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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J "/1) | (@(roleclean,performerclean) "J ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2740 results for: Keyword - J
We found 2783 matches on Roles/Actors, 876 matches on Performance Comments, 447 matches on Event Comments, 94 matches on Performance Title, and 12 matches on Author.

2676
19 September 1793 @ Haymarket Theatre

Event Comment: Mainpiece: 27th time [i.e. in continuation of the reckoning for the 1793 hay season]. The Overture, Chorusses, and the new Music by Dr Arnold. The Scenery by Rooker. Books of the Songs to be had at the Theatre. Half-Price not being taken at this Theatre, the Prices will be as in the Summer. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout season, but see 11 Nov.]. Places for the Boxes to be had of Rice at the Theatre. dl Account-Book, 23 Nov.: Received of Colman for 50 Nights Use of the Patent of Drury Lane Theatre at #15 a Nt. #750; 3 Dec.: for 10 nights Use of Patent #150 [Et seq. throughout season.

Performances

Mainpiece Title: The Mountaineers

Performance Comment: Characters-Kemble, Barrymore, Johnstone, Aickin, Bannister, Dignum, Bland, Caulfield, Parsons, Barrett, Palmer Jun., Waldron, Waldron Jun., Bensley, Benson, Suett, Lyons, Usher, Cooke, Bannister Jun., Miss Heard, Mrs Goodall, Miss DeCamp; Vocal Parts-Kenrick, Walker, Dorion, Dorion Jun., Miss Menage, Mrs Bramwell, Mrs Edwin, Mrs Gaudry. [Cast adjusted from text (J. Debrett, 1795): Octavian-Kemble; Virolet-Barrymore; Kilmallock-Johnstone; Roque-Aickin; Muleteers-Bannister, Dignum, BlaBland, Caulfield; Lope Tocho-Parsons; Goatherds-Barrett, Palmer Jun., Waldron, Waldron Jun.; Bulcazin Muley-Bensley; Ganem-Benson; Pacha-Suett; Ali Beg-Lyons; Moors-Usher, Cooke; Sadi-Bannister Jun.; Zorayda-Miss Heard; Floranthe-Mrs Goodall; Agnes-Miss DeCamp.]

Afterpiece Title: Who's the Dupe

Performance Comment: Doiley-Parsons; Sandford-Caulfield; Granger-Barrymore; Gradus-Bannister Jun.; Miss Doiley-Miss Heard; Charlotte-Miss DeCamp.

2677
21 September 1793 @ Haymarket Theatre

Event Comment: [1st piece in place of A Quarter of an Hour before Dinner, advertised on playbill of 19 Sept.] 2nd piece: 19th time [i.e. in continuation of the reckoning for the 1793 hay season]. With new Scenes, Dresses, and Decorations. 3rd piece: Never acted there

Performances

Mainpiece Title: Piety In Pattens

Performance Comment: Squire-Benson; Butler-Barrett; Mrs Candy-Mrs Edwin; Polly-Miss Heard.

Afterpiece Title: The London Hermit; or, Rambles in Dorsetshire

Performance Comment: Characters by Bannister Jun., Suett, Aickin, Caulfield, Benson, Parsons, Usher, Johnstone, Waldron, Barrett, Bland, Cooke, Lyons, Palmer Jun., Waldron Jun., Miss Heard, Mrs Booth, Mrs Edwin, Mrs Hale, Mrs Heard, Mrs Gibbs. Cast adjusted from text (J. Debrett, 1793): Young Pranks-Bannister Jun.; Whimmey-Suett; Old Pranks-Aickin; Peregrine-Caulfield; Skip-Benson; Toby Thatch-Parsons; Barleycorn-Usher; Tully-Johnstone; Barebones-Waldron; Poz-Barrett; Apathy-Bland; Bite-Cooke; John-Lyons; Natty Maggs-Palmer Jun.; John Grum-Waldron Jun.; Dian-Miss Heard; Mrs Maggs-Mrs Booth; Ladies-Mrs Edwin, Mrs Hale; Fishwoman-Mrs Heard; Kitty Barleycorn-Mrs Gibbs.

Afterpiece Title: The First Floor

Performance Comment: Whimsey-Baddeley; Young Whimsey-Benson; Monford-Caulfield; Tim Tartlet-Bannister Jun.; Furnish-Suett; Simon-Bland; Frank-Lyons; Snap-Cooke; Landlord-Barrett; Post@boy-Waldron Jun.; Mrs Pattypan-Mrs Hopkins; Charlotte-Miss Heard; Nancy-Miss DeCamp.

2678
08 October 1793 @ Covent Garden

Event Comment: Mainpiece: With Alterations [by Thomas Hull]. Afterpiece: Compressed into 3 Acts by the author of the Road to Ruin [Thomas Holcroft]. Receipts: #232 6s. (204.16; 27.10)

Performances

Mainpiece Title: The Comedy Of Errors

Performance Comment: Antipholis of Syracuse-Pope; Antipholis of Ephesus-Holman; Duke-Davies; Angelo-Powel; Dr Pinch-Cubitt; AEgeon-Hull; Dromio of Syracuse-Munden; Dromio of Ephesus-Quick; Luciana-Mrs Esten; Abbess-Miss Chapman; Adriana-Mrs Mattocks; Edition of 1793 (J. Bell) adds: Merchants-Thompson, Evatt; Lesbia-Mrs Platt.

Afterpiece Title: The School for Arrogance

Performance Comment: Count Conolly Villars-Holman; Mr Dermot-Johnstone; Mr Dorimont-Farren; Sir Paul Peckham-Fawcett; Sir Samuel Sheepy-Munden; Picard-Cubitt; Exempt-Thompson; Bailiff-W. Wilde; Lucy-Miss Chapman; Lydia-Miss Hopkins; Lady Peckham-Mrs Mattocks.

Song: In III: a song (in character)-Mrs Clendining

Entertainment: As17931004

2679
10 April 1794 @ Covent Garden

Event Comment: Afterpiece [1st time; MF 2, by William Pearce. Text (T. N. Longman, 1794) has cast for season of 1794-95]: With new Music [by Shield), Scenes [by Richards (Theatre Notebook, Summer, 1965, XIX, 143)] and Dresses. The Music composed by [i.e. compiled from] Baumgarten, Paisiello, Dr Arne, W. Parke, Howard, and Shield. Books of the Songs to be had at the Theatre. Morning Chronicle, 26 Nov. 1794: This Day is published NETLEY ABBEY (1s.). Receipts: #399 5s. 6d. (378/1 1/6; 20/14/0)

Performances

Mainpiece Title: Fontainville Forest

Performance Comment: As17940327athi .

Afterpiece Title: NETLEY ABBEY

Performance Comment: Principal Characters by Incledon, Munden, Blanchard, Fawcett, Cubitt, Powel, Claremont, Johnstone//Mrs Mountain, Miss Hopkins, Mrs Martyr. [Cast from Songs (J. S. Barr, 1794): Capt. Oakland-Inclcdon; Oakland-Munden; Jeffery-Blanchard; Gunnel-Fawcett; Rapine-Cubitt; Mr Sterling-Powel; Charles-Claremont; McScrape-Johnstone//Ellen Woodbine-Mrs Mountain; Lucy Oakland-Miss Hopkins; Catherine-Mrs Martyr.] hathi. hathi.

2680
06 May 1794 @ Drury Lane Theatre

Event Comment: Paid Barratt for Oil and Candles #132 10s. Powell: The Jew rehearsed at 10 (for Bannister Jun.); The Citizen at 12. Receipts: #457 5s. 6d. (382/14/0; 70/12/0; 3/7/6; tickets not come in: 0/12/0)

Performances

Mainpiece Title: The Siege Of Belgrade

Performance Comment: As17940503. Prologue, Epilogue as17940421.

Afterpiece Title: THE CITIZEN

Performance Comment: Old Philpot-Baddeley; Young Philpot-Bannister Jun.; Sir J . Wilding-Burton; Young Wilding-Benson; Beaufort-Bland; Dapper-Maddocks; Quildrive-Banks; Will-Lyons; Tom-Evans//Maria-Miss Farren; Corinna-Miss Tidswell .

2681
24 May 1794 @ Covent Garden

Event Comment: Benefit for Bernard. 1st piece [1st time; M. PREL 1]: With the Storming of the Fort, and a View of the Fleet and Harbour. In which will be introduced the Grand Ceremony of the Enemy's Surrendering the Colours, and Marching out before the British Troops. The whole (including Dances) got up entirely under the direction of Byrn. Morning Herald, 13 May: Tickets to be had of Bernard at his house, No. 12, Kirby-street, Hatton Garden. Receipts: #249 8s. 6d. (83/9/6; 7/19/6; tickets: 157/19/6)

Performances

Mainpiece Title: The Fall Of Martinico; Or, Britannia Triumphant

Performance Comment: Principal Vocal Performers-Incledon (with Hark! the Drum beats to Arms, composed by J. Worgan), Townsend, Richardson, Linton//Britannia-Miss Poole .

Afterpiece Title: THE BELLE'S STRATAGEM

Performance Comment: As17931010, but omitted: Villers, Courtall, French Valet, Porter, Miss Ogle, Kitty Willis .

Afterpiece Title: THE HIGHLAND REEL

Performance Comment: As17931010, but Shelty (for that night)-Bernard; omitted: Serieant Jack, Captain Dash . omitted: Serieant Jack, Captain Dash .

Dance: In Act IV of 2nd piece a Masquerade, in which a Minuet by Mrs Pope and Byrn

Performance Comment: hathi.

Song: In Masquerade Old Towler by Incledon; End of 2nd piece A Catalogue of Plays and Farces; or, a Love Letter from Dick Ranter to Kitty Sprightly, to an old Tune, by Bernard; After which Sally in our Alley by Incledon

Performance Comment: hathi.

2682
09 June 1794 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; MD 3, by John Philip Kemble, adapted from LODOISKA; ou, Les Tartares, by Jean Elie Bedeno Deiaure]: The Music composed, and selected from Cherubini, Kreutzer, and Andreozzi, by Storace. With entirely new Dresses, Scenes, Decorations and Machinery. [Scenery for Acts I and III was by Greenwood, for Act II by Malton, Lupino and Demaria; machinery was by Cabanel (see text).] Books of the Songs to be had at the Theatre. Morning Chronicle, 4 Oct. 1794: This day is published LODOISKA (1s. 6d.). Powell, 7 June: Lodoiska rehearsed at 12 and at night (Bannister Jun., Hobler absent). 8 June: Lodoiska rehearsed at night at 6. 9 June: Lodoiska rehearsed at 12. Receipts: #318 1s. (213/11; 101/15; 2/15)

Performances

Mainpiece Title: The Inconstant

Performance Comment: As17940429, but omitted: Bravoes, Page .

Afterpiece Title: LODOISKA

Performance Comment: Polanders. Aickin, Kelly, Palmer, Bannister Jun., Caulfield, Trueman, Fairbrother, Bland, Benson, Webb, Master Welsh, Master Gregson//Mrs Crouch. Captives. Mrs Bland, Miss De Camp, Miss Miller, Miss Leak, Miss Redhead, Mrs Bramwell, Miss Granger, Miss Wrighten, Miss C. Wrighten, Miss Menage, Miss Stageldoir, Miss Chatterley, Miss Gawdry, Mrs Butler, Mrs Boimaison, Miss Davies, &c. Guards and Attendants (performers not listed]. Tartars. Barrymore, Dignum, Sedgwick, Bannister, C. Kemble, Banks, Boimaison. The Horde. Cooke, Danby, Lyons, Maddocks, Phillimore, Welsh, Dorion, Dorion Jun., Evans, Hamoir, Bourk, G. D'Egville, Butler, Whitmell, Nicolini, Keys, &c. [Cast from text (G. G. and J. Robinson [1794]): Polandm. Prince Lupauski-Aickin; Count Floreski-Kelly; Baron Lovinski-Palmer; Varbel-Bannister Jun. [in text: Suett (see17940613]; Adolphus-Caulfield; Gustavus-Trueman; Sebastian-Fairbrother; Michael-Bland; Casimir-Benson; Stanislaus-Webb; Pages-Master Welsh, Master Gregson//Princess Lodoiska-Mrs Crouch. Capti"PtI. As above, but added: Miss Arne. Tartars. Kera Khan-Barrymore; Ithorak-Dignum; Khor-Sedgwick; Japhis-Bannister; Kajah-C. Kemble; Tamuri-Banks; Camazin-Boimaison. The Horde. As above.] hathi. hathi.

2683
27 August 1794 @ Haymarket Theatre

Event Comment: Benefit for Bannister. Morning Herald, 21 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-Cross

Performances

Mainpiece Title: The Life And Death Of King Richard Iii

Performance Comment: Richard (for that night only)-Bannister Jun.; King Henry-Bensley; Prince of Wales-Master De Camp; Duke of York-Miss Menage; Duke of Buckingham-Benson; Earl of Richmond-Palmer; Duke of Norfolk-Abbot; Ratcliffe-Pindar; Tressel-Bland; Sir William Catesby-Davies; Lord Stanley-Aickin; Sir R. Brackenbury-Palmer Jun.; Sir J. Blount-Lyons; Sir James Tyrrel-Waldron Jun.; Lord Mayor-Burton//Elizabeth-Mrs Harlowe (1st appearance in that character); Lady Anne-Mrs Kemble; Duchess of York-Mrs Hopkins .

Afterpiece Title: COMUS

Performance Comment: Comus-Palmer; Spirit-Pindar; Brothers-Palmer Jun., Bland; Bacchanals-Bannister, Davies, Sedgwick, Cooke, Linton, Kenrick, Walker, Dorion, Willoughby, Little, Brown, Aylmer, Saunders, Dibble, &c.//1st Bacchant and Pastoral Nymph (with Sweet Echo, accompanied on the hautboy by Foster) (1st time)-Miss Leak; 2nd Bacchant and Sabrina-Miss De Camp; 3rd Bacchant-Mrs Harvey; Euphrosyne (1st time)-Mrs Harlowe; Bacchants-Mrs Norton, Mrs Masters, Mrs Hale, Mrs Butler, Mrs Gaudry, Misses M. and C. Wrighten, Miss Menage; The Lady-Miss Palmer (1st appearance in that character) .

2684
12 December 1794 @ Drury Lane Theatre

Event Comment: Mainpiece: With Alterations [by John Philip Kemble. In his version, as published in 1793, Lewis is assigned to Barrymore, Helena to Mrs Siddons, the Countess to Mrs Ward, Diana to Mrs Powell. Genest lists the present cast; it appears to be reliable. He omits Phillimore, who is assigned in the text, and Miss Tidswell]. A new Edition of All's Well that Ends Well to be had in the Theatre. Afterpiece: With a Sea Fightv. Powell: Drummer rehearsed at 10; Critic at 11:30; Cherokee at 1. Receipts: #282 1s. (178.19; 99.16; 3.6)

Performances

Mainpiece Title: All's Well That Ends Well

Performance Comment: [Principal Characters by Bensley, Kemble, Aickin, Bannister Jun., Whitfield, C. Kemble, Benson, Caulfield, Bland, Packer, King, R. Palmer, Phillimore, Mrs Powell, Mrs Jordan, Mrs Booth, Miss Miller, Miss Tidswell. Cast from text (J. Debrett, 1793 [sic]) conflated With Genest, VII, 183: King-Bensley; Bertram-Kemble; Lafeu-Aickin; Clown-Bannister Jun.; Dumain-Whitfield; Lewis [i.e. 2nd Lord ]-C. Kemble; Biron [i.e. 1st Gentleman ]-Benson; Jaquez [i.e. 2nd Gentleman ]-Caulfield; Tourville [i.e. Astringer ]-Bland; Steward-Packer; Parolles-King; Soldier (Interpreter)-R. Palmer; Soldier-Phillimore; Countess-Mrs Powell; Helena-Mrs Jordan; Widow-Mrs Booth; Diana-Miss Miller; Mariana-Miss Tidswell.

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Performance Comment: Dangle-Dodd; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Signor Ritornello-Dubois; Interpreter-Benson; Under Prompter-Maddocks; Puff-King; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Leak; Mrs Bland, Miss DeCamp; Tragedians : Lord Burleigh-Caulfield; Governor-Hollingsworth; Earl of Leicester-Whitfield; Sir Walter Raleigh-Burton; Sir Christopher Hatton-Waldron; Master of Horse-Webb; Beefeater-Phillimore; Justice-Packer; Tom Jenkins-Suett; Constable-Bland; Don Ferolo Whiskerandos-Bannister Jun.; Nieces-Miss Heard, Miss Collins; Justice's Lady-Mrs Heard; Confidant-Mrs Booth; Tilburina-Miss Pope.

2685
08 April 1795 @ Covent Garden

Event Comment: Benefit for Quick. 1st piece [1st time; PREL 1, by John Dent]. 2nd piece: In 3 Acts. 3rd piece: In 2 Acts. Morning Chronicle, 26 Mar.: Tickets to be had of Quick, No. 98, High Holborn. Receipts: #409 11s. (201.4.6; 5.0.0; tickets: 203.6.6)

Performances

Mainpiece Title: The Telegraph

Performance Comment: ; or, A New Way of Knowing Things. Characters by Quick, Powel, Haymes, Rock, Farley, Thompson, Abbot, Davenport, Fawcett, Miss Hopkins, Miss Stuart, Mrs Davenport. [Cast from text (J. Downes, 1795): Sir Peter Curious-Quick; Deputy Feedwell-Powel; Major O'Donelly-Haymes; Cook-Rock; Drama-Farley; Coachman-Thompson; Servant-Abbot; Butler-Davenport; Fertile-Fawcett; Gardener-Wilde; Hostler-Horton [recte Burton]; Footman-Blurton; Emily-Miss Hopkins; Edging-Miss Stuart; Lady Curious-Mrs Davenport; Housekeeper-Mrs Platt; Maid-Miss Leserve.

Afterpiece Title: The Comedy of Errors

Performance Comment: As17950317but Luciana-Mrs Mountain; added: Lesbia-Miss Morris.

Afterpiece Title: The Miser

Performance Comment: Lovegold-Quick; Frederick-Farren; Taylor-Wilde; James-Rees; Lawyer-Rock; Satin-Abbot; Ramille-Bernard; Mariana-Mrs Mountain; Lappet-Mrs Mattocks.

Afterpiece Title: The Devil to Pay

Performance Comment: Jobson (for that night only)-Hughes (Manager of the Theatre Royal, Weymouth); Sir John Loverule (with Old Towler)-Incledon (1st appearance in that character); Butler-Townsend; Coachman-Rock; Cook-Rees; Lady Loverule-Mrs Fawcett; Lucy-Miss Stuart; Lettice-Miss Leserve; Nell-Mrs Mattocks (1st appearance in that character).

Song: III 2nd piece: song in character-Mrs Clendining

2686
02 May 1795 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based partly on The Fashionable Lover, by Richard Cumberland. Authors of Prologue and Epilogue unknown]. The Doors to be opened at 5:30. To begin at 6:30, for the remainder of the Season. Morning Chronicle, 13 May 1795: This Day is published The Deserted Daughter (2s.). Receipts: #210 2s. (205.12.6; 4.9.6)

Performances

Mainpiece Title: The Deserted Daughter

Performance Comment: Principal Characters by Lewis, Quick, Pope, Munden, Harley, Bernard, Middleton, Miss Wallis, Mrs Mattocks, Mrs Cornelys, Mrs Pope. [Cast from text (G. G. and J. Robinson, 1795): Cheveril-Lewis; Item-Quick; Mr Mordent-Pope; Donald-Munden; Lennox-Harley; Grime-Bernard; Clement-Middleton; Joanna-Miss Wallis; Mrs Sarsnet-Mrs Mattocks; Mrs Enfield-Mrs Cornelys; Lady Ann-Mrs Pope; Prologue-Harley; Epilogue-Miss Wallis, Mrs Mattocks, Mrs Pope. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Irish Mimick

Performance Comment: As17950423.

2687
30 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for Portal, Gibson, Percey, George, Bowley, Stevenson, Hicks, J. Shade. Kemble Mem.: BT. the box-keepers. Receipts: #573 19s. (50.5.0; 39.14.0; 9.18.6; tickets: 474.1.6) (charge: #211 12s. 6d.)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: As17950422, but Maria-Miss Collins; Valentine-_.

Afterpiece Title: The Quaker

Performance Comment: Steady-Bannister; Solomon-Suett; Easy-Burton; Lubin-Dignum; Countrymen-Webb, Evans; Gillian-Miss Leak; Cicely-Mrs Bramwell; Floretta-Mrs Bland.

Entertainment: MonologueEnd I afterpiece: Collins's Ode on the Passions-Palmer

2688
29 August 1795 @ Haymarket Theatre

Event Comment: Benefit for Mrs Kemble. 1st piece: Not acted these 7 years. 2nd piece [1st time; MF 1, by Robert Benson]: The Musick selected, with new Accompaniments and a Scottish Overture, by Dr Arnold. Morning Chronicle, 25 Aug.: Tickets to be had of Mrs Kemble, No. 9, Haymarket,

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Kemble (only time of his performing here this season); Lord Randolph-Aickin; Glenalvon-Benson; Old Norval-Bensley; Anna-Miss Heard; Lady Randolph-Mrs Siddons (only time of her performing here this season).

Afterpiece Title: Love and Money; or, The Fair Caledonian

Performance Comment: Characters-Suett, Wathen, Benson, Caulfield, Palmer Jun., Cooke, Cross, Abbot, Miss DeCamp, Miss Leak, Mrs Kemble. [Cast from text (J. Wallis [1798]): Andrew-Suett; Peter-Wathen; Drowsy-Benson; Meanright-Caulfield; Lord Rakish-Palmer Jun.; Pliant-Cooke; Runlet-Cross; Anchor-Abbot [in text: Lyons]; Jemmy-Miss DeCamp; Barbara-Miss Leak; Jane-Mrs Kemble.]

Afterpiece Title: The Virgin Unmask'd

Performance Comment: Blister-Suett; Quaver-Davies; Coupee-Bannister Jun.; Lucy-Mrs Kemble.

Entertainment: Monologue End 2nd piece: Monsieur Tonson-Fawcett

2689
30 October 1795 @ Drury Lane Theatre

Event Comment: Mainpiece: The Musick principally new, composed by Storace, with a few Pieces selected from Anfossi, Mozart, Bianchi, Ditters and Sarti. Receipts: #165 1s. (113.5.6; 50.15.0; 1.0.6)

Performances

Mainpiece Title: The Cherokee

Performance Comment: Europeans: Colonel Blandford-Kelly; Henry-Master Welsh; Officer-Cooke; Lt. Ramble-Dignum; Old Average-Hollingsworth; Jack Average-Bannister Jun.; Serjeant Buster-Bannister; Jeremy-Suett; Zilipha-Mrs Crouch; Eleanor-Sga Storace; Fanny-Miss Leak; Winifred-Mrs Bland; Indian Chiefs: Malooko-Barrymore; Zamorin-C. Kemble; Ontayo-Sedgwick; Potowmac-Caulfield; Aglogan-Dubois; Indian Warriors-Phillimore, Fairbrother, Boimaison, Roffey, Butler, Keys, Nicolini, Whitmell, Wells, Garman, Banks; Chorusses-Danby, Evans, Maddocks, Trueman, Welsh, Fisher, Annereau, Atkins, Aylmer, Boyce, Bardoleau, Brown, Cook, Denman, Dixon, Dibble, Caulfield Jun., [J.] Fisher, Gallot, Tett, Walker, Willoughby, Master DeCamp, Master Gregson, Miss Arne, Mrs Bramwell, Mrs Boimaison, Miss Chatterley, Miss Granger, Miss Menage, Miss Mellon, Mrs Maddocks, Mrs Mills, Miss Stuart, Mrs Haskey, Mrs Brigg, Mrs Barnet, Mrs Brooker.J.] Fisher, Gallot, Tett, Walker, Willoughby, Master DeCamp, Master Gregson, Miss Arne, Mrs Bramwell, Mrs Boimaison, Miss Chatterley, Miss Granger, Miss Menage, Miss Mellon, Mrs Maddocks, Mrs Mills, Miss Stuart, Mrs Haskey, Mrs Brigg, Mrs Barnet, Mrs Brooker.

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Suett; Young Philpot-Bannister Jun.; Maria-Miss Farren; Corinna-Miss Tidswell.

2690
11 November 1795 @ Drury Lane Theatre

Event Comment: Receipts: #213 3s. 6d. (152.11.0; 58.16.6; 1.16.0)

Performances

Mainpiece Title: The Pirates

Performance Comment: Don Altador-Kelly; Don Gasparo-Suett; Guillermo-Sedgwick; Captain-Benson; Genariello-Dignum; Captain of the Guard-Caulfield; Lieutenant-Phillimore; Blazio-Bannister Jun.; Sotillo-Wewitzer; Sailor-Evans; Waiter-Banks; Aurora-Mrs Crouch; Fabulina-Sga Storace; Fidelia-Mrs Bland; Marietta-Miss Leak; General Chorus-Cooke, Danby, Fisher, Maddocks, Trueman, Welsh, Master DeCamp, Master Gregson, Annereau, Atkins, Aylmer, Boyce, Bardoleau, Brown, Cook, Denman, Dixon, Dibble, Caulfield Jun., [J.] Fisher, Gallot, Tett, Walker, Willoughby, Miss Arne, Mrs Boimaison, Mrs Bramwell, Miss Chatterley, Miss Granger, Miss Jackson, Mrs Maddocks, Miss Menage, Miss Mellon, Mrs Butler, Miss Stuart.J.] Fisher, Gallot, Tett, Walker, Willoughby, Miss Arne, Mrs Boimaison, Mrs Bramwell, Miss Chatterley, Miss Granger, Miss Jackson, Mrs Maddocks, Miss Menage, Miss Mellon, Mrs Butler, Miss Stuart.

Afterpiece Title: The Village Lawyer

Performance Comment: As17951006, but Kate-Miss Tidswell.

2691
08 January 1796 @ Drury Lane Theatre

Event Comment: Receipts: #244 15s. 6d. (182.11.0; 61.12.6; 0.12.0)

Performances

Mainpiece Title: The Pirates

Performance Comment: As17951111, but Fidelia-Miss DeCamp; Sailor-_; Waiter-_; General Chorus-_Bardoleau, _Brown, _Cook, _Denman, _Dixon, _Dibble, _Caulfield Jun, _[J] Fisher, _Gallot, _Tett, _Walker, _Willoughby, Miss _Chatterley, Miss _Granger, Miss _Jackson, Mrs _Maddocks, Miss _Menage, Miss _Mellon, Miss _Stuart.J] Fisher, _Gallot, _Tett, _Walker, _Willoughby, Miss _Chatterley, Miss _Granger, Miss _Jackson, Mrs _Maddocks, Miss _Menage, Miss _Mellon, Miss _Stuart.

Afterpiece Title: The First Floor

Performance Comment: As17951219, but Mrs Pattypan-Mrs Booth; Simon-_; Frank-_; Snap-_; Landlord-_; Postboy-_.

2692
15 March 1796 @ Covent Garden

Event Comment: Afterpiece [1st time; P 2, author unknown]: The Pantomime partly new and partly compiled. The principal parts of the Compilation from The Choice of Harlequin, The Magic Cavern, The Enchanted Castle, The Sylphs, and The Sorcerer. The Music compiled from, and composed by, Michael Arne, Shield, J. C.? Bach, Spofforth, &c. The Scenery, Machinery, and Decorations are partly new, and the rest completely repaired by Hodgins, Phillips, Hollogan, Blackmore, and assistants. The Dances composed by Byrn. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #274 14s. 6d. (254.13.0; 20.1.6)

Performances

Mainpiece Title: Speculation

Performance Comment: As17951107, but unassigned-_Blurton, Master _Curties.

Afterpiece Title: Harlequin's Treasure 0; or, Jewels New Set

Performance Comment: Pantomimic Characters Persian Merchant and Lover-Farley; Harlequin-Simpson; Clown-Follett; Pantaloon-Hawtin; Fop's Servant-Simmons; Miser-Powel; Pantomimic Sailor-Blurton; Jew-Crowe; Quaker-Davenport; Punch-Rayner; Smuggler-King; Lemon Merchant-Wilde; Landlord-Thompson; Cook-Rees; Surveyor-Claremont; Servant-Abbot; Waiters-Findlay, Lee; Persians and Arabs-Cranfield, Platt, Bayzand, T. Cranfield, Goosetree; Columbine-Mlle St.Amand; Vocal Characters Farmer-Bowden; Vocal Sailor-Haymes; Gambler-Townsend; Pleasure-Mrs Martyr; Virtue-Mrs Mountain; Arabian Girl-Mrs Clendining; Glees and Chorusses-Linton, Street, Spofforth, Williamson, Holland.

Afterpiece Title: Harlequin's Treasure 1

Performance Comment: Part I. A View of the Desarts of Arabia , with the passing of the Caravan.; The Banditti- (from The Magic Cavern) painted by Richards, the music by Shield.; A Garden-; song-Mrs Clendining composed by Shield.; The Hotel-; (from The Choice of Harlequin) with the Views of the Temple of Virtue and Pleasure painted by Richards, Dall, and Smirk; the music by Michael Arne; The Hazard Club (from The Choice of Harlequin)-; Come pass the Box composed by M. Arne,-Bowden, Townsend, Richardson, Haymes, Linton, Street, Spofforth, Williamson, Holland; The Building Scene and Falling Scaffold- (from The Sorcerer) invented by Rich. The Outside of Pantaloon's House-the Mandarine-the Inside-the Magic Candles-; Harlequin from the Tea Urn-, invented by Messink and Martinelli.; The Dog Kennel and Pigeon House- invented by Rich.; Outside of Bagnio- (from The Choice of Harlequin); -The Jew-the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-; with a Hornpipe in Fetters-Byrn.

Afterpiece Title: Harlequin's Treasure 2

Performance Comment: Part II. An exact Representation of the Telegraphe-, in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.; A View of Dover, with the Fleet prepared for Sea-The arrival of an Express from the Admiralty by the Telegraphe-the Sailing of the Fleet; new song by Spofforth-Haymes; Park Wall changes to a Public House; The Trick Tea Chest; Harlequin's Leap and Transformation; The Kitchen Scene- by Messink.; Harlequin changes to a Lobster.; A Landscape-; painted by Lambert.; A new Drinking Song and Chorus by Spofforth-Bowden; The Wash@House Scene- (from The Sorcerer) invented by Rich. Pantaloon's House and Garden Wall-a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.; The Statuary Yard- invented by Messink-the formation of the Stone Figure invented by Delpini.; A Dark Wood-;Harlequin and Columbine, guarded by Virtue, are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. This is succeeded by the Temple of Virtue, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, Faith, Hope, and Charity. Harlequin and Columbine are united at the Altar by Hymen, and the Piece concludes with a Finale-; Grand Dance-Byrn, Holland, Mlle St.Amand.

2693
02 April 1796 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by William Henry Ireland; incidental music by William Linley. Prologue by Sir James Bland Burges; Epilogue by Robert Merry (see text)]: With new Scenes, Dresses & Decorations. The Scenes designed and excuted by Greenwood and Capon. The Dresses by Johnston, Gay & Miss Rein. Printed slip attached to Kemble playbill: A malevolent and impotent attack on the Shakspeare MSS. [i.e. those forged by W. H. Ireland, of which this play was one] having appeared, on the Eve of representation of Vortigern, evidently intended to injure the interest of the Proprietor of the MSS., Mr Samuel? Ireland [W. H. Ireland's father] feels it impossible, within the short space of time that intervenes between the publishing and the representation, to produce an answer to the most illiberal and unfounded assertions in Mr Malone's enquiry [i.e. Edmond Malone, An Inquiry into the Authenticity of certain Papers attributed to Shakspeare, Queen Elizabeth, and Henry, Earl of Southampton, 1796]. He is therefore induced to request that Vortigern may be heard With that Candour that has ever distinguished a British Audience. The Play is now at the Press, and will in a very few days be laid before the Public. [But it was not issued until 1799 (see below). See also Bernard Grebanier, The Great Shakespeare Forgery, London, 1966.] 4 Apr., states that the first three acts were listened to with patience, but beginning with the fourth act the play was damned, when "one tremendous yell of indignation from the pit burst simultaneously." "At four o'clock the doors of the theatre were besieged; and, a few minutes after they were opened, the pit was crowded solely with gentlemen. Before six not a place was to be found in the boxes, and the passages were filled...The audience betrayed symptoms of impatience early in the representation; but, finding its taste insulted by bloated terms, which heightened the general insipidity, its reason puzzled by discordant images, false ornaments, and abortive efforts to elevate and astonish, pronounced its sentence of condemnation at the conclusion of the play" (Gentleman's Magazine, Apr. 1795, pp. 346-47). "Irelands play of Vortigern I went to. Prologue spoken at 35 minutes past 6 [see 29 Mar.]: Play over at 10. A strong party was evidently made to support it, which clapped without opposition frequently through near 3 acts, when some ridiculous passages caused a laugh, mixed with groans-Kemble requested the audience t o hear the play out abt. the end of 4th act and prevailed.-The Epilogue was spoken by Mrs Jordan who skipped over some lines which claimed the play as Shakespeares. Barrymore attempted to give the Play out for Monday next but was hooted off the stage. Kemble then came on, & after some time, was permitted to say that "School for Scandal would be given," which the House approved by clapping. Sturt of Dorsetshire was in a Stage Box drunk, & exposed himself indecently to support the Play, and when one of the stage attendants attempted to take up the green cloth [i.e. a carpet which, by custom, was laid on the stage during the concluding scene of a tragedy], Sturt seized him roughly by the head. He was slightly pelted with oranges" (Joseph Farington, Diary, 1922, I, 145). Account-Book, 4 Apr.: Paid Ireland his share for the 1st Night of Vortigern #102 13s. 3d. Morning Chronicle, 29 Mar. 1799: This Day is published Vortigern and Henry the Second (4s.). Receipts: #555 6s. 6d. (528.6.0; 26.9.6; 0.11.0)

Performances

Mainpiece Title: Vortigern

Performance Comment: Characters-Bensley, Barrymore, Caulfield, Kemble, Whitfield, Trueman, C. Kemble, Benson, Phillimore, King, Dignum, Packer, Cooke, Banks, Evans, Russell, Wentworth, Maddocks, Webb, Master Gregson, Master DeCamp, Mrs Powell, Mrs Jordan, Miss Miller, Miss Tidswell, Miss Heard, Miss Leak; [Cast from text (J. Barker, 1799): Constantius-Bensley; Aurelius-Barrymore; Uter-Caulfield; Vortigern-Kemble; Wortimerus-Whitfield; Catagrines-Trueman; Pascentius-C. Kemble; Hengist-Benson; Horsus-Phillimore; Fool-King; Page-Master Gregson; Servant-Master DeCamp; Edmunda-Mrs Powell; Flavia-Mrs Jordan; Rowena-Miss Miller; Attendants on Edmunda-Miss Tidswell, Miss Heard, Miss Leak; Dignum, Packer, Cooke, Banks, Evans, Russell, Wentworth, Maddocks, Webb are unassigned.] Prologue [actually, read (Boaden, Jordan, I, 297)]-Whitfield; Epilogue-Mrs Jordan.

Afterpiece Title: My Grandmother

Performance Comment: As17951230.

Song: In: Last Whitsunday they brought me-Miss Leak; She sung whilst from her eye ran down-Mrs Jordan [neither one listed in playbill (see BUC, 622)]

2694
13 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Miss Leak. 1st piece: Never performed here. The Musick selected, with new Accompaniments and a Scottish Overture, by Dr Arnold. [Miss Andrews is identified in MS list in Kemble playbills of new performers for this season.] Morning Herald, 30 Apr.: Tickets to be had of Miss Leak, Upper Mews Gate, Castle-street, Leicester-square. Receipts: #155 11s. 6d. (84.2.0; 66.10.0; 0.17.0; tickets: none listed; odd money: 4.2.6) (charge: #213 0s. 7d.)

Performances

Mainpiece Title: Love And Money

Performance Comment: Characters-Suett, Wathen, Benson, Trueman, Cooke, Caulfield, Phillimore, Webb, Maddocks, Miss DeCamp, Miss Leak. [Cast adjusted from text (J. Wallis [1798]): Andrew-Suett; Peter-Wathen; Drowsy-Benson; Lord Rakish-probably Trueman; Pliant-Cooke; Meanright-Caulfield; Runlet-probably Phillimore; Anchor-probably Webb; Jemmy-probably Maddocks; Jane-Miss DeCamp; Barbara-Miss Leak.]

Afterpiece Title: The Belle's Stratagem

Performance Comment: Doricourt-Whitfield; Hardy-Hollingsworth; Sir George Touchwood-Wroughton; Flutter-Bannister Jun.; Saville-C. Kemble; Villers-Benson; Courtall-R. Palmer; Letitia Hardy-Mrs Jordan; Mrs Rackett-Miss Pope; Lady Touchwood-Mrs Kemble; Miss Ogle-Miss Tidswell; Kitty Willis-Miss Stuart.

Afterpiece Title: No Song No Supper

Performance Comment: As17950917, but Louisa-A Young Lady (1st appearance on any stage [Miss Andrews]); Margaretta-Miss Leak; William-_; Servant-_.

Song: In: Thro the Wood Laddie-Miss Leak; In Masquerade Scene 2nd piece: Ally Croker-Miss Leak, Master Welsh

2695
14 June 1796 @ Drury Lane Theatre

Event Comment: Benefit for Portal, Gibson, Percey, George, Bowley, Stevenson, Hicks, J. Shade [box-keepers]. Receipts: #523 2s. (22.9; 23.15; 8.8; tickets: 457.7; odd money: 11.3) (charge: #211 16s. 11d.)

Performances

Mainpiece Title: My Grandmother

Performance Comment: As17960524.

Afterpiece Title: Tit for Tat

Performance Comment: Villamour-Barrymore; Old Meanwell-Packer; Young Meanwell-Whitfield; Skipwell-R. Palmer; Servant-Evans; Florinda-Mrs Goodall; Letty-Miss Pope.

Afterpiece Title: The Liar

Performance Comment: As17960116, but Old Wilding-Aickin.

Entertainment: MonologueEnd 2nd piece: Bucks have at ye all-R. Palmer

Performance Comment: Palmer.

2696
19 October 1796 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 10 years. Afterpiece: The Scenery, Dresses, and Decorations entirely new. Receipts: #293 4s. 6d. (183.5.6; 103.0.0; 6.19.0)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: Feignwell-Bannister Jun.; Freeman-C. Kemble; Sir Philip Modelove-Wewitzer; Obadiah Prim-Hollingsworth; Tradelove-Wathen; Perriwinkle-Suett; Sackbut-R. Palmer; Simon Pure-Caulfield; Aminadab-Grimaldi; Gentlemen-Cooke, Trueman; Stockbrokers-Banks, Maddocks; Servant-Webb; Waiters-Evans, Fisher, Master Gregson; Mrs Prim-Miss Pope; Nancy-Miss Mellon; Betty-Miss Tidswell; Lady-Miss Chatterley.

Afterpiece Title: Richard Coeur de Lion

Performance Comment: Richard-Kelly; Blondel-Barrymore; Florestan-Caulfield; Sir Owen-Bannister; The Seneschal-Phillimore; Antonio-Mrs Bland; Guillot-Wathen; Matthew-Maddocks; William-Banks; Pilgrim-Webb; Matilda-Mrs Crouch; Laurette-Miss DeCamp; Dorcas-Mrs Maddocks; Julie-Miss Menage; Chorus of Knights-Trueman, Welsh, Peck, Dibble, Cook, Tett, Atkins, [J.] Fisher, Gallot, Walker, Bardoleau; Chorus of Soldiers-Evans, Meyers, Caulfield Jun., Denman, Fisher, Earle, Aylmer, Potts, Annereau, Willoughby; Chorus of Peasants-Banks, Butler, Garman, Thompson, Wells, Ms Arne, Mrs Bramwell, Ms Butler, Ms Chatterley, Ms Granger, Ms Jackson, Ms Menage, Ms Benson.

Dance: III afterpiece: Dance-Master and Miss Menage

2697
24 October 1796 @ Covent Garden

Event Comment: Afterpiece: The principal parts of the Compilation from The Choice of Harlequin. The Magic Cavern, The Enchanted Castle, The Sylphs, The Sorcerer. The Music compiled from, and composed by Michael Arne, Shield, J. C.? Bach, Spofforth, &c. The Scenery, Machinery and Decorations are partly new, and the rest completely repaired by Hodgins, Phillips, Hollogan. Blackmore, and assistants. Receipts: #210 14s. 6d. (209.16.6; 0.18.0)

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Pope; Roderigo-Knight; Cassio-Macready; Brabantio-Hull; Lodovico-Toms; Duke-Thompson; Gratiano-Powel; Montano-Claremont; Iago-Murray; Emilia-Mrs Fawcett; Desdemona-Mrs Pope.

Afterpiece Title: Harlequin's Treasure; or, Jewels New Set

Performance Comment: Pantomimic Characters. Persian Merchant and Lover-Farley; Harlequin-Simpson; Clown-Follett; Pantaloon-Hawtin; Fop's Servant-Simmons; Punch-Rayner; Cooper-Blurton; Lemon Merchant-Wilde; Landlord-Thompson; Cook-Mrs Henley; Columbine-Mlle St.Amand; [Vocal Characters. Gamblers-Bowden, Townsend, Haymes, Philipps; Pleasure-Mrs Martyr; Virtue-Mrs Mountain; Arabian Girl-Mrs Clendining; Glees and Chorusses-Linton, Street, Gray; [Part I A View of Desarts of Arabia, with passing of Caravan. The Banditti (from The Magic Cavern, painted by Richards, the music by Shield); A Garden@song-Mrs Clendining; [composed by Shield. The Hotel (from The Choice of Harlequin), with Views of Temple of Virtue and Pleasure Painted by Richards, Dall, and Smirk; the music by Michael Arne. The Building Scene and Falling Scaffold (from The Sorcerer) invented by Rich. The Outside of Pantaloon's House-the Mandarine-the Inside-the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club (from The Choice of Harlequin) Come pass the Box(, composed by [M.] Arne) -Bowden, Townsend, Haymes, Philipps, Linton, Street, Gray; [Prison Scene-with a Hornpipe in Fetters-Blurton; [Part II. An exact Representation of the Telegraphev. in which is shewn the manner of conveying Intelligence, demanding Questions, and receiving Answers. A View of Doverv. with the Fleet prepared for Sea-The arrival of an Express from an Admiralty by the Telegraphe-the Sailing of the Fleet, with Rule Britannia-Townsend, Chorus [Park Wall, changes to a Public House. The Trick Tea Chest, Harlequin's Leap and Transformation. The Kitchen Scenev by Messink. Harlequin changes to a Lobster. A Landscapev painted by Lambert, which changes to the Wash-House Scenev (from The Sorcerer) invented by Rich. Pantaloon's House and Garden Wall-a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.

2698
05 November 1796 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; MF 2, by John Cartwright Cross. MSS: Larpent MS 1139 (as licensed for the hay in Aug. 1796, but, although advertised for performance on 31 successive nights, not acted there), and Larpent MS 1142 (as licensed for dl); not published; synopsis of plot in Morning Herald. 7 Nov.]: The Overture and Musick by Reeve. Books of the Songs to be had in the Theatre. Receipts: #320 4s. (213.14.6; 104.10.0; 1.19.6)

Performances

Mainpiece Title: Measure For Measure

Performance Comment: The Duke-Kemble; Angelo-Palmer; Escalus-Aickin; Claudio-Wroughton; Lucio-Bannister Jun.; Gentlemen-Dignum, Trueman; Provost-Caulfield; Friar Peter-Packer; Elbow-Wewitzer; Froth-Russell; Clown-Suett; Abhorson-Phillimore; Barnardine-R. Palmer; Thomas-Maddocks; Isabella-Mrs Siddons; Mariana-Mrs Powell; Francisca-Miss Tidswell; Mrs Over@done-Mrs Booth.

Afterpiece Title: The Charity Boy

Performance Comment: Characters by Bannister Jun., Dignum, Wathen, Suett, Sedgwick, Maddocks, Caulfield, Cooke, Denman, Master Welsh, Webb, Miss DeCamp, Miss Leak, Mrs Bland. Cast from Songs (J. Barker, 1796): Will Circle-Bannister Jun.; Rivers-Dignum; Chattles-Wathen; Lawyer Busy-Suett; Glum-Sedgwick; Bailiff-Maddocks; Robin-Caulfield; Wheelwright-Cooke; O'Whiskey-Denman; Caesario-Master Welsh; Old Beggar-Webb; Isabella-Miss DeCamp; Fanny-Miss Leak; Rachel-Mrs Bland.

2699
29 December 1796 @ Drury Lane Theatre

Event Comment: Receipts: #165 16s. (109.4; 53.2; 3.10)

Performances

Mainpiece Title: Know Your Own Mind

Performance Comment: Millamour-Wroughton; Dashwould-Bannister Jun.; Malvil-Whitfield; Bygrove-Aickin; Capt. Bygrove-C. Kemble; Sir J. Millamour-Packer; Sir H. Lovewit-R. Palmer; Charles-Wewitzer; Lady Bell-Miss Farren; Lady Jane-Mrs Gibbs; Mrs Bromley-Miss Pope; Miss Neville-Miss Miller.

Afterpiece Title: Robinson Crusoe

Performance Comment: As17961226.

2700
04 March 1797 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Elizabeth Inchbald. Author of Prologue unknown]: With new Dresses, Scenery, &c. Morning Herald, 4 Apr. 1797: This Day is published Wives as they Were, and Maids as they Are (2s). "The Manager of Covent Garden Theatre gives Mrs Inchbald #500 for her new Comedy" (True Briton, 13 Mar.). Receipts: #302 13s. 6d. (295.9.0; 7.4.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Performance Comment: Principal Characters by Lewis, Quick, Pope, Munden, Fawcett, Waddy, Thompson, Ledger, Wilde, Blurton, Hawtin, Abbot, Lee, Curties, Mrs Mattocks, Miss Chapman, Mrs Norton, Miss Wallis. Cast from text (G. G. and J. Robinson, 1797), and European Magazine, Mar. 1797, p. 192: Mr Bronzely-Lewis; Lord Priory-Quick; Sir George Evelyn-Pope; Sir William Dorrillon-Munden; Oliver-Fawcett; Mr Norberry-Waddy; Nabson-Thompson; Servants-Ledger, Wilde, Lee, Curties; Bailiffs-Hawtin, Abbot; Lady Mary Raffle-Mrs Mattocks; Lady Priory-Miss Chapman; Servant-Mrs Norton; Miss Dorrillon-Miss Wallis; unassigned-Blurton; Prologue-Waddy. This was spoken, as here assigned, at the 1st 15 performances only (see17970404). For Address in place of Epilogue, see17970306 .

Afterpiece Title: The Wicklow Mountains

Performance Comment: As17961210.