Event Comment: Afterpiece [1st time; M. ENT 2, by Richard Brinsley Sheridan (also attributed to Richard Tickell). Prologue by Richard Tickell (London Chronicle, 23 Oct.). Text 1st published probably by T. Lowndes, 1795]: To conclude with a perspective Representation of the Grand Camp at Cox-Heathv [near Maidstone, Kent, where a military encampment had been in existence for several months], from a View taken by DeLoutherbourg and executed under his direction. [This was included in all subsequent performances.] With a New Overture and other Music [by Thomas Linley Sen.]. New Scenery, Dresses and Decorations. Account-Book, 16 Oct.: Paid Supernumeraries & Soldiers for Camp #35 5s. 6d. Receipts: #266 0s. 6d. (258.16.0; 6.18.0; 0.6.6)

Event Comment: Paid DeLoutherbourg 1 month #41 13s. 4d. [this paid monthly]. Receipts: #167 17s. (143.13.0; 22.0.6; 2.3.6)

Event Comment: [The playbill announces this as "By Command of Their Majesties," but "His Majesty intended going to Drury-lane Theatre last night, but was prevented by the multiplicity of business at St James's" (Morning Post, 19 Nov.).] Mainpiece: Not acted these 3 years [acted 2 May 1776]. Receipts: #212 11s. 6d. (184.8.0; 27.6.6; 0.17.0)

Event Comment: [Henry is identified in playbill of 15 Nov. He had been acting in America since 1767 (Dictionary of American Biography); and see 18 Apr. 1780.] "We cannot but object to [his] calling handkerchief hand-kercher, according to the old Saxon termination. Perhaps he may be justifiable [sic] on the strict rules of etymology, but singularity always looks like affectation" (Morning Chronicle, 18 Oct.). Receipts: #109 2s. 6d. (91.15.0; 17.2.0; 0.5.6)

Event Comment: "Henderson's Iago was perhaps the crown of all his serious achievements. It was all profoundly intellectual like the character. Any thing near this, I have never seen...The most perplexing difficulty in the [character] is to turn the inside of design outward to the spectators, and yet externally seem to be cordial and sincere and interesting among the victims-it demands an instant versatility, that yet must not savour of trick. You must hear his insinuations with curses, and yet confess that you also would have been deceived. Other Iagos were to be seen through at once...Though a studious man, there was no discipline apparent in the art of Henderson; he moved and looked as humour or passion required...[He] cared little about the measure of the line; he would not consider the fame of the versifier while the heart was to be struck' (Boaden, Siddons, II, 28-29, 49). Receipts: #149 18s. (146.9; 3.9)