SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "H L"/1) | (@(roleclean,performerclean) "H L")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 525 matches on Event Comments, 424 matches on Performance Comments, 27 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Pompey

Performances

Mainpiece Title: The Adventures Of Five Hours

Performances

Mainpiece Title: The History Of Charles The Eighth Of France

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performances

Mainpiece Title: The Fatal Jealousie

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Performances

Mainpiece Title: The Witts

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performances

Mainpiece Title: Henry Viii

Performances

Mainpiece Title: The History Of Charles The Eighth Of France

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performances

Mainpiece Title: The Guardian

Performances

Mainpiece Title: The Mourning Ramble; Or, The Town-humours

Performances

Mainpiece Title: The Dutch Cruelties At Amboyna; With The Humours Of The Valiant Welch-man

Performances

Mainpiece Title: Epsom Wells

Performances

Mainpiece Title: Epsom Wells

Performances

Mainpiece Title: Epsom Wells

Performances

Mainpiece Title: The Amorous Widow

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this performance is the premiere, but it may well be. Two songs, Ah false Amyntas, and Amyntas led me to a grove, both set by Robert Smith, are in Choice Songs and Ayres, 1673. Preface to the edition of 1673: Good, Sweet, Honey, Sugar-candied Reader, ...Indeed that day 'twas Acted first, there comes into the Pit a long, lither, plegmatick, white, ill-favour'd, wretched Fop, an Officer in Masquerade newly transported with a Scarfe & Feather out of France, a sorry Animal that has nought else to shield it from the uttermost contempt of all mankind, but that respect which we afford to Rats and Toads, which though we do not well allow to live, yet when considered as a part of God's Creation, we make honourable mention of them. A thing, Reader--but no more of such a Smelt: This thing, I tell ye, opening that which serves it for a mouth, out issued such a noise as this to those that state about it, that they were to expect a woful Play, God damn him, for it was a womans.... Reader, I have a complaint or two to make to you, and I have done; Know then that this Play was hugely injur'd in the Acting, for 'twas done so imperfectly as never any was before, which did more harm to this than it could have done to any of another sort; the Plot being busie (though I think not intricate) and so requiring a continual attention, which being interrupted by the intolerable negligence of some that acted in it, must needs much spoil the beauty on't. My Dutch Lover spoke but little of what I intended for him, but supplied it with a great deal of idle stuff, which I was wholly unacquainted with until I heard it first from him. According to the Preface, the Prologue was lost

Performances

Mainpiece Title: The Dutch Lover

Performances

Mainpiece Title: Macbeth

Cast
Role: King of Scotland Actor: Nath. Lee

Performances

Mainpiece Title: The Careless Lovers