SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J "/1) | (@(roleclean,performerclean) "J ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2783 matches on Roles/Actors, 876 matches on Performance Comments, 447 matches on Event Comments, 94 matches on Performance Title, and 12 matches on Author.
Event Comment: Mainpiece [1st time; T 5, by Thomas Hull; also ascribed to Samuel Jackson Pratt. Author of Prologue unknown. Epilogue by S. J. Pratt. {Miscellanies, 1785,1,271). MS: Larpent 603; not published]: With a grand Masquerade Scene, and Decorations incident to the Piece. Receipts: #234 17s. (223/13/0; 11/1/6; 0/2/6)

Performances

Mainpiece Title: The Fatal Interview

Performance Comment: Principal Characters by Smith, Aickin, Farren, Bannister Jun., Williames, Brereton; Mrs Bulkley, Mrs Brereton, Miss Wheeler, Miss Hale, Mrs Siddons. [Cast from London Chronicle, 20 Nov.: Mr Montague-Smith; Somerville-Aickin; Lord Sidney-Farren; Charles Somerville-Bannister Jun.; Belville-Williames; Lennox-Brereton; Servant-Phillimore; Lady Sidney-Mrs Bulkley; Emily-Mrs Brereton; Isabella-Miss Wheeler; Nelson-Miss Hale; Louisa-Mrs Siddons.] Prologue spoken by Bannister Jun. Epilogue spoken by Mrs Siddons . Prologue spoken by Bannister Jun. Epilogue spoken by Mrs Siddons .

Afterpiece Title: The Gentle Shepherd

Performance Comment: As17821016.
Event Comment: Mainpiece [1st time; T 4, but published in 5, by Richard Bentley. The assignments of Fearon, Booth, Mahon (who are not listed in the text) are my own conjecture. Prologue and Epilogue by Richard Bentley Jun. (Public Advertiser, 18 Dec.)]: New Dresses, &c. Words of the Epithalamium will be given at the Box Doors. Public Advertiser, 11 Jan. 1783: This Day is published Philodamus (1s. 6d.). Afterpiece: Never performed at this Theatre. Receipts: #203 2s. (198/16/6; 4/5/6)

Performances

Mainpiece Title: Philodamus

Performance Comment: Principal Characters by Henderson, Lewis, Whitfield, Hull, Davies, Fearon, Booth, Mahon; Miss Satchell, Miss Younge. [Cast from text (J. Dodsley [1783]): Philodamus-Henderson; Philippus-Lewis; Epicrates-Whitfield; Dolabella-Hull; Verres-Davies; Earinus-Fearon; Rubrius-Booth; Sestius-Mahon; Erato-Miss Satchell; Euphemia-Miss Younge.] New Prologue [spoken by Hull]. New Epilogue [spoken by Miss Younge (see text)] . New Prologue [spoken by Hull]. New Epilogue [spoken by Miss Younge (see text)] .

Afterpiece Title: The Quaker

Performance Comment: Steady-Bannister; Lubin-Brett; Easy-Thompson; Countrymen-Helme, Painter; Solomon-Edwin; Floretta-Mrs Wilson; Cicily-Miss Stuart; Gillian-Miss Harper .

Dance: End of mainpiece Diversion a-la-Mode, as17821211 in which The Devonshire Minuet, as17821129

Performance Comment: hathi.

Song: In Act III of mainpiece an Epithalamium by Mrs Kennedy and Mrs Martyr

Performance Comment: hathi.
Event Comment: Tickets delivered by Pemberton, Devoto, J. Shade, Newton,. Gardner, Leslie, Mrs Lewis and the Widow Collins will be taken. Receipts: #252 5s. (19/6; 10/8; 1/5; tickets: 221/6)

Performances

Mainpiece Title: The Revenge

Performance Comment: As17830424.

Afterpiece Title: The Irish Widow

Performance Comment: As17821008 .

Dance: As17821005

Performance Comment: hathi.
Event Comment: Benefit for Wilson. 1st piece: Taken from Beaumont and Fletcher. 2nd piece [1st time; F 2, by John Dent. Prologue by Turner (see text)]. 4th piece: A Tragical, Comical, Operatical, Pastorical, Pantomimical, Farcical, Burlettical, Preludical, Interludical, Whimsical, Rhetorical, Diabolical, Oratorical Representation, being the most Comical Tragedy that ever was Tragedized by any Comical Company of Tragedians. With the Triumphal Entry of Chrononhotonthologos into Queerumania, attended with Drums, Trumpets, Fiddles, Flutes, Fifes, Flagelcts, Lutes, Bag-Pipes, Tabours and Pipes, Marrowbones and Cleavers, Post-Horns, French-Horns, Salt Box, Broomstickados, &c

Performances

Mainpiece Title: The Triumph Of Honour

Performance Comment: Sophocles-Williamson; Martius-Bannister Jun.; Valerius-R. Palmer; Cornelius-Wilson; Nichodemus-Edwin; Wife-Mrs Edwin; Dorigen-Mrs Bulkley .

Afterpiece Title: The Receipt Tax

Performance Comment: Principal Characters by Parsons, Wilson, Bannister Jun., Blissett, Egan, Edwin; Miss Morris, Mrs Webb. [Cast from text (J. Stockdale, 1783): General Heartfree-Parsons; Sir Harry Henpeckt-Wilson; Colonel Foible-Bannister Jun.; Doctor Puzzle-Blissett; Frill-Egan; Mr Cook-Edwin; Clump-Gaudrey; Mr Jacobs-Barrett; Farmer Flame-Painter; Postillion-Miss Painter; Maria Goodall-Miss Morris; Lady Henpeckt-Mrs Webb; Trippit-Mrs Love.] New Prologue spoken by Wilson . New Prologue spoken by Wilson .

Afterpiece Title: The Dead Alive

Performance Comment: As17830801.

Afterpiece Title: Chrononhotonthologos

Performance Comment: Chrononhotonthologos (King of Queerumania)-Wilson; Aldiborontiphoscophornio-Wewitzer; Bombardinian-Blissett; Herald-Riley; Captain of the Guards-Massey; Doctor-Painter; Cook-Barrett; King of the Fiddlers-Gaudrey; King of the Antipodes-Rayman; Rigdum-Funnidos (the Tragical Comical Courtier)-Parsons; Tatlanthe (the Queen's Favourite)-Mrs Brett; Venus-Miss Rowson; Cupid-Miss Painter; Maids of Honour-Miss Morris, &c.; Fadladinida (Queen of Queerumania)-Mrs Lefevre .

Monologue: 1783 08 13 End of 2nd piece Joe Haynes's Epilogue by Wilson, riding on an Ass

Performance Comment: hathi.
Event Comment: Benefit for Jewell, treasurer. 3rd piece [1st time; F 1, by Richard Paul Jodrell. Text 1st published (with cast for later season) by W. Lowndes and J. Barker, 1786]

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: Bustleton-Palmer; Manager-Aickin; Gentleman in Balcony-Bannister Jun.; Easy-R. Palmer; Irishman in the Pit-Egan; Prompter-Davis; Actresses-Miss Hale, Mrs Poussin, Miss Francis; Caller-Mrs Love; Ladies in Upper Boxes-Mrs Lefevre, Mrs W. Palmer; Lady in Balcony-Mrs Webb .

Afterpiece Title: Summer Amusement

Performance Comment: As17830610.

Afterpiece Title: Seeing is Believing: A Dramatic Proverb

Performance Comment: Principal Characters by Parsons, Baddeley, R. Palmer, Bannister Jun.; Mrs Lloyd, Miss Morris. [Cast from Larpent MS 633 : Sir Credule-Parsons; Sceptic-Baddcley; Capt. Nightshade-R. Palmer; Simon-Bannister Jun.; Porter-Kenny; Kitty-Mrs Lloyd; Miss Di-Miss Morris.] hathi. hathi.

Dance: As17830610

Performance Comment: hathi.
Event Comment: [In mainpiece the playbill assigns the 1st Gravedigger to Parsons, but "an Apology was made for Parsons, and Suett went through his Part" (Public Advertiser, 2 Oct.). In afterpiece the playbill retains Parsons as Solomon; for Fawcett see 26 Nov.] "We have for so many years been accustomed to see Hamlet dressed in the Vandyke costume, that it may be material to state that Mr Kemble played the part in a modern court dress of rich black velvet, with a star on the breast, the garter and pendant ribbon of an order-the mourning sword and buckles, with deep ruffles: the hair in powder; which, in the scenes of feigned distraction, flowed dishevelled in front and over the shoulders" (Boaden, Kemble, I, 104). Receipts: #285 16s1. (265/14/0; 19/19/6; 0/2/6)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-[J. P.] Kemble (from the Theatre Royal, Dublin; 1st appearance upon that stage); King-Packer; Horatio-Farren; Polonius-Baddeley; Laertes-Barrymore; Ostrick-R. Palmer; Rosencraus-Phillimore; Guildenstern-Williames; Player King-Chaplin; Marcellus-Wrighten; Lucianus-Waldron; Gravediggers-Suett, Burton; Ghost-Bensley; Ophelia-Miss Field; Player Queen-Mrs Hedges; Queen-Mrs Hopkins .

Afterpiece Title: The Quaker

Performance Comment: As17830916, but Solomon-probably Fawcett .
Event Comment: [In 1st piece the playbill assigns Father Paul to Mahon, but on the Kemble playbill a MS annotation substitutes Booth.] Receipts: #174 15s. (171/11; 3/4)

Performances

Mainpiece Title: The Duenna

Performance Comment: Ferdinand-Mattocks; Isaac-Quick; Jerome-Wilson; Lopez-Wewitzer; Father Paul-Booth; Carlos-Brett; Antonio-Reinhold; The Duenna-Mrs Webb; Louisa-Mrs Martyr; Clara-Mrs Bannister. [Songs (J. Wilkie and T. Evans, 1783) adds: Lay-Brother-Besford.] hathi. hathi.

Afterpiece Title: The Rival Knights

Performance Comment: As17831009.

Afterpiece Title: Tristram Shandy

Performance Comment: As17830917, but Widow Wadman-Miss Platt .
Event Comment: Mainpiece [1st time; tc 5]: Altered from [The Picture, by Philip] Massinger [by Henry Bate; incidental music by William Shield. Prologue by William Pearce (see text)]. With New Dresses, Scenery, &c. Afterpiece: Written by O'Keeffe. London Chronicle, 10 Nov., prints the words of the Chorus, and also of a song sung by Quick, Poor Hillario, once so jolly, and of one sung by Mrs Martyr, Would you view the loveliest rose. Receipts: #209 16s. (205/3; 4/13)

Performances

Mainpiece Title: The Magic Picture

Performance Comment: Principal Characters by Wroughton, Quick, Edwin, Wilson, Clarke, Hull, Whitfield, Davies, Jones; Mrs Bates, Mrs Wilson, Miss Piatt, Miss Younge. [Cast from text (T. and J. Egerton [et al], 1783: Eugenius-Wroughton; Hillario-Quick; Ubaldo-Edwin; Ricardo-Wilson; Eubulus-Clarke; Baptista-Hull; Ladislaus-Whitfield; Ferdinand-Davies; Honoria-Mrs Bates; Corisca-Mrs Wilson; Acanthe-Miss Platt; Sophia-Miss Younge. Jones is unassigned.] Prologue, not listed on playbill, spoken by Aickin (see17831114) . Prologue, not listed on playbill, spoken by Aickin (see17831114) .

Afterpiece Title: The Poor Soldier

Performance Comment: As17831104.

Song: In Act II of mainpiece a Grand Chorus [Crowned with conquest] by Bannister, Reinhold, Johnstone, Mattocks, Brett, Mahon, Doyle, Darley; Mrs Bannister, Mrs Johnstone, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Kennedy. [For songs, see below.]

Performance Comment: [For songs, see below.] hathi.
Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally; words to some of the songs by Edward Lysaght]: With new Music, Scenes and Dresses. The Music composed by Shield [with selections from Sacchini, Bertoni, Lord Mornington, &c. (Public Advertiser, 19 Apr.); overture by Baumgarten, being the same as that used by him in William and Nanny at CG, 12 Nov. 1779 (Town and Country Magazine, Apr. 1784, p. 171)]. Books of the Songs to be had at the Theatre. Public Advertiser, 30 Oct. 1784: This Day is published by J. Almon Robin Hood [listing cast for season of 1784-85] (1s. 6d.). [In the season of 1789-90 this was reduced to an afterpiece of 2 acts.] Receipts: #206 4s. (204/3; 2/1)

Performances

Mainpiece Title: Robin Hood; Or, Sherwood Forest

Performance Comment: Principal Characters by Bannister, Quick, Edwin, Johnstone, Brett, Davies, Booth; Mrs Kennedy, Mrs Martyr, Mrs Wilson, Mrs Kemble, Mrs Bannister. [Cast from Songs (T. Cadell, 1784): Robin Hood-Bannister; Little John-Quick; Ruttekin-Edwin; Edwin-Johnstone; Scarlet-Brett; Allen a Dale-Davies; Fitzherbert-Booth; Bowman-Darley; Margaret-Mrs Kennedy; Clorinda-Mrs Martyr; Annette-Mrs Wilson; Stella-Mrs Kemble; Angelina-Mrs Bannister.] hathi. hathi.

Afterpiece Title: Harlequin Rambler

Performance Comment: As17840223.

Dance: End of mainpiece a New Dance by Le Bccuf and Mlle Constance (from the King's Theatre in Paris; 1st appearance)

Performance Comment: hathi.
Event Comment: Tickets delivered by Chalmers and J. Ledger will be admitted. Receipts: #176 3s. 6d. (116/9/0; 3/16/6; tickets: 55/18/0)

Performances

Mainpiece Title: Robin Hood

Performance Comment: As17840511 .

Afterpiece Title: Three Weeks after Marriage

Performance Comment: Sir Charles Racket-Lewis; Lovelace-Chalmers; Woodley-Davies; Drugget-Quick; Mrs Drugget-Mrs Pitt; Nancy-Mrs Whitfield; Lady Racket-Mrs Mattocks .

Dance: End of mainpiece Adelaide de Brabant, as17840508

Performance Comment: hathi.
Event Comment: Benefit for Wood, Percey, Cameron & J. Shade. The last Time of the Company's performing this Season. Account-Book, 1 July: Paid Renters #20 4s. apiece; received of Their Majesties #73. Receipts: #31 8s. (23/18/0; 6/11/6; 0/18/6; tickets: none listed) (charge:#105 6s.)

Performances

Mainpiece Title: The Wonder

Performance Comment: As17840211, but Isabella-Miss Wheeler; omitted: Alguazile, Vasquez . omitted: Alguazile, Vasquez .

Afterpiece Title: The Irish Widow

Performance Comment: As17831031 .

Dance: End of Act I of afterpiece Hornpipe, as17840416

Performance Comment: hathi.
Event Comment: Afterpiece [1st time; MF 2, by Mark Londsale. Prologue by the author {London Chronicle, 10 Nov.)]: The Overture, new Airs and Accompaniments composed by [Thomas] Linley [Sen.]. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1784: This Day is published The Spanish Rivals (1s.). Receipts: #160 2s. 6d. (104/12/0; 54/18/0; 0/12/6)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Brereton; Myrtle-Palmer; Cimberton-Parsons; Mr Sealand-Aickin; Sir John Bevil-Packer; Humphry-Wrighten; Daniel-Burton; Tom-King; Phillis-Mrs Wilson; Lucinda-Miss Field; Isabella-Mrs Hedges; Mrs Sealand-Mrs Love; Indiana-Miss Farren .

Afterpiece Title: The Spanish Rivals

Performance Comment: Principal Characters by Parsons, Baddeley, Barrymore, R. Palmer, Dodd; Mrs Wrighten, Miss Phillips. [Cast from text (J. Almon, 1784): Don Narcisso de Medicis-Parsons; Don Gomez-Baddeley; Don Fernandez-Barrymore; Basto-R. Palmer; Peter-Dodd; Lucett-Mrs Wrighten; Roxella-Miss Phillips.] Prologue spoken by Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.] hathi.

Song: In Act II of mainpiece a song by Miss Stageldoir

Performance Comment: hathi.
Event Comment: [Mainpiece in place of Tamerlane, announced on playbill of 23 Dec] Afterpiece [1st time; P 2 (?), by Ralph Wewitzer and Frederick Pilon. MS not in Larpent; not published. Synopsis of action in Town and Country Magazine, Supp. 1784, p. 717]: With new Scenery, Music, Dresses and Decorations. The Scenes chiefly designed by Richards, and executed by him, Carver, Hodgins, and assistants. The Overture, Songs, Chorusses and the whole Music of the Pantomime new, and composed by Shield. Nothing under Full Price will be taken. The Words of the Songs, &c to be had at the Theatre. "The performance was such as the first performance of pantomimes generally--machinery and scenery not so perfectly executed as when practice has rendered the movements more familiar to those to whom they belong, which, as the beauty of a pantomime depends on the celerity and adroitness of the scene-men, it seldom is discovered on the first night" (Public Advertiser, 28 Dec)

Performances

Mainpiece Title: George Barnwell

Performance Comment: Barnwell-Farren (1st appearance in that character); Thorowgood-Hull; Trueman-Davies; Uncle-Booth; Blunt-Thompson; Maria-Mrs T. Kennedy (1st appearance in that character); Lucy-Mrs Wilson; Millwood-Mrs Bates .

Afterpiece Title: The Magic Cavern; or, Virtue's Triumph

Performance Comment: Cast not listed. [Partial cast and names of certain performers from following sources: Songs (J. Almon, 1785) lists Old Man-Davies; Tanner-Doyle; Cooper-Darley; Abdiel-Miss Brett; Colombine-unassigned; the score (Longman and Broderip [1784]) lists Magician [i.e. Old Man?]-Davies; General Advertiser, 28 Dec. assigns Harlequin-Kennedy, and lists Johnstone, Mrs Bannister; Morning Chronicle, 30 Dec. lists Stevens.] hathi. Morning Chronicle, 30 Dec. lists Stevens.] hathi.

Song: In Act I of mainpiece song by Brett

Performance Comment: hathi.
Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1780]); the Music by Anfossi

Performances

Mainpiece Title: Nitteti

Performance Comment: Principal Characters by Crescentini, Bartolini, Cremonini, Franchi; King's Sga Catenacci, Sga Ferrarese. [Cast from libretto J. Jarvis, 1785): Sammete-Crescenrini; Amenosi-Bartolini; Bubaste-Cremonini; Amasi-Franchi; Nitteti-Sga Catenacci; Beroe-Sga Ferrarese.] hathi. hathi.

Dance: End of Act I Le Jugement de Paris, as17850212, but omitted: Mme Rossi; End of Opera The Deserter, as17850111, but omitted: Nivelon, Mlle Dorival

Performance Comment: hathi.
Event Comment: Benefit for Quick. Public Advertiser, 5 Mar.: Tickets to be had of Quick, No. 99, High Holbourn. Mainpiece: Not acted these 20 years [not acted since 15 Apr. 1763]. Afterpiece [1st time; F 2, by Frederick Pilon]: Altered from [The Comical History of Don Quixote, Part II, by Thomas] D'Urfey. In Act I A Grand Baratarian Procession of Sancho to his Government. The Characters all dressed in the Habits of the Times

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Performance Comment: Sir Harry Wildair-Lewis; Beau Clincher-Quick; Young Clincher-Edwin; Alderman Smuggler-Wewitzer; Jubilee Dicky-Stevens; Tim Errand-Fearon; Vizard-Cubitt; Caption-Thompson; Colonel Standard-Wroughton; Angelica-Mrs T. Kennedy; Lady Darling-Miss Platt; Parley-Mrs Wilson; Lady Lurewell-Mrs Bates .

Afterpiece Title: Barataria; or, Sancho Turn'd Governor

Performance Comment: Sancho Panca-Quick; Duke-Cubitt; Manuel-Bonnor; Pedro-Thompson; Recorder-Booth; Alonzo-Helme; Smuggler-Stevens; Custom House Officer-Bates; Gardener-Jones; Tailor-Kennedy; Cryer-Besford; Thin Man-Newton; Don Quixote-Davies; Lady Tereza Panca-Mrs Webb; Spanish Lady-Mrs Pitt; Duchess-Mrs Poussin; Mary the Buxom-Mrs Wilson. [Text (J. Almon, 1785) adds: Big Woman-Miss Brangin, and calls Spanish Lady, Rodriguez.] hathi. hathi.

Dance: As17841201

Performance Comment: hathi.

Monologue: 1785 03 29 Preceding the mainpiece Mother Shipton's Review of the Audience (Written by the late D. Garrick, Esq.) [speaker not listed, but probably Quick]

Performance Comment: Garrick, Esq.) [speaker not listed, but probably Quick] .
Event Comment: Mainpiece [1st time; C 5, by Leonard Macnally. Prologue by ---- Chalmers. Epilogue by ---- Norris (see text, but London Chronicle, 4 Apr., says by Thomas Morris). In 1792 this was acted at this theatre reduced to 3 acts]. Public Advertiser, 30 Apr. 1785: This Day is published Fashionable Levities (1s. 6d.)

Performances

Mainpiece Title: Fashionable Levities

Performance Comment: Principal Characters by Henderson, Lewis, Wroughton, Quick, Edwin, Farren, Wewitzer; Mrs Wilson, Mrs Martyr, Mrs Bates, Mrs Webb, Mrs T. Kennedy, Miss Platt, Miss Younge. [Cast from text (G. G. and J. Robinson, 1785): Mr Ordeal-Henderson; Welford-Lewis; Capt. Douglas-Wroughton; Sir Buzzard Savage-Quick; Nicholas-Edwin; Cheaterly-Farren; Colonel Staff-Wewitzer; Grace-Mrs Wilson; Clara-Mrs Martyr; Widow Volatile-Mrs Bates; Honour-Mrs Webb; Constance-Mrs T. Kennedy; Mrs Muslin-Miss Platt; Lady Flippant Savage-Miss Younge.] Prologue spoken by Wroughton. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Wroughton. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: The Magic Cavern

Performance Comment: As17841227 .
Event Comment: Afterpiece [1st time; CO 2, by William Pearce. MS: Larpent 696; not published; synopsis of plot in Universal Magazine, Apr. 1785, p. 209]: With new Scenes and Dresses. The Overture and Airs composed by Shield. Books of the Songs to be had at the Theatre. "The Nunnery [is] ... a most powerful narcotic. The Performers--in friendly sympathy--had totally forgotten their parts--and passed the evening in a conversation with the prompter" (Public Advertiser, 15 Apr.)

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Sciolto-Henderson; Lothario-Holman(1st appearance in that character); Altamont-Farren; Rossano-Davies; Horatio-Pope (1st appearance in that character); Lavinia-Mrs Inchbald; Lucilla-Mrs Morton; Calista-Mrs Crawford (last appearance this season) .

Afterpiece Title: The Nunnery

Performance Comment: Principal Characters by Johnstone, Quick, Edwin, Davies, Fearon, Darley; Mrs Kennedy, Mrs Martyr, Mrs Bannister. [Cast from Songs (T. and J. Egerton, 1785): Capt. Banner-Johnstone; Forage-Quick; Peter-Edwin; Officer of the Police-Davies; Father Ambrose-Fearon; Friar-Darley; Mrs D'Arcy-Mrs Kennedy; Terisa-Mrs Martyr; Selina-Mrs Bannister; Abbess-Miss Platt.] hathi. hathi.
Event Comment: Benefit for a Fund for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. [Ernst Brandes quoted in J. A. Kelly, p. 109: Brandes has much to say on the subject of Shakespeare ... He regrets that the role of Ophelia is assigned in both theaters on the strength of the candidate's accomplishments as a singer, which he considers relatively unimportant; and that the mania for operettas has been allowed to disfigure several of Shakespeare's plays. The Tempest had been debased to an opera, and a whole army of witches had been added to the cast of Macbeth, so that witches' arias and witches' choruses might be introduced.] Receipts: #241 10s. (131/16/0; 12/17/6; 1/1/6; tickets: 95/15/0) (charge: free)

Performances

Mainpiece Title: Macbeth

Performance Comment: As17850207.

Afterpiece Title: Bon Ton

Performance Comment: As17841026 .
Event Comment: Mainpiece [1st time in London; co 3, 1st acted at Smock Alley Theatre, Dublin, 30 Jan. 1784. MS: Larpent 703, not published]: Written by [Robert] Jephson [with lyrics by Sir Nathaniel Barry (Larpent MS). In 1787 abridged by John O'Keeffe as Love and War]. With new Scenes and Decorations. A new Overture by the celebrated Haydn. The Airs by David Rizzio, [J. C] Bach, Paisiello, Duni, Carolan, Shield and Tenducci [i.e. "The Music partly compiled by Tenducci; the new Airs composed by Shield" (notice on playbill of 11 May)]. Books of the Songs to be had at the Theatre. [Afterpiece in place of The Lying Valet, announced on playbill of 11 May.]

Performances

Mainpiece Title: The Campaign; Or, Love In The East Indies

Performance Comment: Principal Characters by Johnstone, Quick, Edwin, Wewitzer, Davies, Fearon, Cubitt, Darley, Mrs Kennedy; Mrs Martyr, Mrs Wilson, Mrs Bannister. [Cast from Songs (T. Cadell, 1785): Capt. Farquar-Johnstone; Gen. Howitzer-Quick; Gregory (or Tippoo)-Edwin; Squad-Wewitzer; Lieut. Sulphur-Davies; M'Saunderson-Fearon; Ensign Flag-Cubitt; Rifle-Darley; Saib-Mrs Kennedy; Drill-Doyle; Fuzee-Thompson; Miss Maria M'Saunderson-Mrs Martyr; Susan-Mrs Wilson; Miss Lucy Seymour-Mrs Bannister.] hathi. hathi.

Afterpiece Title: Retaliation

Performance Comment: As17841220 .

Dance: As17841116

Performance Comment: hathi.
Event Comment: Opera: The Music by Sir Christopher Gluck; with the additons of John Christ. Bach, and with the choice of several pieces of Handel. The Whole under the direction of Anfossi. Director of and 1st singer in the Chorus-Webb. The Scenes invented and painted by Novosielski. The Dresses entirely new, executed by Sestini. [Libretto (J. Jarvis, 1785): SER 3.]

Performances

Mainpiece Title: Orfeo

Performance Comment: Orfeo-Tenducci; Euridice-Sga Ferrarese; Cupid-Mlle Simonet .

Dance: Dances incidental to the Opera composed by Lepicq, and performed by him, Mme Rossi, Sg and Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

Performance Comment: hathi.
Event Comment: Benefit for Carleton, Wilson, Newton & J. Shade. Receipts: #258 7s. (26/18/0; 6/1/6; 0/9/6; tickets: 224/18/0) (charge: #106 7s.)

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: As17850408, but Fairfield-Packer .

Afterpiece Title: The Deuce is in Him

Performance Comment: As17841211 .

Dance: As17840918

Performance Comment: hathi.
Event Comment: "The great powers of Mrs Jordan cannot be better displayed than in the wonderful contrast of her Country Girl and Viola. In one all archness and vivacity; in the other serious, gentle, tender and sentimental" (Public Advertiser, 16 Nov.). [In afterpiece the playbill retains Parsons as Sir Anthony Halfwit, but on the Kemble playbill his name is deleted and a MS annotation substitutes Wilson's. "Parsons was taken suddenly ill & J. Wilson read his part" (MS annotation on British Museum playbill, in Harris, 11).] Receipts: #108 12s. (79/11/0; 28/13/6; 0/7/6)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Sir Andrew Ague-cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Staunton; Sebastian-Bannister Jun.; Fabian-R. Palmer; Antonio-Wrighten; Clown (with the original Epilogue Song)-Suett; Malvolio-Bensley; Viola-Mrs Jordan (1st appearance in that character); Maria-Mrs Brereton; Olivia (with songs)-Mrs Crouch .

Afterpiece Title: The Humourist

Performance Comment: As17850922, but Sir Anthony Halfwit-read by Wilson .

Dance: As17851103

Performance Comment: hathi.
Event Comment: [Mrs Jordan's 1st recorded appearance as Imogen was at Leeds, 25 July 1785.] Afterpiece Never performed there. Books of the Songs to be had at the Theatre. Receipts: #174 6s. (136/6/0; 37/17/6; 0/2/6)

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Kemble; Bellarius-Aickin; Guiderius-Barrymore; Arviragus-R. Palmer; Cymbeline-Wrighten; Pissanio-Packer; Lucius-Phillimore; French Gentleman-Fawcett; Philario-Wright; Cornelius-Chaplin; Cloten-Dodd; Iachimo-Smith; Queen-Mrs Hopkins; Imogen-Mrs Jordan (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Romp

Performance Comment: Principal Characters by Dodd, Barrymore, Fawcett, Suett; Miss Stageldoir, Miss Barnes, Mrs Jordan. [Cast from text (W. Lowndes and J. Barker, 1786): Young Cockney-Dodd; Captain Sightly-Barrymore; Old Cockney-Fawcett; Barnacle-Suctt; Penelope-Miss Stageldoir; Miss La Blond-Miss Barnes; Priscilla Tomboy-Mrs Jordan.] dancing and. dancing and.

Song: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss Stageldoir, and Singing by Miss Field; End of Act III The Market-Day, as17851024

Performance Comment: hathi.
Event Comment: Mainpiece [1st time; C 5, by John Burgoyne, based in part on Le Pere de Famille, by Denis Diderot. Prologue by the Hon. Richard Fitzpatrick; Epilogue by the author (see text)]: With a Variety of new Scenes [by Greenwood (Daily Universal Register, 16 Jan.)], Dresses, and Decorations. Public Advertiser, 4 Feb. 1786: This Day is published The Heiress (1s. 6d.). "It rarely happens that all the characters of a piece are so well sustained" (Morning Chronicle, 16 Jan.). "We never saw a play more admirably performed in all its parts" (Gazetteer, 16 Jan.). "In point of performance the comedy had every advantage" (Morning Herald, 16 Jan.). Receipts: #226 2s. (205/10; 20/7; 0/5)

Performances

Mainpiece Title: The Heiress

Performance Comment: Principal Characters by King, Palmer, Parsons, Baddeley, Wilson, Chaplin, Bannister Jun., Aickin, R. Palmer, Smith; Miss Pope, Mrs Crouch, Mrs Wilson, Mrs Love, Miss Tidswell, Mrs Booth, Miss Barnes, Miss Farren. [Cast from text (J. Debrett, 1786), and European Magazine, January 1786, p. 8: Sir Clement Flint-King; Lord Gayville-Palmer; Alscrip-Parsons; Chignon-Baddeley; Mr Blandish-Bannister Jun.; Mr Rightly-Aickin; Prompt-R. Palmer; Clifford-Smith; Miss Alscrip-Miss Pope; Miss Alton-Mrs Crouch; Mrs Blandish-Mrs Wilson; Tiffany-Miss Tidswell; Mrs Sagely-Mrs Booth; Waiting Maid-Miss Barnes; Lady Emily-Miss Farren.] Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi. Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi.

Afterpiece Title: The Quaker

Performance Comment: As17850917, but Gillian-Mrs Forster [i.e. formerly Miss Field] .i.e. formerly Miss Field] .

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Performance Comment: [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.] hathi.
Event Comment: Mainpiece [1st time; T 5, by John Delap. Prologue and Epilogue by Thomas Vaughan (see text)]. Morning Chronicle, 22 Mar. 1786: This Day is published The Captives (1s. 6d.). Receipts: #222 1s. (204/17; 14/16; 2/8)

Performances

Mainpiece Title: The Captives

Performance Comment: Principal Characters by Smith, Bensley, Barrymore, Fawcett, Chaplin, Spencer, Kemble; Miss Kemble, Miss Tidswell, Mrs Siddons. [Cast from text (T. Cadell, 1786): Erragon-Smith; Hidallan-Bensley; Connal-Barrymore; Everallin-Kemble; Minla-Miss Kemble; Virgin-Miss Tidswell; Malvina-Mrs Siddons. Fawcett, Chaplin, Spencer are unassigned.] Prologue spoken by Bannister Jun. Epilogue spoken by Mrs Siddons . Prologue spoken by Bannister Jun. Epilogue spoken by Mrs Siddons .

Afterpiece Title: The Humourist

Performance Comment: As17850922 .

Song: In Act II of mainpiece an Ode (composed by Dr Cooke). Vocal Parts by Dignum, Danby, Wilson, Phillimore, Alfred, Newbold; Mrs Love, Mrs Booth, Miss Burnett, Miss J. Stageldoir, Mrs Forster

Performance Comment: Vocal Parts by Dignum, Danby, Wilson, Phillimore, Alfred, Newbold; Mrs Love, Mrs Booth, Miss Burnett, Miss J. Stageldoir, Mrs Forster .