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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "H Prince of Orange"/1) | (@(roleclean,performerclean) "H Prince of Orange")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2838 results for: Keyword - H. Prince of Orange
We found 1012 matches on Performance Comments, 996 matches on Event Comments, 511 matches on Performance Title, 418 matches on Author, and 0 matches on Roles/Actors.

426
11 February 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: Pizarro

Afterpiece Title: My Grandmother

Related Works
Related Work: My Grandmother Author(s): Prince Hoare

Song: As17991228

427
19 April 1800 @ Covent Garden

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: Saturday Night at Sea

Afterpiece Title: Lock and Key

Related Works
Related Work: Lock and Key Author(s): Prince Hoare

Entertainment: Monologue End: Collins's Ode on the Passions-Mrs Pope

428
24 April 1800 @ Covent Garden

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Lock and Key

Related Works
Related Work: Lock and Key Author(s): Prince Hoare

429
25 April 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Castle spectre

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

430
08 May 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: My Grandmother

Related Works
Related Work: My Grandmother Author(s): Prince Hoare

431
13 May 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: Indiscretion

Related Works
Related Work: Indiscretion Author(s): Prince Hoare

Afterpiece Title: Lodoiska

Performance Comment: As18000101, but Gustavus-Chippendale; Kera Khan-Barrymore; Ithorak-Dignum; Camazin-Clarke; Princess Lodoiska-Mrs Crouch; The Horde-_Fisher.
Cast
Role: Princess Lodoiska Actor: Mrs Crouch
Role: Polanders Prince Lupauski Actor: Archer

432
22 May 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: Indiscretion

Related Works
Related Work: Indiscretion Author(s): Prince Hoare

Afterpiece Title: Lodoiska

Cast
Role: Princess Lodoiska Actor: Mrs Crouch
Role: Polanders Prince Lupauski Actor: Archer

433
24 May 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: Indiscretion

Related Works
Related Work: Indiscretion Author(s): Prince Hoare

Afterpiece Title: The Follies of a Day

434
27 May 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Song: As18000516

435
28 May 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: Indiscretion

Related Works
Related Work: Indiscretion Author(s): Prince Hoare

Afterpiece Title: Lodoiska

Cast
Role: Princess Lodoiska Actor: Mrs Crouch
Role: Polanders Prince Lupauski Actor: Archer

436
02 June 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Castle spectre

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Dance: End II: New Divertisement Ballet-Sga Bossi DelCaro, Mme D'Egville, Gheri; a Pas Seul-Sga Bossi DelCaro; accompanied on the tamborine-Sga Bossi DelCaro; End: The Lucky Escape Principal Performers-St.Pierre, Grimaldi, Gheri, Miss B. Denis, Mrs Grimaldi, Miss E. Denis, Miss Lupini, Miss Cranfield, Mme D'Egville, Sga Bossi DelCaro, the whole Corps de Ballet

437
09 June 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: Indiscretion

Related Works
Related Work: Indiscretion Author(s): Prince Hoare

Afterpiece Title: Of Age To morrow

Song: End IV: Crazy Jane-Mrs Bland

Ballet: End: The Scotch Ghost. As17991202

438
18 June 1800 @ Haymarket Theatre

Performances

Mainpiece Title: Sighs Or The Daughter

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: Tis All a Farce

Song: [not listed on playbill]in II: 'Twas in the solemn mid@night hour-Mrs Bland

439
23 June 1800 @ Haymarket Theatre

Performances

Mainpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: The Jew and the Doctor

440
25 June 1800 @ Haymarket Theatre

Performances

Mainpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: Fortunes Frolick

441
27 June 1800 @ Haymarket Theatre

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: My Grandmother

Related Works
Related Work: My Grandmother Author(s): Prince Hoare

442
04 July 1800 @ Haymarket Theatre

Performances

Mainpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: Obi

443
11 July 1800 @ Haymarket Theatre

Performances

Mainpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: Obi

444
21 July 1800 @ Haymarket Theatre

Performances

Mainpiece Title: Obi

Afterpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

445
01 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: Obi

446
02 September 1800 @ Haymarket Theatre

Performances

Mainpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: The Review

447
13 March 1734 @ King's Theatre

Event Comment: A Serenata. Being an Essay of several different Sorts of Harmony.[Music by Handel. Done into English by George Oldmixon.] Daily Advertiser, 14 March: Last Night Mr Handell's new Serenata, in Honour of the Princess Royal's Nuptials with the Prince of Orange, was perform'd before their Majesties, the Prince of Wales, the Princess Royal, the Prince of Orange, and all the Royal Family, and was received with the greatest Applause; the Piece containing the most exquisite Harmony ever furnish'd from the Stage, and the Disposition of the Performers being contriv'd in a very grand and magnificent Manner. [The marriage of the Prince of Orange and Royal Princess occurred on Thursday, 14 March.]

Performances

Mainpiece Title: Parnasso In Festa Or Apollo And The Muses Celebrating The Nuptials Of Thetis And Peleus

448
10 June 1684 @ Whitehall or St. James's

Event Comment: The Prince of Orange's company of foreign comedians was apparently expected in England on this evening (HMC, 5th Report, Part I, 1876, p. 186). They were under the management of Francis Duperier and apparently remained in England for some four months. See Lawrence, Early French Players in England, p. 150. See also an order, L. C. 5@145, p. 90 (Nicoll, Restoration Drama, p. 253n), to prepare the Cockpit for the Prince of Orange's players

Performances

449
30 September 1734 @ Mile End Green

Performances

Mainpiece Title: Gardeners Wedd1ng Or The Waterman Defeated

Performance Comment: Peartree-Julian; Rako-Warner; Ply-Yeates Jr; Bridemen-Williams, Bird; Razor (French Barber)-Dodson; Margery-Mrs Martin; Margery's Mother-Mrs Choca; Bridemaids-Miss Yeates, Miss Nancy Yeates. Concluding with the Entertainment of Britannia; or the Royal Nuptials of the Prince of Orange . or the Royal Nuptials of the Prince of Orange .

450
17 November 1794 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: The Prince of Dacia borne in a Triumphal Car drawn Actor: Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: she receives them with tenderness Actor: The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: The Princes retire and plan to seize her Actor: Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.