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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Rose"/1) | (@(roleclean,performerclean) "Henry Rose")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5672 results for: Keyword - Henry Rose
We found 3500 matches on Author, 1314 matches on Performance Title, 965 matches on Performance Comments, 439 matches on Event Comments, and 0 matches on Roles/Actors.

4801
21 February 1788 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: a New Dance-; in which will be introduced a Pas de Bernois-Didelot, Mlle Coulon; Pas de Trois-Coulon, the two Miss Simonets; Pas de Deux-Henry, Miss Harvey; a Pas Seul-Chevalier; Pas Seul-Mlle Coulon; the favorite Pas de Russe (composed by Gardel)-Vestris, Mlle Hilligsberg; Hornpipe-Chevalier; Pas de Cinq-the principal Dancers; Pas de Sept-the principal Dancers; conclude with: General Dance-all the Performers

Song: II: a favorite song, Gli affetti mici , composed by Paisiello,-Sga Sestini; violin obligato accompaniment-Cramer

Ballet: End Opera: L'Amour et Psiche. As17880129

Cast
Role: Graces Furies and Fates Actor: Sga Bedini, the two Miss Simonets, Mlle Vedie, Henry, Jacolet, Saulnier, Sala

4802
03 April 1788 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: a New Ballet serious and demi-charactere (composed by Noverre)-Gardel, Mlle Coulon, Mlle Hilligsberg, Didelot, Chevalier, Henry, the two Miss Simonets, Miss Harvey, Vestris; End Opera: Euthyme et Eucharis-see17880313 conclude with: the celebrated Pas de Quatre of Panurge-Gardel, Mlle Hilligsberg, Mlle Coulon, Vestris

4803
15 May 1788 @ King's Theatre

Performances

Mainpiece Title: La Frascatana

Dance: End I: New Ballet, as17880426; with a Pas de Deux-Miss Harvey, Henry

Song: In opera: the Grand Quintetto (never performed in this Country)-; several beautiful parts of music as performed in the original Opera-

Ballet: End Opera: L'Amour et Psiche. As17880129, but Hymen-Henry in place of Chevalier; Graces Furies and Fates-Mlle _Vedie, Miss Harvey, _Jacolet, _Saulnier, _Sala; Didelot_; Coulon_

Performance Comment: As17880129, but Hymen-Henry in place of Chevalier; Graces Furies and Fates-Mlle _Vedie, Miss Harvey, _Jacolet, _Saulnier, _Sala; Didelot_; Coulon_. Didelot_; Coulon_.
Cast
Role: Hymen Actor: Henry in place of Chevalier

4804
31 May 1788 @ King's Theatre

Performances

Mainpiece Title: Giulio Sabino

Dance: End I: New Ballet, as17880426; End Opera: La Bonte du Seigneur-Mlle Hilligsberg, Didelot, Mlle Coulon, Henry, the two Miss Simonets, Miss Harvey, Vestris

4805
08 October 1788 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Poor Vulcan

4806
12 January 1789 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Aladin

4807
02 November 1789 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Don Juan

Dance: As17890916

4808
22 February 1790 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Harlequin's Chaplet

Dance: As17900129

4809
30 April 1790 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Poor Soldier

Song: End II: The Lamp Lighter (written and composed by Dibdin)-Reeve; End IV: The Doctrine of an Israelite (written by Collins, author of The Brush) sung in character-Reeve; End: a favorite song a Gentleman (1st appearance on any stage)

4810
11 May 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: True Blue; Or, A Bang At The Dons

Afterpiece Title: King Henry the Fifth

Afterpiece Title: The Follies of a Day

Entertainment: Monologue. End 2nd piece: (for this night only) The Monster Discovered-

4811
03 January 1791 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Picture of Paris

4812
24 November 1791 @ Covent Garden

Performances

Mainpiece Title: The Prussian Festival

Afterpiece Title: The First Part of King Henry the Fourth

Afterpiece Title: Oscar and Malvina

Music: As17911122

4813
28 November 1791 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: King Henry the Fifth

Afterpiece Title: Comus

4814
10 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: King Henry The Fourth [part I]

Afterpiece Title: The Village Lawyer

4815
30 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: King Henry The Fourth [part I]

Afterpiece Title: Peeping Tom

4816
12 September 1792 @ Haymarket Theatre

Performances

Mainpiece Title: King Henry The Fourth [part I]

Afterpiece Title: Peeping Tom

4817
12 June 1799 @ Covent Garden

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Jew and the Doctor

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

4818
02 March 1779 @ King's Theatre

Performances

Mainpiece Title: Zemira E Azore

Dance: II: Ballet by Genii as17790223-Sg Zuchelli, Sga Zuchelli, young Miss Simonet; also Pedal Harp, as17790223; End II: Ballet by Fairies, as17790223, but _LeDet, _Henry, young Miss _Simonet, Slingsby; End Opera: +Le Couronnement de Zemire, as17790223

4819
19 February 1780 @ King's Theatre

Performances

Mainpiece Title: Quinto Fabio

Dance: End I: Pastoral Ballet, as17791127; End II: Masquerade Dance, as17791221, but _Henry; Minuet, as17791221; End Opera: Serious Ballet, as17800122 Grand Chaconne, as17800122

4820
01 March 1788 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: As17880226, but Les Offrandes a l'Amour-_; End Opera: Les Fetes de Tempe, as17880228, but _Henry

4821
19 September 1769 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-F. Gentleman; Henry-Bannister; Richmond-Davis; Buckingham-Gardner; Prince Edward-Master Cape; Duke of York-Miss Rose; Tressel-A Young Gentleman, first appearance; Lady Anne-Miss Ogilvie, first time; Duchess of York-Mrs Painter; Queen-Mrs Wright from Dublin; Stanley-Bailey; Catesby-Farrell; Ratcliff-Dancer; Lord Mayor-Sharpless; Lieut.-Lings (Hogan).
Cast
Role: Henry Actor: Bannister
Role: Duke of York Actor: Miss Rose

Afterpiece Title: The Apprentice

Performance Comment: Dick (with a variety of imitations)-Bannister; Simon-Weston; Chalotte-Miss Ogilvie; end of Farce, By Desire, Epilogue to The Doctor Last in His Chariot-Miss Rose; and the Original Prologue-Davis.
Cast
Role: Epilogue to The Doctor Last in His Chariot Actor: Miss Rose

Entertainment: SScrub's Trip to the Jubilee (a New Occasional Prologue)-Weston

4822
28 April 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Children; or, Give Them their Way

Performance Comment: Principal Characters-Suett, Bannister Jun., Palmer, Wewitzer, Mrs Jordan, Miss DeCamp. Cast from Songs (no pub., 1800): Sir Gabriel Willwou'd-Suett; Henry Willwou'd-Bannister Jun.; Robert-Palmer; Sod-Wewitzer; Plough-Maddocks; Till-Sparks; Villagers and Servants-Webb, Chippendale; Emily-Mrs Jordan; Rose-Miss DeCamp; Prologue-; introductory of a new Song, The Origin of Old Bachelors-Bannister Jun.
Cast
Role: Henry Willwou'd Actor: Bannister Jun.
Role: Rose Actor: Miss DeCamp

Afterpiece Title: Sylvester Daggerwood

4823
17 November 1794 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

4824
21 June 1769 @ Haymarket Theatre

Performances

Mainpiece Title: The Doctor Last In His Chariot

Performance Comment: Parts-Foote, Arthur, Bannister, Sharpless, Weston, Sparks, Davis, Lings, Sowdon, Mrs Jeffries, Miss Ogilvie, Miss Rose, Mrs Gardner. Ailwou'd-Foote; Dr Last-Weston; Friendly-Sowdon; Hargrave-Davis; Wag-Bannister; Mrs Ailwou'd-Mrs Jefferies; Nancy-Miss Ogilvie; Polly-Miss Rose; Prudence-Mrs Gardiner; Prologue written by Garrick-Foote; Epilogue by the author-a five year old girl (Edition of 1769).
Cast
Role: Parts Actor: Foote, Arthur, Bannister, Sharpless, Weston, Sparks, Davis, Lings, Sowdon, Mrs Jeffries, Miss Ogilvie, Miss Rose, Mrs Gardner. Ailwou'd-Foote
Role: Polly Actor: Miss Rose

Afterpiece Title: The Captive

Performance Comment: Parts by Bannister, DuBellamy, Arthur, Mrs Jewell. Prologue-Foote; Epilogue-Miss Rose, her first appearance on any stage; The Cadi-Bannister; Ferdinand-DuBellamy; Fatima-Mrs Arthur; Zorayda-Mrs Jewel (Edition of 1769).
Cast
Role: Epilogue Actor: Miss Rose, her first appearance on any stage

Dance: As17690515

4825
20 April 1771 @ Haymarket Theatre

Performances

Mainpiece Title: The Orphan

Performance Comment: Castalio-Fleetwood (his first appearance in that character); Polydore-a Gentleman; Acasto-Perkins; Chaplain-Simmons; Ernesto-Smith; Servant-Watkins; Page-the celebrated Miss Rose, first time; Chamont-a Gentleman who never appeared on any stage; Florella-Mrs Simmons; Serina-Miss Fairlamb; Monimia-a young Lady, 2nd time on the stage; Epilogue (By Desire) to The Doctor Last in His Chariot-Miss Rose.
Cast
Role: Page Actor: the celebrated Miss Rose, first time
Role: to The Doctor Last in His Chariot Actor: Miss Rose.

Afterpiece Title: The Ghost

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