SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "H F"/1) | (@(roleclean,performerclean) "H F")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 404 matches on Author, 389 matches on Performance Comments, 249 matches on Event Comments, 30 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Commissary

Afterpiece Title: Taste; or, Tragedy a la Mode

Dance: As17720518

Performances

Mainpiece Title: The Nabob

Afterpiece Title: The Virgin Unmask'd

Dance: As17720615

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Author

Dance: As17720518

Performances

Mainpiece Title: Le Ali D'amore

Dance: I: Les Deux Soeurs, as17760203; II: Ballet Pastoral, as17760120; End Opera: Pigmalion Amoureuse de La Statue, as17751031

Performances

Mainpiece Title: Antigono

Dance: La Fete du Village, as17760504; Diane et Endymion, as17760504; Le Minuet de la Cour, as17760504

Performances

Mainpiece Title: The Confederacy

Performances

Mainpiece Title: Jack Of Newbury

Afterpiece Title: The Triumph of Hymen

Afterpiece Title: Tit for Tat

Performances

Mainpiece Title: An Unidentified Play

Performances

Mainpiece Title: The Cheats

Performances

Mainpiece Title: The Step Mother

Performances

Mainpiece Title: Pompey The Great

Performances

Mainpiece Title: Brenoralt; Or, The Discontented Colonel

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: Women Pleased

Performances

Mainpiece Title: Macbeth

Performances

Mainpiece Title: The Young King; Or, The Mistake

Performances

Mainpiece Title: The Misery Of Civil-war

Event Comment: The Duke's Company. The date of the first performance is not known. Luttrell, however, dated the copy he purchased 6 July 1680 (VanLennep, Two Restoration Comedies, pp. 57-58) and attributed it to Mrs Aphra Behn. If copies were available in early July, the play was most probably performed in June 1680. Langbaine (English Dramatick Poets, p. 547) had heard that Mrs Behn was the author, but A Comparison between the Two Stages (p. 11) attributed it to Thomas Betterton. For a discussion of the authorship, see also Ten English Farces, ed. Leo Hughes and A. H. Scouten (Austin, Texas, 1948), pp. 203-4

Performances

Mainpiece Title: The Revenge; Or, A Match In Newgate

Performances

Mainpiece Title: The City Politiques

Performances

Mainpiece Title: The Northern Lass

Performances

Mainpiece Title: The Rover