SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Grigsbys Shadwells Janeways and Sams Coffee Houses"/1) | (@(roleclean,performerclean) "Grigsbys Shadwells Janeways and Sams Coffee Houses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1843 matches on Event Comments, 866 matches on Author, 211 matches on Performance Title, 141 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: House (Hopkins Diary). Garrick's last time of performing Ranger (playbill). Rec'd Sga Paccini's Debt in full #75; Condell's 3rd payment: Fruit Office #20. Paid Blandford, Chandler's bill (after deduction) in full #14 12s. 2d.; Balance of Mad. Paccini and Martini's acct. in full #6 10s.; Bensley in full; Everard's debt and costs #5 15s. 6d. (Treasurer's Book). [Publish'd this month, Garrick's Looking Glass; or, the Art of Rising on the Stage. Price 2s. 6d. Printed for T. Evans By S. J. Pratt. Informative on most stage fundamentals. A poem in three cantos. Publish'd in July, A Lecture on Mimicry, as it was deliver'd with great applause at the Theatres in Covent Garden and the Haymarket, and the Great Room in Panton St. In the course of which were introduced a great variety of theatrical Imitations, to which is added Jerry Sneak 's return from the regatta and a Lecture upon Lectures. By G. S. Carey. Price 1s. @"I'll...on myself depend.@Inever yet found manager my friend.@By you supported boldly I'll oppose@My mimic powers against a host of foes.' Foote, Barry, and toothless Macklin, singers and dancers.] Receipts: #226 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: Strictland Actor: Jefferson
Role: Mrs Strictland Actor: Mrs Siddons
Role: Landlady Actor: Mrs Bradshaw

Afterpiece Title: The Deserter

Dance: I: The Savage Hunters, as17751118

Event Comment: House (Hopkins Diary). Last time of Garrick's performing Richard . Ladies desired to send their Servants a little after Five to keep places, to prevent Confuson. It is Vanity to endeavor to describe Mr G. Merits they beggar all Descripiton, suffice it to Say he was what he represented (Hopkins Diary). [MacMillan's note from Kemble conservatively toned down.] Paid Sg Como and Crispi in full #3 8s. 3d. Mr Hurd ditto 7s. 6d. Receipts: #284 10s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Anatomist or The Sham Doctor

Performances

Mainpiece Title: The True And Ancient History Of The Unnatural Parents Or The Fair Maid Of The West Giving An Account How They Had Two Daughters One Of Which They Fondly Lovd And The Other They Could Not Endure So By Their Barbarity She Was Forced To Leave Her Fathers House And Seek Her Fortune With The Comical Humours Of Trusty Her Fathers Man That Was Sent In Pursuit After Her Who In His Travels Met With Three Witches That Hoisted Him Upon A Distaff And Sent Him Flying Home Over The Houses

Dance: DDance-Wild Cats of the Woods

Event Comment: The Duke's Company. Pepys, Diary: With wife, Mercer, Deb., and W. Hewer to the Duke of York's playhouse, and there saw The Impertinents, a pretty good play

Performances

Mainpiece Title: The Sullen Lovers Or The Impertinents

Event Comment: The Duke's Company. Pepys, Diary: Thence carried Harris to his playhouse, where, though four o'clock, so few people there at The Impertinents, as I went out; and do believe they did not act, though there was my Lord Arlington and his company there. So I out

Performances

Mainpiece Title: The Sullen Lovers Or The Impertinents

Event Comment: The Duke's Company. This performance is on the L. C. list at Harvard: the King and Queen [present]. See VanLennep, "Plays on the English Stage," p. 13

Performances

Mainpiece Title: The Sullen Lovers Or The Impertinents

Performances

Mainpiece Title: The Royal Shepherdess

Performances

Mainpiece Title: The Royal Shepherdess

Performances

Mainpiece Title: The Royal Shepherdess

Performances

Mainpiece Title: The Royal Shepherdess

Performances

Mainpiece Title: The Royal Shepherdess

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's playhouse, and there saw The Impertinents, a play which pleases me wdll still; but it is with great trouble that I now see a play, because of my eyes, the light of the candles making it very troublesome to me

Performances

Mainpiece Title: The Sullen Lovers Or The Impertinents

Performances

Mainpiece Title: The Humorists

Performances

Mainpiece Title: The Humorists

Performances

Mainpiece Title: The Humorists

Performances

Mainpiece Title: The Humorists

Performances

Mainpiece Title: The Humorists

Performances

Mainpiece Title: The Humorists

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 18. British Museum Add. Mss. 36916, folio 233: 18 Nov. 1671: The new playhouse in Salisbury Court opened on the 9th instant, since which his Majesty hath been often there, and likes it so well that he hath given the players #1000 towards the building of it

Performances

Mainpiece Title: The Sullen Lovers Or The Impertinents

Event Comment: The King's Company. The date of the first performance is not known, but the premiere probably occurred during this month. The Preface states: This Play, as it was wrote in less than a moneth, and was the last Play that was Acted at the King's Theatre in Covent-Garden, before the fatal Fire there. [The Preface may mean that this was the last new play acted before the fire.] Two songs for this play, with music by Robert Smith, are in Choice Songs and Ayres, The First Book, 1673

Performances

Mainpiece Title: The Miser

Performances

Mainpiece Title: The Sullen Lovers Or The Impertinents

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this is the premiere, but the fact that the play was given again on 4 Dec. 1672 suggests that this was the first performance and that it was also acted on Tuesday 3 Dec. 1672. A song, How pleasant is mutual love, set by John Bannister for this play, is in Choice Songs and Ayres, First Book, 1673. See Cibber, Apology, ed. Lowe, I, 155, for Underhill's acting of Justice Clodpate. Downes (p. 33): This Play in general being Admirably Acted, produc'd great Profit to the Company. Note, Mrs Johnson in this Comedy, Dancing a Jigg so Charming well, Loves power in a little time after Coerc'd her to Dance more Charming, else where

Performances

Mainpiece Title: Epsom Wells

Performance Comment: Edition of 1673: Prologue [by Sir C. S. [Sir Charles Sedley]-; Prologue to the King and Queen [spoken at Whitehall-; Epilogue-; [Downes (Roscius Anglicanus, p. 33): Rains-Harris; Bevil-Betterton; Woodly-Smith; Justice Clodpate-Underhill; Carolina-Mrs Johnson; Lucia-Mrs Gibbs; Mrs Jilt-Mrs Betterton; Bisket-Nokes; Fribble-Angel.

Performances

Mainpiece Title: Epsom Wells

Performances

Mainpiece Title: Epsom Wells

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. The Bulstrode Papers, (I, 254), 27 Dec. 1672: This evening their Matyes and the whole Court are to be diverted with a comedy in the Theater in Whitehall by his Royal Highness's servants called Epsome Wells, at which will be present all the principal persons of quality

Performances

Mainpiece Title: Epsom Wells

Performance Comment: See16721202, but Edition of 1673: Prologue to the King and Queen, spoken at Whitehall-.