SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Italian and Spanish Manner"/1) | (@(roleclean,performerclean) "Italian and Spanish Manner")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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Event Comment: Mainpiece: With Alterations [by John Philip Kemble. In his version, as published in 1793, Lewis is assigned to Barrymore, Helena to Mrs Siddons, the Countess to Mrs Ward, Diana to Mrs Powell. Genest lists the present cast; it appears to be reliable. He omits Phillimore, who is assigned in the text, and Miss Tidswell]. A new Edition of All's Well that Ends Well to be had in the Theatre. Afterpiece: With a Sea Fightv. Powell: Drummer rehearsed at 10; Critic at 11:30; Cherokee at 1. Receipts: #282 1s. (178.19; 99.16; 3.6)

Performances

Mainpiece Title: All's Well That Ends Well

Performance Comment: [Principal Characters by Bensley, Kemble, Aickin, Bannister Jun., Whitfield, C. Kemble, Benson, Caulfield, Bland, Packer, King, R. Palmer, Phillimore, Mrs Powell, Mrs Jordan, Mrs Booth, Miss Miller, Miss Tidswell. Cast from text (J. Debrett, 1793 [sic]) conflated With Genest, VII, 183: King-Bensley; Bertram-Kemble; Lafeu-Aickin; Clown-Bannister Jun.; Dumain-Whitfield; Lewis [i.e. 2nd Lord ]-C. Kemble; Biron [i.e. 1st Gentleman ]-Benson; Jaquez [i.e. 2nd Gentleman ]-Caulfield; Tourville [i.e. Astringer ]-Bland; Steward-Packer; Parolles-King; Soldier (Interpreter)-R. Palmer; Soldier-Phillimore; Countess-Mrs Powell; Helena-Mrs Jordan; Widow-Mrs Booth; Diana-Miss Miller; Mariana-Miss Tidswell.
Cast
Role: Astringer ] Actor: Bland

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Performance Comment: Dangle-Dodd; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Signor Ritornello-Dubois; Interpreter-Benson; Under Prompter-Maddocks; Puff-King; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Leak; Mrs Bland, Miss DeCamp; Tragedians : Lord Burleigh-Caulfield; Governor-Hollingsworth; Earl of Leicester-Whitfield; Sir Walter Raleigh-Burton; Sir Christopher Hatton-Waldron; Master of Horse-Webb; Beefeater-Phillimore; Justice-Packer; Tom Jenkins-Suett; Constable-Bland; Don Ferolo Whiskerandos-Bannister Jun.; Nieces-Miss Heard, Miss Collins; Justice's Lady-Mrs Heard; Confidant-Mrs Booth; Tilburina-Miss Pope.

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: A Favourite Scene from New Hay [Sylvester Daggerwood]

Performance Comment: Sylvester Daggerwood (with Jacky and the Cow, by permission of Dibdin, who has written the accompaniments)-Bannister Jun.; Fustian-Suett; Apewell [with Imitations (see17960607]-Caulfield.

Afterpiece Title: The Critic

Performance Comment: Dangle-Dodd; Sneer-Benson; Sir Fretful Plagiary (for that night)-Bannister Jun. (1st appearance in that character); Signor Ritornello-Fairbrother; Interpreter-Wewitzer; Puff-King; Mrs Dangle-Mrs Maddocks; Italian Girls-Miss Leak, Miss Granger, Miss DeCamp; [Tragedians:] Don Ferolo Whiskerandos-Bannister Jun. [i.e. doubled Sir Fretful Plagiary]; Nieces-Miss Heard, Miss Mellon; Justice's Lady-Mrs Heard; Confidant-Miss Tidswell; Tilburina-Miss Pope.

Afterpiece Title: The Wedding Day

Performance Comment: As17960220, but Lord Rakeland-Benson; Mrs Hamford-Mrs Maddocks; John-_; William-_.

Performances

Mainpiece Title: As You Like It

Performance Comment: Duke [Senior]-Aickin; Frederick-Caulfield; Amiens-Dignum; Jaques-Palmer; Le Beau-R. Palmer; Oliver-Whitfield; Jaques de Boys-Holland; Orlando-Barrymore; Adam-Packer; Touchstone-Bannister Jun.; Corin-Hollingsworth; Sylvius-Trueman; Rosalind (with the Cuckoo Song)-Mrs Jordan; Celia-Miss Mellon; Phebe-Miss Heard; Audrey-Miss Pope.
Cast
Role: Jaques de Boys Actor: Holland
Role: Orlando Actor: Barrymore

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Performance Comment: Dangle-R. Palmer; Sneery-Barrymore; Sir Fretful Plagiary (1st time)-Dowton; Signor Ritornello-Maddocks; Interpreter-Wewitzer; Puff-Palmer; Mrs Dangle-Miss Tidswell; Italian Girls-Miss Leak, Mrs Bland, Miss DeCamp; Tragedians Lord Burleigh-Caulfield; Governor of Tilbury Fort-Hollingsworth; Earl of Leicester-Whitfield; Sir Walter Raleigh-Russell; Sir Christopher Hatton-Wathen; Don Ferolo Whiskerandos-Bannister Jun.; Nieces-Miss Heard, Miss Mellon; Tilburina-Miss Pope.

Song: V: song-Mrs Bland

Ballet: The Scotch Ghost. As17961221

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Don Pedro-Holland; Leonato-Aickin; Don John-Caulfield; Claudio-Barrymore; Benedick-Kemble; Balthazar-Dignum; Antonio-Packer; Borachio-Trueman; Conrade-Gibbon; Dogberry-Suett; Verges-Dowton; Seacoal-Wewitzer; Hero (with songs)-Miss Leak (1st appearance in that character); Beatrice-Mrs Jordan (1st appearance in that character); Margaret-Miss Tidswell; Ursula-Miss Heard.
Cast
Role: Don Pedro Actor: Holland

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Performance Comment: Dangle-R. Palmer; Sneer-Palmer; Sir Fretful Plagiary-Dowton; Signor Ritornello-Maddocks; Interpreter-Wewitzer; Puff-King; Mrs Dangle-Miss Tidswell; Italian Girls-Miss Leak, Mrs Bland, Miss DeCamp; Tragedians: Lord Burleigh-Sparks; Governor of Tilbury Fort-Hollingsworth; Earl of Leicester-Trueman; Sir Walter Raleigh-Russell; Sir Christopher Hatton-Wathen; Beef@eater-Caulfield; Don Ferolo Whiskerandos-Bannister Jun.; Tilburina-Miss Pope.

Dance: In II: Masquerade-; with Dancing-Mlle Parisot, Sga Bossi DelCaro

Song: In Masquerade: Sigh no more Ladies (composed by Stevens)-Sedgwick, Dignum, Mrs Bland, Miss DeCamp; End IV: Little Taffline-Mrs Bland; In course of Evening: Ally Croaker, Little Bess the Ballad Singer (composed by Dr Arnold)-Miss Leak

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: An Olla Podrida

Performance Comment: Consisting of: Hobby Horses, comprising the Beau's Hobby, Soldier's Hobby, Patriot's Hobby, Fidler's Hobby, Lady's Hobby, Manager's Hobby, Actor's Hobby,-Munden (1st time); The British Volunteers-Johnstone; Mock Italian Song-Fawcett; The United Englishmen-Munden.
Cast
Role: Mock Italian Song Actor: Fawcett

Afterpiece Title: Bannian Day

Performance Comment: Captain Macgallaher-Johnstone; Bobby Notice-Palmer Jun.; Jack Hawser-Wathen; Mr Goodwill-Davies; Lieutenant Goodwill-Trueman; Bobby Batch-Fawcett; Polly-Mrs Bland; Mrs Goodwill-Miss Griffiths (1st appearance in that character).
Cast
Role: Polly Actor: Mrs Bland
Event Comment: Benefit for Knight. Mainpiece: Not acted these 6 years [acted 3 Nov. 1795]. Afterpiece: To conclude with a Grand Sea Fightv. Morning Chronicle, 15 Apr.: Tickets to be had of Knight, No. 38, King-street, Covent Garden. Receipts: #433 2s. (185.11.0; 6.14.6; tickets: 240.16.6)

Performances

Mainpiece Title: The Rage

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performance Comment: Dangle-Farley; Sir Fretful Plagiary-Munden; Puff-Knight; Sneer-Murray (Their 1st appearance in those characters); Signor Pasticcio-Delpini; Interpreter-Klanert; Italian Girls-Mrs Atkins, Miss Wheatley; Mrs Dangle-Mrs Chapman; Tragedians Lord Burleigh-Johnstone (1st appaarance in that character); Governor-Waddy; Earl of Leicester-Whitfield; Sir Walter Raleigh-Claremont; Master of the Horse-Atkins; Sir Christopher Hatton-Simmons; Beef@Eater-Rees; Don Ferolo Whiskerandos-Fawcett (1st appearance in that character); Confidante-Mrs Whitmore; Nieces-Mrs Watts, Miss Leserve; Tilburina-Mrs Mattocks (1st appearance in that character). Edition of 1807 (John Cawthorn) adds: Under Prompter-$Wilde.

Song: End IV: Sally in our Alley-Incledon; End: Black Ey'd Susan-Incledon; Afterpiece conclude: Rule Britannia-Incledon, Townsend, Hill, Chorus

Event Comment: Pepys, Diary: To the Nursery, where I was yesterday, and there saw them act a comedy, a pastorall, The Faythful Shepherd, having the curiosity to see whether they did a comedy better than a tragedy; but they do it both alike, in the meanest manner, that I was sick of it, but only for to satisfy myself once in seeing the manner of it, but I shall see them no more, I believe

Performances

Mainpiece Title: The Faithful Shepherd

Related Works
Related Work: The Faithful Shepherd Author(s): George Frederic Handel
Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 12-16 Dec. 1695, suggests that it was probably first acted not later than November 1695. The edition of 1696 mentions two songs and their performers: A lass there lives upon the green, the words by an unknown hand, set by Courteville, and sung by the Boy to Miss Cross; and Bright Cynthia's pow'r divinely great, words by Mr Cheek, set by Courtevill, sung by Leveridge. These two songs are also in Deliciae Musicae, The Fourth Book, 1696, as is a third, Celemene, pray tell me, set by Henry Purcell and sung by the Boy and Girl. The words were written by D'Urfey; and the Boy presumably was Bowen, and the Girl, Miss Cross. See Purcell's Works, Purcell Society, XXI (1917), v-vi. A Comparison Between the Two Stages (1702), p. 19: Sullen: Oronooko. Ramble: Oh! the Favourite of the Ladies. Sullen: It had indeed uncommon Success, and the Quality of both Sexes were very kind to the Play, and to the Poet: No doubt it has Merit, particularly the last Scene; but 'tis as certain, that the Comick Part is below that Author's usual Genius. Ramble: I have a particular regard for Mr Southern's Stile and agreeable Manner; there's a Spirit of Conversation in every thing he writes. Sullen: I think very few exceed him in the Dialogue; his Gallantry is natural, and after the real manner of the Town; his acquaintance with the best Company entered him into the secrets of their Intrigues, and no Man knew better the Way and Disposition of Mankind. But yet I must say, his Diction is commonly the best part of him, especially in Comedy; but in Tragedy he has once in this, and in one other, Drawn the Passions very well

Performances

Mainpiece Title: Oroonoko

Performance Comment: Edition of 1696: Prologue to Oroonoko [Sent by an Unknown Hand,-Mr Powell; Oroonoko-Verbruggen; Aboan-Powell; Lieutenant Governor-Williams; Blanford-Harland; Stanmore-Horden; Jack Stanmore-Mills; Captain Driver-Ben Johnson; Daniel-Mich. Lee; Hottman-Sympson; Imoinda-Mrs Rogers; Widow Lackit-Mrs Knight; Charlot Welldon-Mrs Verbruggen; Lucy Welldon-Mrs Lucas; Epilogue to Oroonoko [Written by Mr Congreve, edition of 1699]-Mrs Verbruggen.
Cast
Role: Sent by an Unknown Hand, Actor: Mr Powell
Role: Blanford Actor: Harland
Event Comment: By His Majesty's Command

Performances

Mainpiece Title: Lo Spirito Folletto; Or, The Hobgoblin By Argentina

Performance Comment: Personating several Nations, Dancing and Singing after their Different Manner-; with Flights Apparitions and Transformations-; Prologue-the Infernal Deities.

Dance: TThe Furies-Poictier, others

Event Comment: By His Majesty's Command. A New Oratorio in English. Composed by Mr Handel. And to be perform'd by a great Number of the best Voices and Instruments. The House to be fitted up and illuminated in a new and particular manner. Tickets One Guinea. Gallery Half a Guinea. [Text by Samuel Humphreys. Their Majesties, Prince, and three eldest Princesses present.] Daily Advertiser, 20 March: An Entertainment, perhaps, the most magnificent that has ever been exhibited on an English Theatre....The Composition of the Musick is by no means inferior to the most finish'd of that Gentleman's Works; but the Disposition of the Performers was in a Taste beyond what has been attempted. There was a very great Number of Instruments by the best Hands, and such as would properly accompany three Organs. The Pit and Orchestre were cover'd as at an Assembly, and the whole House Illuminated in a new and most beautiful manner. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

Performance Comment: Edition of 1733 does not list performers' names, but Daily Advertiser, 20 March, states: Wherein Principal Parts-Signor Senosini, Signora Strada, Signora Gismundi, Signora Bertoldi, Signor Montagnana, Miss Young, Miss Arne, Mrs Wright, Mr Swartzs[, perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.], perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.]

Performances

Mainpiece Title: The Unhappy Favourite

Performance Comment: As17351119, but Raleigh-Ray. With the Ceremony of his [Essex'] Lying in State, after the Manner of his Grace the late Duke of Buckingham .Essex'] Lying in State, after the Manner of his Grace the late Duke of Buckingham .
Cast
Role: Rutland Actor: Mrs Giffard

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Hamlet-Giffard; King-W. Giffard; Polonius-Lyon; Laertes-Richardson; Ostrick-Woodward; Horatio-Havard; Guildenstern-Hamilton; Bernardo-Dove; Queen-Mrs Haughton; Ophelia-Mrs Hamilton; Ghost-Rosco; Gravediggers-Penkethman, Ray. After which will be introduced, The Ceremony of Hamlet's Lying in State, after the Manner of his Grace, the late Duke of Buckingham. With new Musick proper to the Occasion, set by Mr Carey. The Words by Henry Saville, Esq. [but see17351205] .but see17351205] .
Event Comment: Benefit Mr and Mrs Yates

Performances

Mainpiece Title: The Miser

Performance Comment: Miser-Yates, to be attempted after the manner of the late Mr Griffin; Frederick-W. Giffard; Clerimont-Blakes; Ramilie-Peterson; James-Dunstall; List-Marr; Upholsterer-Vaughan; Lawyer-Crofts; Harriet-Miss Hippisley; Lappet-Mrs Yates; Mrs Wisely-Mr Giffard.

Afterpiece Title: The Contrivances

Song: Miss Medina, Mrs Jones

Dance: HHornpipe-Yates

Event Comment: For the Entertainment of the...Masons. Benefit Blakes and Miss Hippisley

Performances

Mainpiece Title: The Miser

Performance Comment: See17410316 but Miser-Yates, to be attempted after the manner of the late Mr Griffin; Clerimont-Blakes; Lappet-Miss Hippisley; Mariana-Mrs Giffard.

Afterpiece Title: Lethe

Song: Miss Medina, Mrs Jones; the Masons' Songs-Hemskirk

Dance: DDrunken Peasant-Chettle; Hornpipe-Yates, others

Event Comment: Benefit Mrs Cross, Mrs Bridges, Miss Young. The General Advertiser included the following Puff: Sir, As I am continually searching for latent Curiosities, out of a sincere regard for the Public Satisfaction, I think it my Duty (lest among the Multitude of Diversions now flourishing, some other might engross the attention of the Curious) to inform the world, that the Farce which will be perform'd this Evening at Drury Lane theatre, call'd May Day, or the Merry Milkmaids of Islington, was written by the particular desire of King Charles II who had it first performed at Newmarket; how agreeably that jovial Monarch was entertained, every person, who thinks it worth his while to see it, according to his abilities, will be a competent judge, Yours, &c A. Virtuoso. [Part of the Multitude of Diversions referred to included announcement in the same paper for a Rehearsal of the whole Band of Music at Ruckholt House, the following Monday; a paragraph Puff on the diversions at Sadler's Wells in consequence of the late happy Victory of the Duke of Cumberland over the Rebels, with special notice of a New Interlude of Music call'd Strephon's Return, or the British Hero, perform'd this night with many advantages of Dress and Decoration, and a new Ballet by Matthews; and further notice of the Representation of the Battle near Culloden House which had met with universal applause, and which would continue to be repeated at the New Wells in Goodman's Fields. The Farce at Drury Lane this evening was advertised as not having been played for 20 years. It was taken from Thomas Nabbes' Totenham Court Road, by the Compiler of the Muse of Newmarket, 1680. The MS Occasional Prologue praising Cumberland is in the Larpent Collection.

Performances

Mainpiece Title: The Committee

Performance Comment: As17460117, but Mrs Day-Mrs Cross; A New Occasional Prologue on the Duke of Cumberland's Defeat of the Rebels-Cibber.

Afterpiece Title: May Day; or, The Merry Milkmaids of Islington

Performance Comment: To conclude with a Rural Dance in Honour of Flora-after the manner of the Ancients.

Song: Miss Young

Dance: Mechel, Mlle Mechel

Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Performances

Mainpiece Title: Merope

Performance Comment: Dorilas-Garrick; High Priest-Bransby; Euricles-Blakes; Erox-Burton; Ismene-Miss Minors; Polyphontes-Havard; Narbas-Berry; Merope-Mrs Pritchard; With a Procession and Sacrifice- after the manner of the Ancients.

Afterpiece Title: Lethe

Performances

Mainpiece Title: The Old Woman's Oratory

Afterpiece Title: The Coup de Grace; or, The Death of Harlequin , a Burlesque Pantomime Entertainment, to be performed by Britons only

Performance Comment: The Funeral Procession-of Harlequin; By the Desire of Shakespeare's Friends, a Solemn Dirge-will be performed in the Manner of that in Romeo and Juliet.

Dance: Grand Dance of Horse and Four-

Event Comment: MMr Holland did Eumenes-Great Applause ($Cross). Afterpiece: By Desire. Receipts: #160 (Cross)

Performances

Mainpiece Title: Merope

Performance Comment: Dorilas-Holland, who perform'd the part of Oroonoko; Euricles-Blakes; Erox-Burton; Polyphontes-Havard; Narbas-Berry; Merope-Mrs Pritchard; High Priest-Bransby; Ismene-Miss Minors With a Processionv, Sacrifice, after the manner of the ancients.

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Merope

Performance Comment: Dorilas-Holland; High Priest-Bransby; Poliphontes-Havard; Narbas-Berry; Merope-Mrs Pritchard; Euricles-Blakes; Erox-Burton; Ismene-Miss Minors. With a Procession and a Sacrifice, after the manner of the Ancients.

Afterpiece Title: The Englishman in Paris

Event Comment: Benefit for Smith. Mainpiece: not acted these 4 years. No building on stage. Receipts: #60 12s. 6d. plus tickets #222 5s. (boxes 458; pit 605; gallery 170). Charges #63. Mr Robt. Lewis came in for 1 share (Account Book). [Smith advertised, and it appeared his house at his benefit was too full & [there was] confusion in getting to places (Winston MS 8). See Smith's note in Public Advertiser, 16 March.

Performances

Mainpiece Title: Coriolanus

Performance Comment: Coriolanus-Smith; Tullus-Ryan; Volusius-Sparks; Menenius-Shuter; Cominius-Ridout; Galesus-Gibson; Brutus-White; Sicinius-Bennet; Plebeians-Dunstall, Barrington, Collins, Costollo; Volumnia-Miss Condill; Veturia-Mrs Hamilton. In which will be introduc'd a Roman Ovation after the manner of the Antients.

Afterpiece Title: The Sheep Shearing

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Mainpiece: Altered from Shakespeare and Thomson

Performances

Mainpiece Title: Coriolanus

Performance Comment: Coriolanus-Smith; Tullus-Ryan; Volusius-Sparks; Menenius-Shuter; Cominius-Ridout; Galesus-Gibson; Brutus-Davis; Sicinius-Bennet; Plebeians-Dunstall, Barrington, Collins, Costollo; Volumnia-Mrs Vincent; Veturia-Mrs Hamilton; In which will be introduc'd a Roman Ovation-after the manner of the Ancients.

Afterpiece Title: The Lottery

Event Comment: Benefit for Barrington and Mrs Lampe. No building on Stage. Receipts: #24 6s. 6d. in cash. Charges #64 5s. Deficit to each beneficiary, #19 19s. 3d., covered by income from tickets: Barrington #48 9s. (Boxes 66; Pit 188; Gallery 69); Mrs Lampe #40 10s. (Boxes 34; Pit 107; Gallery 128). Total income #113 5s. 6d. [At this point in the benefit season the house shows profitable balance on the books of only #225 5s.

Performances

Mainpiece Title: Coriolanus

Performance Comment: Coriolanus-Smith; Tullus-Clarke; Volusius-Sparks; Menenius-Shuter; Cominius-Ridout; Galesus-Gibson; Brutus-Davis; Sicinius-Bennet; Plebeians-Dunstall, Barrington, Collins, Costollo, Stoppelaer; Volumnia-Mrs Vincent; Veturia-Mrs Hamilton. In which will be introduc'd a Roman Ovation, after the manner of the ancients.

Afterpiece Title: Lethe

Dance: III: Fingalian Dance-Miss Hilliard; End: The Threshers-Leppie, Granier, Mlle Capdeville

Event Comment: Benefit for Wilkinson. At the Request of several Persons of Quality. Tickets delivered by Fox, Royall, and for The Distress'd Mother will be taken

Performances

Mainpiece Title: Tamerlane

Cast
Role: Moneses Actor: Holland

Afterpiece Title: The Double Disappointment

Performance Comment: As17600429 *uņdl SSpecialty. Foote's Prologue to The Author, spoken in the manner of the Original-Wilkinson; and, By Particular Desire, the Scene between Lady Pentweazel and Mr Carmine , from the Comedy of Taste-; Lady Pentweazle-Wilkinson; Carmine-Packer.
Event Comment: To begin each Day (for the short time of the Fair) at One o'clock, and end at Eleven. At Yates's Great Theatrical Concert Hall, in the Greyhound Inn, West Smithfield. Performed by a company of Comedians from both Theatres. Prices for this droll: Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. There is a commodious way to the Boxes and Pit at the upper end of Cow Lane (Public Advertiser). [This may be an advance notice. It appears again on Th., F., S., and Mon. (Sept. 3, 4, 5, 7).

Performances

Mainpiece Title: The Fair Bride; Or, The Unexpected Event

Performance Comment: "Containing many surprising occurences at sea, which could not possibly happen at land."

Afterpiece Title: The British Tar's Triumph over M Soup-Maigre

Performance Comment: Cast:The performance will be highly enlivened with several entertaining Scenes between England, France, Ireland, and Scotland, in the diverting personges of Ben Bowling, an Dnglish Sailor; M Soup-Maigre, a French Captain; O'Flannaghan, an Irish officer; M'Pherson, a Scotch officer. Through which the manners of each nation will be characteristically and humourously depicted. In which will be introduced as singular and curious a procession as was ever exhibited in this nation. The Objects that compose the Pageantry are both Exotic and British. The Principal figure is the glory and delight of Old England, and the envy of our enemies. The Whole to conclude with a Loyal song on the approaching marriage of our great and glorious Sovereign, King George, and Princess Charlotte of Mecklenberg. An extraordinary band of music is provided: drums, hautboys, violins, French horns, violincellos, bassoons, clarinets. O'Flannaghan, an Irish officer; M'Pherson, a Scotch officer. Through which the manners of each nation will be characteristically and humourously depicted. In which will be introduced as singular and curious a procession as was ever exhibited in this nation. The Objects that compose the Pageantry are both Exotic and British. The Principal figure is the glory and delight of Old England, and the envy of our enemies. The Whole to conclude with a Loyal song on the approaching marriage of our great and glorious Sovereign, King George, and Princess Charlotte of Mecklenberg. An extraordinary band of music is provided: drums, hautboys, violins, French horns, violincellos, bassoons, clarinets.

Entertainment: of singing and dancing.of singing and dancing

Performance Comment: of singing and dancing.