SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Irish Scotch Italian and French Airs"/1) | (@(roleclean,performerclean) "Irish Scotch Italian and French Airs")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2135 matches on Performance Title, 898 matches on Event Comments, 730 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Arianna E Teseo

Performance Comment: with many considerable alterations; and in particular the following favourite airs: A ! se un cor barbaro-Sga Mattei; Voi leggete in ogni core-Sga Mattei; Remdemi il figlio mio-Sga Mattei; Opprimete i contumaci-Elizi; Era stupido a pensolo-Elizi; With other Airs, all which will be new. The favourite Duetto Caro spiegar vorrei-; (in Demetrio) will also be sung. And serious new airs-the other performers.
Event Comment: Mainpiece: By Particular Desire. [Goodfellow doubled in the roles of Campeius and the Surveyor.

Performances

Mainpiece Title: Henry Viii

Cast
Role: Brandon Actor: Bransby.
Role: Lord Sands Actor: Neale

Afterpiece Title: The Stage Coach

Performance Comment: As17451230, but an Irish Oratorio-_; Irish Roratorio-Barrington.
Cast
Role: Irish Roratorio Actor: Barrington.
Role: Landlord Actor: Vaughan
Role: Irish Oratorio Actor: Barrington.

Dance: V: Mechel, Mlle Mechel

Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. MS: Larpent 1000]: The greatest part entirely new, with a few Select Scenes from the most approv'd Compositions. With new Scenery, Machinery, Dresses and Decorations. The Dresses entirely new. The new Music composed by Shield, the rest selected from Harington, Dr Arne, Eley, Reeve, Pepusch, Galliard, George Ware, Hook, &c. The Scenery and Machinery entirely new painted by Richards, Hodgins, Walmsley, Lupino, Pugh, Phillips and Malton. The Dances entirely new, composed by Byrn. Account-Book, 23 Apr. 1795: Paid James Wild in full for Dr Faustus #40. European Magazine, Jan. 1794, p. 49: Dr Faustus has afforded entertainment to three if not four generations. It was first produced at Drury-lane in 1723, by Mr Thurmond, a dancing-master, and was afterwards succeeded at Lincoln's inn-fields, in the same year, by Mr Rich's more splendid performance [entitled The Necromancer; or, Harlequin Doctor Faustus], which received improvement at different revivals of it. At the latter end of 1766 [at Covent Garden] Mr Woodward made some alterations, and it was revived with great success. It is again brought forward with applause, and recalls to the remembrance of those who formerly saw it with delight, the recollection of the most enchanting period of life. The opening scene of Tartarus . . . was first introduced in the speaking pantomime of The Mirror [at Covent Garden, 30 Nov. 1779). Receipts: #352 13s. 6d. (324/13/6; 28/0/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS; or, The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Business and Characters: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Titius, Phlegyas, &c. &c. (design'd and executed by Richards; music by Shield). Lucifer-Cubitt; Pillardoc-Richardson; Asmodius-Townsend; Orchus-Blurton; Bclial-Linton; Ades-Street. II. The Study of Dr Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-West. III. A Landscape and Water Mill (painted by Walmsley). Harlequin-Boyce; Pierrot-Follett; Miller-Hawtin; Taylor-Simmons; Bridemen-Cranfield, Ratchford, Blurton, Wilde, Rayner, Jackson, &c.//Miller's Wife-Miss Leserve; Bridemaids-Mrs Follett, Mrs Watts, Mrs Ratchford, Mrs Cranfield, Mrs Crowe, Mrs Lloyd, &c.; Colombine-Mme Rossi; Philidel (the Celestial Spirit)-Mrs Mountain. IV. A View of a Country Inn: The Bull and Dog (The Machinery invented by Hodgins). Landlady (with a song in character)-Mrs Henley. V. A Representation of tht Scaffolding prepared for erecting the New Theatre-Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed (designed and painted by Malton). Playhouse Glee (composed by Dr Arne) by Blanchard, Bernard, Davies, Linton, Street, Spofforth, &c. VI. A View of Smithfield on a Market-Day (painted by Hodgins and Phillips). A New Glee (composed by Shield [singers not listed]). VII. The Garden of Faustus (painted by Pugh). Zephyrus-Byrn//Flora-Mlle St. Amand. VIII. A Tobacco Warehouse, which changes to an Equestrian Figure by Roubiliac. IX. A Street, in which is introduced two Irish Sedan Chairs (designed by Hodgins). Harington's Stammering Glee by Blanchard, Townsend, Cubitt. X. A View of a Garden and Tent, which changes to a Canal, in which will be introduced the celebrated piece of machinery, The Peacock. XI. A Farm Yard, which changes to a Chinese Bridge. XII. The Infernal Regiom, with a Shower of Fire. XIII. The Temple of Glory (designed and executed by Hodgins). Aerial Spirits-Byrn, Holland, Mlle St. Amand, Cranfield, Ratchford, King, Blurton, Wilde, Mrs Castelle, Miss Kirton, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Blurton .
Event Comment: By Command of Their Majesties. Receipts: #487 2s. 6d. (475/18/6; 11/4/0)
Event Comment: The King's Company. This performance (entitled The French Opera) is on the L. C. list, 5@141, p. 73. See also Nicoll, Restoration Drama, p. 345. The edition of 1674 (appearing in both an English and a French version) states: An Opera, or, a Vocal Representation. First Compos'd by Monsieur P. P. Now put into Musick by Monsieur Grabut, Master of His Majesties Musick. And Acted by the Royall Academy of Musick, At the Theatre-Royal in Covent-Garden. The names of the singers for this production are not known, but it is possible that some of the French singers who appeared in Calisto in the following season, 1674-75, were in London for this production. See Boswell, Restoration Court Stage, pp. 201, 222, and W. J. Lawrence, Early French Players in England, The Elizabethan Playhouse and Other Studies, p. 145. French dancers in the opera were Pecurr [Preux], LeTemps, Shenan, D'muraile. See L. C. 5@140, p. 472, in Nicoll, Restoration Drama, p. 355

Performances

Mainpiece Title: Ariadne; Or, The Marriage Of Bacchus

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-the best Masters; viz., A Full Piece of the famous Signor Colista-Dean Sr, Holmes, Smith; A Solo for the Arch Lute and Violin by Dean Jr-Dean Sr, Dean Jr; Singing-Gates; A set of Airs for the Arch Lute and Violin-Dean Sr, Dean Jr; Singing to the Lute-Dean Jr; A Solo of the famous Archangelo Corelli-Dean Sr; Also several select Airs Out of Camilla and Thomyris-; with Symphonies-the best Performers

Performance Comment: , A Full Piece of the famous Signor Colista-Dean Sr, Holmes, Smith; A Solo for the Arch Lute and Violin by Dean Jr-Dean Sr, Dean Jr; Singing-Gates; A set of Airs for the Arch Lute and Violin-Dean Sr, Dean Jr; Singing to the Lute-Dean Jr; A Solo of the famous Archangelo Corelli-Dean Sr; Also several select Airs Out of Camilla and Thomyris-; with Symphonies-the best Performers.
Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini
Event Comment: Benefit for the Increase of a Fund for the support of Decayed Musicians of their Families. To begin at 6 p.m. Pit and Boxes half a guinea. Gallery 5s

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Part I New Overture by Giardini-; Airs: Caro sposo (Alberti)-Sga Frasi; Through the Land so Lovely Blooming (Handel)-Beard; Honour and Arms (Handel)-Wass; Vo solcando (Vinci)-Sga Galli; Concerto-Pasqualino; Part II Concerto-Giardini; Airs: Father in Heaven (Handel)-Galli; Revenge Timotheus cries (Handel)-Wass; See Hercules how smiles yon myrtle plain (Handel)-Sga Frasi; The Trumpets loud Clangor (Handel)-Beard; Duetto-Sga Frasi, Sga Galli; Concerto-Miller; Part III Concerto-Vincent; Airs: Love in her eyes sits playing (Handel)-Beard; Pastorella (Ciampi)-Sga Galli; Se perde l'usignolo (Jomelli)-Sga Frasi; Trio, The Flocks shall leave the Mountain (Handel)-Sga Frasi, Beard, Wass; Grand Concerto of Handel's-.
Event Comment: The King's Company. Pepys, Diary: All alone to the King's playhouse, and there did happen to sit just before Mrs Pierce, Mrs Knepp, who pulled me by the hair; and so I addressed myself to them, and talked to them all the intervals of the play, and did give them fruit. The play is Brenoralt, which I do find but little in, for my part. Here was many fine ladies--among others, the German Baron, with his lady, who is envoye from the Emperour, and their fine daughter, which hath travelled all Europe over with them, it seems; and is accordingly accomplished, and indeed, is a wonderful pretty woman. Here Sir Philip Frowde, who sat next to me, did tell me how Sir H. Belasses is dead, and that the quarrel between him and Tom Porter, who is fled, did arise in the ridiculous fashion that I was first told it, which is a strange thing between two so good friends. The play being done, I took the women, and Mrs Corbett, who was with them, by coach, it raining, to Mrs Manuel's, the Jew's wife, formerly a player, who we heard sing with one of the Italians that was there; and, indeed, she sings mightily well, and just after the Italian manner, but yet do not please me like one of Mrs Knepp's songs, to a good English tune, the manner their ayre not pleasing me so well as the fashion of our own, nor so natural

Performances

Mainpiece Title: Brenoralt; Or, The Discontented Colonel

Event Comment: For performances in Sept. 1667 preceding this date, see the season of Pepys, Diary: I fell in talk with Tom Killigrew about musick, and he tells me that he will bring me to the best musick in England (of which, indeed, he is master), and that is two Italians and Mrs Yates, who, he says, is come to sing the Italian manner as well as ever as he heard any: says that Knepp won't take pains enough, but that she understands her part so well upon the stage, that no man or woman in the House do the like!

Performances

Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Performances

Mainpiece Title: Rinaldo And Armida

Performance Comment: Edition of 1699: Prologue-; Rinaldo-Betterton; Ubaldo-Thurman; Carlo-Scudamore; Armida-Mrs Barry; Urania-Mrs Boman; Phenissa-Mrs Lee; Epilogue-; The Musical Entertainment ...All Compos'd by Mr John Eccles, and Writ by Mr Dennis-.
Event Comment: Flying Post, 21-23 Feb. 1699: The famous Italian, Seignor Fideli, is to Sing next Tuesday at the Theatre Royal in Drury-Lane; both in Italian and English; which he never yet performed

Performances

Mainpiece Title: Play Not Known

Performances

Mainpiece Title: The Consultation

Afterpiece Title: The Loves of Ergasto

Performance Comment: Licoris-the new Italian Boy.
Cast
Role: Licoris Actor: the new Italian Boy.
Event Comment: By the Company of Italian Comedians, just arriv'd. Mainpiece: an Italian Comedy. Afterpiece: Opera Comique. At 6 p.m. Boxes by printed tickets only at 5s. Pit 2s. 6d. Gallery 1s. 6d

Performances

Mainpiece Title: Les Metamorphoses D'arlequin

Afterpiece Title: L'Isle des Amazones

Event Comment: Afterpiece: [By Lewis Theobald.] The Cloaths, Scenes, Machines, Flyings, and otehr Decorations, Being entirely new. N.B. Tis desir'd that no Persons will take it ill, that they are refus'd Admittance behind the Scenes, it being impossible to perform the necessary Decorations, unless the Passages are kept entirely clear. Receipts: #174 8s. Weekly Journal or Saturday's Post, 23 Jan.: In which was shewn the boldest Piece of Machinery that ever yet was seen upon the Stage

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin a Sorcerer; With The Loves of Pluto and Proserpine

Performance Comment: Harlequin-Lun; Witches-Leveridge, Salway, Harrison, Mrs Chambers; First Bird Catcher-Nivelon; 2d-Spiller; Petit Maitre-Legar; Italian-Rochetti; Pluto-Leveridge; Proserpine-Mrs Barbier; Cerberus-Nivelon; Susiphus-Glover; Prometheus-Newhouse; Ixion-Lanyon; Clotho-Mrs Ogden; Lachesis-Mrs Wall; Atropos-Mrs Legar; Furies-DuPre, Lalley, Pelling.
Cast
Role: Italian Actor: Rochetti

Performances

Mainpiece Title: Aesop

Afterpiece Title: Harlequin a Sorcerer

Performance Comment: Harlequin-Lun; Witches-Leveridge, Salway, Harrison, Mrs Chambers; 1st Bird@Catcher-Nivelon; 2d Bird@Catcher-Spiller; Petit Maitre-Legar; Italian-Rochetti; Pluto-Leveridge; Proserpine-Mrs Barbier; Sysiphus-DuPre Jr; Prometheus-Newhouse; Ixion-Lanyon; Clotho-Mrs Bullock; Lachesis-Mrs Wall; Atropos-Mrs Anderson; Furies-DuPre, Lally, Pelling.
Cast
Role: Italian Actor: Rochetti
Role: Atropos Actor: Mrs Anderson

Performances

Mainpiece Title: The Committee

Afterpiece Title: Harlequin a Sorcerer

Performance Comment: As17251113, but Italian-Salway.
Cast
Role: Italian Actor: Salway.
Role: Atropos Actor: Mrs Anderson

Performances

Mainpiece Title: The True And Ancient History Of King Lear

Afterpiece Title: Harlequin a Sorcerer: With The Loves of Pluto and Proserpine

Performance Comment: Harlequin-Lun; Witches-Leveridge, Salway, Harrison, Mrs Chambers; 1st Bird@Catcher-Nivelon; 2d Bird@Catcher-Spiller; Petit Maitre-Legar; Italian-Rochetti; Pluto-Leveridge; Proserpine-Mrs Barbier; Sysiphus-DuPre Jr; Prometheus-Newhouse; Ixion-Lanyon; Clotho-Mrs Bullock; Lachesis-Mrs Pelling; Atropos-Mrs Anderson; Furies-DuPre, Lally, Pelling.
Cast
Role: Italian Actor: Rochetti
Role: Atropos Actor: Mrs Anderson

Performances

Mainpiece Title: Aesop

Afterpiece Title: Harlequin a Sorcerer

Performance Comment: As17260923, but Italian-Salway; Clotho-Mrs Legar [Daily Journal, or Mrs Ogden: Daily Post]; Atropos-Mrs Ogden [Daily Journal, or Mrs Legar: Daily Post].Daily Journal, or Mrs Legar: Daily Post].
Cast
Role: Italian Actor: Salway
Event Comment: Receipts: #38 16s. Probable attendance: boxes, 32 paid and 14 orders; pit, 100 paid and 50 orders; slips, 12 orders; first gallery, 105 paid and 55 orders; second gallery, 50 paid and 11 orders

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Harlequin a Sorcerer

Performance Comment: As17261007, but Italian-Rochetti; Clotho-Mrs Legar; Atropos-Mrs Ogden.
Cast
Role: Italian Actor: Rochetti
Event Comment: Receipts: #112 1s. 6d. Probable attendance: boxes, 124 paid and 22 orders; pit, 264 paid and 3 orders; slips, 30 paid and 1 order; first gallery, 271 paid and 15 orders; second gallery, 128 paid

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin a Sorcerer; With The Loves of Pluto and Proserpine

Performance Comment: Harlequin-Lun; Witches-Leveridge, Salway, Harrison; Mrs Chambers; 1st Birdcatcher-Nivelon; 2d Birdcatcher-Spiller; Petit Maitre-Legar; Italian-Rochetti; Pluto-Leveridge; Proserpine-Mrs Seedo (late Mrs Fletcher); Sysiphus-Dupre Jr; Prometheus-Newhouse; Ixion-Lanyon; Clotho-Mrs Laguerre; Lachesis-Miss Bullock; Atropos-Mrs Pelling; Furies-Dupre, Poitier, Pelling.
Cast
Role: Italian Actor: Rochetti
Event Comment: LLa Staffetta Italian or The Italian Post, 30 Jan., has a letter, dated 26 Aug. 1728, concerning music in London

Performances

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Harlequin a Sorcerer; With the Loves of Pluto and Proserpine

Performance Comment: Harlequin-Lun; Clown-Nivelon; Servant-Ray; Colombine-Mrs Laguerre; Witches-Leveridge, Salway, Harrison, Mrs Chambers; Birdcatchers-Hippisley, Pelling; Petit Maitre-Legar; Italian-Rochetti; Pluto-Leveridge; Proserpine-Mrs Barbier; Sysiphus-Dupre Jr; Prometheus-Newhouse; Ixion-Lanyon; Clotho-Mrs Ogden; Lachesis-Mrs Hill; Atropos-Miss LaTour; Furies-Poitier, Dupre, Pelling.
Cast
Role: Italian Actor: Rochetti

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin a Sorcerer; With the Loves of Pluto and Proserpine

Performance Comment: Harlequin-Lun; Clown-Nivelon; Servant-Ray; Colombine-Mrs Laguerre; Witches-Leveridge, Salway, Harrison; 1st Bird Catcher-Hippisley; 2d Bird Catcher-Pelling; Petit Maitre-Legar; Italian-Rochetti; Pluto-Leveridge; Proserpine-Mrs Seedo; Sysiphus-Dupre Jr; Prometheus-Newhouse; Ixion-Delagarde Jr; Clotho-Mrs Ogden; Lachesis-Mrs Pelling; Atropos-Miss LaTour; Furies-Poitier, Dupre, Pelling.
Cast
Role: Italian Actor: Rochetti

Performances

Mainpiece Title: Henry Iv, Part Ii

Afterpiece Title: Cephalus and Procris: With Harlequin Grand Volgi (a New Pantomime Interlude)

Performance Comment: See17301103, but Neptune-Fielding; Cephalus-Mrs Roberts; Aurora-Mrs Heron; Procris-Miss Raftor; Deities of Pleasure-Essex, Mrs Booth; Followers of Pleasure-Mrs Walter, Mrs Delorme, Miss Mears, Miss Williams; Foresters-Excell, Tenoe, Wright, Rainton Sr; Amphitrite-Mrs Booth; Sea Gods-Essex, Lally; Tritons-Thurmond, Rainton Jr, Houghton, Evans; Syrens-Mrs Walter, Mrs Delorme, Miss Mears, Miss Williams; Noble Venetian-Cibber Jr; Colombine-Mrs Cibber; Pierot-Roger; Harlequin-Rainton Jr; Italian Bravo-Harper; Miller-Oates; Gormogons-Thurmond, Lally, Houghton, Essex; Chinese Guards-Wetherilt, Wright, Gray, Burnet; Gardeners and Wives-Tench, Lally Jr, Miss Robinson, Miss Brett.
Event Comment: At the particular Desire of several Persons of Quality. Afterpiece: With new Scenes, Habits, Machines, and other Decorations

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Cephalus and Procris; With Harlequin Grand-Volgi

Performance Comment: Neptune-Paget; Cephalus-Stoppelaer; Aurora-Mrs Charke; Procris-Miss Raftor; Deities of Pleasure-Essex, Mrs Booth; Tritons-Thurmond, Rainton Jr, Houghton, Evans; Syrens-Mrs Walter, Mrs Delorme, Miss Mears, Miss Williams; Amphitrite-Mrs Booth; Sea Gods-Essex, Lally; Noble Venetian-A. Hallam; Colombine-Mrs Walter; Pierrot-Cibber Jr; Harlequin-Rainton Jr; Italian Bravo-Harper; Miller-Oates; Mandarin Gormogons-Thurmond, Lally, Houghton, Charke; Chinese Guards-Wetherilt, Wright, Grey, Burnet; Gardeners and Wives-Tench, Lally Jr, Miss Robinson, Miss Brett.

Song: Miss Raftor