SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness"/1) | (@(roleclean,performerclean) "His Royal Highness")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1227 matches on Event Comments, 689 matches on Performance Title, 323 matches on Performance Comments, 3 matches on Roles/Actors, and 0 matches on Author.
Event Comment: By Permission of the Proprietor of the Theatre Royal Haymarket. [Epilogue by George Colman, ynger.] Receipts: #138 0s. 6d. (134.10.6; 3.10.0)

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Round Tower

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17971202, but Gratiano-R. Palmer; Shylock-Archer (from the Theatre Royal Edinburgh; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: The Citizen

Event Comment: Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #179 (168.11.6; 10.8.6)

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Peeping Tom

Event Comment: Benefit for Johnston. [He had 1st acted Hamlet at Edinburgh, 9 July 1794: Egerton's 1st appearance at cg was on 5 June 1797.] 2nd piece [1st time at this theatre; M. PAST 1, author unknown. Larpent MS 1207; not published. 1st acted at Sadler's Wells, 28 May 1787, when the playbill gives the 2nd title as "The Highland Laddie", and adds "The Words of the Airs selected from Allan Ramsay"]. Times, 13 Apr.: Tickets to be had of Johnston, No. 31, King-street, Covent-garden. Receipts: #230 19s. 6d. (110.2.6; 1.14.0; tickets: 119.3.0)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Johnston (1st appearance in that character on this stage); Ghost-Murray; Polonius-Munden; King-Waddy; Horatio-Egerton (2nd appearance on this stage); Laertes-Whitfield; Ostrick-Farley; Rosencraus-Clarke; Grave@diggers-Quick, Rees; Ophelia-Mrs Mountain; Queen-Miss Chapman.

Afterpiece Title: Hooly and Fairly; or, The Highland Lad and Lowland Lass

Performance Comment: Donald-Gray; Jockey-Clarke; Kate-Miss Wheatley; Old Woman-Mr Graham (from the Theatre Royal Edinburgh, 1st appearance on this stage).

Afterpiece Title: A Divertisement

Dance: 2nd piece to conclude with: Highland Reel-; In 3rd piece: Ballet, as17971013

Song: In V 1st piece: a Dirge, as17970925; In 2nd piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie- [recte Oggy]; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; The Little Farthing Rushlight-Graham

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MF 2. Larpent MS 1210; not published]: Written by Charles? Dibdin, Founded on his Popular Novel under that Title, and enriched with a Selection of his most recent and favourite Songs. Do conclude with a new Finale by Dibdin. The Overture by Dibdin. "[It is a] wretched inanity; without interest, without humour, without character, original only in its dullness and unmatchable absurdity" (Monthly Mirror, May 1798, p. 306). 2nd piece: Compressed into Three Acts. 3rd piece: By permission of the Proprietor of the Theatre Royal Hay-Market. Morning Herald, 18 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #511 13s. 6d. (251.7.6; 68.7.0; 1.13.0; tickets: 190.6.0) (charge: #212 19s.)

Performances

Mainpiece Title: Hannah Hewit; Or, The Female Crusoe

Afterpiece Title: The Inconstant

Afterpiece Title: The Son-in-Law

Song: End I 1st piece: The Sailor's Consolation- made into a Song and Chorus

Event Comment: Benefit for Murray. 1st piece: By Permission of the Author [Walsh Porter], and the Manager of the Theatre Royal Bath [William Wyatt Dimond]. [This was 1st acted at Bath, 27 Feb. 1798. It refers to the nation-wide attempt, being made at this time, to raise funds by voluntary contribution for the defense of the country. And see 9 Feb. Larpent MS 1197; not published. Miss Murray's 1st appearance on the stage was at Bristol, 1 July 1793.] Times, 27 Apr.: Tickets to be had of Murray, No. 77, Long Acre. Receipts: #198 17s. (102.6.0; 4.1.6; tickets: 92.9.6)

Performances

Mainpiece Title: Voluntary Contributions

Afterpiece Title: Curiosity

Afterpiece Title: Florizel and Perdita; or, The Sheep Shearing

Performance Comment: Florizel-Holman; Polixenes-Murray; Antigonus-Hull; Camillo-Powel; Clown-Simmons; Autolicus (the Pedlar)-Munden; Dorcas (with the Sheep Shearing Song)-Mrs Mountain; Mopsa-Mrs Castelle; Perdita-Miss Murray (1st appearance on this, and 4th on any stage).

Song: End 1st piece: Black Ey'd Susan-; End 2nd piece: Admiral Benbow-Incledon

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Starboard Watch

Afterpiece Title: Harlequin and Faustus; or, The Devil will have his Own

Song: In course: The High Mettled Racer (composed by Dibdin)-Incledon; Patents all the Rage-Munden; The Beggar, as17980525; Duetto-Mrs Martyr, Mrs Mountain; The Wind blew fresh and fair-Townsend

Music: In course of Evening: solo on the Union Pipes-Murphy; accompanied on the Harp-Weippert

Entertainment: Vaudeville.In 3rd piece: [By Permission of the Proprietors of the Royal Circus [Charles Dibdin and Charles Hughes] [the celebrated Smith will ge thro' his wonderful Performances on the Slack Rope-Smith

Performance Comment: In 3rd piece: [By Permission of the Proprietors of the Royal Circus [Charles Dibdin and Charles Hughes] [the celebrated Smith will ge thro' his wonderful Performances on the Slack Rope-Smith.

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: British Fortitude

Afterpiece Title: The Round Tower

Performance Comment: As17971124, but Moriat (by permission of the Proprietors of the Royal Circus [see17980528])-Mrs Wybrow; in Vocal Characters: Sara-Miss Wheatley [in place of Mrs Clendining.in place of Mrs Clendining.

Song: In course: Old Towler-Incledon; Fat Dolly the Cook-Munden; an admired Ballad-Incledon

Event Comment: 3rd piece: By permission of the Proprietor of the Theatre-Royal Covent-Garden

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Children in the Wood

Afterpiece Title: Lock and Key

Event Comment: Afterpiece: By permission of the Proprietors of the Theatre-Royal Drury-Lane

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: No Song No Supper

Event Comment: Benefit for Mrs Gibbs. 3rd piece: By permission of the Proprietor of the Theatre-Royal Covent-Garden

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Farmer

Event Comment: Benefit for Miss DeCamp. Afterpiece: By permission of the Proprietor of the Theatre-Royal Covent-Garden. Times, 17 Aug.: Tickets to be had of Miss DeCamp, No. 14, Tottenham-court-road, near Bedford-square

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Poor Soldier

Song: In II: Stevens's glee, Sigh no more Ladies-D'Arcy, Linton, Miss Griffiths, Mrs Edward

Event Comment: [Afterpiece in place of The Honest Thieves, advertised on playbill of 17 Sept.] "The shameful neglect of Whitfield in the etiquette of dress in the character of Hastings must not pass unnoticed. He came on arranged in every point for the drawing-room, although he is supposed to be on his journey, and is informed by his companion Young Marlow that they must change their travelling dresses...An audience must naturally look to the Manager for due observance of stage decorum...and we trust that on future occasions the actor will not be allowed to sport with propriety by any fantastical display of his own, which is in direct oppostion to the character he ought to represent, and to the text with which he must be acquainted" (Times, 20 Sept.). Receipts: #197 1s. 6d. (186.0.6; 11.1.0)

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: Hardcastle-Munden; Young Marlow-Mansel (from the Theatre Royal Dublin; 1st appearance on this stage); Hastings-Whitfield; Sir Charles Marlow-Powel; Diggory-Simmons; Slang-Rees; Landlord-Thompson; Jeremy-Farley; Roger-Abbot; Tony Lumpkin-Knight (1st appearance in that character); Mrs Hardcastle-Mrs Davenport; Miss Neville-Miss Mansel; Maid-Miss Leserve; Miss Hardcastle-Mrs Gibbs.

Afterpiece Title: The Farmer

Performances

Mainpiece Title: A Cure For The Heart Ache

Performance Comment: Young Rapid-Lewis; Vortex-Waddy; Charles Stanley-Pope; Old Rapid-Munden; Frank Oatland-Emery (from the Theatre Royal York; 1st appearance on this stage); Sir Hubert Stanley-Murray; Heartley-Hull; Bronze-Farley; Farmer Oatland-Thompson; Landlord-Whitmore; Ellen-Miss Mansel; Jessy Oatland-Mrs Gibbs; Miss Vortex-Mrs Litchfield.

Afterpiece Title: The Miser

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle-Johnstone; Sir Christopher Curry (1st time)-Munden; Campley-Townsend; Mate-Clarke; Medium-Powel; Planters-Davenport, Thompson, Abbot; Sailors-Linton, Street, Whitmore; Trudge-Fawcett; Wowski-Mrs Martyr; Narcissa-Mrs Iliff; Patty-Mrs Gibbs; Yarico-Miss Mitchell (from the Theatre Royal Bath; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: Lovers' Quarrels

Event Comment: Mainpiece: The Musick composed by Kelly. Afterpiece: By permission of the Proprietor of the Theatre Royal Hay-Market. Receipts: #428 5s. (330.17; 95.18; 1.10)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Children in the Wood

Event Comment: Afterpiece: By Permission [of the dl proprietors], and for One Night only [but this season it was acted 13 times]. Receipts: #299 9s. (288.14; 10.15)

Performances

Mainpiece Title: The Road To Ruin

Performance Comment: Goldfinch-Lewis; Silky-Emery; Harry Dornton-Holman; Dornton-Munden; Milford-Clarke; Sulky-Davenport; Smith-Powel; Hosier-Waddy; Marker-Farley; Jacob-Rees; Sheriff's Officer-Thompson; Tradesmen-Lee, Street, Abbot, Whitmore, Coombs; Sophia-Mrs Mills (from the Theatre Royal York; 1st appearance on this stage); Jenny-Mrs Norton; Mrs Ledger-Mrs Platt; Milliner-Miss Leserve; Mantua@maker-Mrs Blurton; Mrs Warren-Mrs Mattocks.

Afterpiece Title: The Spoil'd Child

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Robin Hood

Performance Comment: Robin Hood-Townsend; Little John-Munden; Ruttekin-Fawcett; Allen o'Dale-Gray; Bowman-Street; Fitzherbert- Powel; Scarlet-Farley; Edwin-Hill (from the Theatre Royal, Bath; 1st appearacne on this stage); Clorinda-Mrs Martyr; Annette-Miss Sims; Angelina-Miss Mitchell.

Song: End IV: The Funeral Procession of Juliet and a Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Townsend, Linton, Blurton, Street, Gray, Lee, Little, Sawyer, Tett, Dyke, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Aimwell-Middleton (late of the Theatre Royal Covent Garden; 1st appearance on this stage); Archer-Barrymore; Sullen-Wathen; Sir Charles Freeman-Trueman; Foigard-Caulfield; Gibbet-R. Palmer; Hounslow-Maddocks; Bagshot-Webb; Bonniface-Aickin; Scrub-Biggs; Lady Bountiful-Mrs Sparks; Dorinda-Miss DeCamp; Mrs Sullen-Miss Biggs; Gipsey-Miss Tidswell; Cherry-Miss Mellon.

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: The Wonder

Performance Comment: Don Lopez-Aickin; Don Felix-Powell (from the Theatre Royal Norwich; 1st appearance on this stage); Frederick-Caulfield; Don Pedro-Suett; Col. Briton-Barrymore; Gibby-Sparks; Lissardo-King; Alguazile-Maddocks; Vasques-Trueman; Soldier-Wentworth; Servant-Webb; Donna Violante-Miss Biggs; Donna Isabella-Miss DeCamp; Inis-Miss Mellon; Flora-Miss Pope.

Afterpiece Title: The Liar

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Highland Reel

Performance Comment: M'Gilpin-Emery (1st appearance in that character); Shelty-Munden; Sandy-Incledon; Charley-Townsend; Croudy-Davenport; Serjeant Jack-Clarke; Capt. Dash-Claremont; Laird of Col-Whitmore; Laird of Raasay-Thompson; Benin-Simmons; Jenny-Miss Walcup; Moggy-Mrs Chapman (from the Theatre Royal, Dublin; 1st appearance on this stage). 1st appearance on this stage).
Event Comment: Mainpiece: Never [previously] performed at this Theatre; By permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #115 17s. 6d. (65.2.0; 47.17.0; 2.18.6)

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Captive of Spilburg

Dance: As17981114

Event Comment: Mainpiece: By Permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #168 13s. (97.0.6; 69.9.6; 2.3.0)

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Apprentice

Song: Vocal Parts-Danby, Wentworth, Brown, Tett, Denman, Atkins, [J.] Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun., Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates

Event Comment: Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-market. Receipts: #162 13s. 6d. (84.17.0; 75.19.6; 1.17.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Son-in-Law

Ballet: End: The Scotch Ghost. As17981206

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Rosina

Performance Comment: Belville (with Old Towler)-Incledon; Captain Belville-Hill (Their 1st appearance in those characters); Rustic-Clarke; Irish Haymaker-Rees; William-Townsend; Phoebe-Mrs Martyr; Dorcas-Mrs Davenport; Rosina-Mrs Atkins; with The Nightingale-Mrs Atkins (from the Theatre Royal, Bath; 1st appearance on this stage). 1st appearance on this stage).