SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Grigsbys Shadwells Janeways and Sams Coffee Houses"/1) | (@(roleclean,performerclean) "Grigsbys Shadwells Janeways and Sams Coffee Houses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1843 matches on Event Comments, 833 matches on Author, 211 matches on Performance Title, 141 matches on Performance Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Squire Of Alsatia

Performances

Mainpiece Title: The Squire Of Alsatia

Performances

Mainpiece Title: The Squire Of Alsatia

Event Comment: The United Company. BM Sloane MS 3929, newsletter: 19 May 1688: On Munday last the King prince and princess were to see a play called the Squire of Alsatia. [I owe this quotation to Professor John Harold Wilson.

Performances

Mainpiece Title: The Squire Of Alsatia

Performances

Mainpiece Title: The Squire Of Alsatia

Performances

Mainpiece Title: The Squire Of Alsatia

Event Comment: The United Company. The date of the first performance is not known, but the fact that the play was announced in the London Gazette, 23-27 May 1689, and entered in the Term Catalogues, June 1689, suggests that the premiere probably occurred not later than April 1689, possibly very early in May 1689

Performances

Mainpiece Title: Bury Fair

Performances

Mainpiece Title: The Squire Of Alsatia

Event Comment: The United Company. The date of the first performance is not known, but the Dedication is dated 5 May 1690; the play was entered in the Term Catalogues, May 1690; and it was advertised in the London Gazette, No. 2557, 12-15 May 1690. Although the play may not have been first acted until mid-April, it may have been given in late March 1690. Dedication, Edition of 1690: I have no reason to complain of the reception of this Play. A song, The fire of love in youthful blood, the music composed by R. King, is in Apollo's Banquet, 1691

Performances

Mainpiece Title: The Amorous Bigotte: With The Second Part Of Tegue O Divelly

Performance Comment: Edition of 1690: Bernardo-Underhill; Luscindo-Williams; Doristeo-Bowman; Finardo-Alexander [Verbruggen]; Tegue O Divelly-Leigh; Hernando-Boen [Bowen]; Diego-Young Lee; Belliza-Mrs Corey; Elvira-Mrs Jordan; Rosania-Mrs Bracegirdle; Grycia-Mrs Osborn; Levia-Mrs Butler; Gremia-Noakes; Prologue-Mrs Butler; Epilogue-Mrs Bracegirdle.
Cast
Role: Finardo Actor: Alexander
Role: Hernando Actor: Boen
Event Comment: The United Company. The date of the first performance is not known. This is the second of three plays which have been assigned to December 1690 (see Alphonso and The Mistakes). It was entered in the Term Catalogues, Feb. 1690@1, and advertised in the London Gazette, No. 2638, 19-23 Feb. 1690@1

Performances

Mainpiece Title: The Scowrers

Event Comment: The United Company. It seems likely that this play was revived in the late winter of 1693-94, for several songs for it are in Thesaurus Musicus, 1695 (licensed 16 March 1693@4; Stationers' Register, 29 Sept. 1694): A song in the fourth act, Tormenting passion leave my breast, set by John Eccles, and sung by Mrs Hudson. A song in the fifth act, set by John Eccles and sung by Mrs Burr. Mr Doggett's Serenade in the fifth act, Then beautious nymph look from above, set by John Eccles

Performances

Mainpiece Title: The Lancashire Witches

Event Comment: Rich's Company. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and two in the Box at the Libertine 12s. [This play was reprinted in 1697, but the edition has no actors' names.

Performances

Mainpiece Title: The Libertine

Event Comment: Rich's Company. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and two in the Box at Psyche 15s

Performances

Mainpiece Title: Psyche

Event Comment: Rich's Company. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and one in the Pitt at Lancashire Witches 2s. 6d

Performances

Mainpiece Title: The Lancashire Witches

Event Comment: Benefit Hodgson and Bowen

Performances

Mainpiece Title: The Virtuoso

Music: An Entertainment of Musick, never performed in Publick before, by the famous -Mons Li Rich, lately arrived from the Court of Poland: being the only and last Time of performing the said Entertainment, or any other, by reason of his sudden return to the said Kingdom

Performances

Mainpiece Title: The Libertine Destroy'd

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performances

Mainpiece Title: Timon Of Athens; Or, The Man-hater

Related Works
Related Work: Timon of Athens Author(s): Richard Cumberland

Music: A Mask set to Musick by the late Mr Henry Purcell-; Italian Sonatas-Gasperini

Performances

Mainpiece Title: The Woman Captain; Or, A Usurer Turned Soldier

Song: Mrs Hodgson, Davis, Cook

Dance: Between every Act: Variety of Comical Dances-

Performances

Mainpiece Title: The Lancashire Witches

Song:

Dance:

Performances

Mainpiece Title: Timon Of Athens; Or, The Man-hater

Related Works
Related Work: Timon of Athens Author(s): Richard Cumberland

Music: With the Original Masque- , set to Musick by the late Mr Henry Purcell

Dance: As17031019

Performances

Mainpiece Title: The Squire Of Alsatia

Dance: Some Extraordinary Entertainments-

Performances

Mainpiece Title: The Squire Of Alsatia

Music: As17031109

Song: As17031102

Dance: As17031116

Performances

Mainpiece Title: The Lancashire Witches

Song:

Dance:

Performances

Mainpiece Title: The Squire Of Alsatia

Music: An Extraordinary Entertainment ofMusick compos'd for Flutes-Mr Paisible, Mr Banister, others

Song: As17031227

Dance: As17031102