SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness Edward Augustus Duke of York"/1) | (@(roleclean,performerclean) "His Royal Highness Edward Augustus Duke of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2432 matches on Event Comments, 1993 matches on Performance Comments, 1350 matches on Author, 1112 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Performance Comment: Edition of 1675: Prologue-; Calisto-The Lady Mary; Nyphe-The Lady Anne; Jupiter-The Lady Henrietta Wentworth; Juno-The Countess of Sussex; Psecas-The Lady Mary Mordaunt; Diana-Mrs [Margaret] Blagge; Mercury-Mrs Jennings; Nymphs attending Diana-The Countess of Darby, The Countess of Pembroke, The Lady Katherine Herbert, Mrs Fitz-Gerald, Mrs Frazier; [The Persons of Quality of the Men that Danced-His Grace the Duke of Monmouth, The Viscount Dunblaine, The Lord Daincourt, Mr Trevor, Mr Harpe, Mr Lane[, Mr Leonard, Mr Franshaw]; [In the Prologue were Represented, The River Thames-Mrs Moll? Davis; Peace-Mrs Mary? Knight; Plenty-Mrs Charlotte? Butler; The Genius of England-Mr Turner; Europe-Mr Hart; Asia-Mr Richardson; Africa-Mr Marsh Jun; America-Mr Ford; [In the Chorusses betwixt the Acts: Strephon-Mr Hart; Coridon-Mr Turner; Sylvia-Mrs Davis; Daphne-Mrs Knight; Two African Women-Mrs Butler, Mrs Hunt; The Epilogue-Jupiter.

Afterpiece Title: Calisto's Additional performers

Performance Comment: See Boswell, Restoration Court Stage, pp. 201-2- Singers-Mrs Masters, Mrs Peirce, Robert, Degrang, Shepheard, Maxfield, Preston, Letelier, Bopins, Bury; Boys-Jack, Waters, Coninsby, Smyth; Harpsicals-Corneille, Bartleme; Theorboes-Marsh, Lylly; Bass Violls-Coleman, Stephkins, Bates; Recorders-Paisible, Bootell, DeBreame, Giton; Gittars-Frasico Corbett, Outom, Delony, Delloney; Trumpeters-Bounty, Thompson, Ragway, Christmas; Kettle Drummer-VanBright; Violins-NicholasStaggins, Singleton, Clayton, Tho. Fitz, Hewson, Myres, Tho. Farmer, Aleworth, Jo. Bannister, Lediger, Harris, Theo. Fitz, Greetinge, Ashton, Gamble, Fashions, Flower, Isaack Staggins, John Strong, Finell, Browne, Brookwell, Dorney, Spicer, Price, Pagitt, Duffill, Kidwell, Jo. Farmer, Basrier, Viblett, Hall, Eagles; Dancers-St Andre, Isaacke, Delisle, Herriette, Dyer, Smyth, Motley, Berto, Letang, Muraile, LeRoy, LeDuke.
Event Comment: Mainpiece: Containing the Distresses and Death of King Henry the Sixthv; the Artful Acquistion of the Crown by King Richardv; the Cruel Murder of Prince Edwardv and his Brother in the Tower; the Landing of the Earl of Richmondv, and the death of King Richard in the Memorable Battle of Bosworth Fieldv; being the last that was faught between the Houses of York and Lancasterv. [A customary elaboration of the title, appearing at subsequent performances this season, but not repeated here.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard III-Ryan; King Henry-Bridgwater; Richmond-Giffard; Buckingham-Bridges; Tressel-Ridout; Stanley-Rosco; Blunt-Kennedy; Catesby-Gibson; Tyrrel-Stoppelaer; Lord Mayor-Dunstall; Ratcliff-Anderson; Lieutenant-Storer; Oxford-Bencraft; Prince Edward-Miss Morrison; Duke of York-Miss Mullart; Duchess of York-Mrs James; Lady Anne-Mrs Hale; Queen Elizabeth-Mrs Horton.

Afterpiece Title: The Royal Chace

Cast
Role: Chasseur Royal Actor: Beard
Related Works
Related Work: The Royal Chace; or, Harlequin Skeleton Author(s): Edward Phillips
Related Work: The Royal Chace; or, Merlin's Cave Author(s): Edward Phillips
Event Comment: Containing the Distresses and Death of King Henry VIv; the Artful acquisition of the Crown by King Richardv; the cruel murder of Prince Edwardv and his brother in the tower; the Landing of the Earl of Richmondv, and the death of King Richardv in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Quin; King Henry-Ryan; Richmond-Ridout; Buckingham-Sparks; Stanley-Redman; Oxford-Elrington; Catesby-Gibson; Ratcliff-Anderson; Tressel-Lacey; Norfolk-Bransby; Lord Mayor-Marten; Tirrel-Dunstall; Lieut-Usher; Blunt-Holtham; Prince Edward-Miss Morrison; Duke of York-Miss Mullart; Lady Anne-Mrs Vincent; Duchess of York-Mrs Bambridge; Queen-Mrs Cibber first time.
Event Comment: EEgerton 2320: Receipts: #83. Mrs Roberts hiss'd, Mr Mills too

Performances

Mainpiece Title: King Richard The Third

Performance Comment: Richard-Quin; King Henry-Milward; Queen Elizabeth-Mrs Roberts; Buckingham-Mills; Dutchess of York-Mrs Pritchard; Richmond-Cibber; Lady Anne-Mrs Mills; Prince Edward-Green; Duke of York-Miss Cole; Norfold-Boman; Stanley-Havard; Ratcliff-Turbutt; Catesby-Hill; Tressel-Cross; Mayor-Harper.
Cast
Role: Dutchess of York Actor: Mrs Pritchard
Role: Prince Edward Actor: Green
Role: Duke of York Actor: Miss Cole

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Quin; King Henry-Milward; Buckingham-Mills; Richmond-Cibber; Queen Elizabeth-Mrs Roberts; Dutchess of York-Mrs Pritchard; Lady Anne-Mrs Mills; Prince Edward-Green; Duke of York-Miss Cole; Norfolk-Boman; Stanley-Havard; Ratcliff-Turbutt; Catesby-Hill; Tressel-Cross; Lord Mayor-Harper.
Cast
Role: Dutchess of York Actor: Mrs Pritchard
Role: Prince Edward Actor: Green
Role: Duke of York Actor: Miss Cole

Afterpiece Title: The Harlot's Progress

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Quin; King Henry-Milward; Buckingham-Mills; Richmond-Wright; Queen Elizabeth-Mrs Roberts; Dutchess of York-Mrs Pritchard; Anne-Mrs Mills; Prince Edward-Green; Duke of York-Miss Cole; Stanley-Havard; Tressel-Ridout; Ratcliff-Turbutt; Catesby-Winstone; Lieutenant-Ray; Mayor-Taswell.
Cast
Role: Dutchess of York Actor: Mrs Pritchard
Role: Prince Edward Actor: Green
Role: Duke of York Actor: Miss Cole

Afterpiece Title: Robin Goodfellow

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Quin; King Henry-Milward; Buckingham-Mills; Richmond-Wright; Queen Elizabeth-Mrs Roberts; Duchess of York-Mrs Pritchard; Lady Anne-Mrs Mills; Prince Edward-Green; Duke of York-Miss Cole; Stanley-Havard; Tressel-Chapman; Ratcliff-Turbutt; Catesby-Winstone; Lieutenant-Ray; Mayor-Taswell.
Cast
Role: Duchess of York Actor: Mrs Pritchard
Role: Prince Edward Actor: Green
Role: Duke of York Actor: Miss Cole

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Holman; King Henry-Aickin; Buckingham-Farren; Stanley-Hull; Tressel-Macready; Prince Edward-Simmons; Duke of York-Miss Standen; Catesby-Davies; Lieutenant-Cubitt; Norfolk-Evatt; Ratcliffe-Thompson; Lord Mayor-Powel; Oxford-Farley; Richmond-Pope; Lady Anne-Mrs Wells (1st appearance in that character); Duchess of York-Mrs Platt; Queen-Mrs Pope.
Cast
Role: Prince Edward Actor: Simmons
Role: Duke of York Actor: Miss Standen
Role: Duchess of York Actor: Mrs Platt

Afterpiece Title: Blue Beard

Dance: Dancing, as17921008, but _Ratchford, Holland

Related Works
Related Work: The Dancing Master Author(s): William Cavendish, Duke of Newcastle
Related Work: The French Dancing Master Author(s): William Cavendish, Duke of Newcastle

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Holman; King Henry-Harley; Buckingham-Farren; Stanley-Hull; Tressel-Macready; Prince Edward-Simmons; Duke of York-Miss Standen; Catesby-Davies; Lieutenant-Cubitt; Norfolk-Evatt; Ratcliffe-Thompson; Richmond-Pope; Lady Anne-Miss Chapman; Duchess of York-Mrs Platt; Queen-Mrs Pope.
Cast
Role: Prince Edward Actor: Simmons
Role: Duke of York Actor: Miss Standen
Role: Duchess of York Actor: Mrs Platt

Afterpiece Title: The Sprigs of Laurel

Event Comment: The Duke's Company. This performance is known by the separately printed Prologue and Epilogue: Prologue. By Mr Otway to his Play call'd Venice preserv'd or the Plot discover'd. Acted at His Royal Highness the Duke of Yorks Theatre, the 9th of February, 1681. [These have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 61-66.] Luttrell dated his copy of the Prologue and Epilogue 11 Feb. 1681@2 (Huntington Library). It is not certain that 9 Feb. 1681@2 represents the first performance, but it may well be. For a comment by Downes, Roscius Anglicanus, on Mrs Barry, see The Orphan, February 1679@80

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discover'd

Performance Comment: Edition of 1682: Prologue-Mr Smith; Epilogue-Mr Betterton; Duke of Venice-D. Williams; Priuli-Boman; Antonio-Leigh; Jaffeir-Betterton; Pierre-Smith; Renault-Wilshire; Bedamar-Gillo; Spinosa-Percival; Belvidera-Mrs Barry; Aquilina-Mrs Currer.
Cast
Role: Duke of Venice Actor: D. Williams
Event Comment: Both pieces by Command of their Royal Highnesses the Prince and Princess of Wales

Performances

Mainpiece Title: King Henry Iv, Part Ii, With The Humours Of Falstaff

Performance Comment: Falstaff-Quin; King Henry-Gibson; Wales-Ryan; Achbp York-Bridgwater; Mowbray-Redman; Hastings-Anderson; Westmorland-Usher; Prince John-Ridout; Gloster-Baker; Clarence-Miss Hippisley; Poins-Bransby; Coleville-Elrington; Chief Justice-Sparks; Silence-Stoppelaer; Bardolph-Marten; Doll-Miss Haughton; Peto-Atkins; Shallow-Arthur; Bullcalf-Dunstall; Feeble-Collins; Mouldy-Bencraft; Shadow-Hacket; Pistol-Cushing; Hostess-Mrs Macklin.
Cast
Role: Achbp York Actor: Bridgwater

Afterpiece Title: Perseus and Andromeda

Event Comment: Benefit Chapman. By Command of His Royal Highness. [Prince of Wales and Prince of Orange present.]

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Sir Edward-Quin; Squire-Chapman; Lolpoop-Hippisley; Belfond Jr-Walker; Teresia-Mrs Younger; Termagent-Mrs Kilby, the first time ofher appearing in Boy's Cloaths .
Cast
Role: Sir Edward Actor: Quin

Afterpiece Title: The Nuptial Masque

Dance: Scot's Dance, as17331004. Pigmalion, as17340114

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales . Mainpiece: Not Acted [there] these Nine Years. Written by Shadwell. [Prince and Princess present.

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Sir William-Miller; Sir Edward-Quin; Belfond Jr-Milward; Trueman-Este; Cheatly-Mecklin; Shamwell-Stoppelaer; Scrapeall-Griffin; Termagant-Winstone; Attorney-Berry; Lucy-Miss Brett; Margaret-Mrs Villeneuve; Ruth-Mrs Cross; Mrs Hackum-Oates; Lolpoop-Harper; Hackum-Shepard; Isabella-Mrs Clive; Teresia-Miss Holliday; Mrs Termagant-Mrs Thurmond; Squire-Cibber.
Cast
Role: Sir Edward Actor: Quin

Afterpiece Title: The Devil to Pay

Dance: II: Double Jealousy, as17360907; V: Peasants-Poitier, Mlle Roland

Event Comment: Benefit Mrs Clive. By Command of their Royal Highnesses the Prince and Princess of Wales. Servants will be admitted to keep places on the stage, which for the better accommodation of the Ladies, will then be form'd into an Amphitheatre. Ladies are desir'd to send their servants by 3 o'clock. Tickets and Places to be had of Mrs Clive, at her house in Great Queen St, Lincoln's Inn Fields; and of Hobson at the stage door of the theatre

Performances

Mainpiece Title: Comus

Performance Comment: As17430212, but Sabrina-Miss Edwards, 1st time.
Cast
Role: Sabrina Actor: Miss Edwards, 1st time.

Afterpiece Title: The Lying Valet

Dance: Boromeo, Desse, Mlle Bonneval

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.
Event Comment: The Duke's Company. The Prologue and Epilogue, printed separately, bear Luttrell's MS notations: At ye Dukes theater at Venice Preserv'd &c. Acted 31 May. 1682 (Huntington Library, with Luttrell's date of purchase, 1 June 1682). The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 108-10. The Newdigate newsletters disagree as to the play acted: 1 June 1682: Yesterday the D. of Y. came to town & went wth his Dutchess to ye play called the Royallist (Wilson, Theatre Notes from the Newdigate Newsletters, p. 80)

Performances

Mainpiece Title: Venice Preserved

Performance Comment: See16820209, but Prologue to The Dutchess On Her Return from Scotland, by Mr Dryden-; Epilogue to Her Royal Highness On Her Return from Scotland, by $Mr Otway-.
Event Comment: By Command of His Royal Highness. [Prince of Wales and Prince of Orange present.]

Performances

Mainpiece Title: Cg The Busy Body

Afterpiece Title: Apollo and Daphne

Performance Comment: Apollo-Glover; Nymphs-Mrs Ogden, Mrs Pelling, Miss Rogers, Miss Baston; Daphne-Mrs Laguerre; Burgomaster-Laguerre; Boor Servant-Hippisley; Colombine-Mrs Younger; Scaramouch-Newhouse; Harlequin-Lun; Peasants-Newhouse, De la Garde Jr, Du Pre Jr; Women Peasants-Mrs Stevens, Mrs Kilby, Mrs Forrester; Venus-Mrs Wright; Diana-Miss Norsa; Silenus-Leveridge; Bacchus-Salway; Bridal Swains-Le Sac, De la Garde, Duke; Bridal Nymphs-Mrs Ogden, Miss Rogers, Miss Baston; Un Amour-Glover; Deities of Pleasure-Maker, Houghton; Bridal Virgin-Mlle Salle .
Event Comment: Benefit the Author. By Command of their Royal Highnesses the Princesses Amelia and Caroline

Performances

Mainpiece Title: The Fatal Extravagance

Afterpiece Title: Rule a Wife and Have a Wife

Performance Comment: Estifania-Mrs Horton; Leon-Ryan; Copper Captain-A. Hallam; Duke-Hale; Cacafogo-Mullart; Margarita-Mrs Buchanan; Old Woman-Hippisley; Juan-Ridout; Sancho-Aston; Alonzo-Wignell; Altea-Mrs Stevens .
Cast
Role: Duke Actor: Hale

Dance: Glover's Scot's Dance. Richmond Maggot by Le Sac and Miss Rogers

Song: By Leveridge

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales [who were present]. Mainpiece: Written by the late Mr Otway

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-Milward; Pierre-Quin; Belvidera-Mrs Cibber; Renault-Cibber; Priuli-Boman; Duke-Cross; Bedamar-Hill; Eliot-Winstone; Spinosa-Turbutt.
Cast
Role: Duke Actor: Cross

Afterpiece Title: The Burgomaster Trick'd

Dance: Denoyer, Haughton, Miss Thompson

Event Comment: MMrs Woffington fainted (Rylands MS.). Last night, in the First Act of All's Well, which was acted at Drury Lane, Mrs Woffington was taken so violently ill, that she fainted away, as she stood at the scenes, ready to come on; After a proper Apology being made, the Audience with great Humanity and Patience, waited till another person dress'd to read the part.--This night the Alchemist (by Particular Desire) is to be performed; and on Thursday, His Royal Highness and the Duke and Princesses have commanded the Tender Husband. On Friday the Play All's Well will be represented; when if Mrs Woffington is not recover'd, Mrs Mills will be ready in the part. Receipts: #100

Performances

Mainpiece Title: All's Well That Ends Well

Cast
Role: Duke of Florence Actor: Woodburn

Afterpiece Title: The Harlot's Progress

Song: I: Sylvia wilt thou was e thy Prime, a new song of Mr Arne's,-Lowe; III: Was ever nymph like Rosamond-Lowe

Dance: II: A Concerto, as17420105; IV: The Italian Peasants, as17411205

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Performance Comment: Pierre-Quin; Jaffier-Ryan; Priuli-Bridgwater; Duke-Rosco; Bedamar-Hale; Antonio-Hippisley; Renault-Chapman; Eliot-Cashell; Spinoza-Harrington; Officer-Gibson; Belvidera-Mrs Cibber.
Cast
Role: Duke Actor: Rosco

Dance: CComic Dance-Villeneuve, Mrs Delagarde; La Provencale-Picq; Dancing-Picq, Villeneuve, Delagarde, Dupre, Destrade, Mrs Delagarde, Mrs Wright, Mrs Lebrun, Mrs Villeneuve, Mrs Maudet

Event Comment: Benefit Barry. By Command of their Royal Highnesses the Prince and Princess of Wales. Ladies send servants by three. Tickets at his lodgings in Bow St

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discover'd

Performance Comment: Pierre-Barry; Jaffeir-Delane; Renault-Sparks; Priuli-Berry; Belvidera-Mrs Giffard; Duke-Winstone; Bedamar-Blakes.
Cast
Role: Duke Actor: Winstone

Dance: II: Salomon, Mlle Violette, Cook, Salomon's Son; III: Muilment; V: Grand Comic Dance-Salomon, Mlle Violette, Cooke, Sga Padouana

Related Works
Related Work: Love's Triumph; or, The Royal Union Author(s): Edward Cooke
Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Cast
Role: King Edward Actor: Moon
Event Comment: Benefit Michael Lally. By Command of Her Royal Highness the Princess Amelia. Tickets to be had at Mr Lally's House in Southampton-Row, Bloomsbury. Two Rows of the Pit will be laid into the Boxes

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Toy Shop

Dance: I: English Maggot by S. Lally, De la Garde, Miss Baston. II: Grand Pastoral Dance by Lally, Mlle Salle, Miss Rogers, S. Lally, Le Sac, Delagarde, Duke, Mrs De l'Orme, Miss Baston, Miss Norsa. III: Glover's Scotch Dance. IV: Minuet by Lally and Mlle Salle. V: Pigmalion by Lally and Mlle Salle

Performance Comment: Lally, De la Garde, Miss Baston. II: Grand Pastoral Dance by Lally, Mlle Salle, Miss Rogers, S. Lally, Le Sac, Delagarde, Duke, Mrs De l'Orme, Miss Baston, Miss Norsa. III: Glover's Scotch Dance. IV: Minuet by Lally and Mlle Salle. V: Pigmalion by Lally and Mlle Salle .

Performances

Mainpiece Title: The Foundling

Performance Comment: Faddle-Lewis; Sir Charles Raymond-Farren; Colonel Raymond-Pope; Sir Robert Belmont-Fearon; Villiard-Gardner; John-Helme; Young Belmont-Holman; Rossetta-Mrs Mattocks; Fidelia-Miss Wilkinson (from the Theatre Royal, York; 1st appearance on this stage). 1st appearance on this stage).
Related Works
Related Work: The Foundling Author(s): Edward Moore

Afterpiece Title: The Padlock

Performance Comment: Leander-Johnstone; Don Diego-Inchbald (from the Theatre Royal, York [see17860925]); Mungo-Quick; Ursula-Mrs Webb; Leonora-Miss Wilkinson.