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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J "/1) | (@(roleclean,performerclean) "J ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2740 results for: Keyword - J
We found 2783 matches on Roles/Actors, 876 matches on Performance Comments, 447 matches on Event Comments, 94 matches on Performance Title, and 12 matches on Author.

1951
12 January 1782 @ Covent Garden

Event Comment: Receipts: #225 2s. (222/6; 2/16)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: As17811117 .

Afterpiece Title: The Choice of Harlequin

Performance Comment: As17811226 .

1952
19 January 1782 @ Covent Garden

Event Comment: Receipts: #209 3s. (206/14; 2/9)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: As17811117 .

Afterpiece Title: The Choice of Harlequin

Performance Comment: As17820116.

1953
26 January 1782 @ Covent Garden

Event Comment: Receipts: #192 3s. (185/6; 6/17)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: As17811117 .

Afterpiece Title: The Choice of Harlequin

Performance Comment: As17820116.

1954
26 April 1782 @ Covent Garden

Event Comment: Benefit for Trew. Morning Herald, 20 Apr.: Tickets to be had of Trew, No. 9, Great Square, Gray's Inn. Receipts: #220 13s. (100/7; tickets: 120/6) (charge: #105)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17820121, but Dumont [here called Shore]-Trew (1st appearance in that character); Mrs Barnes's name listed in playbill; omitted: Derby . Mrs Barnes's name listed in playbill; omitted: Derby .

Afterpiece Title: Comus

Performance Comment: As17811023, but Comus-Trew; added: Bacchanals-Reinhold, &c; Principal Bacchanal (with the songs of Comus)-A Young Gentleman (1st appearance on any stage [unidentified]) .unidentified]) .

Song: End of Act IV of mainpiece the song of Arionelli from The Son-in-Law, as17820419; In afterpiece The Huntsman's sweet Halloo, as17820226

Performance Comment: hathi.

1955
13 May 1782 @ Covent Garden

Event Comment: Benefit for Brandon, box-book and house-keeper. [The playbill announces as mainpiece King Henry the Eighth, and as afterpiece Barnaby Brittle, but the Account-Book has, "Alter'd to the Count of Narbonne" and "Alter'd to Comus."] Receipts: #300 8s. (66/2; tickets: 234/6) (charge: #105)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Probably as17811117 .

Afterpiece Title: Comus

Performance Comment: Probably as17820223.

1956
24 May 1782 @ Covent Garden

Event Comment: Benefit for Curteen, Condell & Colborne, box-keepers. Receipts: #181 16s. 6d. (32/8/6; tickets: 149/8/0) (charge: #105)

Performances

Mainpiece Title: The Wife's Relief

Performance Comment: As17820410.

Afterpiece Title: Comus

Performance Comment: As17820522, but Pastoral Nymph-Miss Wright (of DL) .

1957
24 October 1782 @ Covent Garden

Event Comment: Receipts: #149 14s. 6d. (145/15/6; 3/19/0)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: As17821003, but Jaqueline-Mrs Morton .

Afterpiece Title: The Choice of Harlequin

Performance Comment: As17821010.

1958
28 November 1782 @ Covent Garden

Event Comment: Receipts: #166 16s. 6d. (162/0/6; 4/16/0)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: As17821024, but 2nd Officer-Helme .

Afterpiece Title: Lord Mayor's Day

Performance Comment: As17821125.

1959
13 January 1783 @ Covent Garden

Event Comment: Receipts: #166 18s. (156/16/6; 10/1/6)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: As17821128 .

Afterpiece Title: Rosina

Performance Comment: As17831231.

1960
23 May 1783 @ Covent Garden

Event Comment: Benefit for [W.] Bates and Mahon. Afterpiece: With an exact Representation of the Irish Giant [who had recently been exhibited in London: Charles Byrne, 1761-83], and a Leap through a Cask on Fire. Receipts: #132 5s. Receipts: #132 5s. (none listed; tickets: 132/5) (charge: #105)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: As17821128 .

Afterpiece Title: The Royal Chace

Performance Comment: Jupiter (in the character of Harlequin)-[W.] Bates; Chasseur Royal (with The Early Horn)-Brett; Mercury-Darley; Doctor-Thompson; Punch-Jackson; Hercules-Dumay; Apollo-Byrne; Scaramouch-Ratchford; Mars-Cranfield; Anatomist-Jones; Pierrot-Stevens; Highland Lad and Lassie (with a new Character Duet)-Mahon and Miss Satchell; Old Woman-Mr Wewitzer; Columbine-Miss Matthews .

Song: End of Act iv of mainpiece Tally Ho!, as17830516

Performance Comment: , as17830516 .

1961
01 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: Nature Will Prevail

Performance Comment: As17830606.

Afterpiece Title: Comus

Performance Comment: As17830627.

Afterpiece Title: Harlequin Teague

Performance Comment: As17830630.

1962
04 July 1783 @ Haymarket Theatre

Event Comment: [Miss Frodsham was from the Manchester theatre.]

Performances

Mainpiece Title: As You Like It

Performance Comment: Jaques-Bensley; Orlando-Bannister Jun.; Adam-Aickin; Duke Senior-Usher; Corin-Massey; Sylvius-R. Palmer; Amiens (with songs)-Brett; Oliver-Williamson; Duke Frederick-Gardner; Le Beu-Riley; Charles-Egan; William-Barrett; Touchstone-Edwin; Celia (with the Cuckoo Song)-Miss Hooke; Audrey-Mrs Brett; Phoebe-Miss Morris; Rosalind-Miss Frodsham (1st appearance in London) .

Afterpiece Title: Harlequin Teague

Performance Comment: As17830630 but 3rd Anchor Smith-Clarke .

Dance: End of Act I of mainpiece, as17830702 In Act V a Dance of Foresters by Byrne, &c

Performance Comment: hathi.

1963
09 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: As You Like It

Performance Comment: As17830704.

Afterpiece Title: Harlequin Teague

Performance Comment: As17830704.

Dance: As17830704

Performance Comment: hathi.

1964
12 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: You Like It

Performance Comment: As17830704.

Afterpiece Title: Harlequin Teague

Performance Comment: As17830704.

Dance: As17830704

Performance Comment: hathi.

1965
14 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Friend In Need, Is A Friend Indeed

Performance Comment: As 7 July. hathi.

Afterpiece Title: Harlequin Teague

Performance Comment: As17830704.

1966
15 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Friend In Need, Is A Friend Indeed

Performance Comment: As 7 July. hathi.

Afterpiece Title: Harlequin Teague

Performance Comment: As17830704.

1967
21 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17830607.

Afterpiece Title: Harlequin Teague

Performance Comment: As17830704.

Dance: As17830611

Performance Comment: hathi.

1968
23 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: Artaxerxes

Performance Comment: As17830716.

Afterpiece Title: Harlequin Teague

Performance Comment: As17830704.

1969
04 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Young Quaker

Performance Comment: As17830726.

Afterpiece Title: Harlequin Teague

Performance Comment: As17830704.

1970
05 August 1783 @ Haymarket Theatre

Event Comment: Benefit for the Author [of mainpiece]

Performances

Mainpiece Title: The Young Quaker

Performance Comment: As17830726.

Afterpiece Title: Harlequin Teague

Performance Comment: As17830704.

1971
18 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Performance Comment: As17830603.

Afterpiece Title: Harlequin Teague

Performance Comment: As17830704.

1972
01 September 1783 @ Haymarket Theatre

Performances

Mainpiece Title: Seeing Is Believing

Performance Comment: As17830822.

Afterpiece Title: THE AGREEABLE SURPRISE

Performance Comment: As17830612.

Afterpiece Title: Harlequin Teague

Performance Comment: As17830704.

1973
03 September 1783 @ Haymarket Theatre

Event Comment: [Mainpiece in place of The Suicide; afterpiece of Seeing is Believing and The Son-in-Law, all three announced on playbill of 2 Sept.]

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17830607.

Afterpiece Title: Harlequin Teague

Performance Comment: As17830704.

Dance: As17830703

Performance Comment: hathi.

1974
10 May 1784 @ Drury Lane Theatre

Event Comment: Benefit for Mr and Mrs Ward. Receipts: #135 2s. (23/6; 13/18; 0/5; tickets: 97/13) (charge: #107 12s. 11d.)

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Carlos-Kemble (1st appearance in that character); Antonio-Baddeley; Charino-Waldron; Don Duart-Barrymore; Sancho-Suett; Governor-Packer; Monsieur-Burton; Page-Miss Heard; Jaqucs-Wright; Officer-Phillimore; Clodio (alias Don Dismalo Thickscullo de Half Witto)-Ward; Don Lewis (alias Don Choleric Snapshorto de Testy)-Parsons (Their 1st appearance in those characters); Angelina-Mrs Brereton; Elvira-Miss E. Kemble; Honoria-Miss Tidswell; Louisa-Mrs Ward .

Afterpiece Title: A Medley

Performance Comment: Scene I. A Chamber. As Scene III, 7 May. Scene II. As Scene III, 26 Apr. Scene III. A Garden. As Scene IV, 3 May. Scene IV. Inside of a Playhouse. Bucks have at ye all by Ward. To conclude with The Jovial Sailors, as17840320athi .

Afterpiece Title: Duke and No Duke

Performance Comment: As17840503 .

Dance: End of Act I of mainpiece, as17840311athi

1975
14 May 1784 @ Drury Lane Theatre

Event Comment: Benefit for Phillimore, Thompson & Nix. Receipts: #222 13s. (22/14; 14/5; 2/3; tickets: 183/11) (charge: #107 2s.)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17840110, but Ann Page-Miss Field .

Afterpiece Title: Duke and No Duke

Performance Comment: As17840503 .

Dance: End of mainpiece The Minuet de la Cour by the Miss Stageldoirs

Performance Comment: hathi.

Song: Between the Acts of mainpiece Gramacbree Molly, as17840503

Performance Comment: hathi.