SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Eccles Jr"/1) | (@(roleclean,performerclean) "Henry Eccles Jr")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3505 matches on Author, 1770 matches on Performance Title, 1523 matches on Performance Comments, 532 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Benefit for Henry Smith. Concert divided into five parts. To begin at 6:30 p.m. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Performances

Mainpiece Title: Aethiopian Concert

Event Comment: Benefit for Mrs Charke. By Authority. Mainpiece: Not acted these Seventeen Years. Wrote by the late Mr Lillo. Afterpiece: Wrote by the late Henry Fielding, Esq. Founded on a true Tragic Event which happened in Penryn, in Cornwall, in the reign of James I

Performances

Mainpiece Title: The Fatal Curiosity

Related Works
Related Work: The Shipwreck Author(s): Henry Mackenzie

Afterpiece Title: The Tragedy of Tragedies

Related Works
Related Work: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great Author(s): Henry Fielding

Dance: A Hornpipe-Mrs Walker

Event Comment: Last night the Prince of Wales, Prince Edward, Prince Henry, Prince Frederick, and Princess Augusta were at Covent Garden to see The Merry Wives of Windsor and The What D'ye Call It (Public Advertiser)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Devil to Pay

Dance: As17551101

Event Comment: Benefit for the Lying In Hospital, Aldersgate St. Receipts: #76 15s. Income from Tickets #80 11s. (boxes 114; pit 273; gallery 111). Charges #84 (Account Book). Tomorrow the First Part of King Henry IV. [A long plea for attendance at this performance appeared in the Public Advertiser: "It affords me the greatest satisfaction when I peruse your paper, and find so many advertisements for charitable Benefits at the Theatres; which must greatly add to the Entertainment of the Stage, when we are sensible that the profits are to be appropriated towards the relief and support of the Indigent and distress'd; for the refief of whom, it must (at the same time it gives us secret pleasure) raise the astonishment of foreigners to see so many charitable piles raise their benevolent roofs in and about this great Metroplis. Amongst which I must beg leave to recommend to the Public, the City of London Lying In Hospital in Aldersgate Street (for the Benefit of which the Play of the Conscious Lovers will be performed this evening at Covent Garden); whose charitable doors have been opened for the relief of a much greater Number since the late dearth of Provisions, than its Annual Income (being supported by voluntary contributions) can possibly support, without further aid from the Public." The plea continues by emphasizing the need for expert and tender care for pregnant women, and by pointing out the satisfaction British sailors will have in knowing their wives may be delivered in this hospital.] [The Occasional Prologue (Written by Mr Lockman, Secretary to the Society of Free British Fisheries) was published in the Public Advertiser on 16 Dec.: @"Not sweeter Joy the wond'ring Indian feels,@When his far dazzling Glory Sol reveals@Than warms my heart at this auspicious Sight,@The splendid Audience of this cheerful night."@ Much emphasis on the misery of child-bearing, yet the need for a large population "to a commercial land." Also included was the Epilogue, by Lockman, "Intended for Mrs Hamilton," ending, "May each youth, here, breathe Bevil's gen'rous flame@Each virgin merit Indiana's fame."

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lethe

Dance: FFingalian Dance, by Desire, as17571013

Event Comment: Receipts: #157 15s. [The Account Book lists the payment of 2s. per acting night to each shareholder: @Shareholder Mrs Martha Bedwell No. Share 1@No. Nights 36@Payment #3 12s.@Shareholder Mrs Creighton No. Shares 1@No. Nights 36@Payment #3 12s.@Shareholder Mr Francis Bedwell No. Shares 1@No. Nights 37@Payment #3 14s.@Shareholder Mr Robert Griffin No. Share 1@No. Nights 37@Payment #3 14s.@Shareholder Mr John Mitchell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mrs Mary Michell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mr John Walsh No. Shares 1@No. Nights 86@Payment #8 12s.@Shareholder Mr Lucuss No. Shares 1@No. Nights 54@Payment #5 8s.@Shareholder Col. Wade No. Shares 1@No. Nights 8@Payment 16s.@Shareholder Sir Arthur Croft No Shares 1@No. Nights 8@Payment 16s.@Shareholder Mr John White No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr John Croft, Esq No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Rubin Adolphus No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Henry Woodfall No. Shares 1@No. Nights 3@Payment 6s.@Total No. Shares 14@No. Nights 494@Payment #49 8s.@ Winston MS 8 notes that on 1 Feb. dl had only 20 renters at 2s. a night.

Performances

Mainpiece Title: The Prophetess

Event Comment: Benefit for increasing the Fund for Support of Decay'd Musicians, or their Families. Pit and Boxes to be put together at Half a Guinea each. Gallery 5s. Doors open at Five. Gallery at Four, to begin at Half an Hour after Six. None to be admitted without tickets. Tickets delivered to Subscribers to this Charity will admit one person into any part of the House. Subscribers tickets may be had of Richard Dawson at his house near Henry the VII's Chapel, Westminster, who is empower'd by the Society to deliver them, and to receive the subscriptions. The Governors beg leave to inform the Nobility and Gentry to whom this Charity is so much oblig'd, that from June 1756 to June 1757 they have necessarily laid out for decay'd musicians and their families, widows of decay'd musicians, and in maintaining and educating orphans who are left in distress, and in putting them Apprentice, and for Physic, Burials, and other incidental charges #532 13s. 7d. The Books are open and may be inspected by subscribers the first Sunday in every month at a meeting of the Governors, at the Turk's Head in Greek Street, Soho. All expenses attending the meetings of the Governors, Court of Affidavits Committee for managing of this Concert, are defrayed by themselves

Performances

Mainpiece Title: Concert

Event Comment: Pit and Boxes to be put together; and no persons to be admitted without Tickets, which will be deliver'd this day, at the office, at Half-a-Guinea each. Gallery 5s. Upper Gallery 3s. 6d. Galleries will be open'd at Four, Pit & Boxes at Five, and to begin at half an four after Six o'clock. Tickets delivered out for 25 Jan. will be take. Subscribers tickets may be had of Richard Dawson, at his house near Henry the Seventh's Chapel, Westminster, who is empower'd by the Society to deliver them, and receive the subscriptions. N.B. Tickets deliver'd to subscribers to this charity will admit one person into any part of the House. Benefit for Increase of a Fund establish'd for the support of Decay'd Musicians, or their Families. [The governors report that they have expended from June 1757 to June 1758 #541 8s. 6d. from this fund.

Performances

Mainpiece Title: Alfred The Great

Event Comment: By Command of the Prince of Wales. Tickets deliver'd for Henry VIII will be taken Tuesday next. Prince & 4 (Cross). Receipts: #150 (Cross). Full Prices

Performances

Mainpiece Title: Antony And Cleopatra

Dance: By Command Spanish Dance, as17581014

Event Comment: KKing Henry VIII is obliged to be deferred till Wednesday

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin's Invasion

Dance: I: New Comic Dutch Dance, as17610925; III: The Camp Alarm'd, as17610926

Event Comment: CCoronation By desire. As it is introduc'd in King Henry VIII, the Coronation will be represented after other plays. Full prices

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Coronation

Dance: II: The Italian Gardiners-Grimaldi, Miss Baker

Performances

Mainpiece Title: The Pilgrim

Performance Comment: As17620215, but Drunken Servant-R. Smith; Peasant-Weller; In Act IV Song of Mad Bess, set to music by Henry Purcell, will be sung in Character-Mrs Vernon.

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): Henry Carey
Event Comment: Tomorrow (acted but once these 5 years) King Henry IV, Part II. New Dress'd in the characters of the times, to which be added, not acted this season, The Genii

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: A Duke and no Duke

Dance: I: Hearts of Oak, as17620925; III: The Bavarian Shoemakers, as17621009

Performances

Mainpiece Title: The Royal Convert

Performance Comment: Hengist-Smith; Aribert-Ross; Offa-Clarke; Seofrid-Sparks; Oswald-White; Rodogune-Mrs Ward; Ethelinda-Miss Macklin; In which will be introduc'd A Solemn Hymn, set to music by Henry Purcell;-Beard, Tenducci, Peretti, Mattocks, Baker, Miss Miller, Miss Polly Young, Miss Davies, Legg, Ryley, Dibdin, Mrs Lampe, Mrs Jones.

Afterpiece Title: The Citizen

Event Comment: Benefit for Johnston [housekeeper]. Tickets deliver'd for 2 Henry IV, and by Miss Berkley will be taken. Mainpiece: By Particular Desire. Afterpiece: By Desire

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Witches

Entertainment: End of play, for that night only, The Cries of London-Vernon

Related Works
Related Work: The Marriage Night Author(s): Henry Cary, Viscount Falkland
Related Work: The Genii, Arabian Night's Entertainment Author(s): Henry Woodward

Performances

Mainpiece Title: The Royal Convert

Performance Comment: Hengist-Smith; Aribert-Ross; Offa-Clarke; Seofrid-Walker; Oswald-White; Rodogune-Mrs Ward; Ethelinda-Miss Macklin; In which will be introduc'd a Solemn Hymn, set by Henry Purcell, and-Beard, Mattocks, Squibb, Miss Poitier, Mrs Baker, Baker, Legg, Ryley, Dibdin, Waylin, Mrs Lampe, Mrs Jones.

Afterpiece Title: The Cheats of Scapin

Dance: End: New Grand Ballet call'd The Garland-Fichar, Miss Wilford

Event Comment: Benefit for Love. A sequel to the 2nd part of Henry IV. Written in imitation of Shakespeare, and adapted to the stage with considerable alterations by the author (Winston MS 9). [Play by William Kenrick.

Performances

Mainpiece Title: Falstaff's Wedding

Afterpiece Title: A Fairy Tale

Dance: II: A Dance called Hearts of Oak-Aldridge, Miss Baker

Event Comment: Mainpiece: Not acted these two years. [See 31 Dec. 1768.] Afterpiece: A Musical Entertainment [by Isaac Bickerstaffe] never acted there. [Letter from Henry Woodward, Clement's Inn, says he fulfilled his seven years engagement and is now going to Scotland with Foote and next to the Hay Market. No direct application was made to re-engage him at Covent Garden or he was ready to meet it (Winston MS 10)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Padlock

Dance: End: A Comic Dance, as17701017

Event Comment: On Tuesday last died at Ealing in Middlesex at a very advanced age and much regretted by all who had the Pleasure of his Acquaintance, Henry Giffard, the Celebrated Manager of Goodman's Fields Theatre. This Gentleman was of a Genteel Family in the West of England (Public Advertiser). [Though him Garrick had come to the stage.

Performances

Mainpiece Title: None

Event Comment: [The preliminary number of The Westminster Magazine this date heartily condemned Colman's Comus "picked down into a skeleton," his production of King Henry VIII, and the new play Cross Purposes.] Receipts: #172 10s

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Sorcerer

Event Comment: Mainpiece: By Particular Desire. Paid Mrs Baks for walking 13 nights in King Henry VIII to 15th Inst.: #3 5s. (Account Book). [Mrs Baks as a walking super seems to have done better in salary at 4s. 1d. per night than did the men (Gard &c.) who perform'd as Ostriches, Asses, Hogs &c. in the afterpieces at 2s. 6d. per night. The difference may have depended upon whether one was a mute in a mainpiece or an afterpiece.] Receipts: #159 2s

Performances

Mainpiece Title: The Stratagem

Related Works
Related Work: The Clown's Stratagem; or, A New Way to get a Wife Author(s): Henry Carey

Afterpiece Title: The Golden Pippin

Dance: IV: The Fingalian Dance with Double Hornpipe, as17720921; End: New Dance, as17730206

Event Comment: Benefit for Fox and Owenson. Tickets deliver'd by Holloway and Miss Bassan will be taken. Charges #64 10s. Deficit to beneficiaries #9 11s. 3d. apiece, covered by income from tickets: Fox #90 11s. (Box 123; Pit 328; Gallery 106); Owenson #69 7s. (Box 118; Pit 133; Gallery 199). Paid Mrs Singleton for walking 13 nights in Henry VIII, the 8th to 15th February #3 5s. and for walking 28 nights in the Sorcerer to the 13th inst. #3 10s. Paid Mrs Baks for the same #3 10s. (Account Book). Receipts: #45 7s. 6d

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Padlock

Dance: IV: A Hornpipe (first time)-Miss Bassan; End: A Louvre and Minuet-Mr and Mrs Holloway

Event Comment: The New Tragedy of King Henry II, is still oblig'd to be deferr'd on account of Indisposition of Mrs Hartley. Receipts: #133 19s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Mainpiece: By Particular Desire. The tragedy of King Henry II cannot be performed, on account of the indisposition of Miss Miller. Paid Mr Nix the balance for London Lying In Hospital #23 6s.; Paid Garton balance for Theatrical Fund, #89 4s. 6d.; Paid Mr Helme the balance for the Discharge of persons imprison'd for small debts #4 5s. Receipts: #129 12s. (Account Book)

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Henry Fielding
Related Work: The Miser Author(s): Henry Fielding

Afterpiece Title: The Golden Pippin

Event Comment: This night Dr William Kenrick gave his first lecture in his series of The School of Shakespeare, at the Devil's Tavern, in Fleet Street. Topic, I Henry IV. This lecture and those of the two succeeding Wednesday evenings are reviewed in the Monthly Miscellany, Feb. 1774. Receipts: #190 1s. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: Neck or Nothing

Event Comment: Benefit for DuBellamy. Charges: #64 5s.; Profit to DuBellamy; #19 17s., plus #187 15s. - from tickets (Box 486; Pit 401; Gallery 61); Paid Singleton for performing 3 nights in the Sorcerer to 11 Oct. last #7 6s., for 5 nights in Henry VIII to 14 Feb. last #1 5s., for 4 nights in Macbeth to 13 Nov. last 10s., and for 40 nights in the Fair and the Sylphs to 4 April #2; Receipts: #84 2s. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Cross Purposes

Dance: End: The Frolick, as17740416

Song: End I the Farce: (By Desire) The Storm-DuBellamy