SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness Edward Augustus Duke of York"/1) | (@(roleclean,performerclean) "His Royal Highness Edward Augustus Duke of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2432 matches on Event Comments, 1993 matches on Performance Comments, 1350 matches on Author, 1112 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Cashell; Iago-Ryan; Cassio-Hale; Roderigo-Woodward; Brabantio-Gibson; Lodovico-Rosco; Duke-Marten; Montano-Ridout; Emilia-Mrs James; Desdemona-Mrs Pritchard.
Cast
Role: Duke Actor: Marten

Afterpiece Title: The What D'ye Call It

Dance: II: Peasant-Cooke; IV: Comic Ballet-Cooke, Sig Campioni

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Occasional prologue in honor of his RoyalHighness the Duke of Cumberland-Scudamore.

Afterpiece Title: The Virgin Unmasked

Dance: JJockey Dance-Adams

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17460322 but Jessica-Mrs Ridout; Epilogue-_; Balthazar-_; Duke-_; Tubal-_; Morochius-_; Solarino-_.
Cast
Role: Duke Actor: Winstone

Afterpiece Title: The Double Disappointment

Cast
Role: Isabel Actor: Miss Edwards

Song: III: Miss Young; IV: Lowe

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: As17460403 but Othello-Garrick; Cassio-Cashell; Roderigo-Chapman; Brabantio-Philips; Montano-Marr; Lodovico-Paget; Emilia-Mrs Bland; Desdemona-Mrs Pritchard; Duke-_.
Cast
Role: Duke Actor: Marten

Dance: Cooke

Related Works
Related Work: Love's Triumph; or, The Royal Union Author(s): Edward Cooke
Event Comment: Benefit Perry. A Concert, etc. [repeated in all notices of this theatre.] Prices 3s., 2s., 1s. 6 p.m

Performances

Mainpiece Title: Othello

Performance Comment: Epilogue in honor of the Duke of Cumberland-Master Perry.

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: [Full column in Daily Advertiser describing Barry's and Mrs Macklin's acting techniques.] Barry from the Theatre in Dublin, perform'd the part of Othello, at Drury Lane, before a numerous and polite audience; and met with as great Applause as could be express'd.--General Advertiser, 6 Oct. Thomas Gray to Horace Walpole: You have probably been there since I left you, and consequently have seen the Mr Barry you desired some account of; yet as I am not certain of this and should be glad to know whether we agree about him, I will nevertheless tell you what he is, and the impression he made upon me. He is upwards of six feet in height; wdll and prortionably made, treads well and knows what to do with his limbs; in short a noble graceful figure. I can say nothing of his face but that it was all black, with a wide mough and good eyes. His voice is of a clear and pleasing tone, something like Delane's, but not so deep-mouthed, not so like a passing bell. When high strain'd it is apt to crack a little and be hoarse, but in its common pitch, and when it sinks into any softer passion, particularly expressive and touching. In the first scene, especially when he recounts to the Senate the progress of his love and the means he used to win Desdemona, he was quite mistaken, and I took a pique against him; instead of a cool narration he flew into a rant of voice and action, as though he were relating the circumstance of a battle that was fought yesterday. I expected nothing more from him, but was deceiv'd: in the scenes of rage and jealousy he was seldom inferior to Quin in the parts of tenderness and sorrow far above him. These latter seem to be his peculiarly; his action is not very various, but rarely improper, or without dignity, and some of his attitudes are really fine. He is not perfect to be sure, but I think may make a better player than any now on the stage in a little while. However, to see a man in one character, and but once, is not sufficient, so I rather ask your opinion by this, than give you mine.--Horace Walpole's Correspondence with Thomas Gray, II, 6-7

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Barry from Dublin, 1st appearance on English Stage; Iago-Macklin; Brabantio-Berry; Cassio-Mills; Roderigo-Yates; Duke-Winstone; Lodovico-Blakes; Montano-Mozeen; Gratiano-Goodfellow; Emilia-Mrs Macklin; Desdemona-Mrs Ridout.
Cast
Role: Duke Actor: Winstone

Afterpiece Title: The Devil to Pay

Song: Between the acts: Lowe, Mrs Mozeen

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Performance Comment: Jaffeir-Ryan; Pierre-Cashell; Priuli-Bridgwater; Renault-Ridout; Bedamar-Gibson; Officer-Carr; Eliot-Bencraft; Duke-Dunstall; Spinoza-Anderson; Belvidera-Mrs Pritchard.
Cast
Role: Duke Actor: Dunstall

Afterpiece Title: The Mock Doctor

Event Comment: Mainpiece By Command. Present The Duke, Princess Amelia, and the Princess of Hesse (Account Books, Egerton 2268). Receipts:#188 6s. 2d

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Goodfellow; Iago-Furnival; Cassio-Lee; Roderigo-L. Hallam; Brabantio-Paget; Lodovico-Cushing; Duke-Dove; Montano-Wignell; Gratiano-Hallam; Captain-Shuter; Emilia-Mrs Bambridge; Desdemona-Mrs Hallam.
Cast
Role: Duke Actor: Dove

Afterpiece Title: The Lying Valet

Dance: As17461124

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Performance Comment: Pierre-Goodfellow; Priuli-Furnival; Jaffeir-Cushing; Renault-Paget; Bedamar-Lee; Antonio-L. Hallam; Duke-Hallam; Elliot-Dove; Spinosa-Shuter; Theodore-Miles; Captain-Wignell; Belvidera-Miss Budgell.
Cast
Role: Duke Actor: Hallam

Afterpiece Title: Flora; or, Hob in the Well

Dance: As17461124

Event Comment: By Command of Prince and Princess of Wales. A Free Benefit for Quin. Receipts: #88 13s., plus #136 15s. from tickets. [Garrick had written Quin he was too ill to play in the mainpiece but would act in his farce. Notice of 23 March about Amphitheatre repeated.] Tickets deliver'd out for 9 March will be taken. To prevent mistakes none will be admitted into the Boxes but by tickets deliver'd by Quin, and at the Office in the Box Lobby.--General Advertiser. If any Gentlemen or Ladies shall be displeased with the alteration in the Performance of the Play [i.e., Garrick's absence] the money shall be return'd.--Theatrical Clippings, Folger Library

Performances

Mainpiece Title: Venice Preserved

Performance Comment: As17461004, but Pierre-Quin; Renault-Chapman; Duke-Rosco; Belvidera-Mrs Cibber; Officer-_; Eliot-_.
Cast
Role: Duke Actor: Rosco

Afterpiece Title: Miss in Her Teens

Dance: As17461231

Event Comment: Benefit LaLauze, who is obliged to change the play advertised for his Benefit on account of the indisposition of a principal performer. Tickets for Don Sebastian will be taken. Receipts: #41 9s. 6d., plus #68 19s. from tickets. Charges #60

Performances

Mainpiece Title: As You Like It

Performance Comment: As17470309 but Duke Sen-_; Frederick-_; Oliver-_; Adam-_; Corin-_; Sylvius-_; Charles-_; Phebe-_.
Cast
Role: Duke Sen Actor: Ridout

Afterpiece Title: Miss in Her Teens

Dance: CComic Dance-Master Matthews, Miss Vandersluys; A Grand Ballet-Lalauze, Villeneuve, Sga Campioni; A Ball Minuet-LaLauze, two of LaLauze's scholars of three months learning only, who never appear'd before

Event Comment: Written by Shakespear. Play to begin at 6 o'clock. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the Stage-Door of the Theatre. As the Admittance of Persons behind the Scenes has occasioned a general Complaint on Account of the frequent Interruptions in the Performance, tis hop'd Gentlemen won't be offended, that no Money will be taken there for the future. [This notice appears on succeeding bills for the season and will hence not be repeated. See note on public objection to nonadmittance behind scenes 22 Feb. 1748.] Receipts: #150 (Cross); #I26 12s. (Clay MS). Nichols Literary Anecdotes, II, 319-20: There is one part of theatrical conduct which ought unquestionably to be recorded to Mr Garrick's honour, since the cause of virtue and morality and the formation of public manners are very considerably dependent upon it, and that is the zeal with which he ever aimed to banish from the stage all those plays which carry with them an immoral tendency, and to prune from those which do not absolutely on the whole promote the interests of vice such scenes of licentiousness and libertinism as a redundency of wit and too great liveliness of imagination have induced some of our comic writers to indulge themselves in, and to which the sympathetic disposition of an age of gallantry and intrigue had given a sanction. The purity of the English stage was certainly much more fully establish'd during the administration of this theatrical minister than it had ever been during preceding managements; for, what the publick taste had itself to some measure begun, he, by keeping that taste within its proper channel, and feeding it with a pure and untainted stream, seems to have completed; and to have endeavoured as much as possible to adhere to the promise made in the prologue which was spoken at the first opening of that theatre under his direction, @Bade scenic virtue form the rising age@And truth diffuse her radiance from the stage.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin; Antonio-Delane; Bassanio-Havard; Gratiano-Mills; Launcelot-Neale; Morochius-Sparks; Lorenzo (with proper songs)-Lowe; Portia-Mrs Clive; Nerissa-Mrs Bennet; Jessica-Mrs Ridout; Duke-Winstone; Solanio-Berry; Salarino-Blakes; Gobbo-Ray; Tubal-Taswell; Balthasar-Simpson; Prologue [written by Samuel Johnson]-Garrick; Epilogue-Mrs Woffington [Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]
Cast
Role: Duke Actor: Winstone

Performances

Mainpiece Title: As You Like It

Performance Comment: As17471102, but Rosalind-Mrs Pritchard; Duke Sen-Blakes; Orlando-Havard; Oliver-Mozeen; Silvius-_; Le Beau-_; Jaques de Boys-_; Corin-_; Charles-_; William-_; Phoebe-_; Audrey-_.
Cast
Role: Duke Sen Actor: Blakes
Role: Duke Frederick Actor: Winstone

Afterpiece Title: The Lying Valet

Dance: I: The Gardners Revels, as17471117; V: Polish Dance, as17471102

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Performance Comment: Pierre-a Gentleman who never appear'd on any stage before; Jaffier-Ryan; Priuli-Bridges; Duke-Rosco; Bedamar-Gibson; Renault-Paget; Elliot-Ridout; Belvidera-Mrs Giffard.
Cast
Role: Duke Actor: Rosco

Afterpiece Title: The Lottery

Performances

Mainpiece Title: Othello

Performance Comment: As17480109, but Brabantio-Gibson; Duke-Bridges; Montano-Ridout.
Cast
Role: Duke Actor: Bridges

Afterpiece Title: Damon and Phillida

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Barry; Iago-Sparks; Cassio-Mills; Brabantio-Berry; Roderigo-Woodward; Duke-Winstone; Desdemona-Mrs Cibber; Emilia-Mrs Pritchard; Montano-Bransby; Gratiano-Simpson; Ludovico-Blakes.
Cast
Role: Duke Actor: Winstone

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Yates, 1st time; Antonio-Berry; Bassanio-Havard; Gratiano-Palmer 2nd time of appearing in any character; Lorenzo (with proper songs)-Beard; Launcelot-Neale; Solanio-King; Duke-Winstone; Salarino-Blakes; Gobbo-Ray; Tubal-Taswell; Jessica-Miss Cole; Nerissa-Mrs Bennet; Portia-Mrs Clive.
Cast
Role: Duke Actor: Winstone

Afterpiece Title: The School Boy

Related Works
Related Work: Scaramouch a Philosopher, Harlequin a School-Boy, Bravo, Merchant and Magician Author(s): Edward Ravenscroft

Music: I: Scots Sonato on Flute-the Child; IV: A Piece of Music on Flute-the Child

Dance: II: L'Entree de Flore, as17481027; III: The Savoyards, as17480920

Ballet: V: Vertumnus and Pomona. Cooke, Anne Auretti

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discovered

Performance Comment: Jaffier-Garrick; Priuli-Havard; Renault-Berry; Pierre-Barry; Duke-Winstone; Bedamar-Blakes; Belvidera-Mrs Cibber.
Cast
Role: Duke Actor: Winstone

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: Othello

Performance Comment: As17481123, but Montano-_; Gratiano-_; Duke-_; Ludovico-_.
Cast
Role: Duke Actor: Winstone

Afterpiece Title: Lethe

Event Comment: Benefit for Lowe. Afterpiece: A New Musical Drama, never performed, taken from Prior. The Music by Mr Arne. Stage will be formed into an amphitheatre where servants may keep places. This day publish'd at 10s. 6d. Susanna, an Oratorio in score by Handel. Printed for J. Walsh

Performances

Mainpiece Title: Measure For Measure

Performance Comment: See17481126, but Duke-Quin; Claudio-Ryan; Angelo-Sparks; Lucio-Cushing; Isabella-Mrs Woffington.
Cast
Role: Duke Actor: Quin

Afterpiece Title: Henry and Emma; or, The Nut Brown Maid

Event Comment: Benefit for Leviez, Ballet Master. Tickets deliver'd for Romeo and Juliet will be taken. Mr Leviez is oblig'd to change the play on account of Mrs Cibber's illness. Romeo advertis'd but Mrs Cibber's illness chang'd it (Cross). Tickets to be had of Leviez at his house in Great Queen St., and of Hobson at the Stage Door. Receipts: #180 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17481103, but Duke-_; Gobbo-_; Tubal-_.
Cast
Role: Duke Actor: Winstone

Afterpiece Title: Miss in Her Teens & Ye Scene of Peace

Dance: III: Hornpipe-the Little Swiss; IV: Scotch Dance, as17490118; V: Savoyards, as17480920

Event Comment: Paid Mr Oram [Scene-painter] on acct. #10 10s. by order Lacy (Treasurer's Book). This month was published (Gentleman's Magazine, Register of Books) Some Considerations on the establishment of the French Strollers, the behaviour of their Bully Champions, and other seasonable matters at this critical juncture. Printed for R. Freeman. Receipts: #180 (Cross); #160 2s. (Treasurer's Book)

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Barry; Brabantio-Berry; Cassio-Palmer; Roderigo-Yates; Duke-Winstone; Lodovico-Blakes; Gratiano-Simpson; Officer-Usher; Desdemona-Mrs Elmy; Emilia-Mrs Pritchard; Iago-Garrick.
Cast
Role: Duke Actor: Winstone

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Quin (who has not appeared in that character these ten years); Copper Captain-Ryan; Don Juan-Ridout; Cacafogo-Marten; Sanchio-Anderson; Alonzo-Gibson; Old Woman-Collins; Duke-Sparks; Clara-Miss Haughton; 1st Lady-Mrs Bambridge; 2nd Lady-Miss Ferguson; 3rd Lady-Miss Hippisley; Altea-Mrs Ridout; Margarita-Mrs Vincent; Estifania-Mrs Woffington.
Cast
Role: Duke Actor: Sparks

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin; Antonio-Sparks; Bassanio-Ryan; Gratiano-Dyer; Lorenzo-Lowe (with songs in character); Launcelot-Arthur; Solarino-Ridout; Salanio-Gibson; Duke-Anderson; Tubal-Cushing; Jessica-Mrs Ridout; Nerissa-Mrs Vincent; Portia-Mrs Woffington.
Cast
Role: Duke Actor: Anderson

Afterpiece Title: Hob in the Well

Dance: As17500926