.

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, and a Solemn Dirge-; Vocal Parts-Johnston, Incledon, Townsend, Linton, Blurton, Gray, Street, Abbot, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Miss Wheatley, Miss Sims, Mrs Henley, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

Event Comment: Afterpiece: With the Fantoccini, as 30 Oct. Receipts: #235 12s. (231.17; 3.15)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17971102.

Afterpiece Title: Harlequin and Oberon

Performance Comment: As17971016.

Song: As17971102

Performances

Mainpiece Title: Ipermestra

Performance Comment: As17971128, but Braghetti_, DeGiovanni_, Sga_ Pastorelli.

Dance: End I: L'Offrande a Terpsichore- [see17971128

Ballet: End Opera: Ariadne et Bacchus. As17971128, but Silenus-_; Cupid-_

Performance Comment: As17971128, but Silenus-_; Cupid-_.

Performances

Mainpiece Title: Ipermestra

Performance Comment: As17971202.

Dance: As17971202

Ballet: Ariadne et Bacchus. As17971202

Performance Comment: As17971202.