SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hannah Brand"/1) | (@(roleclean,performerclean) "Hannah Brand")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 261 matches on Author, 24 matches on Event Comments, 14 matches on Performance Comments, 2 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Belle's Stratagem

Related Works
Related Work: The Belle's Stratagem Author(s): Hannah Cowley

Afterpiece Title: A Trip to the Nore

Afterpiece Title: My Grandmother

Dance: In 2nd piece: As17971109; IV: a Masquerade Scene-; a Minuet-D'Egville, Miss Goddard

Performances

Mainpiece Title: The Belle's Stratagem

Related Works
Related Work: The Belle's Stratagem Author(s): Hannah Cowley

Afterpiece Title: A Trip to the Nore

Afterpiece Title: High Life below Stairs

Dance: IV: Minuet, as17971110; II 3rd piece: a Mock Minuet-Palmer, Miss Pope

Performances

Mainpiece Title: The Belle's Stratagem

Related Works
Related Work: The Belle's Stratagem Author(s): Hannah Cowley

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: The Belle's Stratagem

Related Works
Related Work: The Belle's Stratagem Author(s): Hannah Cowley

Afterpiece Title: The Humourist

Performances

Mainpiece Title: The Belle's Stratagem

Related Works
Related Work: The Belle's Stratagem Author(s): Hannah Cowley

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Belle's Stratagem

Related Works
Related Work: The Belle's Stratagem Author(s): Hannah Cowley

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Belle's Stratagem

Related Works
Related Work: The Belle's Stratagem Author(s): Hannah Cowley

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Miser

Song: In IV 1st piece: Masquerade Scene-; Orphan Bess the Beggar Girl (the Musick by Hook)-; End 1st piece: A Musical Address (accompanied on the harp by Weippert, the Musick by Dr Arnold)-Miss Leak; In 2nd piece: The Country Club-Bannister Jun

Performances

Mainpiece Title: The Belle's Stratagem

Related Works
Related Work: The Belle's Stratagem Author(s): Hannah Cowley

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: The Belle's Stratagem

Related Works
Related Work: The Belle's Stratagem Author(s): Hannah Cowley

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: The Belle's Stratagem

Related Works
Related Work: The Belle's Stratagem Author(s): Hannah Cowley

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: The Belle's Stratagem

Related Works
Related Work: The Belle's Stratagem Author(s): Hannah Cowley

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: The Belle's Stratagem

Related Works
Related Work: The Belle's Stratagem Author(s): Hannah Cowley

Afterpiece Title: Two Strings to Your Bow

Dance: In IV: a Grand Masquerade-; Minuet-the LateMiss Betterton, Platt

Performances

Mainpiece Title: The Belle's Stratagem

Related Works
Related Work: The Belle's Stratagem Author(s): Hannah Cowley

Afterpiece Title: The Shipwreck

Song: In afterpiece: Crazy Jane-Mrs Bland

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Performance Comment: Principal Parts-Rivington, Bowan, Stokes, Kenny, Miss Jones, Miss Brand, Mrs Lefevre. [Larpent MS lists the part: Capt. Somerville, Mr Harly, Mr Sellfield, Sir Oliver Oafby, Servant, Miss Somerville, Miss Noel, Dorothy, Maid.]Larpent MS lists the part: Capt. Somerville, Mr Harly, Mr Sellfield, Sir Oliver Oafby, Servant, Miss Somerville, Miss Noel, Dorothy, Maid.]

Music: With an entire new Scotch Overture-, composed by JonasBlewitt; End: songs-Mrs Bayley; between the Acts of the Farce: songs-Mrs Bayley, composed by JonasBlewitt

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Event Comment: Benefit for ye Marine Society (Cross). Part of Pit laid into Boxes. Receipts: #200 (Cross). [The Prologue is in Larpent MS 163: @"Ye sons of Freedom view this little Band@They owe their safety to your giving hand@Snatch'd from the paths of vice and branded shame@You ope the door to Honesty and Fame..."@ The Prologue is printed in the British Magazine, Jan., 1760.

Performances

Mainpiece Title: Zara

Afterpiece Title: The Male Coquette

Event Comment: Eleventh and Last time of performing Mainpiece this season. Afterpiece: By Particular Desire. Othello and The Irish Widow, to have been performed this evening for Mr Barry's Benefit, oblig'd to be deferr'd till further notice (playbill). Mr Barry being Ill his Benefit which was to have been this Night is oblig'd to be deferr'd (Hopkins Diary). [So, according to Hopkins, the profits went to the house.] Receipts: #171 19s. 6d. To the Public Advertiser: Sir, I spent an agreeable evening lately with a Country Friend at the Primitive Puppet Show, and was not displeased at the ridicule pointed at the dull, spiritless stuff, which composes modern Sentimental Comedy. I was entertained too with the manner in which some of the Actors were taken off; But I cannot think mimicry worthy to furnish an Evening Entertainment for a Polite British Audience, or suited to the happy ridicule and pointed wit of Aristophanes. The old Roman comedy, as it was called, was designed for nobler purposes: it was directed to improve the head and mend the heart. The keen manly satire of that Comedy was pointed at Upstart, Braggart, Vice, and to expose the dangerous unfeeling craft of innocent Villainy, or to use the words of Mr Pope--Brand the bold front of shameless, guilty man. Such was, and such ought to be, the salutary Direction of Wit, and Satire by exhibiting characters in their genuine colours, when the mask, which disguises and conceals them from the eyes of the Weak the Credulous, and the Ignorant, is drawn off. The words of Horace are--Detrabere et pellam, mitidus qua quisque per ora Cederet, introrsum turpis. Yours, Dramaticus. Poetry for the Public Advertiser. Epigram on the New Tragedy Alonzo. @No wonder that each female voice@Resounds Alonzo's praise;@A sure foundation of Applause,@The crafty Author lays.@ @Against the Virtue of his Wife@A Husband, if he's wise@According to the Gallant HOME,@Should not believe his eyes.

Performances

Mainpiece Title: Alonzo

Afterpiece Title: The Wedding Ring

Event Comment: Mainpiece: Altered from the Tragedy of Huniades. [Afterpiece in place of The Pannel, advertised on playbill of 1 Feb.] Morning Herald, 3 Feb., refers to the "new epilogue [probably written by Miss Brand]: a sort of dialogue between an undertaker and a brave British tar." Receipts: #141 12s. 6d. (105.2.6; 32.12.0; 3.18.0)

Performances

Mainpiece Title: Agmunda; Huniades

Related Works
Related Work: Huniades Author(s): Hannah Brand

Afterpiece Title: The Humourist

Performances

Mainpiece Title: Pamela

Performance Comment: first edition lists: Belvile-Giffard; Jack Smatter-Gentleman who acted King Richard [Garrick]; Williams-W. Giffard; Longman-Paget; Colebrand-Balkes; Arnold-Dunstall; Andrews-Peterson; Lady Davers-Mrs Bambridge; Mrs Jervis-Mrs Yates; Mrs Jewkes-Yates; Robin-Crofts; Harry-Julian; Isaac-Vaughan; Benjamin-Clough; Arthur-Naylor; Jane-Miss Hippisley; Cicely-Miss Medina; Hannah-Mrs Dunstall; Rachel-Mrs Vallois; Annice-Mrs Bishop; Pamela-Mrs Giffard; Epilogue-Mrs Giffard.
Cast
Role: Colebrand Actor: Balkes
Role: Hannah Actor: Mrs Dunstall

Performances

Mainpiece Title: Pamela

Performance Comment: As17411109, but Robin-_; Harry-_; Isaac-_; Benjamin-_; Arthur-_; Jane-_; Cicely-_; Hannah-_; Rachel-_; Annice-_.
Cast
Role: Colebrand Actor: Balkes
Role: Hannah Actor: Mrs Dunstall

Afterpiece Title: Lethe

Performances

Mainpiece Title: Emilia Galotti

Afterpiece Title: The Wedding Day

Performance Comment: Characters by Barrymore, King, Packer, C. Kemble, Trueman, Evans, Miss Tidswell, Mrs Jordan, Mrs Hopkins, Miss Hopkins, Miss Heard. [Cast from text (G. G. J. and J. Robinson, 1794): Lord Rakeland-Barrymore; Sir Adam Contest-King; Mr Millden-Packer; Mr Contest-C. Kemble; Servant [not in text]-Trueman [see17941108]; Lady Autumn-Miss Tidswell; Lady Contest-Mrs Jordan; Mrs Hamford-Mrs Hopkins; Hannah-Miss Heard; unassigned-Evans; Prologue-Barrymore. [This was spoken, as here assigned, at the 1st 7 performances only (see17941114).]This was spoken, as here assigned, at the 1st 7 performances only (see17941114).]
Cast
Role: Hannah Actor: Miss Heard

Song: In afterpiece: In the dead of the night-Mrs Jordan [not listed on playbill, but see BUC, 1061]

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Wedding Day

Performance Comment: Lord Rakeland-Barrymore; Sir Adam Contest-King; Mr Milden-Packer; Mr Contest-C. Kemble; John-Trueman; William-Evans; Lady Autumn-Miss Tidswell; Lady Contest-Mrs Jordan; Mrs Hamford-Mrs Hopkins; Hannah-Miss Chatterley.
Cast
Role: Hannah Actor: Miss Chatterley.

Performances

Mainpiece Title: The Wedding Day

Performance Comment: As17951110, but Hannah-Miss Heard.
Cast
Role: Hannah Actor: Miss Heard.

Afterpiece Title: The Child of Nature

Afterpiece Title: The Shepherdess of Cheapside

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Wedding Day

Performance Comment: As17951110, but Lord Rakeland-Benson; Hannah-Miss Heard; John-_; William-_.
Cast
Role: Hannah Actor: Miss Heard

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Wedding Day

Performance Comment: Lord Rakeland-Russell; Sir Adam Contest-King; Mr Milden-Packer; Mr Contest-C. Kemble; John-Evans; William-Webb; Lady Autumn-Miss Tidswell; Lady Contest-Mrs Jordan; Mrs Hamford-Mrs Maddocks; Hannah-Miss Heard.
Cast
Role: Hannah Actor: Miss Heard.