SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Italian"/1) | (@(roleclean,performerclean) "Italian")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 608 matches on Performance Title, 498 matches on Roles/Actors, 193 matches on Event Comments, 154 matches on Performance Comments, and 0 matches on Author.

Performances

Mainpiece Title: Othello

Afterpiece Title: The Diversions of the Morning

Performance Comment: See17581218, but for the only time, by desire of several persons of Quality, Mr Foote's Characters of Lady Pentweazle, and Mrs Puzzle, the Instructor, with Additions by Mr Wilkinson, (in the manner of the Original) in which he will introduce a Mock Italian Burletta-; Carmine-Mrs Packer; Ald Pentweazle-Philips; Caleb-Ackman; Manly-Burton; Crambo-Perry; Freelove-Holland.

Dance: NNew Grand Dance, as17590509

Performances

Mainpiece Title: A Concert

Performance Comment: In which will be introduced the Original Orations for (this night only) by Mrs Midnight. With a New Dish of Sweet Cream. Prologue-Mrs Midnight; The Echo of Anacreon-Gaudry; Scots Songs-Lauder; A Concerto-La Spoonatissiana; Singing-young Gentlewoman; Mock Italian Air-Sga Mimicottiaccompanied by Mynheer Broomsticado; Concerto on Violincello-Clogget; Advice to the Criticswith a specimen of ancient and modern acting-Mrs Midnight.

Afterpiece Title: Britannia's Triumph

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17601230, but in Act II, Singing, An Italian Song-Mas. Leoni.
Cast
Role: An Italian Song Actor: Mas. Leoni.

Afterpiece Title: The Enchanter

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Chaplet

Performance Comment: As17610112, but only Pastora-Miss E. Young; concluding with The Italian Gardeners-Grimaldi, Miss Baker.

Dance: End I: The Fingalian Dance, as17610416 II: The Venetian Gondolier-Sg Tioli, Miss Baker; III: A Comic Dance, as17610307 End: by Desire a Minuet-Leviez, a Young Lady, his Scholar

Performances

Mainpiece Title: Songs From Artaxerxes

Performance Comment: by permission of Dr Arne, The favorite songs-Sg Peretti (who performed the part of Artaxerxes at Covent Garden), Tenducci, others; comic songs in Italian-Leopoldo Micheli (who never appeared on the English stage before); A Concerto on German Flute-Florio; Concerto on Violincello-Siprutini; (By Particular Desire) a new song by Dr Arne on the Taking of Martinico-Peretti.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Musical Lady

Performance Comment: As17650917, but a New Italian Song-Miss Pope; Epilogue-Miss Pope as Musical Lady.
Cast
Role: a New Italian Song Actor: Miss Pope

Dance: III: The Irish Lilt, as17651004; End: Hearts of Oak, as17660207

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Musical Lady

Performance Comment: As17660404 but a New Italian Song-_.
Cast
Role: a New Italian Song Actor: Miss Pope

Entertainment: End: Baddeley, By Particular Desire, will present Bucks Have at ye All-Baddeley

Dance: End I Farce: Hearts of Oak, as17660207

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Linco's Travels-Barnshaw

Entertainment: I: Overture in Artaxerxes-; Favourite Cantata from Anacreon (set by Sterling Goodwin)-A. Smith; Favourite Scots air-Miss Dowson (words and Music by A. Smith); Overture-Abel; New Hunting Song (set by Brewster)-Barnshaw; II: Soldier Tir'd-Miss Dowson; Songs-the Italian Young Gentleman; Trumpet Concerto-Mas. Green (pupil to Jones); What a Charming Thing's a Battle (from the Recruiting Sergeant)-Barnshaw

Performance Comment: Smith; Favourite Scots air-Miss Dowson (words and Music by A. Smith); Overture-Abel; New Hunting Song (set by Brewster)-Barnshaw; II: Soldier Tir'd-Miss Dowson; Songs-the Italian Young Gentleman; Trumpet Concerto-Mas. Green (pupil to Jones); What a Charming Thing's a Battle (from the Recruiting Sergeant)-Barnshaw.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Padlock

Dance: I: The Fingalian Dance, Double Hornpipe-Mas. Blurton, Miss Besford (both apprentices to Fishar) [see17710515]; II: A Serious Dance-Miss Capon (Apprentice to Fishar) [see17670427]; III: [A New Pastoral Dance call'd The Rural Amusements of the Shepherds and Shepherdesses-Fishar, Sga Manesiere;[, in which by Particular Desire will be be introduced an Allemande-Fishar, Sga Manesiere; IV: [A New Pantomime Dance call'd The Italian Gardner-Mas. Blurton, Miss Capon, Miss Besford. [see dl 9 Dec. 1760]

Performance Comment: Blurton, Miss Besford (both apprentices to Fishar) [see17710515]; II: A Serious Dance-Miss Capon (Apprentice to Fishar) [see17670427]; III: [A New Pastoral Dance call'd The Rural Amusements of the Shepherds and Shepherdesses-Fishar, Sga Manesiere;[, in which by Particular Desire will be be introduced an Allemande-Fishar, Sga Manesiere; IV: [A New Pantomime Dance call'd The Italian Gardner-Mas. Blurton, Miss Capon, Miss Besford. [see dl 9 Dec. 1760] .see dl 9 Dec. 1760] .

Ballet: V: The Wapping Landlady. Jack-Fishar; Landlady-Banks; Orange Woman-Sga Manesiere; with a Sixfold Hornpipe[, that night only, by six principal dancers-Fishar, Sga Manesiere, Miss Twist, Mas. Blurton, Miss Capon, Miss Besford. [For Wapping Landlady, see17710412.

Performances

Mainpiece Title: The Magic Girdle

Music: Solo Concerto on Basson-the celebrated M. LeCouteux, first performance in this kingdom; Concerto on Violin-Barthelemon; Comic act-Three Italian Musicians blind from birth

Performance Comment: LeCouteux, first performance in this kingdom; Concerto on Violin-Barthelemon; Comic act-Three Italian Musicians blind from birth.

Performances

Mainpiece Title: Il Dilletante

Performance Comment: Parts-Reinhold, DuBellamy, Miss Wewitzer; with Imitations of the German, French, and Italian style of singing-Reinhold.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Critic

Entertainment: Imitations. End II: contrasted vocal Imitations in the Italian and English stile-Bannister; End V: a variety of Imitations-Bannister Jun

Performance Comment: End II: contrasted vocal Imitations in the Italian and English stile-Bannister; End V: a variety of Imitations-Bannister Jun.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: A Fete

Performance Comment: As17810403, but SCENE III. A View of the Sea. The Storm-Reinhold; We be three poor Mariners-Davies, Doyle, Simpkinson; To conclude with a Dance-Aldridge, others; SCENE IV as SCENE V on 3 Apr. SCENE V. A Church-Yard. Poor Thomas Day-Edwin, J.? Wilson, Davies; SCENE VI. A Banquet Scene. A Burlesque Italian Medley-Reinhold; To conclude with several Catches and Glees-the most eminent performers; Come honest Friends and jovial Souls-_SCENE VII omitted; Chorus-_; Dance-_; Attendant Genius-_; Venus-_; Dance of Warriors-_; Mad Tom-_; The music-_; She that will but now discover-_.

Afterpiece Title: The Flitch of Bacon

Song: End III 1st piece: When Phoebus the tops of the hills did adorn-Leoni, Mrs Kennedy

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: A Fete

Performance Comment: Scene I. A Country Church-yard by Moon-light. Lord Littleton's Elegy of My Lucy, alas! is no more by Dodd, Barrymore, Williames. Scene II. A Masquerade. An Italian song by Miss George; a Minuet by Second and Miss Stageldoir; Time has not thinn'd my flowing Hair, as17840330the Manual Exercise and Officer's Salute by Mrs Wells. Scene III. A Rural Prospect. Going out in the Morning; Tally ho!, as17840330cene the last. A moving Prospect on the River Thames, with a grand View of Greenwich Hospital; We be three poor Mariners by Dodd, Chapman, Suett; The Merry Sailors, as17840320at all other performances this dance was entitled The Jovial Sailors] . a Minuet by Second and Miss Stageldoir; Time has not thinn'd my flowing Hair, as17840330the Manual Exercise and Officer's Salute by Mrs Wells. Scene III. A Rural Prospect. Going out in the Morning; Tally ho!, as17840330cene the last. A moving Prospect on the River Thames, with a grand View of Greenwich Hospital; We be three poor Mariners by Dodd, Chapman, Suett; The Merry Sailors, as17840320at all other performances this dance was entitled The Jovial Sailors] .

Afterpiece Title: The Double Disguise

Song: Between the Acts of 1st piece A Soldier for me by Mrs Wrightcn

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: A Musical Oglio

Performance Comment: Consisting of an Italian Air, as17840412; a duet by Williames and Miss George; Stand to your gum, my hearts of oak by Staunton; The Sportsmen's Return, as17840311athi .

Afterpiece Title: The Double Disguise

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: An Olla Podrida

Performance Comment: Consisting of: Hobby Horses, comprising the Beau's Hobby, Soldier's Hobby, Patriot's Hobby, Fidler's Hobby, Lady's Hobby, Manager's Hobby, Actor's Hobby,-Munden (1st time); The British Volunteers-Johnstone; Mock Italian Song-Fawcett; The United Englishmen-Munden.
Cast
Role: Mock Italian Song Actor: Fawcett

Afterpiece Title: Bannian Day

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 8-10 June 1697, suggests a first performance in late May or the beginning of June. Preface: I [Motteux] write the Masque of Hercules, and Mr Eccles, having set it with his usual Success, and yet more masterly than my Mars and Venus, if possible, I prevail'd with the ingenious Mr J. Oldmixon to give me a short Pastoral, while I scribbled over a Farce after the Italian Manner, and an Imitation of part of a diverting French Comedy of one Act (for such Plays are very common in Foreign Parts). Then I wanted nothing but a Tragedy....At last I bethought myself of one already studied, called The Unnatural Brother, written by an ingenious Gentleman and acted 6 Months ago, tho not with the success it deserv'd. Yet the latter Part was extremely applauded: So I was persuaded to make bold with it, as I do....I could easily contract the most moving Part of the Story into the Compass of one Act, with some Additions....All this was done in a very short time, the warm Season threatening me with your Absence....The foregoing Lines were published as a Preface to that Masque, some few copies of which were printed for the use of the Audience, the first day of the Novelty's being Acted. A Comparison Between the Two Stages (1702), p. 20: Every Word stolen, and then Damn'd

Performances

Mainpiece Title: The Novelty 0

Afterpiece Title: The Novelty 1; Thyrsis, A Pastoral

Afterpiece Title: The Novelty 2; All Without Money

Afterpiece Title: The Novelty 3; Hercules [By Peter Motteux

Afterpiece Title: The Novelty 4; The Unfortunate Couple

Afterpiece Title: The Novelty 5; Natural Magick

Performance Comment: By Peter Motteux. A short Farce, after the Italian manner. Pantalone-Trefuses; Cynthio-Arnold; Pasquarel-Sorin; Mezzetin-Knap; Nicholas-Trout; Columbina-Mrs Lawson; Epilogue-Mrs Prince.

Performances

Mainpiece Title: Virtue Betray'd; Or, Anna Bullen

Music: Italian sonatas on the violin-Gasperini

Song: Leveridge

Dance: As17030419

Performances

Mainpiece Title: Volpone

Music: Italian Sonatas-Gasperini

Dance: Du/Ruell

Performances

Mainpiece Title: Italian Interludes

Dance: Some mimical Entertainments a Famous-Scaramouch, Harlequin , who lately perform'd before the Court of Hanover and their Prussian Majesties, now arriv'd in England

Entertainment: Vaulting. An extraordinary Performance on the Manag'd Horse-the greatest Master of the Age , exceeding whatever has been done by any other, especially his resting on one hand with his whole Body extended while he drinks several Glasses of Wine, and then throwing himself a Somerset over the Horse's head; Rope/dancing With and without a Pole,-the two famous French Maids so much admir'd, for surpassing all others in their Art, that they have been presented with Medals at most of the Courts in Europe

Performances

Mainpiece Title: Italian Interludes

Entertainment: As17030727

Performances

Mainpiece Title: The Rover

Music: Italian sonatas on the violin-Gasperini

Dance: Dancing in imitation of Mlle de Subligny-Devonshire Girl

Performances

Mainpiece Title: The Libertine Destroy'd [don John]

Music: Italian sonatas for violin composed by Archangelo Corelli-Gasperini, others

Song: As17031102

Dance: Harlequin Man and Woman-Laferry, Mrs Bicknell; two new Entries-DuRuel

Performances

Mainpiece Title: The Spanish Fryar

Music: Italian Sonatas on the Violin-Gasperini; An extraordinary piece of Musick compos'd for a Flute and a Violin-Gasperini, Mr Paisible

Song: Good

Dance: Indian Tambour-the two Devonshire Girls, a little Boy

Performances

Mainpiece Title: The Unfortunate Couple

Afterpiece Title: The Comical Transformation

Afterpiece Title: The Wit of a Woman

Dance: Italian Scaramouch-Layfield; a new Morris Dance-two men, two women