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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highnesses"/1) | (@(roleclean,performerclean) "His Royal Highnesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2123 results for: Keyword - His Royal Highnesses
We found 1227 matches on Event Comments, 689 matches on Performance Title, 323 matches on Performance Comments, 3 matches on Roles/Actors, and 0 matches on Author.

1376
25 January 1694 @ York Buildings

Event Comment: London Gazette, No 2943, 22-25 Jan. 1693@4: At the consort-room in York-buildings, on this present Thursday, at the usual hour will be perform'd Mr Purcell's Song composed for St Cecilia's Day in the year 1694 [?], together with some other compositions of his, both vocal and instrumental, for the entertainment of his Highness Prince Lewis of Baden. [In the Gentleman's Journal, January@February 1693@4, is: A Song set by Mr Henry Purcell. The Words by the Authour of this Journal, Sung at an Entertainment for Prince Lewis of Barden, Sawney is a bonny, bonny lad."

Performances

Mainpiece Title: Concert

1377
20 September 1697 @ New Wells Richmond

Event Comment: Post Man, No. 372, 16-18 Sept. 1692: On Monday next the 20th, at the new Wells in Richmond, will be performed an Entertainment of Musick, made for the Birth day of his Highness the Duke of Glocester: The Trumpet part to be performed by Mr John Shore. With variety of other new Musick, both Vocal and Instrumental, to begin at Five

Performances

Mainpiece Title: Concert

1378
27 September 1697 @ New Wells Richmond

Event Comment: Post Man, 25 Sept. 1697: A Trumpet Song on the King, and a Song made for the Birth day of his Highness the Duke of Gloucester: with two Sonatas by Mr John Shore. And variety of other new Musick...being the last time of performance this Season

Performances

Mainpiece Title: Concert

1379
18 June 1701 @ York Buildings

Event Comment: Benefit Widow and 7 Children of Mr Charles Powel, late Servant to his Majesty and his late Highness the Duke of Gloucester. At the desire of several Persons of Quality. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, Composed by the late Famous Mr Henry Purcell for the York-shire Feast-

1380
19 November 1703 @ Drury Lane Theatre

Event Comment: For the Entertainment of their Highnesses the Prince and Princess Landgrave of Hesse

Performances

Mainpiece Title: The Constant Couple

Song: As17031019

Music: A piece of Musick for the Violin and Flute-Signior Gasperini, Mr Paisible, it being the most Masterly perform'd of any Musick that was ever heard upon the English Stage

Dance: As17031102

1381
25 November 1710 @ Queen's Theatre

Performances

Mainpiece Title: Hydaspes

1382
01 October 1718 @ Hampton Court

Event Comment: Weekly Journal or British Gazetteer, 4 Oct.: His Majesty, and their Highnesses the Young Princesses were at the Play...the House being very full

Performances

Mainpiece Title: Henry Viii

1383
19 December 1719 @ York Buildings

Event Comment: Benefit Pietro Guaccini, Servant to his Highness the Duke of Brunswick and Lunenburg. At 6 p.m. Tickets half a guinea

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Several Solos, Concertos-Castrucci; Trumpet Piece-the famous Signior Mantelli; Solo on the Hautboy-Ketch

1384
05 April 1720 @ King's Theatre

Event Comment: Original Weekly Journal, 9 April: His Majesty was present; as were also their Highnesses the young Princesses, all in Black Velvet

Performances

Mainpiece Title: Numitor

1385
27 October 1725 @ Drury Lane Theatre

Event Comment: By Their Highnesses' Command. Written by the late Mr Wycherley

Performances

Mainpiece Title: The Plain Dealer

1386
08 January 1729 @ Drury Lane Theatre

Event Comment: UUniversal Spectator, 11 Jan.: Last Wednesday his Highness the Prince went to...Drury-Lane, to see Mr Cibber's new Pastoral....The Actors were for a while prevented from performing, by the great Disturbance some of the Audience made. But on a Speech from Mr Cibber, with a Promise it should not be acted again, the Catcalls, &c. ceased, and they were suffered to go on and end the same. See also Applebee's, 11 Jan.; Egmont, Diary, III, 325; Whincop, p. 198

Performances

Mainpiece Title: Love In A Riddle

1387
07 November 1733 @ Drury Lane Theatre

Event Comment: In Three Acts. Set to Musick after the Italian Manner by Mr John Frederick Lampe. Daily Advertiser, 8 Nov.: The Arrival of his Highness the Prince of Orange, indeed, prevented many Persons of Quality from being there, who had taken Boxes; but 'tis presum'd it cannot fail of Success and Encouragement notwithstanding

Performances

Mainpiece Title: The Opera Of Operas

Performance Comment: Tom Thumb-Master Kilburn, the first time of his appearance on any stage; King Arthur-Stoppelaer; Dollalolla-Mrs Clive; Merlin-Nichols; Noodle-Mountier; Doodle-Snider; Foodle-Rainton; Parson-Snider; Bailiff-Rainton; Follower-Nichols; Cleora-Miss Atherton; Mustacha-Miss Palms; Grizzle and Ghost of Gaffer Thumb-Waltz; Huncamunca-Mrs Mason; Glumdalca-Topham, who never appeared on any stage before .
Cast
Role: Tom Thumb Actor: Master Kilburn, the first time of his appearance on any stage

Dance:

1388
11 September 1734 @ Hampstead

Performances

Mainpiece Title: Concert

Performance Comment: music . The Vocal Parts by Gentlemen, particularly a new Hampstead Song, compos'd by Mr Seedo, for two French Horns, Violins, Hautboys, &c. The Instrumental by the best Hands. The Violin Concertino by Capt Dupar, Scholar to the late celebrated Signor Corelli, and late Musick Master to his present Highness the Prince of Orange. With several Pieces of his own composing, for the Violin and Harpsichord. The Concert will consist of three Acts .

1389
02 January 1735 @ Haymarket Theatre

Event Comment: By Command of their Highnesses the Princess Amelia and Princess Caroline. [Daily Advertiser lists Granier instead of the Gentleman in The Frolick.]

Performances

Mainpiece Title: Arlequin Balourd

Afterpiece Title: La Serenade

Dance: The Frolick, as17341226. L'Allemande by Miss Chateauneuf

1390
06 November 1735 @ Covent Garden

Event Comment: For the Entertainment of his Highness the Prince of Modena [who was present]. Receipts: #106 16s. 6d

Performances

Mainpiece Title: She Wou'd If She Cou'd

Afterpiece Title: The Rape of Proserpine: With the Birth and Adventures of Harlequin

1391
11 November 1735 @ Drury Lane Theatre

Event Comment: For the Entertainment of his Highness the Prince of Modena. [For a discussion of The Double Dealer, see Prompter, 11 Nov.]

Performances

Mainpiece Title: Greenwich Park

Afterpiece Title: Harlequin Restor'd

Music: As17351018

1392
13 November 1735 @ Drury Lane Theatre

Event Comment: For the Entertainment of His Highness the Prince of Modc1n [who was present)

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Grand Volgi

Music: A New Sett of Act Tunes composed by Mr Arne

1393
13 November 1740 @ Covent Garden

Event Comment: By Command of His Highness the Duke, and the Princesses Amelia, Caroline, and Louisa. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Receipts: #81 11s. (Account Book); #100 (Rylands MS.). Rylands MS.: Barbarini Sick

Performances

Mainpiece Title: The Double Gallant

Dance: SScots Dance-Glover, Mlle Roland; Miller and His Wife-Mechell, Mlle Mechell; Comic Ballet-Villeneuve, Miss Oates; Grand Ballet-Glover, Mlle Roland; The Swiss-Mechell, Mlle Mechell

1394
09 February 1743 @ Drury Lane Theatre

Event Comment: By Command of their Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Devil to Pay

Dance: As17430120

1395
05 March 1745 @ Haymarket Theatre

Event Comment: By Command of their Highnesses Prince George, Prince Edward, and the Lady Augusta, By A Company of Dutch children, join'd with the English, German and Italians. A Pantomime Entertainment. Boxes and Pit 5s. Gallery 2s. 6 p.m. We hear the Company of Dutch/Children join'd with the English, Germans and Italians, will perform this day, tomorrow, Thursday and Friday next, and will exhibit something new every night, and some people of Quality have engag'd Boxes for each night.--Daily Advertiser

Performances

Mainpiece Title: Arlequino Triumphante

1396
08 April 1752 @ Covent Garden

Event Comment: Benefit for Macklin. Afterpiece: A New Dramtic Satire in two acts. N.B. As several of the Town have prejudged the Pit the Boxes and Galleries acting their own parts themselves for their diversion, to be of the same species of the Lick at the Town last year; and that it can mean only the ordinary Approbation or Disapprobation of the Audience, Signor Pasquin thinks it incumbent on himself to assure to Publick that all those conjectures are groundless; And farther, he assures them that the Pit, &c. acting their parts has no other meaning than the common literal sense; and that the Audience are really interwoven in the piece; and are to be bona fide part of the Dramatis Personae; and he makes no doubt but that he shall make them perform their parts to a numerous and polite audience, and with universal Applause. But he begs that those Ladies and Gentlemen who intend to perform in the Pit and Galleries will be at the Theatre betimes, for particular reasons; and those who are to act in the Boxes are requested to send their servants to keep their places by three o'clock. Signor Pasquin has received the letters sent by the Town and the Village, and they may depend upon having Places kept for them upon the Stage. The Hiss concerning the Robin Hood Society will be complied with (General Advertiser). [The parts were: Pasquin, Marforio, Sir Eternal Grinn, Sir Conjecture Positive, Sir Roger Ringwood, Bob Smart, Soloman Common Sense; Count Hunt Bubble, Sir John Ketch, hic and Hac (Scribblers), Hydra, Lady Lucy Loveit, Miss Diana Singlelife, Miss Brilliant, Miss Bashfull (Larpent MS 96).

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Covent Garden Theatre; or, Pasquin turn'd Drawcansir, Censor of Great Britain

Performance Comment: The parts of the Pit, Boxes, Galleries, Stage, and Town to be performed by themselves, for their diversion; the parts of several Dull, disorderly characters, in and about St Jame's to be performed by certain persons, for example; And the part of Pasquin@Drawcansir to be performed by his Censorial Highness;, for his interest. The Satire to be introduced by an Exordium;, and to conclude by a satirical@panegyrical@ironical@comical@original Peroration upon the Virtues, Vices, Wisdom and Folly, Judgment and Power of the Town. Both to be spoken from the Rostrum-Signor Pasquin.

Dance: GGrand Comic Ballet, as17511216

1397
01 March 1757 @ Covent Garden

Event Comment: Both pieces by Command of his Roayl Highness the Prince of Wales

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Englishman Returned from Paris

Dance: As17570128

1398
06 March 1772 @ Covent Garden

Event Comment: Words from Holy Writ...Music so admirable designed by Handel as to Beggar all description (Theatrical Review). Mr Ponta is Musician to his Serene Highness the Elector of Mentz. Tickets and places for boxes to be taken of Mr Sarjeant at the Stage Door. Box 5s. Pit 4s. First Gallery 3s. Upper Gallery 2s. Books of the performance sold at the Theatre. Doors to be opened at Five o'clock. To begin at half past Six (Account Book). [Messrs Toms and Arnold were putting on the Oratorios at Covent Garden this season.] Charges: #35 (Account Book)

Performances

Mainpiece Title: The Messiah

Music: Part I: Concerto on French Horn-Mr Ponta; End Part II: Concerto on Violin-Sga Lombardini Sirmen (Theatrical Review, 214)

1399
16 August 1660 @ Whitehall or St. James's

Event Comment: In Thomas Jordan's Royal Arbour of Loyal Poesie (p. 12) is a piece entitled: A Prologue to the King, August 16, 1660

Performances

1400
08 December 1660 @ Theatre in Vere Street

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. The Prologue is in Thomas Jordan's A Royal Arbour of Loyal Poesie (1664). Andrew Newport to Sir Richard Leveson, 15 Dec.: Upon our stages we have women-actors, as beyond seas (HMC, 5th Report, Part I, 1876, p. 158). For a discussion of actresses who may have played Desdemona on this day, see Wilson, All the King's Ladies, pp. 6-8. Possibly Clun acted Iago. See An Elegy Upon the Most Execrable Murther of Mr Clun, 1664

Performances

Mainpiece Title: The Moore Of Venice