SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "H Walpole"/1) | (@(roleclean,performerclean) "H Walpole")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 309 matches on Performance Comments, 125 matches on Event Comments, 27 matches on Author, 6 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Zemira E Azor

Dance: With Dances incidental to the Opera-Didelot, Mlle Parisot, Mme Hilligsberg, Mme Rose; End Opera: Little Peggy's Love, as17960716 Pas de Trois-

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Mouth of the Nile

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Oscar and Malvina

Song: As17990309

Performances

Mainpiece Title: A Divertisement

Afterpiece Title: Five Thousand a Year

Afterpiece Title: The Magic Oak

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son-in-Law

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: An Egeirophadron

Afterpiece Title: Harlequin's Chaplet

Dance: II: Negro Dance-Bologna Jun., Platt, King

Song: End I: Black Ey'd Susan-Incledon

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Hartford Bridge

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Jew and the Doctor

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Performances

Mainpiece Title: The Dead Alive

Afterpiece Title: Family Distress

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The Naval Pillar

Dance: As17991007

Song: In afterpiece: As17991007

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Naval Pillar

Dance: As17991007

Song: afterpiece: As17991007, but Mr Speaker tho' 'tis late-_

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: The Dramatist

Afterpiece Title: The Irishman in London

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Naval Pillar

Afterpiece Title: The Death of Captain Cook

Dance: In 2nd piece: As17991007

Song: In 2nd piece: As17991011

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Turnpike Gate

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: The Camp

Afterpiece Title: The Hermione

Song: End: A Chapter of Fashions (never performed; written by T. Dibdin Jun.)-Munden; The Tight Little Lads of the Ocean (never performed; written by the Author of The Bundle of Proverbs)-Fawcett

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Social Songsters

Afterpiece Title: The Castle of Sorrento

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Honest Thieves

Afterpiece Title: The Soldier's Festival

Entertainment: Vaudeville. End 1st piece: Black Ey'd Susan-Incledon; Whims & Fancies[; or, +Patches from Harlequin's Jacket (an Entertainment, both Serious and Comic, selected from the best Authors)-Betterton; The Bull and Boat[; or, +Law! Law! Law!-; The Snug [i.e. Tight] Little Island-Townsend

Performances

Mainpiece Title: Cymbeline, King Of Britain

Afterpiece Title: The Child of Nature

Afterpiece Title: The Soldier's Festival

Song: In II 1st piece: Hark! the Lark-Hill, Linton, Miss Wheatley, Mrs Atkins; Young William was a Seaman True (composed by himself), Sally in our Alley-Incledon

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Deserter of Naples

Afterpiece Title: St

Song: End: the following songs illustrative of the Whims and Sports of Bartholomew Fair: Raro Raro-Delpini; The Wind blew fresh and fair-Townsend; By the gaily circling Glass-Linton; a New Song (composed by Walsh, and written in Commemoration of His Majesty's Providential Escape [from assassination; see dl, 15 May])-Incledon

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Jew and the Doctor

Event Comment: At the Desire of several Persons of Quality. Applebee's, 31 March: On Thursday 7-Night last at the Performance of...Love runs all Dangers...one of the Commedians took the Liberty to throw out some Reflections upon the Prime Minister and the Excise, which were not design'd by the Author; Lord Walpole being in the House, went behind the Scenes, and demanded of the Prompter, whether such Words were in the Play, and he answering they were not, his Lordship immediately corrected the Comedian with his own Hands very severely

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Love Runs All Dangers

Dance: End of Mainpiece: Hornpipe-Jones Sr; Concluding with a Dutch Skipper-Jones Sr, Jones Jr

Event Comment: Thomas Gray to Horace Walpole, 3 Jan.: I went to King Arthur last night, which is exceeding fine; they have a new man to supply Delane's place, one Johnson, with ye finest person & face in the world to all appearance; but as awkward, as a Button-maker; in short, if he knew how to manage his Beauties to advantage, I should not wonder, if all the Women run mad for him: the inchanted part of the play, is not Machinery, but actual magick: the second scene is a British temple enough to make one go back a thousand years, & really be in ancient Britain: the Songs are all Church-musick, & in every one of ye Chorus's Mrs Chambers sung ye chief part, accompanied with Roarings, Squawlings & Squeakations dire. Mrs Giffard is by way of Emmeline, & should be blind, but, heaven knows! I would not wish to see better than she does, & seems to do; for when Philidel restores her to sight, her eyes are not at all better than before; she is led in at first, by a Creature, yet was more like a Devil by half, than Grimbald himself; she took herself for Madame la Confidente, but every body else took her to be in the Circumstances of Damnation: when Emmeline comes to her sight, she beholds this Mrs Matilda first, & cries out Are Women all like thee? such glorious Creatures! which set the people into such a laugh, as lasted the whole Act: the Frost Scene is excessive fine; the first Scene of it is only a Cascade, that seems frozen: with the Genius of Winter asleep & wrapt in furs, who upon the approach of Cupid, after much quivering, & shaKing sings the finest song in the Play: just after, the Scene opens, & shows a view of arched rocks covered with Ice & Snow to ye end of ye Stage; between the arches are upon pedestals of Snow eight Images of old men & women, that seem frozen into Statues, with Icicles hanging about them & almost hid in frost, & from ye end come Singers, viz: Mrs Chambers, &: & Dancers all rubbing their hands & chattering with cold with fur gowns & worsted gloves in abundance. Gray, Correspondence, I, 36-37

Performances

Mainpiece Title: King Arthur