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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hook"/1) | (@(roleclean,performerclean) "Hook")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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107 results for: Keyword - Hook
We found 40 matches on Event Comments, 32 matches on Performance Title, 29 matches on Author, 13 matches on Performance Comments, and 2 matches on Roles/Actors.

76
27 July 1772 @ Haymarket Theatre

Event Comment: Mainpiece: By Particular Desire. Afterpiece: A new dramatic Pastoral Farce. The Music composed by Hook. Play by Francis Gentleman

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Cupid's Revenge

Dance: As17720615

77
17 August 1772 @ Haymarket Theatre

Event Comment: Benefit for Hook (Author and composer of Cupid's Revenge)

Performances

Mainpiece Title: The Minor

Afterpiece Title: Cupid's Revenge

Dance: End: A New Dance The Haymakers-Giorgi's Scholars

78
03 August 1773 @ Mary-le-Bone Gardens

Event Comment: The Music by Hook

Performances

Mainpiece Title: Il Dilletante

Music: As17730729

79
23 March 1775 @ Haymarket Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Snuff Box; or, A Trip to Bath

Performance Comment: Parts-Johnson, West, Bradney, Lewis, Herriman, Savigny, Mrs Russell, Mrs Moore (with song in character composed by Hook), a Young Lady; Prologue-West.

80
21 August 1775 @ Haymarket Theatre

Event Comment: A new Musical Entertainment of Two Acts never performed before by Thomas Brydges?. Music by Hook

Performances

Mainpiece Title: The Maid Of Bath

Afterpiece Title: The Dutchman

Dance: The Merry Lasses-

81
11 March 1777 @ Drury Lane Theatre

Event Comment: Benefit for Miss Younge. Interlude [1st time; M. INT I, by Edward Jerningham]: Interspersed with Music [by James Hook. Text 1st published in Jerningham's Poems, vol. I (J. Robson, 1786)]. Public Advertiser, 20 Feb.: Tickets to be had of Miss Younge at Thelwall's, Silk Mercer, King-street, Covent Garden. Receipts: #222 9s. (80.14; 18.10; 1.19; tickets: 121.6) (charge: #65 17s.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Margaret of Anjou

Afterpiece Title: The Deserter

Dance: End V: The Irish Fair, as17761031

82
18 July 1777 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; PAST 3]: Taken from [The Winter's Tale, by] Shakespeare [altered by George Colman elder]. Afterpiece: Likewise taken from [A Midsummer-Night's Dream, by] Shakespeare. Books of both pieces to be had at the Theatre. The Musick of both pieces by the most eminent Composers [i.e. Michael Arne, Dibdin, Dr Burney, Hook, Theodore Smith, Dr Arnold]. The Characters new dressed

Performances

Mainpiece Title: The Sheep-shearing

Afterpiece Title: The Fairy Tale

Dance: With aPastoral Dance (incident to the [main]piece)-; End: As17770707

83
06 March 1778 @ Covent Garden

Event Comment: Boxes 10s. 6d. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s. Places for the Boxes to be taken of Sarjant (only) at the Stage Door. Books of the Oratorio to be had at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. The Account-Book notes that the director of the oratorios this season was James Hook.

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Sacred Canons

Music: End Part I: concerto on the German flute-Florio; End of Part III: concerto on the piano forte-Miss Weichsel; concerto on the hautboy-LeBrun; concerto on the violin-Master Weichsel

84
18 March 1778 @ Covent Garden

Event Comment: Oratorio: The music composed by Hook

Performances

Mainpiece Title: The Ascension; Acis And Galatea

Music: End Part I: concerto on the hautboy, as17780306End Part II: quartetto for the violin German flute tenor and piano forte-Master Weichsel, Florio, Stamitz, Miss Weichsel

85
23 November 1778 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by William Kenrick, based on The Country Lasses, by Charles Johnson]: With new Scenery, Dresses and Decorations. The Overture and the rest of the Music composed by Hook. Books of the Songs to be had at the Theatre. Public Advertiser, 2 Dec. 1778: This Day at Noon is published The Lady of the Manor (1s. 6d.)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Apprentice

Dance: End II: As17780925; I: a Rural Dance[, incident to the Piece,-Dagueville [This was danced, as here assigned, in all subsequent performances.]

86
08 October 1779 @ Covent Garden

Event Comment: Mainpiece: The Overture and the rest of the music composed by Hook. Receipts: #182 18s. (181.15; 1.3)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Touchstone

Dance: I: Rural Dance-Dagueville; End II: The Pilgrim-Harris, Miss Matthews

87
19 April 1780 @ Covent Garden

Event Comment: Benefit for Quick. Morning Chronicle, 22 Mar.: Tickets to be had of Quick, No. 151, Drury-lane. 1st piece [1st time; M. PREL I, by George Downing]: The Music by Hook. 3rd piece: Not acted these 18 years. With a grand burlesque Procession and triumphal Entry of Alexander into London. The Nobles, Guards, Officers and Attendants will be all dressed in the Habits of the Times. Receipts: #274 14s. (173.9; tickets: 101.5) (charge: #70 7s. 6d.)

Performances

Mainpiece Title: The Volunteers; Or Taylors To Arms

Afterpiece Title: The Double Gallant

Afterpiece Title: The Rival Queans; or, The Life and Death of Alexander the Little

Dance: End IV: As17791013

88
06 May 1782 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: A Fete, scene I

Performance Comment: A Forest. The Death of the Stag (singers not listed). Overture by Dr Arne. Hunting song, Give round the word, by Doyle. Foresters' Dance, scene II. The Cave of Echo. The Vauxhall Echo Catch, They say there is an echo here, by Davits, Robson, J. Wilson, Doyle, scene m. Mount Ida. Venus and the Grace, to whom she complains for the loss of her son [She that will but now discover}. Venus-Mrs Morton, scene IV. A Hall. Four and twenty fidlers all on a row, as17820423 scene V. A Camp. For Freedom and his Native Land, by Mrs Kennedy; the music by Hook; the words by Hull. SCENE VI. The Cavern of Despair. Mad Tom, by Reinhold; the music by Purcell. SCENE VII. A Palace and a Banquet. Honest Friends and jovial Souls (singers not listed). To conclude with a Chorus and Dance. Attendant Genius-Miss Langrish .

Afterpiece Title: The What d'ye Call It

89
05 November 1782 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; mf 2, by John Dent. Prologue by the author (see text)]: A new Overture and Songs by Hook. Account-Book, 19 Nov.: Paid Dent for his farce #100. Receipts: #84 17s. (53/14; 30/18; 0/5)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Too Civil by Half

Dance: End of Act I of mainpiece, as17820917; End of mainpiece, as17821005

Song: As17820928

90
11 December 1782 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; f 2, by Miles Peter Andrews, with incidental music by James Hook. MS: Larpent 607; not published; synopsis of plot in Public Advertiser, 12 Dec. Prologue by Edward Topham {London Chronicle, 20 Dec.)]. Receipts: #129 13s. 6d. (76/6/0; 53/0/0; 0/7/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Best Bidder

91
15 April 1785 @ Drury Lane Theatre

Event Comment: Benefit for Wells. Public Advertiser, 9 Apr.: Tickets to be had of Mrs Wells, No. 417, Strand. Afterpiece [1st time; F 2, by Edward Topham, with incidental music by James Hook. Prologue-Epilogue by Edward Topham {Public Advertiser, 21 Apr.)]. Morning Herald, 25 Apr. 1786: This Day is published The Fool (1s.)-Receipts: #174 15s. 6d. (45/3/0; 20/14/6; 0/2/0; tickets: 108/16/0) (charge: #108 13s. 9d.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Fool

Dance: End of mainpiece, as17850307athi

92
18 March 1786 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by A Lady [unidentified], based partly on L'Amitie A l'epreuve, by Charles Simon Favart and Claude Henri de Fusee de Voisenon]: The Overture and the new Music composed by Hook. Books of the Songs to be had at the Theatre. Public Advertiser, 30 Mar. 1786: This Day at Noon is published The Peruvian (1s. 6d.). [The music was printed under the title of The Fair Peruvian (S. A. & P. Thompson [1786]), which was the original title as given in the MS (Larpent 727).] Receipts: #246 8s. (242/16/6; 3/11/6)

Performances

Mainpiece Title: The Peruvian

Afterpiece Title: The Country Wife

93
22 May 1786 @ Covent Garden

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: An Harmonic Jubilee

Performance Comment: SCENE I. A Landscape. Tantivy the welkin resounds (composed by Hook) by Mrs Martyr. SCENE II. A View of Gibraltar. The trumpet's hoarse clang (the words by Johnstone; the music by Reeve) by Darley. SCENE III. A Forest. How sweet o'er the woodlands by Johnstone and Davies. SCENE IV. A Camp. Say, bonny lass, will you carry a wallet? by Mrs Kennedy and Mrs Martyr. SCENE V. A Landscape. We three archers be by Brett, Darley, Davies. scene VI. A Cathedral. A Description of the Tombs in Westminster Abbey by Edwin .

Afterpiece Title: The Deserter

94
12 March 1787 @ Covent Garden

Event Comment: Afterpiece [1st time; CO 2, by Robert Jephson and John O'Keeffe, i.e. an abridgement by O'Keeffe of Jephson's The Campaign (see 12 May 1785). Not in Larpent MS; not published; synopsis of plot in Universal Magazine, Mar. 1787, p. 155]: With new Scenes, Dresses, &c. A new Overture composed by the celebrated Haydn. The Airs by Gretry, Hook, J. C.? Bach, Paisiello, Duny [recte Duni], Carolan, Shield and Tenducci. Books of the Songs to be had at the Theatre. Receipts: #265 11s. 6d. (257.11.6; 8.0.0)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Love and War

95
18 May 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Bon Ton

Dance: III: a Hornpipe-Johnston

Song: End I: Primroses deck the Banks' green side (composed by Linley? Sen)-Dignum; End I afterpiece: Bright Phoebus has mounted the Chariot of Day (composed by Hook)-Dignum

Performance Comment: Sen=)-Dignum; End I afterpiece: Bright Phoebus has mounted the Chariot of Day (composed by Hook)-Dignum.

96
28 January 1788 @ Covent Garden

Event Comment: Benefit for Mrs Billington. Mainpiece: Not acted these 10 years [acted 5 Nov. 1779]. The Music chiefly composed by Hook, the rest compiled from the most eminent Masters. With new Songs and other Alterations [and restorations; the names of almost all the characters have been changed (see 23 Nov. 1778)]. Public Advertiser, 12 Jan.: Tickets to be had of Mrs Billington, No. 53, Poland-street. Receipts: #365 3s. 6d. (244.0.6; 2.12.0; tickets: 118.11.0) [charge: free)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: Rosina

Dance: End II: Leap Year-Byrne, Mrs Goodwin

Song: In afterpiece: (for that Night only) Sweet Bird-, from L'Allegro il Penseroso by Handel Mrs Billington; accompanied on the flute-W. Parke

97
06 May 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Le Matin, Midi, et le Soir

Performance Comment: Morning. A Camp. O say bonny Lass-Dignum, Miss Romanzini; [Noon. A Village. New Dance, The Shepherd's Wedding-Hamoir, Miss J. Stageldoir; [Night. A Hermit's Cell, Moon-light. The Tale of Edwin and Angelina-[from [The Hermit, by] Goldsmith, composed by Hook; Edwin-Kelly; Angelina-Mrs Crouch.

Afterpiece Title: Too Civil by Half

Dance: End 2nd piece: The Conjugal Frolick, as17880221

98
05 May 1789 @ Covent Garden

Event Comment: Benefit for Johnstone. 1st piece: The Music by Hook; the rest compiled from the most eminent Masters. Public Advertiser, 30 Apr.: Tickets to be had of Johnstone, No. 12, Norton-street, Portland Chapel. Receipts: #313 17s. (166.16.6; 12.2.6; tickets: 134.18.0)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Feast of Anacreon [i

Afterpiece Title: The Intriguing Chambermaid

99
18 May 1791 @ Covent Garden

Event Comment: Benefit for Wilson. Afterpiece [1st time; M. ENT 3]: The Dialogue and part of the Songs written by Richard? Wilson. The Overture, new Music and accompaniments composed by Reeve. The Songs, Duets, Glees compiled from Arnold, Rogers, Giordani, Shield, Hook, Dibdin, W. Wilson, Stevens, Broderip and David Rizzio. [Larpent MS 908; not published. Prologue probably by Richard Wilson. Epilogue by Joseph Haynes.] Public Advertiser, 14 May: Tickets to be had of Wilson. No. 10, Bow-street, Covent Garden. Receipts: #354 14s. 6d. (165.17.6; 5.4.0; tickets: 183.13.0)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Union; or, St

Dance: Afterpiece conclude: Highland Fling-the Scotch Characters

Song: End II: Black Eyed Susan-Incledon

Music: In afterpiece: will be introduced the Highland Competition Prizeexactly as represented annually in the City of Edinburgh,-McLane, McGregor, McTavish; several Strathpays, Laments, Pebruchs-several other celebrated Pipers

Entertainment: Monologue End: Epilogue (riding on an Ass,)-Wilson

100
27 May 1791 @ Covent Garden

Performances

Mainpiece Title: Rosina

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: Comus

Performance Comment: Comus-Farren; Principal Bacchanals-Bannister, Incledon; with Give me Wine rosy Wine (composed by Hook)-Incledon; Bacchanals-Cubitt; Williamson; The Lady-Mrs Wells; Principal Bacchant-Mrs Mountain; Pastoral Nymph-Miss Broadhurst; Sabrina-Miss Williams; Euphrosyne-Mrs Martyr.

Song: End I: The Musical Courtship, as17910506; End II 2nd piece: Say Bonny Lass, as17910506; In 3rd piece: Sweet Echo-Mrs Mountain; accompanied on the hautboy-W. Parke; Nor on beds of fading flowers (1st time these 7 years)-Incledon; O! thou wert born to please me (1st time at this theatre)-Incledon, Mrs Mountain