SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highnesses"/1) | (@(roleclean,performerclean) "His Royal Highnesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1227 matches on Event Comments, 689 matches on Performance Title, 323 matches on Performance Comments, 3 matches on Roles/Actors, and 0 matches on Author.
Event Comment: By Authority [of the Lord Chamberlain]. Benefit for a Gentleman, who, through unavoidable misfortunes, is reduced to take this method of soliciting the patronage of his Friends and a Generous Public. Tickets delivered for the 26th of April will be admitted. The Doors to be opened at 6:30. To begin exactly at 7:00

Performances

Mainpiece Title: A Word To The Wise

Performance Comment: Sir John Dormer-Comerford; Sir George Hastings-Brerely; Willoughby-Webb; Villars-Pepys; Captain Dormer-West; Mrs Willoughby-Mrs Nost'e (from the Theatre Royal, York); Miss Willoughby-Mrs West; Miss Dormer-A Lady (1st appearance in London [unidentified]); Miss Montague (with the original Epilogue)-The Lady [who performed Emily in the Deuce is in Him, on 11 Feb.].who performed Emily in the Deuce is in Him, on 11 Feb.].

Afterpiece Title: Catherine and Petruchio

Performances

Mainpiece Title: A Word To The Wise

Performance Comment: As17770513, but Capt. Dormer-Powell (from the Theatre Royal, Edinburgh; 1st appearance in London); Miss Dormer-Mrs Mattocks (1st appearance in that character).

Afterpiece Title: The Deuce is in Him

Song: End I: a new cantata, Diana-Mrs Farrell

Music: End Epilogue: concerto on the violin-Fisher

Event Comment: [This was Mrs Hitchcock's 1st appearance in London. Miss Farren was from the Manchester theatre. Miss Twist is identified in playbill of 14 July.] Because of Foote's acting scarcely anything but his own plays "a relaxation of discipline has been fallen into at the Haymarket... The audience last night, however, were not less surprized than pleased at the very regular manner in which the Comedy and the Burletta were exhibited. All the business of the stage perfect, all the little parts smoothly given, and the whole rather superior than inferior to a performance at either of the Winter Theatres" (Morning Chronicle, 10 June)

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: Young Marlow-Palmer; Hastings (with a song)-DuBellamy; Sir Charles Marlow-Fearon; Diggory-Massey; Landlord-Griffiths; Tony Lumpkin-Jackson; Hardcastle-Edwin; Miss Neville-Mrs Hitchcock [from the Theatre Royal, Bath (on playbill of 6 June)]; Mrs Hardcastle-Mrs Gardner; Betty-Mrs Poussin; Miss Hardcastle-Miss Farren (1st appearance in London).

Afterpiece Title: Midas

Event Comment: "[Henderson] appears to have cultivated the gifts of nature, with great industry; he promises better to attain the character of a player of consummate judgment than a great player, properly so called. Edwin, in spite of his thin voice and disgusting articulation, is at least equal to half his London contemporaries; and exhibited proofs that neither his conception, nor style of playing, is limited to a particular cast of parts, or mode of acting" (London Magazine, June 1777, p. 288). [ Miss Barsanti was from the Crow Street Theatre, Dublin.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Henderson (from the Theatre Royal, Bath; 1st appearance in London); Antonio-Younger; Bassanio-Davies; Salanio-Egan; Solarino-T. Davis; Lorenzo (with songs)-Du-Bellamy; Old Gobbo-Blissett; Tubal-Massey; Launcelot-Edwin; Duke-Fearon; Gratiano-Palmer; Nerissa-Mrs Hunter; Jessica (with a song)-Mrs Hitchcock; Portia-Miss Barsanti (1st appearance on this stage).

Afterpiece Title: Piety in Pattens

Dance: End III: The Merry Lasses-; End IV: The Venetian Regatta- [performers not listed for either dance, but "Monsieur Giorgi's infantile pupils, as dancers, were a complete burlesque upon a corps de ballet. The audience laughed, and tolerated the poor little things, when they were pushed on between the acts to caper and lose their shoes" (Peake, II, 15-16)]

Event Comment: A Concert of Music, Vocal and Instrumental, by the most celebrated performers, with Dancing by Miss Cranfield. Between the several parts of the Concert will be rehearsed (gratis) by Pupils, for their mutual improvement in Oratory The Fair Penitent [etc., as above]. By Subscription. The Doors to be opened at 5:30. To begin precisely at 6:30. Boxes 3s. Pit 2s. Gallery 1s. No money will be taken at the door, nor any person admitted without a ticket, which may be had at the Office near the Concert Room, where attendance will be given from Ten to One every day; and from half past Five till Eleven each evening of performing. Morning Chronicle, 19 June: A correspondent who was present declares the business of the evening was conducted with great regularity and decorum... The dresses were as good as those of the Theatres Royal, the band excellent, and the decorations neat and ornamental

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Miss in her Teens

Entertainment: Monologue. An OccasionalPoetical Address-Russell

Event Comment: [Digges refused to make use of "the too familiar modern manner of speaking blank verse" (London Chronicle, 30 Aug., which also identifies Fotteral, although misspelling his name as "Fotheril").

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Cardinal Wolsey-Digges; Buckingham-Palmer; Cranmer-Younger; Surry-Davies; Cromwell-R. Palmer; Gardiner-Parsons; Lord Sands-Jackson; Lord Chamberlain-Egan; Norfolk-T. Davis; Suffolk-Fearon; King Henry-A Gentleman (from the Theatre Royal, Dublin; 1st appearance in London [Fotteral]); Anne Bullen-Mrs Colles; Patience (with a song)-Miss Twist; Queen Catherine-Mrs Massey (1st appearance in that character).

Afterpiece Title: The Portrait

Performances

Mainpiece Title: The First Part Of King Henry Iv

Performance Comment: As17770724 but Hotspur-Smith (from the Theatre Royal, Dublin; 1st appearance in London). 1st appearance in London).

Afterpiece Title: The Portrait

Dance: As17770728

Performances

Mainpiece Title: Jane Shore

Performance Comment: Gloster-Smith; Dumont-O'Brien Machin (from the Theatre Royal, Crow Street in Dublin); Ratcliffe-Bailey; Catesby-Shepherd; Bellmour-Barnes; Earl of Derby-Thompson; Lord Hastings-West; Alicia-Mrs Lefevre (1st appearance in town); Jane Shore-Mrs Massey.

Afterpiece Title: The Irish Widow

Song: Entertainments of singing-Mrs Mapples;, particularly the favourite song of The Soldier tir'd of war's alarms-Mrs Mapples

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-A Gentleman (1st appearance on any stage [unidentified]); King Henry-Lucas; Duke of Buckingham-Thompson; Prince of Wales-Master Benson (1st appearance on any stage); Duke of York-Master Kenny; Norfolk-Massey; Oxford-Stevens; Lord Stanley-Painter; Blunt-Bell; Ratcliff-Kenny; Catesby-Bailey; Tressel-Mills; Lieutenant-Newton; Lord Mayor-Bowles; Tirrell-Edwards; Richmond-A Gentleman (1st appearance on any stage [unidentified]); Lady Anne-Mrs Lefevre; Duchess of York-Mrs Leister; Queen Elizabeth-Mrs Robinson (from the Theatre Royal at Bath); An occasional Prologue (written by a Gentleman eminent in the Republic of Letters [unidentified])-West.

Afterpiece Title: The Deuce is in Him

Song: A variety of Entertainments of Singing, particularly The Soldier tir'd-a Lady [unidentified]

Entertainment: Monologue. End: an occasional Address-Master Benson

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Man and Wife

Performance Comment: Cross-Parsons; Kitchen-Massey; Colonel Frankly-Lamash; Buck-Davis; Snarl-Egan; Luke-R. Palmer; Passengers-Gardner, Kenny; Marcourt-Palmer; Charlotte-Mrs Jewell; Lettice-Mrs Hitchcock; Landlady-Mrs Love; Sally-Miss Hitchcock; Women Passengers-Miss Platt, Mrs Poussin; Mrs Cross-Mrs Webb (from the Theatre Royal, Edinburgh [1st appearance in London]).1st appearance in London]).

Dance: End II: The Merry Lasses, as17780529; End II afterpiece: Provencalle Dance, as17780518

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-West; Mercutio-Russell; Tibalt-Cooke; Capulet-Newton; Benvolio-Glassington; Prince-Massey; Peter-Bailey; Paris-Everard; Friar Laurence-Burnett (from the Theatre Royal, Edinburgh); Lady Capulet-Mrs Newby; Nurse-Mrs Russell; Juliet-Miss Glassington.

Afterpiece Title: The Lying Valet

Dance: As17780601

Song: Between Acts: Master Nelson; End IV: Solemn Dirge and the Funeral Procession of Juliet to the Monument of the Capulets. Vocal Parts-Master Nelson, Mrs Russell, Mrs Fowler

Performances

Mainpiece Title: The Provoked Husband; Or, A Journey To London

Afterpiece Title: The Quaker

Performance Comment: The Quaker-Bannister; Lubin-Brett; Easy-Painter; Solomon-Parsons; Floretta-Mrs Brett; Cicely-Mrs Love; Gillian (for that night only)-Miss Sharpe (from the Theatre Royal, Richmond).

Song: End: Hunting@song-Griffin

Event Comment: [In mainpiece the playbill assigns Justice Woodcock to Parsons, and as afterpiece announces Tony Lumpkin in Town, but "In consequence of Parsons' illness, Edwin played the part of Justice Woodcock, with which he seems well acquainted; and he plays it with great pleasantry in his own particular style of humour....Parsons' illness also prevented the performance of Tony Lumpkin in Town, and Nature will Prevail was substituted" (Gazetteer, 8 June).

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Wood (from the Theatre Royal, York; 1st appearance in London); Justice Woodcock-Edwin; Sir William Meadows-Aickin; Hodge-Jackson [Public Advertiser: Massey]; Eustace-Lamash; Hawthorn-Bannister; Lucinda-Mrs Hitchcock; Margery-Miss Twist; Deborah Woodcock-Mrs Love; Rosetta-Miss Harper.

Afterpiece Title: Nature Will Prevail

Dance: End II: Tambourine Dance- , as17790602; End: As17790531

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Bensley; Major Oakly-Digges; Charles-Dimond [From the Theatre Royal, Bath]; Lord Trinket-Lamash; Captain O'Cutter-Egan; Tom-Stevens; Paris-Jackson; John-Kenny; Lady Freelove's Servant-Painter; Russet-Aickin; Sir Harry Beagle-Palmer; Lady Freelove-Miss Sherry; Harriot-Miss Harper; Toilet-Miss Hale; Chambermaid-Mrs Poussin; Mrs Oakly-Mrs Montague (1st appearance).

Afterpiece Title: The Flitch of Bacon

Dance: End: Tambourine Dance, as17790602

Event Comment: "The new Mungo, like all country bred actors, did too much for the part, and was infinitely too redundant in his action" (Morning Chronicle, 13 Oct.). Receipts: #189 6s.(155.19; 33.4; 0.3)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Padlock

Performance Comment: Leander-Vernon; Don Diego (1st time)-Gaudry; Mungo-Jennings (from the Theatre Royal, Edinburgh; 1st appearance upon this stage); Ursula-Mrs Love; Leonora-Miss Wright.

Performances

Mainpiece Title: The Modish Wife

Performance Comment: Sir Scrapeall-Barrett; Colonel Parapet-Vowell; Sir Charles Prudent-Harrington; Fuzee-Blackburn; Crambo-Brown; Timothy-Munden; Captain Starboard-Smith; Lady Charlotte-Miss O'Brien (from the Theatre Royal, Dublin; 1st appearance in London); Lady Brainless-Mrs Baker; Emmeline-A Gentlewoman (1st appearance upon any stage [unidentified]); Ruelle-Miss Dudley; Mrs Busy-Mrs Lefevre; Occasional Prologue-Smith.

Afterpiece Title: Wit's Last Stake

Dance: End II: Miller

Entertainment: End: Variety of Rhetorical Imitations-a Gentleman (1st appearance [unidentified])

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Performance Comment: Sir William-A Gentleman [unidentified]; Patie-M'Donald; Roger-Barret; Symon-Pentland; Glaud-Riddle; Bauldy-Stewart; Madge-Mr Wilson; Mause-Mr Hamilton; Jenny-Miss Campbell; Peggy-A Young Lady (from the Theatre Royal, Edinburgh [unidentified]); A New Prologue-.

Afterpiece Title: The Students; or, The Humours of St

Song: End IV: Hooly and Fairlyin character-M'Donald

Music: Between the Acts: proper Scotch Music-; a new Scotch Overture-

Event Comment: "My father [George Colman elder] told me that, on the seventh of June, on which day and night desolation had attained its climax [because of the Gordon riots], and London is said to have been seen from one spot blazing in thirty-six different parts, the receipt of his playhouse exceeded twenty pounds. This sum appears somewhat of the smallest for the night's receipt of a Theatre Royal in London; but how, instead of twenty pounds-worth of spectators, twenty persons, or one person, could have calmly paid money to witness, in the midst of this general dismay, a theatrical entertainment, is astonishing' (Peake, II, 47)

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Douglas

Afterpiece Title: Miss in her Teens

Music: As17800602

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Brunton (from the Theatre Royal, Norwich; 1st appearance on this stage); King Henry-Bensley; Catesby-Davis; Ratcliff-Egan; Lieutenant-R. Palmer; Lord Mayor-Massey; Buckingham-Aickin; Tressel-Bannister Jun.; Stanley-Gardner; Norfolk-Wood; Prince Edward-Miss Francis; Duke of York-Master Edwin; Richmond-Palmer; Lady Anne-Mrs Cuyler; Duchess of York-Mrs Poussin; Queen Elizabeth-Mrs Massey.

Afterpiece Title: Comus

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Colonel Oldboy-Edwin; Jessamy-Wood; Jenkins-Bannister; Harman-Bowles [From the Theatre Royal in Norwich]; Sir John Flowerdale-Aickin; Lionel-Du-Bellamy; Diana (for that night only)-Mrs Cargill; Jenny-Mrs Wilson; Lady Mary Oldboy-Mrs Webb; Clarissa-Miss Harper.

Afterpiece Title: Comus

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Performance Comment: Sir William-Webster; Patie-Brown [from the Theatre Royal in Edinburgh]; Roger (with the song of There's my Thumb, I'll ne'er beguile ye)-Stewart; Symon-Middlemist; Glaud-Riddle; Bauldy-Walker; Madge-Mr Wilson; Mause-Mr Rainsford; Jenny-Miss Ramsey; Peggy-A Young Lady [unidentified]; New Prologue-Walker.

Afterpiece Title: The Double Amour

Music: With an entire new Scotch Overture-, composed by JonasBlewitt; End: songs-Mrs Bayley; between the Acts of the Farce: songs-Mrs Bayley, composed by JonasBlewitt

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Du-Bellamy; Sir Harry Sycamore-Waldron; Fairfield-Aickin; Mervin-Fawcett; Ralph-Suett (from the Theatre Royal, York; 1st appearance on this stage); Giles-Bannister; Fanny-Mrs Wrighten; Lady Sycamore-Mrs Hopkins; Theodosia-Miss Collett; Patty-Mrs Cargill (1st appearance in that character).

Afterpiece Title: Queen Mab

Dance: End I: The Butterfly, as17800921; Afterpiece: Dancing, as17800930

Event Comment: In Act I of mainpiece the Banquetv; In Act IV the Procession from the Abbeyv at the Coronation of Anne Bullenv; To conclude with the Ceremonial of a Royal Christeningv. The Music and a Chorus composed by Shield. Receipts: #180 6s. 6d. (179.2.6; 1.4.0)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Humours of an Election

Song: III: song-Mrs Kennedy

Event Comment: [As mainpiece the playbill announces the 7th night of The Royal Suppliants (see 17 Mar.), but because of Mrs Crawford's illness (see 3 Mar.) it was not acted. Its substitute is listed in the Account-Book.] Receipts: #159 4s. (158.5; 0.19)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Robinson Crusoe

Event Comment: Mrs Crawford continuing very ill, The Royal Suppliants is obliged to be deferred. Receipts: #174 1s. (172.2; 1.19)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Robinson Crusoe