SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hartry"/1) | (@(roleclean,performerclean) "Hartry")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 548 matches on Roles/Actors, 150 matches on Performance Comments, 10 matches on Event Comments, 1 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Elopement

Dance: III: Comic Dance, as17701025

Performances

Mainpiece Title: Almida

Afterpiece Title: The Elopement

Performances

Mainpiece Title: Almida

Afterpiece Title: The Elopement

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Elopement

Dance: III: Comic Dance-Daigville, Sga Vidini

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Elopement

Dance: III: A New Dance call'd The Shepherds Frolic-Atkins, Mrs King

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Elopement

Dance: III: The Medley-scholars of Giorgi

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: A Peep behind the Curtain

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: A Peep behind the Curtain

Dance: End: Comic Dance, as17710416

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: A Peep behind the Curtain

Monologue: End: (By Desire) Linco's Travels. As 14 March

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: A Peep behind the Curtain

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: A Peep behind the Curtain

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Guardian

Performance Comment: As17710221, but Sir Charles-Parsons (Public Advertiser); but Hartry (MacMillan). but Hartry (MacMillan).

Dance: III: The Amusements of Strasburg, as17710422

Event Comment: MMr Hartry is oblig'd to postpone his Comic Lecture...being engaged in making many alterations therein. The serious part will be consideredly shortened, some other pieces expunged, and many scenes of humour added, which he hopes will be entertaining. He is extremely troubled that anything in his Lecture on Tuesday should have given offence to any one person present, and is no less concerned that those Ladies and Gentlemen who were desirous to hear him perform (that part which appeared exceptionable to others) were disappointed. He is sorry there was any disaffection either way. He is not conscious of having attempted anything with an intention to offend, or that has not already been allowed of inclusion though more unpardonable. The foibles and peculations of private characters have been brought on the stage by others, those only of public men by him. He hopes it will not appear vain or arrogant to say that after such unequaled peals of applause which he met with for some time while uninterrupted, it would be paying an ill compliment to so crowded and brilliant an audience not to flatter himself will possessing some degree of merit: And if he afterwards failed in any or every particular it was altogether owing (notwithstanding the seeming spirit he assumed) to the confusion he was in at the Party Affair which followed. It was his first appearance in public, and in such a situation it is no wonder he was robb'd of his comic powers; but he hopes when his Lecture is alter'd there will be found in it nothing which can give offense, or deprive him of that generous indulgence to a young performer which characterizes a British audience. [No further performance of the Lecture seems to have been given.

Performances