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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highnesses"/1) | (@(roleclean,performerclean) "His Royal Highnesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2123 results for: Keyword - His Royal Highnesses
We found 1227 matches on Event Comments, 689 matches on Performance Title, 323 matches on Performance Comments, 3 matches on Roles/Actors, and 0 matches on Author.

1676
02 December 1732 @ King's Theatre

Event Comment: TTheir Majesties, Princess Royal, and Princesses Caroline and Mary present

Performances

Mainpiece Title: Alexander

1677
05 December 1732 @ King's Theatre

Event Comment: Formerly Compos'd by Mr Handel, and now again Revis'd by him. With several Additions, to be perform'd by a great Number of the best Voices and Instruments. There will be no Action on the Stage, but the Scenes will represent (in a Picturesque Manner) a Rural Prospect, with Rocks, Groves, Fountains, and Grottos, amongst which will be disposed a Chorus of Nymphs and Shepherds. The Habits and every other Decoration suited to the Subject. [Prince of Wales and Princess Royal present. See letter from Hill to Handel, in Hill, Works, I, 174-75, and in Deutsch, Handel, p. 299.

Performances

Mainpiece Title: Acis And Galatea

1678
09 December 1732 @ King's Theatre

Event Comment: As 5 Dec. [King, Princess Royal, and Princess Amelia present.

Performances

Mainpiece Title: Acis And Galatea

1679
20 January 1733 @ Goodman's Fields

Event Comment: DDaily Advertiser, 22 Jan.: Mr Giffard...gave a handsome Entertainment and a Concert of Musick to the Company of Comedians [at gf] on occasion of his Royal Highness's Birth-Day; also a Bonfire, and a large Quantity of Liquor to the Populace

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Lovers Opera

1680
31 January 1733 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: As it was perform'd last Week before their Majesties and all the Royal Family for the Benefit of Mrs Porter. The Judgment of Paris, which was intended to be perform'd this Night, is deferr'd for a few Days, upon Account of some Alterations in the Machinery

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Afterpiece Title: The Boarding School Romps

Dance: Houghton, Mrs Walter, Miss Robinson

1681
03 February 1733 @ King's Theatre

Event Comment: CColman Opera Register: extraordinary fine & magnificent. Daily Advertiser, 5 Feb.: The Royal Family present

Performances

Mainpiece Title: Orlando

1682
10 February 1733 @ King's Theatre

Event Comment: [The Royal Family present.

Performances

Mainpiece Title: Orlando

1683
10 April 1733 @ King's Theatre

Event Comment: [P$Princess Royal and Princess Amelia present.

Performances

Mainpiece Title: Deborah

1684
26 April 1733 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. [The Royal Family expected to attend.

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Harlot's Progress

1685
09 June 1733 @ King's Theatre

Event Comment: [P$Princess Royal and Princess Amelia present.] Daily Advertiser, 11 June: After the Performance was over, Signor Senesino made his Leave of the Audience, in a short Speech, acquainting them, as he said, with Regret 'That he had now perform'd his last Part on that Stage, and was henceforward discharg'd from any Engagement.

Performances

Mainpiece Title: Griselda

1686
30 October 1733 @ King's Theatre

Event Comment: A New Opera. Pit and Boxes by tickets at half a guinea. Gallery $s. At 6 P.M. [Their Majesties and the Royal Family present. Composer and librettist not known.]

Performances

Mainpiece Title: Semiramis

1687
09 November 1733 @ Haymarket Theatre

Event Comment: Mainpiece: Taken from Moliere by the late Mr Betterton. Afterpiece: As 8 Nov. [HAY also announces it intends to perform a new masque, Love and Glory, in honor of the approaching Royal Nuptials, but, the time being short, the theatre will first bring on an Impromptu Revel Masque]

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Afterpiece Title: The Opera of Operas

Dance: In Afterpiece: Les Bergeries, as17331108

1688
29 November 1733 @ Covent Garden

Event Comment: By Their Majesties' Command. [Their Majesties and all the Royal Family present.]

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: Apollo and Daphne

Dance: As17331128 Also a new Dance in the Cbaracter of a Shepherd and Shepherdess by Malter and Mlle Salle

1689
24 December 1733 @ Pall Mall

Event Comment: Daily Post, 25 Dec: Last Night there was a Rehearsal of a new Opera at the Prince of Wales's House in the Royal Gardens in Pall-Mall, where was present a great Concourse of the Nobility and Quality of both Sexes: some of the choicest Voices and Hands assisted in the Performance

Performances

Mainpiece Title: Rehearsal Of A New Opera [ariadne

1690
05 March 1734 @ King's Theatre

Event Comment: [Their Majesties, Prince of Orange, and rest of Royal Family present.]

Performances

Mainpiece Title: Ariadne [in Creta]

1691
12 March 1734 @ Covent Garden

Event Comment: Benefit Quin. Written by the late Mr Addison. N.B. The Reason of Mr Quin's changing his Day, proceeds from his being very credibly inform'd that the Royal Marriage will be celebrated on Thursday next

Performances

Mainpiece Title: Cato

Dance: Scotish Dance, as17341004 Shepherd and Shepherdess by Malter and Mlle Salle. The Nassau, as17340311 Pigmalion, as17340114

1692
14 March 1734 @ Goodman's Fields

Event Comment: Daily Advertiser, 18 March: Amongst the many Rejoicings made on Account of the Royal Nuptials ... on Thursday Night Mr Giffard order'd 12 triomphal Arches to be erected before the House, which were finely illuminated, a large Bonfire to be made, Fireworks to be play'd off, and plenty of Drink given to the Populace

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Britannia

1693
21 March 1734 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by Ben. Johnson. Afterpiece: A new Serenata, Compos'd on the present Joyous Occasion of the Royal Nuptials. The Words by Mr Tho. Phillips. The Musick by Mr Arne

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: Love and Glory

Music: Select Pieces between the Acts

1694
23 March 1734 @ King's Theatre

Event Comment: Egmont, II, 68: After dinner I went... to hear Hendel's Serenata composed in honour of the marriage, call'd Apollo and Daphnis. The Royal Family was all there, the Prince of Wales excepted

Performances

Mainpiece Title: Parnasso In Festa

1695
28 March 1734 @ King's Theatre

Event Comment: Benefit Signora Durastanti. All the Royal Family expected to attend

Performances

Mainpiece Title: Arbaces

1696
29 April 1734 @ Drury Lane Theatre

Event Comment: Benefit Arne and Young Master Arne. At the particular Desire of several Persons of Quality. Afterpiece: a new Masque. Alter'd from the Serenata made on the Joyous Occasion of the Royal Nuptials: With Additions. [See Love and Glory, DL, 21 March, by Phillips and Arne.] Tickets for Tench at othello taken this night

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Britannia; or, Love and Glory

Music: Select Pieces. IV: By particular Desire, Mons Charle will perform a Solo on the French Horn, the first time of his Appearance on this Stage, and the last of his Performance in Publick during his Stay in England

Performance Comment: IV: By particular Desire, Mons Charle will perform a Solo on the French Horn, the first time of his Appearance on this Stage, and the last of his Performance in Publick during his Stay in England .

Dance: I: The Pierrots by Poitier and Nivelon. II: English Maggot by S. Lally and Mrs Walter. III: Drunken Peasant by Le Brun

1697
27 June 1734 @ Hampstead

Event Comment: Daily Journal, 27 June: We hear that a Company of Comedians from the Theatre Royal intend to entertain the Gentlemen and Ladies at Hampstead, during the Summer Season. . . . This present Thursday, by the Desire of several Gentlemen and Ladies, will be performed The Beggar's Opera

Performances

Mainpiece Title: The Beggar's Opera

1698
03 July 1734 @ King's Theatre

Event Comment: [Their Majesties and all the Royal Family present.]

Performances

Mainpiece Title: Pastor Fido

1699
28 August 1734 @ York Buildings

Event Comment: Benefit Butler. At the particular Desire of several Persons of Quality and Distinction. 7 P.M. N.B. The Reason of the Play being deferred from Tuesday the 20th of August . . . was on Account of the Absence of one of the principal Performers; so that Mr Butler humbly hopes his Friends will excuse it, and honour him with their Company; and to prevent any Disorder, Guards will attend at the Doors, every thing being to be perform'd in the same exact Manner as at the Theatres Royal

Performances

Mainpiece Title: The Orphan

Performance Comment: Castalio-Egerton, who perform'd it some time ago at the Haymarket; Polydor-Butler, his first Appearance on the Stage .
Cast
Role: Polydor Actor: Butler, his first Appearance on the Stage

Afterpiece Title: The Mock Doctor

Dance: III: By Mr Delawn

Song: II: Wasever Nymphlike Rosamondby Miss Hill. V: A Song by a Gentleman

1700
29 October 1734 @ King's Theatre

Event Comment: A New Opera. [Text by Metastasio. Music by J. A. Hasse and R. Broschi.] Pit and Boxes by Tickets at a half guinea. Gallery 5s. 6 P.M. Daily Advertiser, 30 Oct.: All the Royal Family were at the Opera, when Signior Farinelli perform'd . . . with prodigious Applause. The Theatre was exceedingly crowded

Performances

Mainpiece Title: Artaxerxes