SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "J "/1) | (@(roleclean,performerclean) "J ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2783 matches on Roles/Actors, 876 matches on Performance Comments, 447 matches on Event Comments, 94 matches on Performance Title, and 12 matches on Author.

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17690712 but Player-Lings; Mrs Vixen-Mrs DuBellamy.

Afterpiece Title: The Lying Valet

Performance Comment: Sharp-Hamilton; Gayless-Davis; Guttle-Kearny; Cook-Castle; Trippet-Wheeler; Melissa-Miss Ogilvie; Kitty-Mrs Gardner.

Dance: As17690712

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17690717 but Mat@of@the@Mint-Kearny; Wat Dreary-_; Jenny Diver-_; Player-Strange.

Afterpiece Title: Tom Thumb

Performance Comment: As17690807, but Ghost-_.

Dance: DDouble Hornpipe-Vandermere, Miss Street; Country Dance-the characters

Event Comment: Benefit for Miss Rose

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17690809, but Diana Trapes-_.

Afterpiece Title: Tom Thumb

Performance Comment: As17690809, but Guzzle-Kearny; new Prologue-Miss Rose; Epilogue-Miss Rose.

Dance: DDouble Hornpipe-Vandermere, Miss Street; Country Dance-the characters

Event Comment: Afterpiece: By Desire

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Holland; Ferdinand (with songs)-Vernon; Stephano-King; Caliban-Love; Trincalo-Baddeley; Hymen-Kear; Ceres-Mrs Dorman; Ariel-Miss Rogers; Miranda-Mrs Baddeley; Antonio-Hurst; Sebastian-Keen; Gonzalo-Burton; Alonzo-Bransby; Shipmaster-Ackman; Boatswain-Clough; Francisco-Wright; With a Grand Dance of Fantastic Spirits-; The Other Dances-Giorgi.

Afterpiece Title: The Padlock

Performance Comment: As17690923.
Event Comment: Mainpiece: By Desire

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Vernon; Peachum-Moody; Lockit-Bransby; Filch-Parsons; Mat@o@Mint-Kear; Beggar-Burton; Player-Wheeler; Lucy-Miss Pope; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Bradshaw; Polly-Mrs Baddeley; To Conclude with a Country Dance-; In Act III, a Hornpipe-Mrs King.

Afterpiece Title: Queen Mab

Performance Comment: As17690926.
Event Comment: [See identification of Young Gentlewoman on bill for 26 Dec.] Receipts: #220 2s. 6d

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Mattocks; Peachum-Shuter; Lockit-Dunstall; Filch-Holtom; Lucy-Mrs Baker; Mrs Peachum-Mrs Vincent; Diana Trapes-Mrs Pitt; Mrs Slammekin-Mrs Green; Polly-a Young Gentlewoman, first appearance any stage [Miss Stanmore, according to Kemble note]; [The Hornpipe-Miss Twist.

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17691110.

Dance: II: Dutch Dance-Mas. Blurton, Miss Besford. [See17671114.

Performance Comment: Blurton, Miss Besford. [See17671114.]
Event Comment: Receipts: #213 15s. 6d

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17691111, but Peachum-_.

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17691110.

Dance: II: Dutch Dance, as17691111

Event Comment: Receipts: #182 8s. 6d

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17691116, but Peachum-Yates.

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17691110.

Dance: II: A Comic Dance-Arnauld, Miss Capon.[See17681007.

Performance Comment: [See17681007.]
Event Comment: Receipts: #232 6s

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17691120, [Polly identified first as Miss Stanmore her fourth appearance on any stage.]

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17691218.
Event Comment: MMiss Weller a Pupil of Dr Arne first appear'd and-(Hopkins Diary). London Evening Post, 11 Jan.; A pupil of Dr Arne and scarecely 19 years of age; her figure is that of the tallest of the middle size, well proportioned and at present possesses a dignity and grace which when habit brings her to perfection cannot fail of being universally admired. Her face is oval with an aqualine nose and though from the timidity of a first appearance the rest of her features lost that necessary animation, yet there were periods when she could disposses herself of her confusion, that prognosticated great expression of countenance. Her voice was clear, commanding, and melodious, and her ear and manner both excellent. She is that kind of singer that one can be pleased from looking at as well as from hearing, --an excellence few vocal performers possess. Her acting abstracted from her voice would have done credit to a first appearance, as it was very pleasing and properly accompanied....What the managers could mean in casting Lucy for Miss Pope is extraordinary, as she sung, or indeed rather squalled every song so much out of tune that it was impossible for the music to accompany her; we do not however mean by this to cast the least reflection on so excellent an actress, as her spirited and judicious manner of playing it almost atoned for that of singing it

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17691011, but Ben Budge-Ackman; Polly-a young gentlewoman [Miss Weller] a Pupil of Dr Arne, her first appearance on any stage; Hornpipe [in Act III-Walker.

Afterpiece Title: A Trip to Scotland

Performance Comment: As17700106.
Event Comment: Rec'd a Message from Mr Barry that he was not able to play King Lear on Fryday, which was at the bottom of today's Bills, but that he believ'd he could play on Saturday. He did not play again till Mond. the 15, King Lear (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17700108.

Afterpiece Title: A Trip to Scotland

Performance Comment: As17700106.
Event Comment: Benefit for Jefferson. Moody's benefit deferred until 3 May (playbill)

Performances

Mainpiece Title: The Tempest

Performance Comment: As17691227, but Trinculo-Jefferson; Miranda-Miss Younge (first time); Francisco-Wright; Master of Ship-Ackman.

Afterpiece Title: The Padlock

Performance Comment: As17690923.
Event Comment: Benefit for Mrs Pinto. Charges #64 10s. Balance to Mrs Pinto #32 3s. 6d. plus #57 from tickets (Box 119; Pit 139; Gallery 64) (Account Book). Receipts: #96 13s. 6d

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17691226, but Polly-Mrs Pinto; Jenny-Miss Ogilvie.

Afterpiece Title: The Englishman in Paris

Performance Comment: As17700324.

Music: I: A Concerto on the Violin-Fisher

Dance: II: The Whim, as17691123; III: A Hornpipe-Miss Twist

Song: I of the Farce: Sweet Bird composed by Handel, sung-Mrs Pinto, accompanied by Fisher

Event Comment: Benefit for Barrington and R. Smith Charges #65 5s. 6d. Deficit to actors: #12 3s. 9d. apiece, covered by income from tickets: Barrington #37 1s. (Box 58; Pit 113; Gallery 56); R. Smith #61 8s. (Box 30; Pit 246; Gallery 170) (Account Book). Receipts: #40 18s

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17700421 but Lucy-Mrs Mattocks, first time.

Afterpiece Title: The Oxonian in Town

Performance Comment: As17700403.

Dance: II: The Irish Lilt, as17700402

Event Comment: Benefit for Raftor, Walker and Mrs Simpson Tickets deliver'd by Carleton, Sen will be taken

Performances

Mainpiece Title: The Tempest

Performance Comment: As17700417 but Trinculo-Parsons; Alonzo-Wrighten; Francisco-_.

Afterpiece Title: A Trip to Scotland

Performance Comment: As17700202, but Griskin?-Parsons.

Dance: HHornpipe-Walker

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Mattocks; Peachum-Yates; Lockit-Dunstall; Filch-Holtom; Lucy-Mrs Baker; Mrs Peachum-Mrs Vincent; Diana Trapes-Mrs Pitt; Mrs Slammekin-Mrs Green; Jenny Diver-Miss Pearce; Polly-Miss Catley; first time. With a Dance incidental to the Opera-.

Afterpiece Title: Harlequin Skeleton

Performance Comment: As17701112.

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17701217, but In Act III: a Hornpipe-Miss Twist.

Afterpiece Title: Harlequin Skeleton

Performance Comment: As17701112, but Harlequin-Rayner.

Dance: II: A Pastoral Dance, as17701205

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17701219.

Afterpiece Title: Mother Shipton

Performance Comment: As17710101.

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17701219.

Afterpiece Title: Mother Shipton

Performance Comment: As17710129.
Event Comment: Mainpiece: By Particular Desire

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17701219.

Afterpiece Title: Mother Shipton

Performance Comment: As17710129.
Event Comment: Benefit for Mrs Mattocks. Last time of performing till Easter Holidays. And last time of Miss Catley's appearing this season. Part of Pit laid into Boxes

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17701219, but Lucy-Mrs Mattocks, second time in that character.

Afterpiece Title: The Padlock

Performance Comment: As17701023.

Dance: End Opera: The Whim, as17701024

Event Comment: Benefit for Reinhold

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17710323 but Macheath-Reinhold, first time; Lucy-Mrs Baker; Polly-Mrs Mattocks.

Afterpiece Title: The Padlock

Performance Comment: As17710417 but Leonora-Mrs Mattocks.

Dance: II: Comic Dance, as17701017

Event Comment: Benefit for Miss Froment, principal dancer at the late Harmonical Meeting, Soho. By Permission of the Lord Chamberlain

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Hudson; Polly-Miss Froment.

Afterpiece Title: A Farce

Dance: Louvre, Minuet-Froment, Miss Froment

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Drury Lane--New Painted and Decorated. Miss Pope's good acting is said to have made up for her deficiency in singing (Genest, V, 314). On Sept. 19 Fisher, Musician, married the widow of the late Powell, Patentee of cg (Winston MS 10). Rec'd Mrs Johnston's 1 year's rent to Lady Day Last #6; Paid Mr French on Acct per order Mr G. G. #20. Paid Renters #8. [This payment occurs each playing night throughout the season, and is not noted further.] The total amounted to #1576 (Drury Lane Treasurer's Book). Receipts: #188 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Vernon; Peachum-Moody; Lockit-Bransby; Filch-Parsons; Mat@o@Mint-Kear; Beggar-Burton; Player-Wheeler; Ben Budge-Ackman; Diana Trapes-Mrs Bradshaw; Mrs Peachum-Mrs Love; Polly-Mrs Wrighten, 1st time; Lucy-Miss Pope; In Act III: a Hornpipe-; To Conclude with a Country Dance-.

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-Cautherly; Freeman-Fawcett; Duke's Servant-Palmer; Philip-Baddeley; Sir Harry's Servant-Dodd; Kingston-W. Palmer; Robert-Ackman; Kitty-Miss Pope (with a song and mock Minuet).

Dance: II: A Comic Dance-Daigville, Sga Vidini

Event Comment: Receipts: #174 (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Mattocks; Peachum-Yates; Lockit-Dunstall; Filch-Holtman; Lucy-Mrs Baker; Mrs Peachum-Mrs Vincent; Diana Trapes-Mrs Pitt; Mrs Slammekin-Mrs Green; Polly-Mrs Mattocks; In Act III: a Hornpipe-Miss Twist.

Afterpiece Title: Mother Shipton

Performance Comment: As17711019.