SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Bunbury Esq"/1) | (@(roleclean,performerclean) "Henry Bunbury Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3375 matches on Author, 1218 matches on Performance Title, 688 matches on Performance Comments, 658 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Don Juan

Dance: As17890916

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Harlequin's Chaplet

Dance: As17900129

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Poor Soldier

Song: End II: The Lamp Lighter (written and composed by Dibdin)-Reeve; End IV: The Doctrine of an Israelite (written by Collins, author of The Brush) sung in character-Reeve; End: a favorite song a Gentleman (1st appearance on any stage)

Performances

Mainpiece Title: True Blue; Or, A Bang At The Dons

Afterpiece Title: King Henry the Fifth

Afterpiece Title: The Follies of a Day

Entertainment: Monologue. End 2nd piece: (for this night only) The Monster Discovered-

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Picture of Paris

Cast
Role: Grotesque Actor: Follett

Performances

Mainpiece Title: The Prussian Festival

Afterpiece Title: The First Part of King Henry the Fourth

Afterpiece Title: Oscar and Malvina

Music: As17911122

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: King Henry the Fifth

Afterpiece Title: Comus

Performances

Mainpiece Title: King Henry The Fourth [part I]

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: King Henry The Fourth [part I]

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: King Henry The Fourth [part I]

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Jew and the Doctor

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Performances

Mainpiece Title: Zemira E Azore

Dance: II: Ballet by Genii as17790223-Sg Zuchelli, Sga Zuchelli, young Miss Simonet; also Pedal Harp, as17790223; End II: Ballet by Fairies, as17790223, but _LeDet, _Henry, young Miss _Simonet, Slingsby; End Opera: +Le Couronnement de Zemire, as17790223

Performances

Mainpiece Title: Quinto Fabio

Dance: End I: Pastoral Ballet, as17791127; End II: Masquerade Dance, as17791221, but _Henry; Minuet, as17791221; End Opera: Serious Ballet, as17800122 Grand Chaconne, as17800122

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: As17880226, but Les Offrandes a l'Amour-_; End Opera: Les Fetes de Tempe, as17880228, but _Henry

Event Comment: Benefit for Mrs Jordan. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four. Mainpiece [1st time; C 5, by Richard (later) Sir Richard? Ford. Kemble Mem.: Altered by R. Ford from the Humourous Lieutenant. Epilogue by Henry William? Bunbury. Larpent MS 894; not published]: Altered from Beaumont and Fletcher (recte Fletcher alone). Oracle, 25 Feb.: Tickets to be had of Mrs Jordan at her house, No. 14, Somerset-street, Portman-square. Receipts: #346 8s. 6d. (102.18.0; 13.5.0; 3.6.6; tickets: 226.19.0) (charge: free)

Performances

Mainpiece Title: The Greek Slave; Or, The School For Cowards

Afterpiece Title: The Pannel

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Dumb Cake; or, The Regions of Fancy

Dance: [not listed on playbill]. "A dance based on a print entitled The Long Minuet (by H. W. Bunbury) was well attempted" (World, 27 Dec.)

Performance Comment: "A dance based on a print entitled The Long Minuet (by H. W. Bunbury) was well attempted" (World, 27 Dec.).
Event Comment: By Permission of the Lord Chamberlain. Benefit for Goodwin. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for Yesterday the 28th will be admitted. [The Satiric print, The Prince's Bow, had 1st appeared on 17 Mar. 1788; it was not by Bunbury, but by Frederick George Byron (Catalogue of Political and Personal Satires...in the British Museum, 1938, VI, 557).

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Miss in her Teens

Dance: End IV: Double Hornpipe-Mr and Miss Bourk

Song: End I: Crazy Kate-Chambers; End III: song-Arrowsmith

Entertainment: End II: Imitations-a Gentleman [unidentified]

Monologue: Vaudeville. End: Bunbury's Representation of the Prince's Bow. Teacher-Delpini; in which he will introduce a song, Woman turn us round about-Delpini

Performance Comment: End: Bunbury's Representation of the Prince's Bow. Teacher-Delpini; in which he will introduce a song, Woman turn us round about-Delpini.

Performances

Mainpiece Title: Speculation

Afterpiece Title: Lord Mayor's Day; or, A Flight from Lapland

Dance: I afterpiece: The Long Minuet- taken from the Caricature Print of that title [The Long Minuet as Danced at Bath, by H. W. Bunbury; see17951116]

Performance Comment: W. Bunbury=; see17951116].
Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Event Comment: Benefit for the Widows and Orphans of the Brave Men who perished, and for those who were wounded, in the Glorious Action on the 14th of February last [off Cape St. Vincent], under Admiral Sir John Jervis. Patrons: His Royal Highness the Prince of Wales, His Royal Highness the Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl of Cardigan, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., William Lushington Esq., William Manning Esq., John Thomson Esq., John Julius Angerstein Esq.

Performances

Mainpiece Title: Alceste

Ballet: End Opera: Sapho et Phaon. As17970406

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Event Comment: Receipts: #103 18s. [The following Renters came in at 1 share each: Antony Henry Bousing, Mrs Antony Henry Bousing, Robert Jennings Esq, Thomas Repley (Account Book).

Performances

Mainpiece Title: The Prophetess

Event Comment: Know all men by these presents, that Colley Cibber, Esq; of the Parish of St/James's in the County of Middlesex, for and in consideration of the sum of Eighty Pounds of lawful Mony of Great Britain to him in hand paid by John Watts of London, Stationer, he the said Colley Cibber, Esq; hath bargained, sold and assigned, and set over, and by these presents doth bargain, sell, assign and set over all that the full and sole right and title, of, in and to the copy of a Tragedy, intitled, Papal Tyranny in the Reign of King John, written by the said Colley Cibber, Esq; to have and to hold the said copy of the said tragedy unto the said John Watts, his heirs and assigns for ever, notwithstanding any act or law to the contrary: In witness whereof the said Colley Cibber, Esq; hath hereunto sett his hand and seal this twentieth day of February, 1744/5. [Signed] C. Cibber. [Witnesses] James Webster, John Mark Bimson. [Original Document in Folger Shakespeare Library, validated by three Sixpence stamps, and Cibber's seal. Case No. 993 among Cibber documents.

Performances

Mainpiece Title: Papal Tyranny

Performances

Mainpiece Title: Othello, By Gentlemen

Performance Comment: Othello-Sir Francis Delaval; Iago-John Delaval Esq; Cassio-E. Delaval Esq; Brabantio, Lodovico-Sim Pine Esq; Roderigo-Capt. Stevens; Desdemona-Mrs Quarme (Hogan) , Mrs Quan (Cross), Mrs Qualm (Winston); Emelia-Mrs Stevens (Hogan).
Cast
Role: Iago Actor: John Delaval Esq
Role: Cassio Actor: E. Delaval Esq
Role: Lodovico Actor: Sim Pine Esq
Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by the late J. Addison, Esq. N.B. The Letter from some Gentlemen of the Inner-Temple (desiring the first Part of King Henry the Fourth to be play'd soon) was receiv'd, and, in Compliment to their Request, that Play will be Acted on Tuesday next

Performances

Mainpiece Title: Cato

Afterpiece Title: The Burgo-Master Trick'd

Dance: As17340919