SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Her Majesties"/1) | (@(roleclean,performerclean) "Her Majesties")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1049 matches on Event Comments, 31 matches on Performance Comments, 30 matches on Performance Title, 9 matches on Roles/Actors, and 0 matches on Author.
Event Comment: It is not certain that this Ode was given on Sunday 1 Jan. It may have been a part of the program on Monday 2 Jan., when a play was acted for Their Majesties. The Ode was published in 1693

Performances

Mainpiece Title: Concert

Performance Comment: An Ode Upon the New-Year, Performed Before their Majesties. Set to Musick by Dr Blow. The Words by N. Tate, Servant to their Majesties.

Performances

Mainpiece Title: Neptune's Address To His Most Sacred Majesty Charles The Second; King Of England, Scotland, France And Ireland

Performance Comment: Congratulating His Happy Coronation Celebrated the 22th Day of Aprill, 1661. In several Designments and Shews upon the Water, before Whitehall, At His Majesties' Return from the Land Triumphs.
Event Comment: Mr Weedon's Entertainment. Benefit of the Ticket money for Poor Decay'd Gentlemen, and Maintenance of a School for the Education of Youth. The Subscribers and the best Places at 5s. The other Places at 2s. 6d. At Twelve Noon

Performances

Mainpiece Title: Concert

Entertainment: Divine Musick in Praise of Religion and Vertue-; both Vocal and instrumental, with new Anthems compos'd by Mr Blow; an Oration by Mr Collier; Pieces by Mr Tate, her Majesty's Poet Laureat. The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate

Performance Comment: The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate.
Event Comment: By Command of Their Majesties

Performances

Mainpiece Title: No One's Enemy But His Own

Afterpiece Title: Perseus and Andromeda

Music: I: Concerto on Hautboy-Simpson

Dance: II: The Sicilian Peasants, as17631005

Song: A Pastoral Dialogue From The Arcadian Nuptials, and New Masque [see17640120]-Beard, Miss Hallam[, before Their Majesties, the Prince and Princess of Brunswick, and other Members of the Royal Family (Gentleman's Magazine, Jan., p. 38)

Event Comment: The original Music [of the TE DEUM] is in two Scores, MS., one of them in the possession of the King of Naples, and the other in that of his Royal Highness the Prince of Wales, by whose gracious condescension the use of this Score will be allowed for that night. The new Organ, built by Green (organ-builder to his Majesty) for the new Subscription Room, will be played upon this occasion by Greatorex. Boxes to be taken of Rice. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Doors to be opened at 7:00. To begin at 8:00

Performances

Mainpiece Title: A Grand Selec Tion Of Music From The Most Eminent Masters

Afterpiece Title: THE GRAND TE DEUM, composed by Paisiello, upon the return of his Majesty the King of the Two Sicilies, from Vienna to Naples, in the summer of 1791

Performances

Mainpiece Title: Concert

Performance Comment: Hymn to the Sun-. Set by Dr Purcel, and Sung before their Majesties on New-Years-Day, 1694.

Performances

Mainpiece Title: Macbeth

Music: As17040101

Dance: duRuel, Cherrier, Mrs duRuel; [including] the same Entertainments of Dancing [performed last night at St. James's before Her Majesty-

Performance Comment: James's before Her Majesty-.
Cast
Role: Her Majesty Actor: .
Event Comment: Benefit Estcourt. At the Desire of several Persons of Quality. London in 1710 (pp. 138-39): On this occasion the actors represented a prodigiously satirical Interscenium, which was not to be found in the printed copy of the play....In this interlude a troop of soldiers came on, singing at the top of their voices an English song which had been made by the army in Flanders about the Duke of Marlborough. In it Prince Eugene is praised for his open-handedness, while Marlborough, on the other hand, is blamed for his avarice, so that every verse ended: 'but Marlborough not a penny.' The people, who are very bitter against the whole family, even the Duke himself, laughed prodigiously, and bandied about monstrous insults, although Marlborough's daughter, the Duchess of Montagu, was herself at the play and was so greatly shamed that she was covered with blushes....When the song was at an end, there was such a clapping and yelling that the actors were unable to proceed for nearly a quarter of an hour

Performances

Mainpiece Title: The Recruiting Officer

Song: Several Comical Dialogues-Mr Dogget, Mr Leveridge; And other Entertainments of Ballad/Singing after the true English manner. Compos'd by Mr Estcourt-Mr Estcourt, in Honour of the Great and Glorious Successes of her Majesty over her proud French Foes

Performance Comment: Compos'd by Mr Estcourt-Mr Estcourt, in Honour of the Great and Glorious Successes of her Majesty over her proud French Foes.

Performances

Mainpiece Title: Gideon

Performance Comment: Parts for five characters and a Chorus; Gideon-; Joash-; Eliakim-; a Priest of Baal-; Oreb-; Chorus of Israelites-.*m1769 2 10 cg The First Violin, a Concerto-Sga Paganini; a Concerto on the Hautboy-Fischer.*c1769 2 10 cg By Command of their Majesties. Pit and Boxes to be put together. Tickets will be deliver'd this day in the Office of the Theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. The doors to be opened at Five o'clock. To begin at Half an Hour after Six. A New ORATORIO, the Music by Handel. Composed by Dr Morrell (Biographia Dramatica). We cannot commend this piece, it being altogether a very tedious and heavy performance (Theatrical Register). Charges: #35.

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: A Whitsun Festival

Afterpiece Title: Five Thousand a Year

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Performance Comment: Don Juan (1st and only time)-H. Johnston; Governor-Bologna Sen.; Don Fernando-King; Fisherman-Hawtin; Spanish Gents.-Lee, Curties, Atkins; Alguazile-Thompson; Waiters-Abbot, Wilkins; Musicians, Sailors-Wilde, Blurton, Platt, Lewiss, L. Bologna, Klanert; Scaramouch-Delpini; Donna Anna (1st time)-Miss Mills; Fishermen's Wives-Mrs Atkins, Miss Wheatley; (with the duet, Thus for Man the Woman fair)-Mrs Atkins, Miss Wheatley; Dancers-Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Mrs Lloyd; Ladies-Ms Leserve, Ms Gilbert, Ms Burnett, Ms Iliff, Ms Norton, Ms Whitmore, Ms Blurton.

Song: End I: the Battle Song-Incledon as18000522

Event Comment: According to Robert Withington (English Pageantry, An Historical Outline, Cambridge, Mass., 1918, I, 242n), the expense of the entertainment came to #7888 2s. 6d. (See also Pepys, Diary, and other accounts.) The Diurnal of Thomas Rugg, ed. Sachse, pp. 98-99: A lane [was] made in the Citty, made by the livery men of several companyes; and many pageants in the streets...Att Cheap sid his Majesty beheld a famous pagien, and staid there for som littl space, where were speeches made by the lady paganetts. Evelyn, Diary: I saw his Majestie go with as much pompe & splendor as any Earthly prince could do to the greate Citty feast...but the exceeding raine which fell all that day, much eclips'd its luster:...the streets adorn'd with Pageants &c: at immense cost

Performances

Mainpiece Title: London's Glory Represented By Time, Truth, And Fame

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; particularly a Song-[Hughes] [before Her Majesty, in Congratulation of Her Majesty's Happy Accession to the Crown; [Also several Entertainments-Mr Dean, Signior Francisco; [And three New Songs [never perform'd anywhere-Mr Hughs; [And that much celebrated Song for the Trumpet[, perform'd originally-Mr Pate [in The Island Princess, beginning Rouse ye Gods of the Main; [Also a Sonata for two Trumpets-; [and positively there will be perform'd an Extraordinary Entertainment on the Arch/Lutes-an Eminent Master [who never perform'd there before; accompanied-Mr Dean, others

Event Comment: The music was composed by Matthew Lock, and the architectural elements were created by Peter Mills, Surveyor of the City. For further details, see Robert Withington, English Pageantry (1918), I, 243

Performances

Mainpiece Title: The Relation Of His Majesties Entertainment Passing Through The City Of London, To His Coronation: With A Description Of The Triumphal Arches, And Solemnity

Performances

Mainpiece Title: Concert

Music: The First Anthem, Compos'd by Dr William Turner-; The Second Anthem Compos'd by Dr John Blow-; The Third Anthem, Compos'd by Dr William Turner-

Entertainment: The Introductory Poem Upon Musick, Written by Mr Tate, Poet-Laureat to her Majesty-; The Oration-; The Second Poem, Written by Mr Tate-

Performances

Mainpiece Title: The Scornful Bride

Afterpiece Title: Acis and Galatea

Music: The New/year's/day Song and Musick-, as it was perform'd before her Majesty

Dance: l'Abbe, Mrs Elford

Performances

Mainpiece Title: Italian Interludes

Dance: Some mimical Entertainments a Famous-Scaramouch, Harlequin , who lately perform'd before the Court of Hanover and their Prussian Majesties, now arriv'd in England

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): Christopher Rich

Entertainment: Vaulting. An extraordinary Performance on the Manag'd Horse-the greatest Master of the Age , exceeding whatever has been done by any other, especially his resting on one hand with his whole Body extended while he drinks several Glasses of Wine, and then throwing himself a Somerset over the Horse's head; Rope/dancing With and without a Pole,-the two famous French Maids so much admir'd, for surpassing all others in their Art, that they have been presented with Medals at most of the Courts in Europe

Performance Comment: An extraordinary Performance on the Manag'd Horse-the greatest Master of the Age , exceeding whatever has been done by any other, especially his resting on one hand with his whole Body extended while he drinks several Glasses of Wine, and then throwing himself a Somerset over the Horse's head; Rope/dancing With and without a Pole,-the two famous French Maids so much admir'd, for surpassing all others in their Art, that they have been presented with Medals at most of the Courts in Europe.
Event Comment: By Subscription. With a new Prologue and Epilogue. Admission as 14 Dec. 1703. [A Folger Library broadside appears to be a program for this concert. It lists in Act I The Druid's Song from Bonduca, two songs by Mrs Tofts, a song from The Fairy Queen, and a dance; in Act II The Frost Music from King Arthur, two dances, and a song by Mrs Tofts; in Act III an Ode on the Glorious Beginning of Her Majesty's Reign, set by Daniel Purcell and performed by Leveridge, Hughes, Mrs Lindsey, and Mrs Campion; a song by Mrs Tofts, The Sacrifice from King Arthur, and a Grand Dance.

Performances

Mainpiece Title: Concert

Music: Wherein several Songs in Italian and English-Mrs Tofts; With several select Pieces of Musick- (compos'd by the late famous Mr Henry Purcell) taken out of the Operas of The Fairy Queen, King Arthur, Dioclesian, and Bonduca; And an Ode upon the Happy Accession of Her Majesty to the Throne- set to Musick by Mr Daniel Purcell, never perform'd before

Dance: L'Abbe, DuRuell, Cherrier, Mrs Elford, Mrs Campion, Devonshire Girl

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Song: As17031102

Music: As17031109

Dance: Several new Entertainments, which were perform'd yesterday before Her Majesty at St. James's-duRuel, Cherrier, Mrs Mayers

Performance Comment: James's-duRuel, Cherrier, Mrs Mayers.
Cast
Role: ames's Actor: duRuel, Cherrier, Mrs Mayers.

Performances

Mainpiece Title: Othello, Moor Of Venice

Song: A Dialogue which was Sung before Her Majesty on Her Birthday at St. James's-; Likewise a comical Dialogue-Mr Dogget, others

Performance Comment: James's-; Likewise a comical Dialogue-Mr Dogget, others.

Dance:

Performances

Mainpiece Title: Macbeth

Music: Vocal and instrumental Music composed by Leveridge-Leveridge, others

Dance: Entertainments-duRuel, Cherrier, Mrs Mayers, Devonshire Girl that were performed yesterday before Her Majesty at St. James's

Performances

Mainpiece Title: The Cautious Coxcomb

Music: Together with 3 several New Entertainments of Musick perform'd in Consort upon Hautboys Flutes and German Horns-7 young Men lately brought over by their Master the famous Godfrede Pepusch, Musician in Ordinary to his Majesty the King of Prussia. The Composition being made entirely new for that pupose by his Brother, that Eminent Master Mr John Christopher Pepusch

Performance Comment: The Composition being made entirely new for that pupose by his Brother, that Eminent Master Mr John Christopher Pepusch.

Performances

Mainpiece Title: Squire Trelooby

Music: An Entertainment of new Musick-; Vocal and Instrumental Music-; that was perform'd before Her Majesty on Her Birth-day

Song:

Dance:

Performances

Mainpiece Title: Squire Trelooby

Music: Vocal and Instrumental Music, as performed before Her Majesty on her Birthday-; Henry Purcell's The Four Seasons-

Dance: Dancing Proper to the music-