SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Greeks"/1) | (@(roleclean,performerclean) "Greeks")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 187 matches on Roles/Actors, 49 matches on Performance Comments, 18 matches on Event Comments, 4 matches on Performance Title, and 0 matches on Author.
Event Comment: The Duke's Company. This performance, the premiere, is on the L. C. list, 5@141, p. 216: first Acting. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p406. The title page states: The English Opera; or The Vocal Musick in Psyche, with the Instrumental Therein Intermix'd...By Matthew Lock. Preface: All the Instrumental Musick (which is not mingled with the Vocal) was Composed by that Great Master, Seignior Gio. Baptista Draghi, Master of the Italian Musick to the King. The Dances were made by the most famous Master of France, Monsieur St.Andree. The Scenes were Painted by the Ingenious Artist, Mr Stephenson. In those things that concern the Ornament or Decoration of the Play, the great industry and care of Mr Betterton ought to be remember'd, at whose desire I wrote upon this Subject. Roger North Upon Music: I am sure the musick in the Psyche was composed by Mr M. Lock, of whom wee may say, as the Greeks sayd of Cleomenes, that he was ultimus Heroum. This masque is also in print, and begins 'Great Psyche,' &c. and the book containing the whole musick of that entertainment is not unworthy of a place in a vertuoso's cabanet (ed. John Wilson [1959], pp. 306-7). Preface to Settle's Ibrahim (licensed 4 May 1676): I have often heard the Players cursing at their oversight in laying out so much on so disliked a play [Psyche]; and swearing that they thought they had lost more by making choice of such an Opera: writer than they had gained by all his Comedies; considering how much more they might have expected, had such an Entertainment had that scence in it, that it deserved: and that for the future they expect the Tempest, which cost not one Third of Psyche, will be in request when the other is forgotten. Downes (Roscius Anglicanus, pp. 35-36): In February 1672. The long expected Opera of Psyche, came forth in all her Ornaments; new Scenes, new Machines, new Cloaths, new French Dances: This Opera was Splendidly set out, especially in Scenes; the Charge of which amounted to above 800l. It had a Continuance of Performance about 8 Days together it prov'd very Beneficial to the Company; yet the Tempest got them more Money

Performances

Mainpiece Title: Psyche

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Devil to Pay

Dance: I: Tambourine-Master Gillier; a Boy of Six and Scholar of Muilment, his first appearance on the stage. II: Desnoyer, Mlle Chateauneuf; III: A new Serious Dance-Muilment; IV: Minuet-Master Gillier, Miss Morrison; V: Muilment, Mlle Chateauneuf; In Afterpiece: Muilment

Song: I: Beard; IV: English Captain (as1740032m-Beard

Performances

Mainpiece Title: The Miser

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: A new Grand Ballet-Muilment, Mlle Chateauneuf; II: Shepherds and Shepherdesses-Muilment, Mlle Chateauneuf; III: Pastres-Master Gillier, a Scholar of Muilment; IV: Muilment; V: A new Figure Minuet called The Queen Minuet, concluding with a Ball Minuet-Muilment, Mlle Chateauneuf; after the Minuet a Corelli's Jig-Master Gillier

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Song: III: Song-Lowe

Dance: II: Tyrolean Dance, as17421129; IV: Sicilian Peasant, as17430310

Event Comment: LLee, Yeates and Warner's Booth. A droll...The Cloaths, Scenes, Machines, and other Decorations entirely new, and according to the Taste of the Ancient Greeks. Prices 2s. 6d., 1s. 6d., 1s., 6d. To begin at twelve Noon. [Notice repeated 24, 25, 26 Aug.

Performances

Mainpiece Title: The Siege Of Troy

Song:

Dance:

Music: Grand Band of Music

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Englishman in Paris

Song: II: The Cantata of Cimon and Iphigenia-Beard

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Zingis

Afterpiece Title: The Absent Man

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Mock Doctor

Dance: End: The Recruits, as17721117

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Cross Purposes

Dance: End of Piece: The Bird Catchers, as17721207

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Sylphs

Performances

Mainpiece Title: Caractacus

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: Isabella

Afterpiece Title: Robinson Crusoe

Dance: As17820921

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones