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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Italian"/1) | (@(roleclean,performerclean) "Italian")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1328 results for: Keyword - Italian
We found 608 matches on Performance Title, 498 matches on Roles/Actors, 193 matches on Event Comments, 154 matches on Performance Comments, and 0 matches on Author.

1176
21 March 1732 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Ladies of Quality. Afterpiece: With Alterations and a new Prologue after the Italian Manner. Admission 5s., 3s., 2s., 1s

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Perseus and Andromeda

1177
05 May 1732 @ Hickford's Room

Event Comment: Benefit Pasquale, the famous Italian Violoncello. 7 p.m. 5s

Performances

Mainpiece Title: Concert

Music: Consisting ofSeveral Pieces [of [Pasquale's] own Making, and the other Masters-the Best Hands

1178
16 November 1732 @ Haymarket Theatre

Event Comment: A New English Opera. [Text by Thomas Lediard.] Set to Musick after the Italian Manner by Mr John Frederick Lampe. The Scenes and Cloaths are entirely New. With the Representation of a Transparent Theatre. Curiously Illuminated, and adorn'd with a great Number of Emblems, Mottos, Devices, and Inscriptions; and embellish'd with Machines, in a Manner entirely new. N.B. The Illuminations and other Preparations for this Opera are such, that no Person whatever can be admitted to the Stage. Pit and Boxes put together at 6s. Gallery 3s. 6 p.m. [For a discussion of Lediard and this work, see a series of articles by Ifan Kyrle Fletcher, Sybil Rosenfeld, and Richard Southern in Theatre Notebook, II (1948), 42-54.

Performances

Mainpiece Title: Britannia

1179
20 November 1732 @ Lincoln's Inn Fields

Event Comment: A New English Opera after the Italian Manner. [Text by Henry Carey. Set to Musick by John Christopher Smith.] Pit and Boxes put together at 5s. First Gallery 3s. Upper Gallery 2s. 6 p.m. Receipts: For Mr Arne

Performances

Mainpiece Title: Teraminta

1180
18 December 1732 @ Haymarket Theatre

Event Comment: Set to Musick after the Italian Manner by Mr Lampe. 5s., 3s., 2s. 6 p.m

Performances

Mainpiece Title: Amelia

1181
22 February 1733 @ Lincoln's Inn Fields

Event Comment: Whereas Thomas Arne, Jun. Proprietor of English Operas [at lif], has new set to Musick, after the Italian Manner, the Opera of Rosamond, Written by the late Mr Addison, Which is now in Rehearsal....This is to give Notice, that he...hoping to receive Encouragement from the Town, will (notwithstanding his Expences are considerably greater than any of the other English Theatres) Entertain the Town at the following Prices (viz) Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. 6d. And that he will give a private Rehearsal of the said Opera, to such Friends as shall oblige him with a Subscription...at One Guinea, to be paid on Receipt of a Ticket, which will admit the Bearer into the Boxes five Nights

Performances

1182
07 March 1733 @ Lincoln's Inn Fields

Event Comment: The Words by the late Mr Addison. And new set to Musick after the Italian manner by Mr Arne Jr. With New Scenes and Dresses. 5s., 3s., 2s., 1s. 6d. 6 p.m

Performances

Mainpiece Title: Rosamond

1183
05 April 1733 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Barbier. The Words by the late Mr Addison. And new set to Musick after the Italian Manner, by Mr Arne Jr

Performances

Mainpiece Title: Rosamond

1184
31 May 1733 @ Haymarket Theatre

Event Comment: Set to Musick after the Italian Manner. The Habits and Decorations entirely New. [Probably by Eliza Haywood and William Hatchett, with music by Arne.] 7 p.m. 5s., 3s., 2s

Performances

Mainpiece Title: The Opera Of Operas; Or, Tom Thumb The Great

1185
04 June 1733 @ Haymarket Theatre

Event Comment: By particular Desire of several Persons of Distinction. Set to Musick after the Italian Manner. The Habits and Decorations entirely New. 5s., 3s., 2s. 7 p.m. [The Duke and the Princess Amelia present.

Performances

Mainpiece Title: Opera Of Operas

Entertainment: TThe Crowing of the Cock-a Gentleman for his Diversion

Dance: new dance (by Dew dance (by Desire)-Jones to the 5th Concerto of Vivaldi, which he accompanies himself upon the Violin, the first time of his performing it in public

1186
11 June 1733 @ Haymarket Theatre

Event Comment: By particular Desire of several Persons of Distinction. Set to Musick after the Italian Manner. [The Conde de Montijo, the Spanish Ambassador, present.

Performances

Mainpiece Title: Opera Of Operas

Dance: Jones

1187
13 June 1733 @ Haymarket Theatre

Event Comment: Set to Musick after the Italian Manner

Performances

Mainpiece Title: Opera Of Operas

Dance: Jones

1188
07 November 1733 @ Drury Lane Theatre

Event Comment: In Three Acts. Set to Musick after the Italian Manner by Mr John Frederick Lampe. Daily Advertiser, 8 Nov.: The Arrival of his Highness the Prince of Orange, indeed, prevented many Persons of Quality from being there, who had taken Boxes; but 'tis presum'd it cannot fail of Success and Encouragement notwithstanding

Performances

Mainpiece Title: The Opera Of Operas

Dance:

1189
09 November 1733 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Set to Musick after the Italian Manner by John Frederick Lampe

Performances

Mainpiece Title: The Opera Of Operas

Afterpiece Title: The Harlot's Progress

1190
13 December 1733 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Set to Musick after the Italian Manner by John Frederick Lampe

Performances

Mainpiece Title: The Opera Of Operas

Afterpiece Title: The Harlot's Progress

Dance: Pierrot and Pierraite by Le Brun and Mrs D'Lorme

1191
22 February 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Chronohotonthologos

Dance: As17340221 Also A new Overture. With Songs (in the Italian Stile) a propos [to the Afterpiece]

Performance Comment: With Songs (in the Italian Stile) a propos [to the Afterpiece] .

1192
13 May 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Intriguing Chambermaid

Music: A new Comic Medley Overture composed by Charke

Dance: III: By Nivelon and Miss Mann. End of Afterpiece: English Maggot by S. Lally and Mrs Walter

Song: I: A Teneri Affeti by Mrs Cibber and Mrs Barbier. II: Was ever Nymph like Rosamond by Mrs Barbier. IV: Amelia wishes when she dies by Mrs Cibber. V: A new Favourite Italian Song by Mrs Barbier

Performance Comment: II: Was ever Nymph like Rosamond by Mrs Barbier. IV: Amelia wishes when she dies by Mrs Cibber. V: A new Favourite Italian Song by Mrs Barbier .

1193
06 September 1734 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental, by the best Masters from the Operas

Entertainment: And after the Concert is over, at the particular Desire of the King, &c. Mr Topham, from Islington, is to perform all the Experiment of his surprising Strength. With Singing by him, both in Italian and English

Performance Comment: Mr Topham, from Islington, is to perform all the Experiment of his surprising Strength. With Singing by him, both in Italian and English .

1194
02 November 1734 @ King's Theatre

Event Comment: [Prince of Wales and Princess Amelia present.] Lord Hervey to Henry Fox, 2 Nov.: No place is full but the Opera; and Farinelli is so universally liked, that the crowds there are immense. By way of public spectacles this winter, there are no less than two Italian Operas, one French play house, and three English ones. Heidegger has computed the expense of these shows, and proves in black & white that the undertakers must receive seventy-six thousand odd hundred pounds to bear their charges, before they begin to become gainers. Ilchester, Lord Hervey and his Friends, p. 211

Performances

Mainpiece Title: Artaxerxes

1195
18 December 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Arlequin Et Sa Troupe Comediens Esclaves; Or, Harlequin And His Company Of Comedians Slaves

Performance Comment: Compos'd of three Different Plays, representing an Idiom of the French Stage, in General, beginning with a Prologue: The First Piece call'd Arcacambis, a Tragedy. The Second L'Ecole des Maris, a Comedy in Three Acts, written by Moliere. The Third Harlequin Always Harlequin, of the Italian Theatre. Cast not listed .

Dance:

1196
17 March 1735 @ Goodman's Fields

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Lover's Opera

Dance: I: Pierrots by Vallois and Delagarde. II: Scotch Dance by Mrs Bullock. IV: La Follette c'est Ravize by Tench and Mrs Woodward

Song: III: Was ever Nymph like Rosamond by Miss Jones. V: In Italian by Mrs Chambers

Performance Comment: V: In Italian by Mrs Chambers .

1197
29 March 1735 @ Goodman's Fields

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Contrivances

Dance: I: Pierrots by Vallois and Delagarde. III: A new Moors' Dance by Haughton, Vallois, Tench, Mrs Bullock, Mrs Woodward. V: Last new Scot's Dance by Haughton, Mrs Bullock, Vallois, Mrs Woodward, Tench, Miss Norman

Song: II: Song with French Horns by Mrs Jones. IV: Singing in Italian by Mrs Chambers

Performance Comment: IV: Singing in Italian by Mrs Chambers .

1198
09 April 1735 @ Goodman's Fields

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Devil to Pay

Dance: III: Pierrots by Vallois and Delagarde. V: Scotch Dance, as17350329

Song: II: Watermen's Song in Britannia by the two Masters Hamilton. IV: In Italian by Mrs Chambers

Performance Comment: IV: In Italian by Mrs Chambers .

1199
16 April 1735 @ Goodman's Fields

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The What D'ye Call It

Dance: II: Pierrots by Vallois and Delagarde. IV: Scot's Dance. As17350329

Song: I: A new English Song by Mrs Chambers. III: Italian Song by Mrs Chambers. V: English Song by Mrs Chambers

Performance Comment: III: Italian Song by Mrs Chambers. V: English Song by Mrs Chambers .

1200
21 April 1735 @ Goodman's Fields

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Contrivances

Dance: II: La Follette c'est Ravize by Tench and Mrs Woodward. V: A new Dance by Delagarde and Mrs Bullock

Song: III: A Song, called Goodman's Fields Theatre, addressed to the City, sung by Excell. IV: In Italian by Miss Jones

Performance Comment: IV: In Italian by Miss Jones .