SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hooke"/1) | (@(roleclean,performerclean) "Hooke")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 90 matches on Roles/Actors, 24 matches on Performance Comments, 21 matches on Event Comments, 7 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Dance: As17840528

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Son-in-Law

Dance: As17840713

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Genius of Nonsense

Dance: End of Act I of mainpiece, as17840727

Song: In the Temple of Health [in afterpiece] (1st time, and for this night only) a new, shocking Electrical Caleb, set to Medical Music by Dr Arnold, sung by Edwin, Bannister, Davies, Brett. imitations. End of mainpiece Various Imitations, Vocal and Rhetorical, by Bannister Jun

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: Gretna Green

Cast
Role: Maria Actor: Miss Hooke

Music: End of Act II a concertante for clarinet and bassoon by Mahon

Song: In Act III of mainpiece an Epithalamium by Mrs Bannister and Miss George

Monologue: 1784 08 05 Previous to mainpiece an occasional Address (2nd time) by Mrs Wells

Performances

Mainpiece Title: The Noble Peasant

Afterpiece Title: The Genius of Nonsense

Song: As17840730

Performances

Mainpiece Title: The Noble Peasant

Afterpiece Title: Gretna Green

Cast
Role: Maria Actor: Miss Hooke

Performances

Mainpiece Title: Douglas

Afterpiece Title: Foote, Weston, and Shuter in the Shades

Afterpiece Title: The Genius of Nonsense

Song: As17840730

Performances

Mainpiece Title: Two To One

Afterpiece Title: The Son-in-Law

Dance: As17840528

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Foote, Weston, and Shuter in the Shades

Afterpiece Title: The Genius of Nonsense

Song: As17840730

Monologue: 1784 08 19 Preceding mainpiece A Looking Glass for the Times; or, The Charms of Money by Parsons in the Character of a distress'd Poet

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Genius of Nonsense

Dance: As17840826

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Son-in-Law

Performances

Mainpiece Title: The Two Connoisseurs

Afterpiece Title: Foote, Weston, and Shuter in the Shades

Afterpiece Title: The Genius of Nonsense

Event Comment: Robert Hooke was at the Duke's Theatre but did not name the play (The Diary of Robert Hooke. p. 54)

Performances

Event Comment: Robert Hooke attended the Duke's Theatre, but again did not name the play (The Diary of Robert Hooke, 21 Aug. 1673)

Performances

Event Comment: The date of the premiere is not known, but Robert Hooke, attended play on 27 Aug. 1675 which might well refer not to Psyche but to Duffett's travesty of it. In addition, John Harold Wilson has argued that the reference in the Prologue to "The new-come Elephant" probably concerns the elephant imported by Lord George Berkeley and sold by 12 Aug. 1675 (see The Diary of Robert Hooke, p. 174). The cast also contains a number of "young actors" who might well have had an opportunity to act in a play in the summer vacation

Performances

Mainpiece Title: Psyche Debauched

Event Comment: The Duke's Company. This play may well have been performed regularly since 25 May. The Diary of Robert Hooke, 2 June 1676: with Godfrey and Tompion at Play. Met Oliver there. Damned Doggs. Vindica me Deus. People almost pointed. [Several entries in Hooke's Diary concern The Virtuoso. See his entries for 1 June, 3 June, 1 July.

Performances

Mainpiece Title: The Virtuoso

Event Comment: The Diary of Robert Hooke: at Bartholomew fair with Grace. Shows 2 1!2 sh. (ed. H. W. Robinson and W. Adams [London, 1935])

Performances

Event Comment: The Diary of Robert Hooke, 1672-1678: at Scaramuches at york house. present: the King, Duke of York, Lord Ormond &c. (ed. H. W. Robinson and Walter Adams [London, 1935], p. 42). See slso Boswell, Restoration Court Stage, pp. 118-19, and John Harold Wilson, A Theatre in York House, Theatre Notebook, XVI (1962), 75-78

Performances

Event Comment: The Diary of Robert Hooke: at the musick house with Mr Boas. (27 Sept. 1673)

Performances

Mainpiece Title: Concert

Event Comment: The Duke's Company. See Duffett's burlesque, above. The Diary of Robert Hooke, 6 Dec. 1673: Saw Empress of Morocco at Duke's Theatre. 1s. 6d. Dutchess of York? there

Performances

Mainpiece Title: The Empress Of Morocco

Event Comment: The Duke's Company. The Diary of Robert Hooke (p. 108): To Hoskins with Sir Ch. Wren. By water with him to the Playhouse. Saw Tempest. Paid 3sh

Performances

Mainpiece Title: The Tempest

Event Comment: The Diary of Robert Hooke, 31 Oct. 1674: With Mr Francis Moegan at musick house

Performances

Mainpiece Title: Concert

Event Comment: The Duke's Company. The Diary of Robert Hooke: Mr Hoskins and I at Shadwell. Atheistical wicked play 2 1!2 sh

Performances

Mainpiece Title: The Libertine

Event Comment: The King's Company. The Diary of Robert Hooke, 27 Aug. 1675: Saw Psyche Grand foppery

Performances

Mainpiece Title: Psyche Debauched

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Virtuoso. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407. The Diary of Robert Hooke, 25 May 1676: Mr Abraham Hill gave J. Hoskins, Aubery and I an account of Vertuoso play. A song, How retched is the slave to love, the music by Francis Forcer, is in Choice Ayres and Songs, The Second Book, 1679. Downes (Roscius Anglicanus, p. 37): The Libertine and Virtuoso: Both Wrote by Mr Shadwell; they were both very well Acted, and got the company great Reputation

Performances

Mainpiece Title: The Virtuoso