SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Cromwell"/1) | (@(roleclean,performerclean) "Henry Cromwell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3375 matches on Author, 1214 matches on Performance Title, 680 matches on Performance Comments, 388 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: The United Company. Constatijn Huygens, 16 Jan. 1692@2 O. S. [translation]: In the afternoon I went with Preswitz to the comedy, by Covent Garden, where there was a play about Henry II, but I could not very well understand the comedians, neither what they said. Mrs Barry played the King's wife and Mrs Bracegirdle his mistress, who let the King be poisoned in her presence. Sayer came and sat with us. The best places were for the English crown (Journaal van Constantijn Huygens, Publication of the Dutch Historical Society, New Series, XXV [Utrecht, 1877], 168)

Performances

Mainpiece Title: Henry The Second

Event Comment: MMrs Cibber to Garrick, late Jan.: It is surprising that dl goes on acting; one night with another, to be sure, they have not received above 40 pounds; the actors are paid only three nights a week; though they play every night. But the top stroke of all was Macklin's play! It was entirely new-dressed, and no expense saved in the clothes. I shall say nothing of the piece, because you may read it; but be as vain as you will about your playing Bayes, you never made an audience laugh more than Henry VII has done. There for the first time I saw your rival, Mr Goodfellow; I should have said the rival Mr Lacy wants to make you; do not be quite dispirited about it, for Perkin Warbeck is much below anything I ever yet saw. Here I must ask Mr Stevens's pardon, to whom I have done injustice, for I think he may dispute the pass downstairs with Perkin, and as his head seems to be the heaviest of the two, I think he has the best right to it.--Boaden, Private Correspondence of Garrick, I, 49

Performances

Mainpiece Title: Henry Vii

Event Comment: Afterpiece [1st time; co 2, by Henry Bate (later Sir Henry Bate Dudley). Music by William Shield]. Books for both Pieces to be had at the Theatre. Public Advertiser, 15 June 1779: This Day is published The Flitch of Bacon (1s.)

Performances

Mainpiece Title: Bonduca

Afterpiece Title: The Flitch of Bacon

Related Works
Related Work: The Flitch of Bacon Author(s): Henry Bate
Event Comment: The date of this amateur performance is not known, but the date generally accepted is December 1689. See Alfred Loewenberg, The Annals of Opera, Second Edition, Columns 85-86; and R. E. Moore, Henry Purcell and the Restoration Theatre (Cambridge, Mass., 1961), pp. 38-69. The Epilogue is in New Poems (1690)

Performances

Mainpiece Title: Dido And Aeneas

Related Works
Related Work: Dido and Aeneas Author(s): Henry Purcell

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Performance Comment: The music by Henry Purcell. Edition of 1690: Prologue-Mrs Bracegirdle; Jupiter-Betterton; Mercury-Lee; Phoebus-Bowman; Amphitryon-Williams; Sosia-Nokes; Gripus-Sandford; Polidas-Bright; Tranio-Bowen; Alcmena-Mrs Barry; Phaedra-Mrs Montfort; Bromia-Mrs Cory; Night-Mrs Butler; Epilogue-Phaedra.
Related Works
Related Work: Amphitryon; or, The Two Sosias Author(s): Henry Purcell
Event Comment: The United Company. The date of the first performance is stated in Luttrell, A Brief Relation, II, 435, 28 April 1692: On Monday will be acted a new opera, call the Fairy Queen: exceeds former playes: the clothes, scenes, and musick cost 3000#. [According to Some Select Songs As they are Sung in the Fairy Queen (1692) tne singers were Mrs Ayliff, Mrs Dyer, Freeman, Mrs Butler, and Pate. See Purcell's Works, Purcell Society, XII (1903), ii; E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59 ), 45; and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter IV.] Downes, Roscius Anglicanus, pp. 42-43: The Fairy Queen, made into an Opera, from a Comedy of Mr Shakespeare s: This in Ornaments was Superior to the other Two [King Arthur and The Prophetess]; especially in Cloaths, for all the Singers and Dancers, Scenes, Machines and Decorations, all most profusely set off; and excellently perform'd, chiedly the Instrumental and Vocal part Compos'd by the said Mr Purcel, and Dances by Mr Priest. The Court and Town were wonderfully satisfy'd with it; but the Expences in setting it out being so great, the Company got very little by it. Gentleman's Journal, May 1692: The Opera of which I have spoke to you in my former hath at last appear'd, and continues to be represented daily: it is call'd, The Fairy Queen. The Drama is originally Shakespears, the Music and Decorations are extraordinary. I have heard the Dances commended, and without doubt the whole is very entertaining. [As the May issue of the Gentleman's Journal was licensed on 14 May, the statement that The Fairy Queen continued to be acted daily may indicate consecutive performances from 2 May to at le ast 14 May 1692.

Performances

Mainpiece Title: The Fairy Queen

Related Works
Related Work: The Fairy Queen Author(s): Henry Purcell
Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Performances

Mainpiece Title: The Wary Widow; Or, Sir Noisy Parrat

Related Works
Related Work: The Wary Widow; or, Sir Noisy Parrat Author(s): Henry Higden
Event Comment: Aeneas and Dido compos'd by the late Mr Henry Purcell. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Anatomist; Or, The Sham-doctor

Afterpiece Title: Mars and Venus

Afterpiece Title: Aeneas and Dido

Related Works
Related Work: Dido and Aeneas Author(s): Henry Purcell
Event Comment: At the Desire of several Persons of Quality. Afterpiece: several Musical Entertainments composed by Henry Purcell. [Monday 10--Saturday 15: PASSION WEEK]

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Afterpiece Title: Aeneas and Dido

Related Works
Related Work: Dido and Aeneas Author(s): Henry Purcell

Dance: New Scotch dances-

Event Comment: Mainpiece: Written by Beaumont and Fletcher, and since Revis'd. Afterpiece: [By Henry Carey.] A New Farce

Performances

Mainpiece Title: Bonduca

Afterpiece Title: The Contrivances; or, More Ways Than One

Related Works
Related Work: The Contrivances; or, More Ways Than One Author(s): Henry Carey

Music: Mainpiece: by Henry Purcell

Event Comment: [By Henry Fielding.] Never Acted before

Performances

Mainpiece Title: Love In Several Masques

Related Works
Related Work: Love in Several Masques Author(s): Henry Fielding
Event Comment: At the particular Desire of several Persons of Quality. First Piece. [By Henry Carey.] Not play'd these Fourteen Years. Second Piece: Not play'd these Six Years

Performances

Mainpiece Title: The Contrivances; Or, More Ways Than One

Related Works
Related Work: The Contrivances; or, More Ways Than One Author(s): Henry Carey

Afterpiece Title: The Walking Statue; or, The Devil in the Wine Cellar

Afterpiece Title: Phebe; or, The Beggar's Wedding

Dance: HHarlequin-Master Lally, Miss Brett; Sultana-Miss Robinson Jr

Event Comment: [By Henry Fielding.

Performances

Mainpiece Title: The Temple Beau

Related Works
Related Work: The Temple Beau; or, The Intriguing Sisters Author(s): Henry Fielding
Related Work: The Temple Beau Author(s): Henry Fielding
Event Comment: Afterpiece: [By Henry Fielding.] For a comment on the performance, see Egmont, Diary, I, 97

Performances

Mainpiece Title: The Author's Farce

Related Works
Related Work: The Authors Farce; and, The Pleasures of the Town Author(s): Henry Fielding

Afterpiece Title: Tom Thumb

Related Works
Related Work: Tom Thumb Author(s): Henry Fielding
Related Work: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great Author(s): Henry Fielding
Event Comment: Never Acted before. Written by the Author of Tom Thumb [Henry Fielding]. With New Scenes and other Decorations

Performances

Mainpiece Title: Rape Upon Rape; Or, The Justice Caught In His Own Trap

Related Works
Related Work: Rape Upon Rape; or, The Justice Caught in his own Trap Author(s): Henry Fielding
Event Comment: Third piece: an entire New Act [introduced into Tom Thumb, By T. Cooke]. Daily Journal, 30 Nov.: Whereas it hath been advertised, that an entire New Act, called, The Battle of the Poets, is introduced into the Tragedy of Tom Thumb; This is to assure the Town, that I have never seen this additional Act, nor in any ways concerned therein. Henry Fielding

Performances

Mainpiece Title: The Coffee-house Politician; Or, The Justice Caught In His Own Trap

Related Works
Related Work: Rape Upon Rape; or, The Justice Caught in his own Trap Author(s): Henry Fielding
Related Work: The Coffee House Politician Author(s): Henry Fielding

Afterpiece Title: Tom Thumb

Related Works
Related Work: Tom Thumb Author(s): Henry Fielding
Related Work: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great Author(s): Henry Fielding

Afterpiece Title: The Battle of the Poets; or, The Contention for the Laureat

Event Comment: Benefit the Author. Afterpiece: Never perform'd before. [By Henry Fielding.

Performances

Mainpiece Title: The Tragedy Of Tragedies

Related Works
Related Work: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great Author(s): Henry Fielding

Afterpiece Title: The Welch Opera

Related Works
Related Work: The Welch Opera Author(s): Henry Fielding
Event Comment: Never Acted before. [By Henry Fielding.]5s., 3s., 2s., 1s

Performances

Mainpiece Title: The Modern Husband

Related Works
Related Work: The Modern Husband Author(s): Henry Fielding
Event Comment: Never Acted before. [Both plays by Henry Fielding. For a discussion of recent plays, see The Comedian, No. 3, June 1731.

Performances

Mainpiece Title: The Old Debauchees

Related Works
Related Work: The Old Debauchees Author(s): Henry Fielding

Afterpiece Title: The Covent Garden Tragedy

Related Works
Related Work: The Covent Garden Tragedy Author(s): Henry Fielding
Related Work: The Rival Queens; or, Drury-Lane and Covent-Garden Author(s): Henry Fielding
Related Work: The Covent Garden Tragedy Author(s): Henry Fielding

Dance:

Event Comment: At the particular Desire of several Persons of Quality. Afterpiece: A New Farce. [By Henry Fielding.] Alter'd from the French of Moliere

Performances

Mainpiece Title: The Old Debauchees

Related Works
Related Work: The Old Debauchees Author(s): Henry Fielding

Afterpiece Title: The Mock Doctor; or, The Dumb Lady Cur'd

Related Works
Related Work: The Mock Doctor; or, The Dumb Lady Cur'd Author(s): Henry Fielding

Dance: I: The Pieraite-Holt, Mrs Walter; II: Harlequin-Miss Brett; III: English Maggot-Lally Jr, Mrs Walter; End Afterpiece: Midsummer Whim, as17320606

Event Comment: A New English Opera after the Italian Manner. [Text by Henry Carey. Set to Musick by John Christopher Smith.] Pit and Boxes put together at 5s. First Gallery 3s. Upper Gallery 2s. 6 p.m. Receipts: For Mr Arne

Performances

Mainpiece Title: Teraminta

Related Works
Related Work: Teraminta Author(s): Henry Carey
Event Comment: Afterpiece: [By Henry Carey. Not printed.

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Betty; or, The Country Bumpkins

Related Works
Related Work: Betty; or, The Country Bumpkins Author(s): Henry Carey
Event Comment: A New Ballad Opera. [By Henry Potter.

Performances

Mainpiece Title: The Decoy; Or, The Harlot's Progress

Related Works
Related Work: The Decoy; or, The Harlot's Progress Author(s): Henry Potter
Event Comment: Benefit Miss Raftor. At the desire of several Persons of Quality. Afterpiece: A Farce of one Act. [By Henry Fielding. Apparently not published.

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Henry Fielding
Related Work: The Miser Author(s): Henry Fielding

Afterpiece Title: Deborah; or, A Wife For You All

Related Works
Related Work: Deborah; or, A Wife For You All Author(s): Henry Fielding
Event Comment: At the particular Desire of several eminent Merchants and Persons of Distinction. Afterpiece: a new Pastoral Epithalamium. [Edition of 1733 lists no cast, states that it was written by a Gentleman, and prints the Prologue, which was written by Havard. A song, The Wedding Day, written by Henry Carcy, was sung in it by Master Osborne.]

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Happy Nuptials: With The Amorous Sportsman

Related Works
Related Work: The Happy Nuptials: With The Amorous Sportsman Author(s): Henry Carey