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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hatton"/1) | (@(roleclean,performerclean) "Hatton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 200 matches on Roles/Actors, 36 matches on Performance Comments, 14 matches on Event Comments, 1 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: Seeing Is Believing

Cast
Role: Kitty Actor: Mrs Hatton.

Afterpiece Title: Ways and Means

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: The London Hermit

Afterpiece Title: The Son-in-Law

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The London Hermit

Afterpiece Title: Who's the Dupe

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The London Hermit

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The Pad

Afterpiece Title: The London Hermit

Afterpiece Title: The Son-in-Law

Performances

Mainpiece Title: The Mountaineers

Song: Mainpiece: As17930803

Performances

Mainpiece Title: The Mountaineers

Song: Mainpiece: Vocal Parts, as17930803, but _Little, _Brown, _Hobler, _Horsfall, _Saunders, _Dibble, _Lyons

Performances

Mainpiece Title: The Mountaineers

Song: As17930816

Performances

Mainpiece Title: The Mountaineers

Song: As17930816

Performances

Mainpiece Title: The Flitch Of Bacon

Afterpiece Title: Tit for Tat

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Who's the Dupe

Song: As17930823

Performances

Mainpiece Title: The Mountaineers

Song: As17930823

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The London Hermit

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Critic

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Critic

Entertainment: Monologue.End 2nd piece: as17970529

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Critic

Ballet: The Scotch Ghost. As17961221

Entertainment: Imitations. End: a Variety of Imitations-Caulfield

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Critic

Afterpiece Title: The Shipwreck

Song: End II 1st piece: I never lov'd any dear Mary but you-Dignum (composed by Hook); End 1st piece: The Fight off Camperdown-Dignum; End I 2nd piece: The Town and Country-Dignum (composed [i.e. words] by Capt. Morris); End 2nd piece: an Answer to the above, Country and Town-Dignum

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: Britain's Sons; or, Success to our Heroes

Afterpiece Title: The Turnpike Gate

Song: In: Together let us range the Fields-Incledon, Mrs Atkins; The Soldier Tir'd (from Artaxerxes)-Mrs Atkins

Event Comment: The Duke's Company. The date of the first production is not certain, particularly since an entry in L. C. 5@145, p. 120 (see also Nicoll, Restoration Drama, p. 349) lists this play for 8 March, the year uncertain. Since the entry follows one for The Souldier's Fortune which followed the premiere of The Female Prelate, 31 May 1680, the L. C. entry probably is one for 8 March 1680@1. That the premiere occurred near 1 Nov. 1680 is suggested by a letter of Anne Montague to Lady Hatton, 1 Nov. 1680: For I never see the towne fuller, for I was to see the new play, The Spanish Frier, and there was all the world, but the Court is a letell dull yet; the Queen being sick, there is noe drawing room (Hatton Correspondence, Camden Society, XXII [1878], 240). A song, Farewell ungratefull Traytor, with music by Captain Pack and sung by Mrs Crofts, is in Act V. For Leigh's and Nokes' acting, see Cibber, Apology, ed. Lowe, I, 143, 145-46. Downes (Roscius Anglicanus, p. 37): 'Twas Admirably Acted, and produc'd vast Profit to the Company

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Event Comment: Alice Hatton, writing on (possibly) 20 Jan. 1699@1700: I was last night (with Lady Longuevil and Lady Arundel) at ye Princess's, and Lady Long: was so kind to offer to carry me to ye Oppera to day with her and Lady Portland; but I was so unfortunate as to be engaged to go to Lady Denbighs to see ye famous Mrs Binges dance, or else I should have bin glad to have waited on Lady Long: tho I had seen it before and think it very silly. Mr Abel is to have a fine musicke meeting to morrow, and ye tickets are guineas a piece, wch is a little to much for me to throw away; so I shall not be there, and I find so many yt can afford it better of my mind, yt I fancy, if he had lower rates, he would have got more (Hatton Correspondence, Camden Society, XXIII [1878], 245). It is difficult to assign a proper date to this letter. It is unlikely that it was written on Saturday 20 Jan., as Abell was not likely to offer a concert on Sunday at which admission would be charged. It is possible that the opera referred to is The Grove, which is known to have been performed on 19 Feb. 1700, but the fact that this opera was unsuccessful makes it unlikely that it had its premiere in mid-January and was played again in mid-February. Perhaps the letter should be dated mid-February

Performances

Event Comment: The King's Company. For an edition of this play from the MS prompt copy, see The Change of Crownes, ed. F. S. Boas (Oxford University Press, 1949). For the consequences of Lacy's ad libbing, see 16, 20, and 22 April, and 1 May. Pepys, Diary: I to the King's house by chance, where a new play: so full as I never saw it; I forced to stand all the while close to the very till I took cold, and many people went away for want of room. The King and Queene, and Duke of York and Duchesse of York there, and all the Court, and Sir W. Coventry. The play called The Change of Crownes; a play of Ned Howard's the best that ever I saw at that house, being a great play and serious; only Lacy did act the country-gentleman come up to Court, who do abuse the Court with all the imaginable wit and plainness about selling of places, and doing every thing for money. The play took very much.... Gervase Jaquis to the Earl of Huntington, 16 April: Here is another play house erected in Hatton buildings called the Duke of Cambridgs play-house, and yester-day his Matie the Duke & many more were at the King's Playe house to see some new thing Acted (Hastings MSS, HA 7654, Huntington Library)

Performances

Mainpiece Title: The Change Of Crowns

Event Comment: Evelyn, Diary: We [Mrs Blagge and Evelyn] went to see Paradise, a roome in Hatton Garden furnished with the representations of all sorts of animals, handsomely painted on boards or cloth, & so cut out & made to stand & move, fly, crawll, roare & make their severall cries, as was not unpretty: though in it selfe a meere bauble, whilst the man who shew'd, made us Laugh heartily at his formal poetrie

Performances

Mainpiece Title: Paradise

Event Comment: The Duke's Company. This performance is known from a disturbance which occurred on this day; Langbaine states that the play was Macbeth. John Verney to Sir Ralph Verney, 30 Aug. 1675: On Saturday last, at the Duke's playhouse, Sir Tho. Armstrong killed Mr Scrope....Their quarrel is said to [be] about Mrs Uphill, the player, who came into the house maskt, and Scrope would have entertained discourse with her, which Sir T. Armstrong would not suffer, so a ring was made wherein they fought (HMC Verney MSS., 7th Report, 1879, p. 465). See also The Hatton Correspondence, Camden Society, XXII (1878), 121

Performances

Mainpiece Title: Macbeth