SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Danish Majesty"/1) | (@(roleclean,performerclean) "His Danish Majesty")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1054 matches on Event Comments, 39 matches on Performance Comments, 31 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Command of his Majesty. Receipts: #210 (Cross)

Performances

Mainpiece Title: The Wonder

Dance: MMasquerade Dance- in which Miss Pritchard by (Command) Danc'd a Minuet for the King--Cross

Event Comment: For the King (Cross). Both pieces By His Majesty' Command. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin Ranger

Event Comment: Benefit for Collins and Crudge. Receipts: #34 15s. 6d. Charges #71 10s. [The charges were split: Collins, #31 10s.; Crudge, #40. The prorated deficits of Collins (#14 2s. 3d.) and Crudge (#22 12s. 3d.) were covered by income from tickets: Collins, #63 17s. (boxes 18; pit 277; gallery 178); Crudge, #98 (boxes 179; pit 301; gallery 81).] Rec'd from His Majesty by Mr Finch, #10 (Account Book)

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Lethe

Dance: The Provincial Sailors, as17580408

Event Comment: Benefit for Foly (Box lobby doorkeekper) and Veal (First Gallery doorkeeper). British Chronicle, 16 May: Yesterday Foulkes, a Beadle of Vere St Clare Market fell from the upper gallery of Drury Lane play house into the pit & expired immediately. The seat on which he fell was broke in half. British Chronicle, 16 May: It is said Mrs Pritchard is appointed Dresser to her intended Majesty for the Royal Wedding

Performances

Mainpiece Title: The Fair Quaker Of Deal; Or, The Humours Of The Navy

Afterpiece Title: The Miller of Mansfield

Dance: HHornpipe-a sailor on board the Royal Sovereign

Event Comment: By Command of his Majesty. The first night the King went to the play, which was civilly on a Friday, not on the opera night, as he used to do, the whole audience sang God Save the King in chorus. For the first act, the press was so great at the door that no ladies could go to the Boxes, and only the servants appeared there, who kept places: at the end of the second act the whole mob broke in and seated themselves; yet all this zeal is not likely to last, though he so well deserves it (Walpole to Montagu, 24 Nov.)

Performances

Mainpiece Title: King Richard Iii

Event Comment: Full Prices. [N.B. Winston MS 9, indicates from Rich's Register that Henry V was played this night by Royal Command. Playbill for 4 Dec. lends credence to this as it states Not Acted this season." For cast of Henry V see 18 Nov. TheAccount Book clinches the matter by listing Henry V with Dancing, and an indication that the Boxes this night held #70 5s., or some 281 people.] Present His Majesty and Attendance. House gave Yeomen of the Guards the usual gratuity of #1 1s. [Rich also paid that night #1 1s. for an Occasional Prologue for Henry V for 18 Nov. last, and #2 2s. for an occasional prologue to Thomas and Sally for 28 Nov. (Account Book).] Receipts: #210 (Account Book)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Thomasand Sally

Event Comment: By Command of His Majesty. The King is gone to the Play, which is King John; he has hardly ever bespoke any other than Shakespeare's historical plays, all which they say he has ordered to be revived, and takes great pleasure in (Charlotte Fermor to Countess of Pomfret.--Hist. MSS Com. Appendix to 7th report [London, 1879], p. 513)

Performances

Mainpiece Title: King John

Event Comment: By Command of His Majesty

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Polly Honeycombe

Event Comment: By Command of his Majesty

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Harlequin's Invasion

Event Comment: By Command of his Majesty

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Polly Honeycombe

Event Comment: By Command of his Majesty

Performances

Mainpiece Title: Agis

Afterpiece Title: Polly Honeycombe

Event Comment: By Command of His Majesty. @358 tickets at 10s. 6d. #187 19s.@413 tickets at 5s. #103 5s.@387 tickets at 3s. 6d. #67 14s. 6d.@1158 persons present.@Receipts. #358 18s. 6d. (Account Book).@ Paid 100 renters this night #10; 100 for last Friday #10. (Account Book). Charges: #35. (Account Book)

Performances

Mainpiece Title: Judas Maccabaeus

Music: As17610206

Event Comment: By Command of His Majesty. Prologue and Epilogue publish'd at 1s. 6d

Performances

Mainpiece Title: The Jealous Wife

Dance: TThe Cuckow, as17610212

Event Comment: By Command of His Majesty

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: A Duke and No Duke

Entertainment: End: Mimic Comic Opera Song-Mrs Clive

Event Comment: TThe Jovial Crew, as advertised for this Day cannot be perform'd on account of the indisposition of Miss Brent. Positively the last time of the company's performing this season. Boxes #5 17s. 6d. Paid Younger a bill for writing parts #2 12s. Paid Ross in full to make his sallery #300 for the season: #60. The Account Book indicates a deficit this night of #1240 12s. 4d. after all salaries are paid. This deficit was reduced by #301 18s. 8d. on May 27 by deductions from the annual salaries of 23 actors and dancers for 19 nights on account of "the death of His Late Majesty King George the Second." A little more than 10 per cent was taken from the salary of each: From Miss Macklin's salary of #300, was deducted #31 16s. 10d., &c. The others who were similary taxed were: @Name Salary Deduction@Ross #300 #31 16s. 10d.@Maranesi & Mrs Maranesi[Wife #270 #28 13s. 2d.@Sparks #250 #26 10s. 8d.@Dyer & Mrs Dyer[Wife #250 #26 10s. 8d.@Beard #210 #22 5s. 9d.@Ridout #180 #19 2s. 1d.@Poitier Jr #150 #15 18s. 6d.@Miss Capdeville #150 #15 15s. 5d.@Barrington #100 #10 12s. 3d.@Bencraft #100 #10 12s. 3d.@LaLauze #100 #10 12s. 3d.@Poitier Sr #80 #8 9s. 9d.@Leppie #80 #8 9s. 9d.@Mrs Jansolien #60 #6 7s. 4d.@Mrs Viviez #60 #6 7s. 4d.@Rotchford #50 #5 6s. 1d.@Mrs Marianne #50 #5 6s. 1d.@Hussey #35 #3 14s. 3d.@Mrs Welsch #35 #3 14s. 3d.@Mrs Crawford #35 #3 14s. 3d.@ On 30 May the deficit was further reduced by receipts from 26 actors for advances, one-half value of tickets for their benefit performances, &c., plus #200 from John Rich, in the amount of #506 6s. 5d. (Account Book).] Receipts: #43 7s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Rape of Proserpine

Event Comment: By Command of Their Majesties. No Gentlemen can possibly be admitted into the Orchestra, or behind the scenes except those who attend the Royal Family. The Ladies and Gentlemen who have taken places for this evening, are desired to be at the Theatre by Five o'clock at the farthest, or their places cannot be secur'd

Performances

Mainpiece Title: The Rehearsal

Event Comment: Full Prices. There will not be room behind the Scenes for more than the persons acting in the coronation, [Others] cannot possibly be admitted. The coronation of their Majesties was followed by a stage representation of it at both houses...Garrick knew that Rich would spare no expense in the presentation of his show; he knew too that he had a taste in the ordering, dressing, and setting out these pompous processions, superior to his own; he therefore was contented with the old dresses which had been occasionally used from 1721-1761. This show he repeated for near forty nights successively, sometimes at the end of a play, and at other times after a farce. The exhibition was the meanest, and the most unworthy of a theatre, I ever saw. The stage was...opened into Drury Lane; and a new and unexpected sight surprised the audience, of a real bonfire, and the populace huzzaing and drinking porter to the health of Queen Anne Bullen. The Stage in the meantime, amidst the parading of Dukes, duchesses, archbishops, peeresses, heralds &c. was covered with a thick fog from the smoke of the fire, which served to hide the tawdry dresses of the processionalists. During this idle piece of mockery, the actors, being exposed to the suffocations of smoke, and the raw air from the open street, were seized with colds, rheumatisms, and swelled faces. At length the indignation of the audience delivered the comedians from this wretched badge of nightly slavery, which gained nothing to the managers but disgrace and empty benches. Tired with the repeated insult of a show which had nothing to support it but gilt copper and old rags, they fairly drove the exhibitors of it from the stage by hooting and hissing, to the great joy of the whole theatre....Rich...fully satisfied [the publick's] warmest imaginations (Davies, Life of Garrick, I, 365 ff.)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: In the Play will be introduc'dThe Coronation

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: Douglas

Afterpiece Title: Arcadia; or, The Shepherd's Wedding

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: Il Mercato Di Malmantile

Dance: Director of Dances-Gallini; Dancers-Gallini, Mlle Asselin, Binetti, Sga Binetti

Music: Domenico Fischetti

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Coronation