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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Grosvenor Square"/1) | (@(roleclean,performerclean) "Grosvenor Square")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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271 results for: Keyword - Grosvenor-Square
We found 265 matches on Event Comments, 6 matches on Performance Comments, 2 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

101
06 April 1778 @ Drury Lane Theatre

Event Comment: Benefit for Dodd. Public Advertiser, 21 Mar.: Tickets to be had of Dodd at his house in New Ormond-street, Queen's-square. Receipts: #245 7s. 6d. (102.15.0; 19.9.0; 0.7.6; tickets: 122.16.0) (charge: #68 19s.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Selima and Azor

102
09 April 1778 @ King's Theatre

Event Comment: Benefit for Sga Pozzi. Tickets to be had of Sga Pozzi, No. 18, Sherrard-street, Golden-square

Performances

Mainpiece Title: La Vera Costanza

Dance: As17780203

Song: II: new song (composed by Sacchini)-Pozzi; accompanied on the flute-Florio; III: Che dirnen so-Jermoli

103
29 April 1778 @ Haymarket Theatre

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for Silvester and Rae. Mainpiece: Not acted these 6 years.Afterpiece: Never performed here. Tickets delivered for The Earl of Essex will be admitted. Tickets to be had of Silvester at Mrs Hobbe's, Stanhope-street, Clare Market; at Iver's Wine Vaults, No. 384, Oxford-street; of Rae, No. 35, Great Pultney-street, Golden-square

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Manor

Afterpiece Title: All the World's a Stage

Song: I: the original Sheep@shearing Song-the Characters

Dance: In I: Country Dance-the Characters; End: Hornpipe-a Gentleman

104
16 May 1778 @ Covent Garden

Event Comment: Benefit for Dumay, Holloway & Harris. Tickets delivered for Know Your Own Mind will be taken. Public Advertiser, 9 May: Tickets to be had of Dumay, Sand-hill, Lamb's Conduit Fields, behind the Foundling Hospital; of Holloway, Great Maddox-street, Hanover-square; of Harris, No. 12, Duke's-court, Bow-street, Covent Garden. Receipts: #251 15s. (56.11; tickets: 195.4) (charge: #105)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: Poor Vulcan

Dance: End II: New Dance-; in which the Minuet de la Cour, Gavot-Harris, Miss Valois; End IV: Le Minuet a Quatre-Dumay, Holloway, Miss Matthews, Miss Ross; with a variety of new Quadrilles-

Ballet: End: The Sailors' Revels at Portsmouth. As17780502

105
20 May 1778 @ Covent Garden

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets delivered for The Lady's Last Stake will be taken. Tickets sold at the doors will not be admitted. Public Advertiser, 16 May: Tickets to be had of Green, the corner of Norris-street, Hay-market; of Ansell, Davies-street, Berkley-square. Receipts: #290 14s. 6d. (40.19.6; tickets: 249.15.0) (charge: #105)

Performances

Mainpiece Title: Love Finds The Way

Afterpiece Title: The Commissary

Ballet: The Sailors' Revels at Portsmouth. As17780515

106
08 May 1779 @ Covent Garden

Event Comment: Benefit for Dumay, Harris & Holloway. [For Wright see 13 May. Mrs Sutton was from dl.] Public Advertiser, 7 May: Tickets to be had of Dumay, Sand-hill, behind the Foundling Hospital; of Harris, No. 42, Wells-street, Cavendish-square; of Holloway, Newington Butts

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Liverpool Prize

Dance: End II: Minuet-Dumay, Miss Dagueville; and the Minuet de la Cour-Holloway, Miss Besford; End I afterpiece: New Dance-Harris, Mrs Sutton (1st appearance on that stage); with a New Allemande-

Ballet: End: The Humours of Newmarket. As17790503, but Jockeys-Holloway; Ladies-Miss +Besford

107
18 May 1779 @ Covent Garden

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets sold at the Doors will not be admitted. Public Advertiser, 8 May: Tickets to be had of Green, the corner of Norris-street, St. James's, Haymarket; of Ansell, Davies-street, Berkeley-square

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Midas

108
10 August 1779 @ Haymarket Theatre

Event Comment: Benefit for Dimond. Tickets to be had of Dimond, No. 3, Upper James-street, Golden-square

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Tony Lumpkin in Town

Dance: As17790618

Entertainment: Monologue End: Bucks have at ye all-Master Hitchcock

109
22 December 1779 @ Covent Garden

Event Comment: Benefit for the Dispensary for the Infant Poor in Soho-Square. Tickets delivered for As You Like It will be admitted. [Author of Prologue unknown.] Receipts: #193 18s. (117.4; tickets: 76.14) (charge: #105)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: William And Nanny

Song: End II: As17790927; End II: Song in The Milesian, being a description of a Sea Fight [Stand to your guns, my hearts of oak]-Bannister

110
19 May 1780 @ Covent Garden

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets delivered for Know Your Own Mind (which is unavoidably obliged to be set aside) will be admitted this Evening. Public Advertiser, 11 May: Tickets to be had of Green, the corner of Norris-street, No. 55, Hay-market; of Ansell, Davies-street, Berkeley-square. Receipts: #277 9s. 6d. (29.12.6; tickets: 247.17.0) (charge: #105)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Deaf Lover

Ballet: End: The Humours of New-Market. As17800518

111
25 May 1780 @ King's Theatre

Event Comment: Benefit for Sga Sestini. Opera: The Music by Piccinni. [Sga Sestini's name is in the playbill, but she did not sing. On 29 May she circulated a card (Public Advertiser, etc.) in regard to her Benefit, saying that she "is exceedingly mortified at the Disappointment which prevented her from being able to perform her Part."] Tickets to be had of Sga Sestini, No. 18, Sherrard-street, Golden-square

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: Pastoral Ballet, as17800408; End II: New Ballet-Guiardele, Mme Simonet, Sga Tantini; End Opera: Serious Ballet, as17800122; Grand Chaconne, as17800122

112
10 May 1781 @ King's Theatre

Event Comment: Benefit for Slingsby. Tickets to be had of Slingsby, No. 34, Upper Seymour-street, Portman-square

Performances

Mainpiece Title: Il Barone Di Torre Forte

Dance: End I: The Rural Sports, as17810123

Ballet: End Opera: Medee et Jason. As17810329

113
07 March 1782 @ King's Theatre

Event Comment: Benefit for Pacchierotti. A Serious Opera; the Music by Bertoni. Tickets to be had of Pacchierotti, No. 8, Great Marybone-street, Cavendish-square

Performances

Mainpiece Title: Quinto Fabio

Dance: End of Act I Pastoral Dance, as17820129; End of Act II New Divertisement Dance, as17820216; End of Act III Divertisement Dance, as17811117, but Raymond in place of Bournonville

114
16 March 1782 @ Covent Garden

Event Comment: Afterpiece [1st time; F 2, by John O'KeefFe, altered from his The She Gallant; or, Square-Toes Outwitted, 1st acted at Smock Alley Theatre, Dublin, 14 Jan. 1767, and in London at the HAY, 13 Oct. 1779. Incidental music by Michael Arne and William Shield. Text 1st published by T. N. Longman and O. Rees, 1800. Prologue by George Colman, the elder (Colman, Prose, m, 231)]. Receipts: #228 10s. 6d. (226/14/6; 1/16/0)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Positive Man

115
18 April 1782 @ King's Theatre

Event Comment: Benefit for Sga Allegranti. Tickets, half a guinea each, to be had of Sga Allegranti, No. 23, Queen-street, Golden-square

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: As17820219 throughout

Song: In Act II two new songs by Sga Allegranti, one of which composed by Giardini

116
26 April 1782 @ Covent Garden

Event Comment: Benefit for Trew. Morning Herald, 20 Apr.: Tickets to be had of Trew, No. 9, Great Square, Gray's Inn. Receipts: #220 13s. (100/7; tickets: 120/6) (charge: #105)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Comus

Song: End of Act IV of mainpiece the song of Arionelli from The Son-in-Law, as17820419; In afterpiece The Huntsman's sweet Halloo, as17820226

117
01 May 1782 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. Morning Herald, 15 Apr.: Tickets to be had of Mrs Martyr at her house, No. 35, Devonshire-street, Queen-square. Tickets delivered for Lionel and Clarissa will be admitted. Receipts: #209 10s. 6d. (105/13/6; tickets: 103/17/0) (charge: #105)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth; With The Humours Of Sir John Falstaff

Afterpiece Title: The Deserter

Dance: End of mainpiece St. David's Day, as17820427

Song: End of Act II of mainpiece Cease, gay Seducers; End of Act III Tally Ho, both by Mrs Martyr

118
03 May 1782 @ Drury Lane Theatre

Event Comment: Benefit for Suett and Wright. Morning Herald, 3 May: Tickets to be had of Suett at his house, No. 20, Gloucester-street, Queen's-square, Bloomsbury; of Wright at his house, No. 21, Bennett-street, Westminster. [Afterpiece: Prologue by David Garrick.] Receipts: #232 10s. (67/13/0; 30/16/6; 0/12/6; tickets: 133/8/0) (charge: #115 10s.)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: Harlequin's Invasion

Dance: As17820318athi

119
09 May 1782 @ King's Theatre

Event Comment: By Desire of His Royal Highness the Prince of Wales. Benefit for Gardel. Tickets, half a guinea each, to be had of Gardel, No. 26, Margaret-street, Cavendish-square. 1st ballet: With entirely new Music, and a new Overture by Carter (Morning Herald, 25 May)

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411

120
23 May 1782 @ King's Theatre

Event Comment: Benefit for Sga Sestini. Tickets to be had of Sga Sestini, No. 52, Margaret-street, Cavendish-square. Opera: Reduced to 2 acts

Performances

Mainpiece Title: La Buona Figliuola

Dance: As17820411 throughout

Song: In Act II Sento ch' in Seno by Sga Sestini, and composed for her by Giordani

121
13 February 1783 @ King's Theatre

Event Comment: Benefit for Slingsby (The last Season of his appearing on the Stage [but he did not retire until the end of season 1784-85]). Tickets, half a guinea each, to be had of Slingsby at his house, No. 34, Upper Seymour-street, Portman-square

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Le Tuteur Trompe, as17830111, with two Pas de Deux, in a stile entirely new, called Pas de Lapons; or, Laplanders' Dance, by Slingsby and Mlle Theodore; End of Act II a new Pastoral Ballet by the principal Dancers, with a variety of Pas Seuls and a Pas de Deux by Slingsby and Mlle Theodore, and to conclude with a Grand Allemande by Lepicq, Mme Rossi, Slingsby, Mlle Theodore

122
14 February 1783 @ Covent Garden

Event Comment: Benefit for Sga Sestini. Public Advertiser, 13 Feb.: Tickets to be had of Sga Sestini, No. 52, Margaret-street, Cavendish Square. Afterpiece [1st time; burl 2, by John O'Keeffe. MS: Larpent 616; not published]: Taken from the Italian of La Serva Padrona [by Gennaro Antonio Federico]. The Music chiefly the Original of Parosasi [i.e. Pergolesi, and so spelled on playbill of 17 Feb.]. The new Music composed by Dr Arnold. Books of the Songs to be had at the Theatre. Receipts: #256 5s. 6d. (198/12/0; 7/3/6; tickets: 50/10/0) (charge: none listed)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Maid's the Mistress

123
26 February 1784 @ King's Theatre

Event Comment: Benefit for Vestris [Jun.]. Tickets, half a guinea each, to be had of Vestris, No. 37, Great Pulteney-street, Golden-square

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

124
04 March 1784 @ King's Theatre

Event Comment: Benefit for Pacchierotti. Opera: A Serious Opera; the Music by several eminent Masters. Pit tickets will admit two persons to the 1st, and three to the 2nd Gallery; but no money to be returned. Tickets to be had of Pacchierotti, No. 7, Great Marylebone-street, near Cavendish-square

Performances

Mainpiece Title: Demofoonte

Music: Between the 1st and 2nd Acts a sonata on the harpsichord by Clementi

Dance: End of Act II Friendship leads to Love, as17831206, but omitted: Lepicq; End of Opera he Reveil du Bonheur, as17840203

Song: Pacchierotti will conclude the 1st Act with an entire new scene by Sarti; In Act III a song, composed by Handel, by Pacchierotti

125
08 March 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Watts. Mainpiece: Written by Mrs Centlivre; Not acted these 40 years [not acted since 27 Apr. 1731, at Goodman's Fields]. Prologue written by a Gentleman [unidentified; printed in Town and Country Magazine, Apr. 1784, p. 214. The playbill for this performance is as printed in Morning Chronicle, 8 Mar. Gazetteer, 8 Mar., assigns Captain Constant to Reynolds, Laura to Miss Beaufield, Maria to Mrs Green, Belinda to Miss Johnson]. The Doors to be opened at 5:00. To begin at 6:30. Tickets to be had of Connolly, at the King's Head Tavern, Fenchurch-street; of Watts, No. 2, Upper James-street, Golden-square

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: The Mayor of Garratt

Dance: End of mainpiece Hornpipe by Rothery

Song: Between the Acts Singing [singer not listed]