SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Handel\'s"/1) | (@(roleclean,performerclean) "Handel\'s")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 291 matches on Event Comments, 196 matches on Performance Title, 184 matches on Performance Comments, 77 matches on Author, and 73 matches on Roles/Actors.

Performances

Mainpiece Title: La Disfatta Di Dario

Performances

Mainpiece Title: Gideon

Music: As17690210, but Concerto on Violin-_

Performances

Mainpiece Title: La Regina Di Golconda

Dance: As17840318hroughout

Performances

Mainpiece Title: La Regina Di Golconda

Dance: As17840318hroughout

Performances

Mainpiece Title: La Regina Di Golconda

Dance: As17840318hroughout

Performances

Mainpiece Title: La Regina Di Golconda

Dance: End of Act I Ballet, as17840318but omitted: the two Miss Simonets; End of Act II Dance, as17840318End of Opera Divertissement by all the principal Dancers

Performances

Mainpiece Title: La Regina Di Golconda

Dance: End of Act I Ballet, as17840420; End of Act II Dance, as17840318End of Opera Le Cocq du Village, as17840302athi

Performances

Mainpiece Title: La Regina Di Golconda

Dance: As17840422 throughout

Performances

Mainpiece Title: La Regina Di Golconda

Dance: End of Act I Ballet, as17840420; End of Act II Dance, as17840318End of Opera Divertissement, as17840415

Performances

Mainpiece Title: La Regina Di Golconda

Dance: End of Act I Ballet, as17840420; End of Act II Dance, as17840318End of Opera New Divertissement, as17840424

Performances

Mainpiece Title: La Regina Di Golconda

Dance: End of Act I Ballet, as17840420; End of Act II Dance, as17840318End of Opera Le Deserteur, as17840520

Performances

Mainpiece Title: La Regina Di Golconda

Dance: End of Act I Ballet, as17840420; End of Act II Dana, as17840318End of Opera Le Deserteur, as17840520, but omitted: Pas de Basque

Performances

Mainpiece Title: A Grand Sacred Selection 0 Messiah 0

Afterpiece Title: A Grand Sacred Selection 1

Afterpiece Title: A Grand Sacred Selection 2

Afterpiece Title: A Grand Sacred Selection 3

Music: End I: concerto on pedal harp-Miss Dupree (1st appearance in public)

Performances

Mainpiece Title: Lallegro Ed Il Penseroso 0 Messiah 0

Afterpiece Title: LAllegro ed Il Penseroso 3

Music: End I: concerto on the Grand Piano Forte-Miss MacArthur; End II: concerto on the clarionet-John Mahon

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0 Lallegro Ed Il Penseroso 0 Messiah 0

Afterpiece Title: A Grand Selection of Sacred Music 1

Afterpiece Title: A Grand Selection of Sacred Music 2

Afterpiece Title: A Grand Selection of Sacred Music 3

Music: End I: concerto on the oboe-W. Parke; End II: concerto on Piano Forte-Dussek

Performances

Mainpiece Title: The Messiah

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0 Lallegro Ed Il Penseroso 0 Messiah 0

Afterpiece Title: A Grand Selection of Sacred Music 1

Afterpiece Title: A Grand Selection of Sacred Music 2

Afterpiece Title: A Grand Selection of Sacred Music 3

Music: As17970315

Performances

Mainpiece Title: The Messiah 0

Music: End II: concerto on the Piano Forte-Miss MacArthur; Preceding III: Eighth concerto of Corelli-

Performances

Mainpiece Title: A Grand Sacred Selection 0 Messiah 0

Afterpiece Title: A Grand Sacred Selection 1

Afterpiece Title: A Grand Sacred Selection 2

Afterpiece Title: A Grand Sacred Selection 3

Music: End II: concerto on Piano Forte-Miss MacArthur

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Triumph Of Truth 0

Afterpiece Title: Triumph of Truth 1

Afterpiece Title: Triumph of Truth 2

Afterpiece Title: Triumph of Truth 3

Music: As17890311

Performances

Mainpiece Title: A Grand Selec Tion Of Music From The Most Eminent Masters

Afterpiece Title: THE GRAND TE DEUM composed by Paisiello upon the return of his Majesty the King of the Two Sicilies from Vienna to Naples in the summer of 1791

Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexanders Feast With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Performances

Mainpiece Title: Lallegro Ed Il Penseroso Grand Selection 0

Afterpiece Title: LAllegro ed il Penseroso 1

Afterpiece Title: LAllegro ed il Penseroso 2

Afterpiece Title: PART III