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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J "/1) | (@(roleclean,performerclean) "J ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2740 results for: Keyword - J
We found 2783 matches on Roles/Actors, 876 matches on Performance Comments, 447 matches on Event Comments, 94 matches on Performance Title, and 12 matches on Author.

2651
18 February 1792 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5 by Thomas Holcroft. Prologue and Epilogue by the author (London Chronicle, 21 Feb.)]. Morning Herald, 29 Feb. 1792: This day is published The Road to Ruin (1s. 6d.). Receipts: #233 5s. (231.1; 2.4)

Performances

Mainpiece Title: The Road To Ruin

Performance Comment: Principal Characters by Lewis, Quick, Holman, Wilson, Munden, Harley, Macready, Thompson, Powel, Rock, Evatt, Farley, C. Powell, Cross, Ledger, Rees, Simmons, Mrs Merry, Mrs Harlowe, Mrs Powell, Mrs Mattocks. [Cast from text (J. Debrett, 1792): Goldfinch-Lewis; Mr Silky-Quick; Harry Dornton-Holman; Mr Sulky-Wilson; Mr Dornton-Munden; Mr Milford-Harley; Hosier-Macready; Sheriff's Officer-Thompson; Mr Smith-Powel; Jacob-Rees; Waiter, Clerks, Servants, Postillions, Tradesmen, Tennis Markers [all unassigned in text]-Rock, Evatt, Farley, C. Powell, Cross, Ledger, Simmons; Sophia-Mrs Merry; Jenny-Mrs Harlowe; Mrs Ledger-Mrs Powell; Mrs Warren-Mrs Mattocks; [Text adds, unassigned: Milliner-; Manteau@maker-; Prologue-Fawcett; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at the 1st 21 performances only (see17920409).]These were spoken, as here assigned, at the 1st 21 performances only (see17920409).]

Afterpiece Title: Blue Beard

Performance Comment: As17920105.

2652
24 February 1792 @ Covent Garden

Event Comment: Oratorio: Written by Milton. Set to Music by Handel. Among the instrumental performers are Messrs Ashley andSons, Patria, Sarjant, Billington, Mahon, Boyce, Mountain, Howard, Lavenu, Simpson, Gwilliam, Purney, Munro, Leander, Kaye, Sharp, Lyon, &c. Double Drums by J. Ashley. The whole under the direction of Harrison and Ashley. At Play-house Prices. No money to be returned. Places for the Boxes to be had of Brandon at the Theatre. The Doors to be opened at 5:30. To begin precisely at 6:30 [same throughout oratorio season]. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Books of the Performance, with the names of the performers to their respective songs, price 6d., may be had at the Theatre, and to prevent imposition in the streets, the Manager's books are printed with the following words at the bottom of each title-page, "Printed by H. Macleish, Duke's court, Drury-Lane.

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso 0

Performance Comment: Principal Vocal Parts-Harrison, Bartleman, Page, Champness, Mrs Second, Mrs Addison, Mrs Billington; Leader of the Band-G. Ashley; Organ-Knyvett.

Afterpiece Title: L'Alegro ed il Pensieroso 1

Performance Comment: First Grand Concerto-; Hence! loathed melancholy-Harrison; Hence! vain deluding joys-Mrs Billington; Come thou Goddess fair and free-Harrison; Come rather Goddess sage and holy-Mrs Billington; Haste thee nymph-Page, Chorus; Come and trip it as you go-Mrs Addison, Chorus; Come pensive nun, Come but keep thy wonted state-Mrs Billington; Join with thee calm peace-Chorus; Mirth admit me of thy crew-Mrs Second; Sweet bird-Mrs Billington; accompanied on the violin-G. Ashley; Mirth admit me of thy crew [repeated]-Bartleman; Oft on a plat of rising ground-Harrison; Let me wander not unseen-Mrs Billington; And young and old-Chorus.

Afterpiece Title: L'Allegro ed il Pensieroso

Performance Comment: Hence vain deluding joys, But O! sad virgin-Mrs Billington; Populous cities please me then-Bartleman, Chorus; There let Hymen oft appear-Mrs Second; Me when the sun, Hide me from day's garish eye-Mrs Billington; I'll to the well@trod stage anon-Page; And ever against eating cares-Mrs Second; As steals the morn upon the night-Mrs Billington, Harrison; These delights if thou canst give-Page, Chorus.

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Wise men flattering-Mrs Addison (Judas Maccabaeus); Rendi il sereno-Harrison (Sosarmes); Nightingale Chorus-(Solomon); Praise the Lord-Mrs Second; accompanied on the organ-Knyvett (Esther); When storms the proud-Bartleman; O Judah! boast his matchless law-Chorus (Athalia); Let the bright seraphim-Mrs Billington; accompanied on the trumpet-Sarjant; Let their celestial concerts all unite-Chorus (Samson).

2653
01 March 1792 @ Drury Lane at King's Theatre

Event Comment: Mainpiece: Not acted these 5 years [not acted since 22 Nov. 1785]. Receipts: #278 10s. 6d. (239.11.6; 36.0.0; 2.19.0)

Performances

Mainpiece Title: King John

Performance Comment: King John-Kemble; Arthur-Miss DeCamp; Pembroke-Dignum; Essex-Caulfield; Salisbury-Whitfield; Hubert-Bensley; Faulconbridge-Palmer; R. Faulconbridge-Waldron; J. Gurney-Lyons; King Philip-Aickin; Lewis-Barrymore; Austria-Phillimore; Cardinal Pandulpho-Packer; Chatillon-Benson; Elinor-Mrs Hopkins; Constance-Mrs Siddons; Blanch-Miss Collins; Lady Faulconbridge-Mrs Cuyler.

Afterpiece Title: The Humourist

Performance Comment: As17911104.

2654
28 March 1792 @ King's Theatre

Event Comment: Instrumental performers as 7 Mar

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Performance Comment: As17920224.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; O had I Jubal's-Miss Hagley (Joshua); His mighty arm-Kelly (Jephtha); Che vi par-Morelli, Kelly, Mrs Crouch (Sarti); Would you gain-Master Welsh (Acis and Galatea); Wake sons-Sedgwick (R. J. Stevens); Mary's dream-Miss Barclay (Relfe); For unto us a child-Chorus (The Messiah).

Afterpiece Title: Grand Selection 2

Performance Comment: Hautboy concerto (Handel)-; Blooming virgins-Incledon (Athalia); And in that air Behold! God is my salvation-Reinhold; Therefore with joy-Reinhold; And in that Day-Mrs Bland; Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Fair Rosale-Master Welsh (Linley); Let's imitate-Dignum, Miss Hagley (Alexander's Feast); What though I trace-Mrs Crouch (Solomon); Zadock the Priest-Chorus (Coronation Anthems).

Afterpiece Title: Grand Selection 3

Performance Comment: Eternal God-Reinhold (Isaac, Giordani); The Prince unable-Mrs Bland (Alexander's Feast); Non piu andrai-Morelli (Paisiello [recte Le Nozze di Figaro, Mozart]); Softly rise-Dignum, Chorus (Solomon, Boyce); Sweet bird-Mrs Crouch (L'Allegro); Every day will I give thanks-Incledon (Chandos Anthems); I know that my Redeemer liveth-Master Welsh; Hallelujah for the Lord God-Chorus (The Messiah).

2655
20 April 1792 @ Drury Lane at King's Theatre

Event Comment: Mainpiece [1st time; C 5, by Joseph Richardson, based on The Coxcomb, Francis Beaumont and John Fletcher. Prologue by Richard Tickell. Epilogue by John Burgoyne (see text)]: With new Dresses, Decorations, &c. Morning Herald, 1 May 1792: This Day is published The Fugitive (1s. 6d.). Receipts: #315 7s. 6d. (275.0.0; 39.2.0; 1.5.6)

Performances

Mainpiece Title: The Fugitive

Performance Comment: Characters by Dodd, Bensley, King, Wroughton, Parsons, Palmer, Barrymore, Maddocks, Wewitzer, Phillimore, Benson, Banks, Mrs Hopkins, Miss Farren, Mrs Jordan, Mrs Kemble, Mrs Ward, Miss Pope. [Cast from text (J. Debrett, 1792): Lord Dartford-Dodd; Sir William Wingrove-Bensley; Admiral Cleveland-King; Mr Wingrove-Wroughton; Old Manly-Parsons; Young Manly-Palmer; Mr Welford-Barrymore; Jenkins-Maddocks; Larron-Wewitzer; O'Donnel-Phillimore; William-Benson; Servant-Banks; Mrs Manly-Mrs Hopkins; Miss Herbert-Miss Farren; Miss Julia Wingrove-Mrs Jordan; Miss Manly-Mrs Kemble; Mrs Rachel Cleveland-Mrs Ward; Mrs Larron-Miss Pope; Prologue-Bannister Jun; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at all subsequent performances, except on 14 and 16 May.]These were spoken, as here assigned, at all subsequent performances, except on 14 and 16 May.]

Afterpiece Title: All the World's a Stage

Performance Comment: As17911117, but Harry-Benson; Cymon-Alfred.

2656
10 May 1792 @ Covent Garden

Event Comment: Benefit for Munden. Mainpiece [1st time; CO 3, by Thomas Hurlstone. Text (J. Debrett [1792]) gives cast for season of 1792-93. Poetical Sketch by John Wolcot (Morning Herald, 11 May)]: With new Scenery, Dresses, and other Decorations. The Overture and Music entirely new, composed by Carter. Morning Herald, 13 Apr.: Tickets to be had of Munden, No. 15, Catherine-street. Ibid, 1 Dec. 1792: This Day is published Just in Time (1s. 6d.). Receipts: #415 3s. (126.4.6; 4.9.6; tickets: 284.9.0) (charge: #105)

Performances

Mainpiece Title: Just In Time

Performance Comment: Principal Characters by Quick, Blanchard, Munden, Powel, Marshall, Thompson, C. Powell, Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton, Incledon, Mrs Martyr, Mrs Mountain, Mrs Webb, Miss Dall (1st appearance this season). The other Vocal Parts-Mrs Arnold, Miss Francis, Mrs Davenett, Miss Leserve, Mrs Watts, Mrs Gray, Mrs Lloyd, Mrs Powell, Miss Barnett, Mrs Masters, Mrs Cross; Cast from London Chronicle, 12 May 1792: Sir Solomon Oddly-Quick; Handy-Blanchard; Stave-Munden; Commodore Larboard-Powel; Dr Julep-Marshall; Roger-Thompson; Le Friz-C. Powell; Captain Melville-Incledon; Judith-Mrs Martyr; Maria-Mrs Mountain; Lady Oddly-Mrs Webb; Augusta-Miss Dall; Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton and the Vocal Parts are unassigned. Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton and the Vocal Parts are unassigned.

Afterpiece Title: The Deaf Lover

Performance Comment: As17920202, but Old Wrongward-Powel; Meadows-_; here called The Deaf Lover-Munden.

Dance: In: Dance incidental to the piece,-Byrne, Mlle St.Amand

Performance Comment: Amand.

Entertainment: Monologue End: (by way of Epilogue) Poetical Sketch, Jemmy Jumps in the Dumps; or, A Sunday Lounge in Hyde Park-Munden

2657
16 June 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Portal, Shade, Hicks, J. Shade, Gibson, Rice. Kemble Mem.: Bt. the box-keepers. The Last Time of the Company's performing this Season. Receipts: #87 2s. 1d. (53.2.0; 28.15;28.15.1; 5.6.0; tickets: none listed) (charge: #148 1s. 3d.)

Performances

Mainpiece Title: The Heiress

Performance Comment: As17911216, but Lady Emily-Mrs Goodall; Mrs Blandish-Miss Collins.

Afterpiece Title: The First Floor

Performance Comment: As17911214, but Frank-_; Snap-_; Landlord-_; Postboy-_.

2658
07 July 1792 @ Haymarket Theatre

Event Comment: 3rd piece [1st time; INT 1, by Walley Chamberlain Oulton]. Morning Herald, 21 July 1792: This Day is published All in Good Humour (1s)

Performances

Mainpiece Title: Poor Old Hay-market

Performance Comment: As17920615 but Evatt_.

Afterpiece Title: The Suicide

Performance Comment: As17920620.

Afterpiece Title: All in Good Humour

Performance Comment: Principal Characters by Baddeley, R. Palmer, Williamson, Wewitzer, Farley, Mrs Powell, Miss Heard, Miss Fontenelle. Cast from text (J. Debrett, 1792): Chagrin-Baddeley; Squire Hairbrain-R. Palmer; Bellamy-Williamson; Robin-Wewitzer; Crop-Farley; Mrs Chagrin-Mrs Powell; Sophia-Miss Heard; Dorothy-Miss Fontenelle.

2659
25 July 1792 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; M 3, by--Francis. Perhaps the same as a piece performed under this title at Bath, 20 Nov. 1785]: With new Musick, Scenes, Dresses and Decorations. The new Musick and Overture by Dr Arnold. The Scenery by Rooker. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: Half An Hour After Supper

Performance Comment: As17920629.

Afterpiece Title: The Enchanted Wood

Performance Comment: [Characters by Palmer, Bannister, Bensley, R. Palmer, Master Gregson, Bannister Jun., Cubitt, Bland, Johnson, Lyons, Abbott, Brown, Master Danby, Master Watherhouse, Mrs Bland, Miss DeCamp, Mrs Taylor, Miss S.] D'Egville, Mrs Webb, Mrs Kemble, Mrs Powell, Miss Hale, Mrs Edwin, Mrs Bramwell, Mrs Masters, Mrs Gaudry. [Cast from text (J. Debrett, 1792): Julian-Palmer; Pytheon-Bannister; Orion-Bensley; Etheldred-R. Palmer; Cymbriel-Master Gregson; Owen-Bannister Jun.; Transit-Mrs Bland; Sylphina-Miss DeCamp; AEtheria-Mrs Taylor; Spirit-Miss [S.] D'Egville; Bridget-Mrs Webb; Una-Mrs Kemble; other Characters-Cubitt, Bland, Johnson, Lyons, Abbott, Brown, Master Danby, Master Waterhouse, Mrs Powell, Miss Hale, Mrs Edwin, Mrs Bramwell, Mrs Masters, Mrs Gaudry.

Dance: In 2nd piece: the Dances (under direction of D'Egville,)-Whitmell, Keys, George D'Egville, Lewis D'Egville, Master Whitmell, Master Chatterley, Master Menage, Master Webb, Mrs Haskey, Miss DeCamp, Miss E. Menage, Miss F?. D'Egville, Miss Jacobs, Miss Haskey, Miss Standen, Miss Menage

Performance Comment: Menage, Miss F?. D'Egville, Miss Jacobs, Miss Haskey, Miss Standen, Miss Menage.

2660
20 September 1792 @ Drury Lane Theatre

Event Comment: Receipts: #179 0s. 6d. (125.17.6; 49.14.0; 3.9.0)

Performances

Mainpiece Title: At King's Know Your Own Mind

Performance Comment: Millamour-Wroughton; Dashwould-Bannister Jun.; Malvil-Whitfield; Bygrove-Aickin; Capt. Bygrove-Bland; Sir J. Millamour-Packer; Sir H. Lovewit-R. Palmer; Charles-Wewitzer; Lady Bell (with a song)-Miss Farren; Lady Jane-Mrs Powell; Mrs Bromley-Mrs Ward; Miss Neville-Mrs Kemble; Madame Le Rouge-Mrs Heard.

Afterpiece Title: No Song No Supper

Performance Comment: Crop-Dignum; Frederick-Kelly; Endless-Suett; Robin-Bannister Jun.; William-Sedgwick; Servant-Alfred; Dorothy-Mrs Bland; Louisa-Miss Barclay; Margaretta-Sga Storace; Nelly-Miss DeCamp.

2661
27 September 1792 @ Drury Lane Theatre

Event Comment: [In afterpiece the playbill assigns Euphrosyne to Mrs Crouch, but "illness prevented, and Mrs Bland...undertook the part" (Thespian Magazine, Nov. 1792, p. 125). Mrs Crouch is also listed as one of the Bacchants.] Receipts: #225 8s. 6d. (167.5.6; 57.7.0; 0.16.0)

Performances

Mainpiece Title: At King's The Clandestine Marriage

Performance Comment: Lord Ogleby-King; Sir J. Melvil-Whitfield; Sterling-Aickin; Lovewell-Barrymore; Canton-Baddeley; Brush-R. Palmer; Serjeant Flower-Packer; Mrs Heidelberg-Mrs Hopkins; Miss Sterling-Miss Pope; Fanny-Mrs Kemble; Betty-Miss Tidswell; Chambermaid-Miss Heard; Trusty-Mrs Booth.

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Spirit-Benson; Brothers-Banks, Bland; Chief Bacchanals-Kelly, Dignum, Sedgwick; The Lady-Mrs Ward; Euphrosyne (with Sweet Echo, accompanied by Parke)-Mrs Bland; Bacchants-Mrs Bland [sic], Miss DeCamp; Sabrina-Mrs Bland [sic]; Pastoral Nymph-Miss Barclay.

2662
27 October 1792 @ Covent Garden

Event Comment: Mainpiece: The Overture and all the Music composed by Carter. Words of the Songs to be had at the Theatre. MS annotation on BM playbill (cg, Vol. VIII), 15 Dec. 1792: Mr Hurlstone in full for Just in Time #150. Receipts: #286 3s

Performances

Mainpiece Title: Just In Time

Performance Comment: [Principal Characters by Quick, Johnstone, Wilson, Munden, Incledon, Fawcett, Farley, Blurton, Cross, Rees, Lee, Rowson, Simmons, Mrs Martyr, Mrs Webb, Mrs Blanchard, Mrs Watts, Miss Francis, Mrs Cross, Miss Dall; Cast from text (J. Debrett [1792], and Public Advertiser, 29 Oct.: Sir Solomon Oddly-Quick; Barney O'Liffy-Johnstone; Commodore Larboard-Wilson; Stave-Munden; Captain Melville-Incledon; Doctor Camomile-Fawcett; Le Frizz-Farley; Roger-Thompson (see17921030); Judith-Mrs Martyr; Lady Oddly-Mrs Webb; Maria-Mrs Blanchard; Augusta-Miss Dall; unassigned-Blurton, Cross, Rees, Lee, Rowson, Simmons, Mrs Watts, Miss Francis, Mrs Cross.

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva-Lewis; Figaro-Blanchard; Antonio-Quick; Bazil-Powel; The Page (with a song)-Mrs Martyr; Countess-Miss Chapman; Marcelina-Mrs Webb; Agnes-Miss Francis; Susan-Mrs Pope.

Dance: II: a Dance-Byrn, Mme Rossi. [Danced, as here assigned, in all subsequent performances.

Performance Comment: [Danced, as here assigned, in all subsequent performances.]

2663
05 February 1793 @ King's Theatre

Event Comment: A new Grand Serious Opera. With Grand Chorusses, new Dresses, Scenery and Decorations. The Music composed by Paisiello. Under the direction of Pederici. [Bruni was from the Opera, Milan.

Performances

Mainpiece Title: I Giuochi D'agrigento

Performance Comment: [Principal Characters by Bruni (1st appearance in this country), Kelly, Rovedino, Braghetti, Garelli, Sga Belloli, Mme Mara; Cast from libretto (J. Hammond 1793]): Clearco-Domenico Bruni; Eraclide-Kelly; Cleone-Carlo Rovedino; Filosseno-Braghetti; Elpenore-Garelli; Egesta-Sga Marianna Belloli; Aspasia-Mme Mara.

Dance: End I: Divertisement, as17930126; End II: Les Epoux du Tempe-Mlle Hilligsberg, Mlle Millerd, Favre Gardel, Nivelon, Gentili (1st appearance in this country)

2664
12 February 1793 @ Drury Lane Theatre

Event Comment: Receipts: #195 15s. (187.9; 8.6)

Performances

Mainpiece Title: At Hay King John

Performance Comment: King John-Kemble; Arthur-Master DeCamp; Pembroke-Dignum; Essex-Caulfield; Salisbury-Whitfield; Hubert-Bensley; Faulconbridge-Palmer; R. Faulconbridge-Waldron; J. Gurney-Lyons; King Philip-Aickin; Lewis-Barrymore; Austria-Phillimore; Cardinal Pandulpho-Packer; Chatillion-Benson; Elinor-Mrs Ward; Constance-Mrs Siddons; Blanch-Miss Collins; Lady Faulconbridge-Mrs Cuyler.

Afterpiece Title: No Song No Supper

Performance Comment: As17930205.

2665
25 February 1793 @ Covent Garden

Event Comment: Afterpiece [1st time; CO 2, by William Pearce]: With new Music, Scenes and Dresses. The Music composed and selected [From Paisiello and Gretry (BUC, 946)] by Shield. The Scenes designed and executed by Richards. Books of the Songs to be at the Theatre. ["Mr Pearce #100 for Midnight Wanderers" (MS annotation on BM playbill (cg, Vol. VIII), 2 Mar. 1793).] Morning Herald, 21 May 1793: This day is published The Midnight Wanderers (1s.). Receipts: #332 17s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Performance Comment: As17930221.

Afterpiece Title: The Midnight Wanderers

Performance Comment: Principal Characters by Munden, Incledon, Blanchard, Fawcett, Cubitt, Powel, Gray, Thompson, Mrs Martyr, Miss Broadhurst, Mrs Harlowe, Miss Barnett, Mrs Clendining; Cast from text (T. N. Longman, 1793, and Songs T. and J. Egerton, 1793): Marquis de Morelle-Munden; Julian-Incledon; Denis-Blanchard; Casper-Fawcett; Mendicant-Cubitt; Don Pedraza-Powel; Mariners-Gray, Linton, Street; Peasant-Thompson [not in text; see17930923]; Guide-Linton [i.e. doubled]; Maresa-Mrs Martyr; Bercilla-Miss Broadhurst; Jaquelin-Mrs Harlowe; 2nd Biscayan-Miss Barnett; Adelais-Mrs Clendining.

2666
26 February 1793 @ King's Theatre

Event Comment: A new Comic Opera; the Music by Sarti, Storace, Martini. Under the direction of Storace. [on 6 Jan. 1784 this was performed as I Rivali Deluse.] 2nd ballet: [Music by Storace] With Scenery, Machinery and Decorations entirely new, designed and executed by Marinari; the Dresses by Sestini

Performances

Mainpiece Title: Le Nozze Di Dorina

Performance Comment: [Principal Characters by Kelly, Morellis, Rovedino, Braghetti, Sga Belloli, Sga DeMira, Sga Storace. Cast from libretto J. Hammond 1793]): Masotto-Kelly; Titta-Morelli; Mingone-Rovedino; Conte di Belfiore-Braghetti; La Contessa-Sga Belloli; Livietta-Sga DeMira [in libretto: Sga Pozzi]; Dorina-Sga Storace.

Dance: End I: Les Epoux du Tempe, as17930126

Ballet: End Opera: an entire new Heroic Pantomime Ballet Venus and Adonis (composed by Noverre). Cupid-Nivelon; Adonis-Favre Gardel; Mercury-Gentili; Jupiter-D'Egville; Hebe-Mlle Hilligsberg; The Graces-Mlle Bourgeois, Mlle Vedie, Mlle Droma; Venus-Mlle Millerd; Nymphs, Chasseurs-the Corps de Ballet

Performance Comment: Cupid-Nivelon; Adonis-Favre Gardel; Mercury-Gentili; Jupiter-D'Egville; Hebe-Mlle Hilligsberg; The Graces-Mlle Bourgeois, Mlle Vedie, Mlle Droma; Venus-Mlle Millerd; Nymphs, Chasseurs-the Corps de Ballet.

2667
19 March 1793 @ King's Theatre

Event Comment: A new Serious Opera; the Music by Andreozzi, [with additions by] Cimarosa, Federici and Sarti. Under the Direction of Federici. With new Dresses, Scenery and Decorations

Performances

Mainpiece Title: Teodolinda

Performance Comment: [Principal Characters by Bruni, Kelly, Rovedino, Garelli, Sga Belloli, Mme Mara. Cast from libretto (J. Hammond 1793]): Agilulfo-Domenico Bruni; Minolfi-Kelly; Rodoaldo-Rovedino; Asprando-Garelli; Ermellinda-Sga M. Belloli; Teodolinda-Mme Mara.

Dance: End I: Divertisement, as17930126

Ballet: End Opera: Venus and Adonis. As17930226

Performance Comment: As17930226.

2668
23 April 1793 @ King's Theatre

Event Comment: 2nd ballet: With entirely new Scenery, Machinery, Dresses and Decorations. The Music entirely new, composed by Millerd, composer for the ballets at the Opera at Paris. In the course of the performance the Grand Procession of Iphiginia into Aulide. The Scenery, Machinery, &c. designed by Marinari, and executed by him and his assistants. The decorations by Johnston, the dresses by Sestini. [Scenario published by J. Hammond [1793].] The Managers beg leave particularly to request that no Gentleman will come behind the Scenes, as the number of people engaged in the ballet, and the variety of scenery and machinery, render such admission highly inconvenient. Morning Herald, 24 Apr,: The story [of the ballet] is perhaps not very intelligibly told; but the shew and the dance are admirable. It begins and concludes with magnificent processions, the last of which brings Iphiginia to the altar, where she is saved just as the holy knife is raised for the sacrifice. At this instant the chariot of the Sun, the brilliancy of which is much beyond any former representation of the sort, passes over the stage, and is, for some time, suspended over the altar, while the whole corps de ballet offer their adorations

Performances

Mainpiece Title: Le Nozze Di Dorina

Performance Comment: As17930226, but Braghetti_; Sga_ Belloli; Sga_ DeMira.

Dance: End I: Les Epoux du Tempe- [See17930205]

Ballet: End Opera: the Grand Historical Ballet in 4 Parts, which has been so long in preparation, Iphiginia in Aulide; or, The Sacrifice of Iphiginia composed by Noverre. Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet

Performance Comment: Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet.

2669
03 May 1793 @ Covent Garden

Event Comment: Benefit for Munden. 2nd piece [1st time; M.INT 1, by Thomas Hurlstone, Published by J. Debrett, 1793; in 1795 acted at cg as The British Recruit; or, Who's Afraid?]: The Overture and Music (a Glee and Air excepted) entirely new, by Shield, Giordani and Dr Stevenson of Dublin. To conclude with a Representation of the Grand Fleet under Sail. Books of the Interlude to be had at the Theatre. Morning Herald, 3 May 1793: This Day, at Noon, will be published To Arms (6d.). Morning Herald, 15 Apr.: Tickets to be had of Munden at his house, No. 6, Frith-street, Soho. Receipts: #448 17s. 6d

Performances

Mainpiece Title: The Road To Ruin

Performance Comment: As17930323 .

Afterpiece Title: To Arms; or, The British Recruit

Performance Comment: Serjeant of Grenadiers-Johnstone; Robin Redhead-Munden; Capias-Fawcett; Lieutenant-Darley; Serjeant of Marines-Gray; Susan-Mrs Martyr.

Afterpiece Title: Two Strings to Your Bow

Performance Comment: As17921107, but Don Pedro-_; Don Sancho-_; Maid-_.

Dance: In 2nd piece: Byrn, Mme Rossi

Song: End 2nd piece: The Sea Storm-Incledon

Entertainment: Monologue. As17930410

Performance Comment: As17930410.

2670
14 May 1793 @ King's Theatre

Event Comment: A new Comic Opera (1st time [in London; 1st performed at Naples, 1789]); the Music by Paisiello. Under the direction of Storace. With new Dresses, Scenery and Decorations. Diary, 15 May: The Opera, besides exquisite music, abounds with lively trickery and humourous incident...Kelly shifted his dress nine times, and acted with much pleasantry

Performances

Mainpiece Title: I Zingari In Fiera

Performance Comment: [Principal Characters by Morelli, Rovedino, Kelly, Braghetti, Morigi, Garelli, Sga Belloli, Sga DeMira, Sga Storace. Cast from libretto (J. Hammond [1793]): Pandolfo-Morelli; Scevola-Rovedino; Perillo-Kelly; Eleuterio-Braghetti; Frappa-Morigi; Calandrino-Garelli; Stellidaura-Sga M. Belloli; Cecca-Sga DeMira; Lucrezia-Sga Storace.

Dance: As17930423

Ballet: Iphiginia in Aulide. As17930423

Performance Comment: As17930423.

2671
22 May 1793 @ Drury Lane Theatre

Event Comment: Benefit for Whitfield and Mrs Ward. Afterpiece [1st time; F 2, by-Fernside, for whose authorship see Kemble Mem., based partly on Love's Cure; or, The Martial Maid, probably by Philip Massinger. Incidental music by Richard Suett]. Public Advertiser, 15 May: Tickets to be had of Whitfield, under the Great Piazza; of Mrs Ward; No. 6, York-street, Covent-Garden. Morning Herald, 12 June 1793: This day is published The Female Duellist (1s.). Receipts: #469 13s. 6d. (51.4.0; 33.9.0; 8.4.0; tickets: 376.16.6) (charge: #158 17s. 2d.)

Performances

Mainpiece Title: At King's A Trip To Scarborough

Performance Comment: As17930417, but Lory-Baddeley; Shoemaker-Benson; Countryman-Jones; Amanda-Mrs Ward.

Afterpiece Title: The Female Duellist

Performance Comment: Characters by Whitfield, Suett, Caulfield, Hollingsworth, Bannister Jun., Bland, Mrs Jordan, Miss Collins, Miss Tidswell. Cast from text (J. Owen, 1793): Claudio-Whitfield; Don Alvarez-Suett; Antonio-Caulfield; Don Zanchio-Hollingsworth; Bombardo-Bannister Jun.; Pedrez-Bland; Clara (disguised as Lucio )-Mrs Jordan; Aurelia-Miss Collins; Jaquenet-Miss Tidswell.

Song: End: As on the pleasant banks of Tweed-Master Welsh

2672
27 May 1793 @ Covent Garden

Event Comment: Benefit for Wild. 2nd piece [1st time; F 1, by Robert Woodbridge]. Morning Herald, 4 June 1793: This day is published The Pad (price not listed). 3rd piece [1st time; BALL. P 2 (?), by James Byrn, altered from his The Provocation!]: The Incidents partly new, and partly selected from the much admired Pantomime called Provocation. In the course of the Pantomime a representation of an Engagement between an English and French Man of War; A Ship-wreck; The original Allegoric Scene from Provocation: A View of an English Camp; A Naval and Military Procession. Morning Herald, 9 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #335 1s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Performance Comment: As17930305but Thompson_; unassigned-_Evatt, _Farley.

Afterpiece Title: The Pad

Performance Comment: Principal Characters by Quick, Munden, Harley, Macready, Mrs Fawcett, Mrs Davis, Mrs Webb. Cast from text (J. Parsons, 1793): Sir Simon Meagre-Quick; Lovejoke-Munden; Captain Credulous-Harley; Clerimont-Macready; Gentlemen-Farley, Evatt, Thompson; Servants-Simmons, Blurton; Mrs Credulous-Mrs Fawcett; Nancy-Mrs Davis; Lady Meagre-Mrs Webb.

Afterpiece Title: The Shipwreck; or, French Ingratitude

Performance Comment: English Characters : Captain Briton-Byrn; Boatswain-Farley; Midshipman-Jackson; Cabin Boy-Simmons; Captain's Lady-Mme Rossi; French Characters : General Sanguinaire-Cranfield; Monsieur L'Ingrate-Holland; Indian Characters : Indian Chief-Follett; Female Savage-Mr Rock.

Song: End: Captivity (Supposed to be sung by an Unfortunate Queen [Marie Antoinette] during her confinement)-; End 2nd piece: Black Eyed Susan-; In 3rd piece: Farewell to old England dear Mary adieu-Incledon

2673
10 June 1793 @ Drury Lane Theatre

Event Comment: Benefit for Portal, Shade, Hicks, J. Shade. Kemble Mem.: Benefit the boxkeepers. The Last Time of the Company's performing this Season. Receipts: #51 1s. 6d. (35.8.6; 12.4.6; 3.8.6; tickets: non listed) (charge: #147 12s. 6d.)

Performances

Mainpiece Title: At King's The Foundling

Performance Comment: As17930109, but Young Belmont-Wroughton; Colonel Raymond-Barrymore; Rosetta-Miss Heard (1st appearance in that character).

Afterpiece Title: The Quaker

Performance Comment: Steady-Bannister; Solomon-Suett; Easy-Maddocks; Lubin-Dignum; Gillian-Miss DeCamp (1st appearance in that character); Cicely-Mrs Edwards; Floretta-Mrs Bland.

Dance: End: New Comic Dance, as17930607 but Miss _Phillips

2674
29 June 1793 @ Haymarket Theatre

Event Comment: 2nd piece (1st time; C 3, by John O'Keeffe. Prologue by George Colman, ynger (see text)]: With new Scenes, Dresses and Decorations. Salary list (Enthoven Collection): Paid O'Keeffe for London Hermit #108 15s. Morning Chronicle, 17 July 1793: This Day is published The London Hermit (1s. 6d.)

Performances

Mainpiece Title: All In Good Humour

Performance Comment: See17930626.

Afterpiece Title: The London Hermit; or, Rambles in Dorsetshire

Performance Comment: The Characters by Bannister Jun., Suett, Aickin, Evatt, Usher, Parsons, Alfred, Johnstone, Ledger, Abbott, Lyons, Wewitzer, Bland, Barrett, Cooke, Palmer Jun., Benson, Miss Heard, Mrs Webb, Mrs Cuyler, Mrs Hale, Mrs Kemble. [Cast from text (J. Debrett, 1793); O'Keeffe's Dramatic Works, Vol. III (T. Woodfall, 1798); London Chronicle; 1 July: Young Pranks-Bannister Jun.; Whimmey-Suett; Old Pranks-Aickin; Peregrine-Evatt; Barleycorn-Usher; Toby Thatch-Parsons; John Grum-Alfred; Tully-Johnstone; Coachman-Ledger; Skip-Abbott; John-Lyons; Barebones-Wewitzer; Apathy-Bland; Poz-Barrett; Bite-Cooke; Natty Maggs-Palmer Jun.; Carter-Benson [in text: Burton (see17930701]; Post Boy-Comerford (see17930706; Countryman-Waldron Jun. (see17930706; Dian-Miss Heard; Mrs Maggs-Mrs Webb; Mrs Dainty-Mrs Cuyler; Mrs Anymorn-Mrs Hale; Kitty Barleycorn-Mrs Kemble; Fishwoman-Mrs Powell (see17930701; Prologue-Barrymore. [This was spoken, as here assigned, at the 1st 9 performances only (see17930713.]This was spoken, as here assigned, at the 1st 9 performances only (see17930713.]

Afterpiece Title: The Deaf Lover

Performance Comment: As17930612 but John-Burton; Sternhold-Barrett.

2675
03 August 1793 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; MD 3, by George Colman, ynger]: The Overture, Choruses, and new Musick by Dr Arnold. The Scenery by Rooker. The Dresses entirely new. Books of the Songs to be had at the Theatre. Salary List (Enthoven Collection): Paid Colman for Mountaineers #290 10s. Morning Chronicle, 26 Feb. 1795: This Day is published The Mountaineers (2s.)

Performances

Mainpiece Title: Half An Hour After Supper

Performance Comment: As17930617 but Captain Berry-_; Frank-_; Mrs Sturdy-_; Miss Eliza Sturdy-_.

Afterpiece Title: The Mountaineers

Performance Comment: Characters-Kemble (of dl), Barrymore, Johnstone, Aickin, Bannister, Davies, Bland, Benson, Parsons, Palmer Jun., Barrett, Ledger, Waldron Jun., Burton, Comerford, Bensley, Evatt, Wewitzer, Abbott, Usher, Cooke, Bannister Jun., Mrs Kemble, Mrs Goodall, Mrs Bland. [Cast from text (J. Debrett, 1795): Octavian-Kemble; Virolet-Barrymore; Kilmallock-Johnstone; Roque-Aickin; Muleteers-Bannister, Davies, Bland, Benson; Lope Tocho-Parsons; Goatherds-Palmer Jun., Barrett, Ledger, Waldron Jun., Burton; Perequillo-Comerford; Bulcazin Muley-Bensley; Ganem-Evatt; Pacha-Wewitzer; Ali Beg-Abbott; Moors-Usher, Cooke; Sadi-Bannister Jun.; Zorayda-Mrs Kemble; Floranthe-Mrs Goodall; Agnes-Mrs Bland.]

Song: 2nd piece: Vocal Parts-Kenrick, Walker, Linton, Dorion Jun., Little, Brown, Hobler, Horsfall, Saunders, Dibble, Lyons, Miss Fontenelle, Miss DeCamp, Miss Dall, Miss Menage, Mrs Powell, Mrs Hatton, Mrs Masters, Mrs Bramwell, Mrs Edwin, Mrs Gaudry

Performance Comment: , Little, Brown, Hobler, Horsfall, Saunders, Dibble, Lyons, Miss Fontenelle, Miss DeCamp, Miss Dall, Miss Menage, Mrs Powell, Mrs Hatton, Mrs Masters, Mrs Bramwell, Mrs Edwin, Mrs Gaudry.