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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J "/1) | (@(roleclean,performerclean) "J ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2740 results for: Keyword - J
We found 2783 matches on Roles/Actors, 876 matches on Performance Comments, 447 matches on Event Comments, 94 matches on Performance Title, and 12 matches on Author.

476
17 April 1782 @ Covent Garden

Event Comment: Benefit for Mattocks. Morning Herald, 12 Apr.: Tickets to be had of Mattocks at his house, Charlotte-street, Rathbone-place. Mainpiece: Not acted these 7 years [not acted since 26 Dec. 1774]. Afterpiece: Not acted these 3 years [not acted since 22 May 1778]. Receipts: #175 3s. 6d. (151/9/6; tickets: 23/14/0) (charge: #105)

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favourite

Performance Comment: Essex (1st time)-Henderson; Burleigh-Hull; Raleigh-L'Estrange; Lieutenant-Thompson; Officer-J. Wilson; Southampton-Wroughton; Rutland (1st time)-Mrs Barnes; Nottingham-Mrs Inchbald; Queen Elizabeth-Mrs Hunter (1st appearance these 5 years) .

Afterpiece Title: The Country Mad-Cap

Performance Comment: Ballad-Mattocks; Cantileno (with Imitations')-Reinhold; Zorobabel-Quick; Thomas-Whitfield; Goodwill-Fearon; John-Thompson; Lord Bawble-Lee Lewes; Mrs Midnight-Mrs Pitt; Jenny-Mrs Poussin; The Country Mad-Cap-Mrs Mattocks .

Dance: End of Act II of mainpiece The Poney Races by Harris, Ratchford, Miss Matthews; End of mainpiece The Gala, as17820409

Performance Comment: hathi.

477
24 April 1782 @ Covent Garden

Event Comment: Benefit for Mrs Roope. Morning Herald, 13 Apr.: Tickets to be had of Mrs Roope, No. 14, Eaton-street, Pimlico. Receipts: #122 11s. (58/4; tickets: 64/7) (charge: #105)

Performances

Mainpiece Title: The Chances

Performance Comment: As17820109, but omitted: Nurse, Niece .

Afterpiece Title: The Upholsterer

Performance Comment: Razor-Lee Lewes; Pamphlet (1st time)-Edwin; Quidnunc-Booth; Rovewell-Robson; Belmour-J. Bates; Termagant-Mrs Pitt; Harriet-Mrs Roope (3rd appearance on any stage [see17821031, 14 Nov. 1781]) .see17821031, 14 Nov. 1781]) .

Dance: As17811219

Performance Comment: hathi.

478
03 May 1782 @ Covent Garden

Event Comment: Benefit for Mrs Barnes. Morning Herald, 15 Apr.: Tickets to be had of Mrs Barnes, No. 21, Crown-street, Westminster. Receipts: #134 11s. 6d. (69/3/6; tickets: 65/8/0) (charge: #105)

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Wroughton; Major Oakly-Booth; Charles-Whitfield; Lord Trinket-Lewis; Russet-Fearon; Captain O'Cutter-Egan; Tom-Jones; Paris-J. Wilson; Sir Harry Beagle-Lee Lewes; Harriet-Mrs Morton; Lady Freelove-Mrs Pitt; Mrs Oakly-Mrs Barnes (1st appearance in that character) .

Afterpiece Title: Barnaby Brittle

Performance Comment: As17820404.

Dance: End of mainpiece The Gala, as17820409, but omitted: Harris

Performance Comment: hathi.

479
17 May 1782 @ Covent Garden

Event Comment: Benefit for Booth, Egan, Stevens & Branson. Afterpiece: Never performed here. Receipts: #259 3s. (72/13; tickets: 186/10) (charge: #105)

Performances

Mainpiece Title: The Chapter Of Accidents

Performance Comment: As17820423.

Afterpiece Title: All the World's a Stage

Performance Comment: Diggery-Edwin; Charles Stanley-Whitfield; Harry Stukeley-Davies; Sir Gilbert Pumpkin-Booth; Cymon-Stevens; Wat-Painter; Waiter-J. Wilson; Hostler-Bates; Kitty Sprightly-Mrs Wilson; Miss Bridget Pumpkin-Mrs Webb .

Dance: End of mainpiece a new pantomimical Dance, Anticipation; or, Harlequin's Visit to Greenwich on Whit-Monday, in which will be introduced two favorite Scenes from Harlequin Skeleton. The Pantomime Parts by W. Bates, Baker, Jones, Stevens; Miss Matthews; the Dance by Aldridge, Langrish, Miss Matthews, Miss Besford

Performance Comment: The Pantomime Parts by W. Bates, Baker, Jones, Stevens; Miss Matthews; the Dance by Aldridge, Langrish, Miss Matthews, Miss Besford .

Song: End of Act IV of mainpiece, as17820423; End of Dance Rule Britannia by Darley

Performance Comment: hathi.

480
22 May 1782 @ Covent Garden

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets sold at the Doors will not be admitted. Receipts: #294 l8s. (41/10; tickets: 253/8) (charge: #105)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17811023, but Jack Meggot-Booth; added: Buckle-J. Wilson; Millener-Miss Stuart .

Afterpiece Title: Comus

Performance Comment: As17811023, but added: Bacchanals-Davies, &c .

Dance: As17811211

Performance Comment: hathi.

481
28 May 1782 @ Covent Garden

Event Comment: Benefit for T. Ansell, Pilfold, Marks & Furkins. Tickets delivered by Claridge, Doe, Wells, Roberts, Walker, Cox, Abbot, R. Ledger, Sargent, Seymour for She Stoops to Conquer [announced on playbill of 27 May] will be admitted this Evening. [Afterpiece in place of Retaliation, announced on playbill of 27 May. This was Miss Catley's last appearance on the stage (erroneously stated in DNB, Grove, &c. as taking place in 1784).] Receipts: #245 3s. (26/0/6; 2/10/6; tickets: 216/12/0)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lee Lewes; Sir George Airy-Wroughton; Charles-Whitfield; Sir Jealous Traffick-Thompson; Sir Francis Gripe-Quick; Whisper-Cushing; Scentwell-Mrs Poussin; Isabinda-Miss Ambrose; Patch-Mrs Pitt; Miranda-Mrs Mattocks .

Afterpiece Title: The Devil to Pay

Performance Comment: As17820214, but Sir John Loverule-Davies; Jobson (1st time)-Booth; Butler-J. Wilson .

Dance: End of mainpiece The Merry Sailors by Langrish and others

Performance Comment: hathi.

482
16 September 1782 @ Haymarket Theatre

Event Comment: [Extra night] By Permission of the Lord Chamberlain. Benefit for Wilson. 3rd piece: Not acted these 4 years [not acted since 1 July 1776]

Performances

Mainpiece Title: The Life And Death Of Common Sense

Performance Comment: As17820813, but Sneer-Usher; Prompter-Swords .

Afterpiece Title: Love in a Village

Performance Comment: As17820824, but Hawthorn-Davies (of CG); Justice Woodcock-Wilson .

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John Loverule-Brett; Butler-J. Wilson; Conjurer-Gardner; Coachman-Painter; Cook-Kenny; Jobson-Wilson; Lady Loverule-Mrs Lefevre; Nell-Mrs Wells (1st appearance in that character) .

Monologue: 1782 09 16 End of 2nd piece Joe Haynes's Epilogue, riding on an Ass, by Wilson

Performance Comment: hathi.

483
02 October 1782 @ Covent Garden

Event Comment: By Command of Their Majesties. Receipts: #340 19s. 6d. (339/10/6; 1/9/0)

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: As17820925.

Afterpiece Title: The Commissary

Performance Comment: The Commissary-Quick; Young Loveit-Davies; Simon-J. Wilson; Isaac Fungus-Fearon; Mrs Loveit-Mrs Pitt; Jenny-Mrs Poussin; Dolly-Miss Platt; Mrs Mecklin-Mrs Webb .

Dance: As17820927

Performance Comment: hathi.

484
04 October 1782 @ Covent Garden

Event Comment: [Afterpiece in place of Tom Thumb, announced on playbill of 3 Oct.] "Covent Garden Theatre. As personal allusions and party views have been attributed to the dramatic satire, called The Wishes, the author thinks he cannot so effectively disclaim them as by entirely withdrawing the piece" (Unidentified clipping, dated 5 Oct. 1782, The Tale Edition of Horace Walpoles Correspondence, cd. W. S. Lewis, 1955, xxix, 219). Paid Guard for Scene Men from 8 June to 21 Sept., on 9 occasions, approximately #900. Paid Music #7 14s.; properties 9s. [both being an average payment throughout the season per night]. Receipts: #221 8s. 6d. (218/11/0; 2/17/6)

Performances

Mainpiece Title: The Walloons

Performance Comment: Sullivan-Henderson; Montgomery-Wroughton; Daggerly-Aickin; Davy Dangle-Lee Lewes; Drelincourt-Hull; Pat Carey-Edwin; Bumboat-Fearon; Tipple-Thompson; Joyce-Stevens; Servant-J. Wilson; Sir Solomon Dangle-Quick; Agnes-Miss Satchell; Kitty Carrington-Mrs Wilson; Partlet-Mrs Pitt; Lady Dangle-Mrs Webb .

Afterpiece Title: The Wishes

Performance Comment: As17821003, but omitted: Mrs Webb, Mrs Whitfield. Prologue as17821003.

485
16 October 1782 @ Covent Garden

Event Comment: Receipts: #197 19s. 6d. (195/6/6; 2/13/0)

Performances

Mainpiece Title: The Duenna

Performance Comment: As17821009.

Afterpiece Title: The Positive Man

Performance Comment: Sir Toby Tacet-Quick; Rupee-Edwin; Bellcamp-Whitfield; Lake-Booth; Grog-Lee Lewes; Maurice-Egan; Cable (with a song)-Brett; Stern-Fearon; Quid-Jones; Bowsprit-W. Bates; Sailor-J. Wilson; Hulk-Bates; Lady Tacet-Mrs Webb; Cornelia-Mrs Martyr; Florimel-Miss Cleland; Nancy-Mrs Wilson .

Dance: As17821009

Performance Comment: hathi.

486
19 October 1782 @ Covent Garden

Event Comment: Receipts: #208 17s. (207/2; 1/15)

Performances

Mainpiece Title: The Man Of The World

Performance Comment: Sir Pertinax Macsycophant-Macklin; Lord Lumbercourt-Lee Lewes; Sidney-Aickin; Melvile-Clarke; Counsellor Plausible-Wewitzer; Serjeant Eitherside-Booth; Tomlins-Stevens; Sam-J. Wilson; John-Thompson; Egerton-Lewis; Constantia-Miss Satchell; Lady Macsycophant-Miss Platt; Betty Hint-Mrs Wilson; Nanny-Mrs Davenett; Lady Rodolpha Lumbercourt-Miss Younge .

Afterpiece Title: Tom Thumb

Performance Comment: As17820927.

487
06 October 1783 @ Covent Garden

Event Comment: Receipts: #206 13s. 6d. (205/3/6; 1/10/0)

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Henderson; Macduff-Clarke; Duncan-Hull; Banquo-Whitfield; Lenox-Davies; Malcolm-J. Bates; Seyton-Thompson; Seyward-Helme; Doctor-Fearon; Hecate-Reinhold; Witches-Booth, Mrs Pitt, Stevens; Gentlewoman-Mrs Poussin; Lady Macbeth-Mrs Bates .

Afterpiece Title: The Choice of Harlequin

Performance Comment: As17830922.

Song: In mainpiece the Vocal Parts by Bannister, Reinhold, Mattocks, Brett, Mahon, Darley, Doyle; Mrs Bannister, Mrs Johnstone, Mrs Martyr, Mrs Morton, Mrs Chalmers, Mrs Davenett, Miss Stuart, Mrs Kennedy

Performance Comment: hathi.

488
11 October 1783 @ Covent Garden

Event Comment: "The after-piece-that old obsolete Trash, the Country Madcap, by the aid of Quick and Mrs Mattocks' good Acting, was endured. Reinhold's imitation of Italian Singing . . . got three Peals of Applause" (Public Advertiser, 13 Oct.). Receipts: #150 4s. 6d. (147/1/6; 3/3/0)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Mr Ford-Wroughton; Sir Hugh Evans-Edwin; Doctor Caius-Wewitzer; Mr Page-Hull; Host of the Garter-Booth; Fenton-J. Bates; Pistol-Thompson; Bardolph-Bates; Slender-Quick; Justice Shallow-Wilson; Falstaff-Henderson; Mrs Page-Mrs Whitfield; Anne Page-Mrs Chalmers; Mrs Quickly-Mrs Pitt; Mrs Ford-Mrs Mattocks .

Afterpiece Title: The Rival Knights

Performance Comment: As17831009.

Afterpiece Title: The Country Mad-Cap

Performance Comment: Cast not listed, but see17831206.

489
13 October 1783 @ Covent Garden

Event Comment: The Doors will be opened at 5:15. To begin at 6:15 [see 22 Apr. 1784]. Receipts: #189 14s. 6d. (188/11/6; 1/3/0)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Henderson; King Henry-Clarke; Richmond-Wroughton; Buckingham-Hull; Stanley-Fearon; Tressel-Whitfield; Prince Edward-Miss M. Francis; Duke of York-Miss Painter; Norfolk-Booth; Lieutenant-Mahon; Catesby-Davies; Ratcliffe-Thompson; Lord Mayor-Helme; Oxford-J. Bates; Lady Anne (1st time)-Miss Satchell; Duchess of York-Miss Platt; Queen-Mrs Bates .

Afterpiece Title: (End of Act II) The Rival Knights

Performance Comment: As17831009.

Afterpiece Title: Rosina

Performance Comment: As17831008.

490
20 October 1783 @ Covent Garden

Event Comment: Receipts: #153 11s. (150/7/6; 3/3/6)

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Henderson; Gloster-Hull; Bastard-Aickin; Kent-Clarke; Albany-Davies; Cornwall-Thompson; Burgundy-J. Bates; Physician-Booth; Gentleman Usher-Wewitzer; Edgar-Lewis; Goneril-Miss Platt; Regan-Mrs Whitfield; Arante-Miss Stuart; Cordelia-Miss Satchell (1st appearance in that character) .

Afterpiece Title: The Choice of Harlequin

Performance Comment: As17830922.

491
23 October 1783 @ Covent Garden

Event Comment: Receipts: #221 10s. 6d. (219/17/6; 1/13/0)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17831003, but Player King-Booth; Rosencraus-J. Bates .

Afterpiece Title: Rosina

Performance Comment: As17831008, but Irishman-Fearon .

492
04 November 1783 @ Covent Garden

Event Comment: Mainpiece: Not acted these 2 years. [Prologue by Nicholas Rowe.] Afterpiece [1st time; co 2, by John O'Keeffe, altered from his The Shamrock (see CG, 7 Apr. 1783); published (1st authorized) as noted above]: The selected Music by the Author of the Piece. The Overture, new Airs and Accompaniments by Shield. With New Dresses, Scenery, &c. The Words of the Songs to be had at the Theatre. Account-Book, 30 June 1784: Paid O'Keeffe for Copyright, &c. of The Poor Soldier #315. Receipts: #218 14s. (215/7; 3/7)

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Henderson; Moneses-Wroughton; Axalla-Whitfield; Omar-Fearon; Dervise-Thompson; Prince of Tanais-Booth; Hali-J. Bates; Stratocles-Davies; Bajazet-Kemble (1st appearance in that character); Selima-Miss Satchell; Arpasia-Mrs Bates. The usual Prologue spoken by Wroughton .

Afterpiece Title: The Poor Soldier

Performance Comment: Principal Characters by Mrs Kennedy, Bannister, Johnstone, Edwin, Wilson, Wewitzer; Mrs Martyr, Mrs Bannister. [Cast from London Chronicle, 5 Nov.: Patrick-Mrs Kennedy; Fitzroy-Bannister; Dermot-Johnstone; Darby-Edwin; Father Luke-Wilson; Bagatelle-Wewitzer; Kathlane-Mrs Martyr; Norah-Mrs Bannister. O'Keeffe's Dramatic Works, Vol. 1 (T. Woodfall, 1798) adds: Boy-Master Simmons.] hathi. hathi.

Song: In mainpiece To thee, O, gentle sleep by Brett

Performance Comment: hathi.

493
09 January 1784 @ Covent Garden

Event Comment: In Act II of mainpice a Masquerade Scene incident to the Play. Receipts: #149 14s. (146/16; 2/18)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Henderson; Leonato-Hull; Don Pedro-Davies; Claudio-Whitfield; Balthazar (with a song)-Mattocks; Don John-Booth; Anthonio-Thompson; Borachio-J. Bates [Puilic Advertiser: W. Bates]; Conrade-Mahon; Friar-Fearon; Verges-Wewitzer; Dogberry-Quick; Town Clerk-Edwin; Hero-Mrs Kemble; Margaret-Mrs Davenett; Ursula-Mrs Poussin; Beatrice-Miss Younge .

Afterpiece Title: Friar Bacon

Performance Comment: As17831223 .

494
18 May 1784 @ Covent Garden

Event Comment: Benefit for Mrs Kemble. Public Advertiser, 14 May: Tickets to be had of Mrs Kemble, No. 22, Great Queen-street, Lincoln's-inn-fields. Tickets delivered for Friday the 14th Inst, will be admitted. Receipts: #142 13s. (63/14; tickets: 78/19) (charge: #105)

Performances

Mainpiece Title: More Ways Than One

Performance Comment: As17831208, but Wewitzer in place of Wilson; Joules in place of Wewitzer; omitted: Stevens, Jones, Helme, Miss Platt .

Afterpiece Title: Midas

Performance Comment: As17840426, but Pan-J. Wilson (of DL); Daphne-Mrs Kemble (1st appearance in that character) .

Dance: End of Act I of mainpiece, as17831001

Performance Comment: hathi.

Song: End of Act II of mainpiece The Huntsman's sweet Hollo by Mrs Martyr

Performance Comment: hathi.

Monologue: 1784 05 18 End of mainpiece an Address (written on the Occasion [author unknown]) by Mrs Kemble

Performance Comment: hathi.

495
06 March 1786 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Griffiths, formerly of Drury-Lane Theatre. The Doors to be opened at 5:00. To begin at 6:00. Tickets delivered by Griffiths for the 27th of February will be taken. Tickets and Places to be had of Griffiths, at the Theatre, every Morning from 10 till 12. Fires are kept to keep the Theatre warm

Performances

Mainpiece Title: Tamerlane The Great

Performance Comment: Tamerlane-Calvert (from the Theatre-Royal [Smock Alley], Dublin); Moneses-Kent (from the Theatre-Royal, Norwich); Axalla-Diamond; Dervise-Nash; Bajazet-A Gentleman (1st appearance in that character); Selima-Mrs Clapham (from the Theatre-Royal, York); Arpasia-Miss Shelbourn (from the Theatre-Royal, Edinburgh) .

Afterpiece Title: The Mayor of Garratt

Performance Comment: Major Sturgeon-Griffiths; Sir Jacob Jollup-Connell; Bruin-Kent; Crispin Heeltap-Nash; Roger-J. Bartholomon; Jerry Sneak-Decastro; Mrs Bruin-Miss Woodcock; Mrs Sneak-Miss Shelbourn .

Dance: After the Imitations, The Dwarf Dance by Powel

Performance Comment: hathi.

Song: Between the acts of mainpiece several Catches and Glees by some of the principal performers in London. imitations. End of mainpiece Imitations, Vocal and Rhetorical, by Decastro

Performance Comment: imitations. End of mainpiece Imitations, Vocal and Rhetorical, by Decastro .

496
01 June 1789 @ Haymarket Theatre

Event Comment: [Lloyd is identified in European Magazine, June 1789, p. 488.

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-A Gentleman (1st appearance [Lloyd]); King-Kemble; Polonius-Moss; Laertes-Iliff; Horatio-Johnson; Ostrick-J. Edwin; Rosencraus-Chapman; Guildenstern-Chambers; Francisco-Abbott; Marcellus-Reeve; Player King-Usher; Gravediggers-Powell, Barrett; Ghost-Williamson; Queen-Mrs Barresford; Player Queen-Mrs Lefevre; Ophelia-Mrs Kemble.

Afterpiece Title: Ut Pictura Poesis

Performance Comment: As17890518.

Dance: As17890525

497
05 June 1789 @ Haymarket Theatre

Performances

Mainpiece Title: Love In A Village

Performance Comment: Justice Woodcock-Moss; Hawthorn-Mathews; Sir William Meadows-Usher; Eustace-Johnson; Hodge-J. Edwin; Young Meadows-Mrs Iliff (her 1st appearance in that character); Lucinda-Mrs Plomer; Mrs Deborah Woodcock-Mrs Powell; Madge-Mrs Taylor (1st appearance in that character); Rosetta-Miss George.

Afterpiece Title: As It Should Be

Performance Comment: As17890603.

Dance: End II: As17890525; End I: Statute Dance-the Characters

498
10 June 1789 @ Haymarket Theatre

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Mrs Iliff; Lockit-Mathews; Mat o' th' Mint-Chapman; Filch-J. Edwin; Ben Budge-Abbott; Peachum-Moss; Lucy-Miss George; Mrs Peachum-Mrs Lefevre; Diana Trapes-Mrs Powell; Polly-Mrs Bannister.

Afterpiece Title: As It Should Be

Performance Comment: As17890603.

Dance: End: As17890525; III: Hornpipe-Menage

499
15 February 1793 @ Covent Garden

Event Comment: Among the Instrumental Performers are C. Ashley, Patria, Sarjant, Mahon, Boyce, Mountain, Lavenu, Simpson, Gwilliam, Purney, Munro, Leander, Kaye, Sharp, Wood, &c. &c. Double Drums, Bass Trumpets, &c. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. Places to be had of Brandon at the Box-Office in Hart-Street. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performance, 6d. each, may be had at the Theatre. The Director's Books have these words at the bottom of each Title Page: "Printed by H. Macleish, Recorder Office, Duke's-court, Drury-lane.

Performances

Mainpiece Title: A Grand Selection 0

Performance Comment: Principal Vocal Parts-Incledon, Bartleman, Reynolds (from Durham), Kelly, Mme Mara, Miss Sharp, Mrs Crouch; Leader of the Band-G. Ashley; Organ-J. Ashley.

Afterpiece Title: Grand Selection 1

Performance Comment: God save the King-Chorus (Coronation Anthems); Overture-(Esther); The Dettingen te Deum-; in which Holy Holy Lord-Mme Mara [Rodelinda].Rodelinda].

Afterpiece Title: Grand Selection 2

Performance Comment: Overture, Dead March-(Saul); When the ear heard him-Quartetto see17930313 His body is buried-Semi-Chorus; But his Name liveth-Chorus (Funeral Anthems); O God@like Youth-Miss Sharp (Saul); Gentle Airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); Fall'n is the Foe-Chorus (Judas Maccabaeus); What tho' I trace each herb and flow'r-Mrs Crouch (Solomon); Lord of Eternity-Chorus; Behold the Nations-; O Baal-Chorus (Deborah); Pious orgies-Mme Mara (Judas Maccabaeus); He gave them hailstones-Double Chorus (Israel in Egypt); Concerto on the violin-Mme Gautherot.

Afterpiece Title: Grand Selection 3

Performance Comment: Second Oboe Concerto-; Sound an Alarm-Kelly; We hear-Chorus (Judas Maccabaeus); Ye sacred Priests, Farewell ye limpid springs-Mme Mara (Jephtha); Hear Jacob's God-Chorus (Samson); Arm arm ye brave-Bartleman; We come-Chorus (Judas Maccabaeus); O Magnify the Lord-Mrs Crouch (Chandos? Anthems); The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Mme Mara; The horse and his rider-Double Chorus (Israel in Egypt); God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

500
08 March 1793 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Performance Comment: As17930215, but Principal Vocal Parts-Mme Dussek, Mme _Mara.

Afterpiece Title: Grand Selection 1

Performance Comment: O the pleasures of the plains-Chorus [Acis and Galatea]; When storms the proud-Reynolds; O Judah-Chorus [Athalia]; Here amid-Miss Sharp [Alexander Balus]; What's sweeter than the new blown rose-Mrs Crouch, Kelly [Joseph]; Your harps and cymbals sound-Chorus [Solomon]; Why doth the God of Israel sleep-Incledon [Samson]; I know that my redeemer liveth-Mme Dussek [The Messiah]; Kings shall be thy nursing fathers-Grand Chorus [Coronation Anthems].Coronation Anthems].

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Organ Concerto-J. Ashley; Softly sweet in Lydian measures-Mrs Crouch [Alexander's Feast]; The trumpet's loud clangor-Kelly, Chorus [Dryden's Ode]; Wave from wave-Bartleman; He smote all the first born-Chorus [Israel in Egypt]; Where shall I seek-Incledon [Acis and Galatea]; From the censer curling rise-Chorus [Solomon].Solomon].

Afterpiece Title: Grand Selection 3

Performance Comment: Eighth Concerto-(Corelli); How willing-Bartleman [Samson]; Hear us O God-Chorus Coronation Anthems]; Deeper and deeper still, Waft her angels to the skies-Kelly [Jephtha]; From harmony-Chorus [Dryden's Ode]; The Captive Kings-Incledon, Chorus [, as17930306 Captivity-Mrs Crouch [, as17930220; Let the Bright seraphim-Mme Dussek; Let their celestial concerts-Chorus [Samson]; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).