SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Greek Roman and modern French Italian Societiesofliberalinvestigation"/1) | (@(roleclean,performerclean) "Greek Roman and modern French Italian Societiesofliberalinvestigation")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1326 matches on Performance Title, 749 matches on Event Comments, 572 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Masque: By Particular Desire. The Gentlemen's Magazine for Jan. 1742 (p. 28) in an article On Two Italian Dancers comments rather fully on the Fausans' performance in Le Boufon; or the Idiot: My expectation was rais'd to the height but at their entrance on the stage, they alarm'd me by the inexpressive Agility and descriptive Action, Look and Motion, which were all performed With such mimic Variety, that I defy the most severe Cynic to say that they wou'd not at least raise in him an agreeable surprise, to see all the attitudes, Oddities and mock Gesticulations of the two Idiots, who may be suppos'd to be in Love with one another. It is not any distortion of Body or unnatural transposition of the limbs which they exhibit to the view, but the extravagant Idiotry which the passions of Love, Disdain, Joy, Resentment, would on a real occasion actuate on the personages they represent: Nor do they so manage their Dance that it is ungraceful: they take opportunities to show by actions and movements, that in their comic Humour they have an elegancy. This performance therefore, on Reflection, appear'd to me, instead of an unnatural extravaganza to be founded on the nicest Observations of Human Nature, and prove Signor and Signora to be persons of good judgment, as well as agility. Receipts: #80

Performances

Mainpiece Title: Comus

Dance: LLe Boufon-the Fausans; Le Genereux Corsaire, as17411021

Event Comment: RRoyal family attended.-Deutsch, Handel, p. 561. The new Oratorio...has been performed four Times to more crouded Audiences than ever were seen; more People being turned away for Want of Room each Night than hath been at the Italian Opera.-Quoted by Dean, Handel's Dramatic Oratorios, p. 350, from Faulkner's Dublin Journal, 15 March

Performances

Mainpiece Title: Sampson

Music: Solo on Violin-Dubourg

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Columbine Courtezan

Performance Comment: As17440105, but a New Dance-_; Italian Masquerade-.
Cast
Role: Italian Masquerade Actor: .
Event Comment: We hear, that the company of Dutch/Children that are to perform to Tuesday next at the new theatre in the Haymarket, joyn'd with English, German, and Italian amount to above 25, and most of them excel either in Vocal or Instrumental Musick, Dancing Exercises, and playing of Pantomimes

Performances

Event Comment: [G+General Advertiser presents long defense of Italian Opera in a Letter to the Author, signed Linus.

Performances

Mainpiece Title: The Committee

Afterpiece Title: Damon and Phillida

Song: II: My Faith and Truth from Samson-Mrs Clive, Miss Edwards; III: Lowe

Dance: V: Mechel

Event Comment: A Musical Drama, in Two Parts...with Dances and other Decorations Entirely new. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be delivered this Day, at the Opera Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Persons whatsoever to be admitted behind the Scenes. The Gallery to be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. A New Opera [composed by Gluck; text by F. Vanneschi]. The Subscribers to the Opera are desired to make the last Payment of their Subscription Money to the Treasurer, at the Opera Office in the Haymarket, where Attendance will be given this and every Day, from Ten till Two, to receive the same, and deliver out the Silver Tickets. [Repeated until 28 Jan.] The new Musical Italian Drama; entitled La Caduta de Giganti, or the Fall of the Giants, writ on Occasion of the expulsion of the Rebels, was perform'd last Night at King's Theatre in the Haymarket. The performance was received and carried on with great Attention, Tranquility, and Applause: and not a little enliven'd by the Presence of his Royal Highness the Duke of Cumberland.--Daily Advertiser, 8 Jan

Performances

Mainpiece Title: La Caduta De Giganti; Or, The Fall Of The Giants

Performance Comment: Singers-Monticelli, Jozzi, Ciacchi, Signora Imer, Signora Pompeati (or Mrs Cornelie), Signora Frasi (Burney, History of Music, IV, 452). [See program of 25 March where Jozzi, Ciacchi, Imer and Pompeati are listed as singing in this opera.]See program of 25 March where Jozzi, Ciacchi, Imer and Pompeati are listed as singing in this opera.]

Performances

Mainpiece Title: The Twin Rivals

Cast
Role: Mrs Clearaccount Actor: Mrs Bland

Afterpiece Title: The Royal Chace

Performance Comment: As17460204, but Columbine-Mrs Dunstall; Aerial Spirits-Cooke, Sga Campioni,Sodi; a Ballet call'd the Italian Peasants-.

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Conrade Actor: Anderson

Afterpiece Title: Orpheus and Eurydice

Performance Comment: As17460320 butconcluding with a Peasant-Mathews (1st appearance on the stage these 4 years); Italian Peasants-_.
Cast
Role: Country Lasses Actor: Mrs Vaughn, Mrs +Villeneuve, Miss _Vandersluys, Mrs _Phillips.

Dance: DDrunken Tyrolese-Sodi; also Comic Ballet call'd the Bird Catchers-Cooke, Sga Campioni, Sodi

Performances

Mainpiece Title: All's Well That Ends Well

Performance Comment: King of France-Cashell; Bertram-Hale; Lafeu-Bridgwater; Parolles-Woodward; Clown-Chapman; Countess of Roussilon-Mrs Horton; Diana-Miss Hippisley; Duke of Florence-Bencraft; Steward-Marten; Dumain Sen-Ridout; Dumain Jun-Gibson; Interpreter-Arthur; Page-Miss Morrison; 1st Gentleman-Anderson; 2nd Gentleman-Hayman; Widow-Mrs James; Mariana-Mrs Bland; Helena-Mrs Pritchard.
Cast
Role: 1st Gentleman Actor: Anderson
Role: Mariana Actor: Mrs Bland

Afterpiece Title: The Rape of Proserpine

Performance Comment: See17460109, but Italian Peasants-.
Cast
Role: Italian Peasants Actor: .

Dance: DDrunken Tyrolese-Sodi

Event Comment: Altered from Dryden by Colley Cibber....a Man who was in the Upper Gallery...threw an apple from thence, with an intent, as is suppos'd to hit some person who was looking through the Curtain, but struck a Lady of Quality in the face, who sat in the stage box; upon which the manager order'd the Constable attending the House to make inquiry after the person who did it, and he was immediately apprehended, on the information of several people who sat near him, and was, by the Lady's desire carried before a Justice, who would have committed him for the assault; but on his begging Pardon, and promising never to offend in the like manner, she was pleas'd to forgive him, and he was discharg'd.--As it was a Publick Affront some Gentlemen would have had him brought on the stage to make a Public acknowledgment of his folly;--and tis hop'd that will be the punishment hereafter, for those who offend in the like manner.--General Advertiser, 3 Nov

Performances

Mainpiece Title: The Comical Lovers

Performance Comment: Melantha (with songs proper to the character, especially an Italian Mimick Song)-Mrs Clive; Palamede-Mills; Rhodophil-Delane; Celadon-Giffard; Phormio-Simpson; Stratton-Bransby; Jasper-Usher; Doralice-Mrs Mills; Flavia-Mrs Mozeen; Beliza-Miss Minors; Philotis-Mrs Cross; Olinda-Mrs Bennet; Sabina-Miss Cole; Melissa-Mrs Bridges; Florimel-Mrs Woffington.

Afterpiece Title: The Double Disappointment

Song: III: Lowe

Event Comment: CChettle's Great Theatrical Booth, opposite Greyhound Inn. To begin at 12 o'clock. Prices 2s. 6d., 1s. 6d., 1s., 6d. Italian Fireworks. [Notice repeated 24, 25, 26 Aug.

Performances

Mainpiece Title: Bf Miss In Her Teens

Afterpiece Title: Frolicksome Lasses; or, Harlequin Fortune Teller

Song:

Dance: NNew Hornpipe-Chettle

Music: A Grand Band of Musick

Event Comment: [Whereas a Subscription is begun for an Italian Opera this Season, which will open Nov. 14, Gentlemen and Ladies who please to subscribe, are desir'd to send to the Opera office of the said Theatre.

Performances

Event Comment: There was a practice [15 Jan.] of the Opera of Enrico, compos'd by the celebrated Galuppi, when in England, and exhibited among us a few years since. Enrico has always been considered as the Master-piece of that delighful Italian Genius, and it will be perform'd this Evening with great Improvements, from the Works of that Composer

Performances

Mainpiece Title: Enrico

Event Comment: By Subscription. A Burletta, or Comic Opera...being the first of this Species of Musical Drama ever exhibited in England. [But see Burney, II, 248, on both cast and music.] Pit and Boxes Half a guinea. Gallery 5s. To begin at 6 p.m. Last Wednesday arrived in London, from Italy, Signor Croza, with his New Company of Italian Performers, who are to entertain the Town the approaching Season, at the King's Theatre in the Haymarket, with Operas of a new kind, call'd Burlettas (General Advertiser, 23 Sept.)

Performances

Mainpiece Title: La Comedia In Comedia

Performance Comment: Lucinda-Angelica Saiz; Celindo-Gaetano Guadagni; Florilind-Filippo Laschi; Dorinna-Anna Laschi; Pandolfo-Pietro Pertici; Nobilia-Caterina Pertici; Marcion-Francesco Bianci; Vespino-Sga Giustina Amoretti [1748 Libretto].1748 Libretto].
Cast
Role: Pandolfo Actor: Pietro Pertici

Dance: GGrand Dance (compos'd by Poitier)-Mlle Poitier, Master Charles, Miss Jenny Poitier

Music: Rinaldo da Capua

Event Comment: A Pasticcio (Burney, II, 848). A Dr Crosa is the promoter of the Italian company here (Daily Advertiser)

Performances

Mainpiece Title: Il Giramondo

Dance: Between the Acts: Dancing-

Event Comment: The Company may depend upon having an Additional Treat of Chocolate, but vastly different from that lately distributed by Harry the Smuggler [repeated 12, 15 April 1749]. As the Italian Cats would not do for the Haymarket, he has dispos'd of them to Drury Lane. The Fourth Day. [See 3 April.

Performances

Mainpiece Title: The Knights

Dance: A new Country Dance-

Event Comment: New Music, Dresses, Habits and Decorations. Full Prices. [Which were maintained during run of this pantomime]. A New Pantomime. This Pant: was made by Mr Woodward & met wth great applause, Young Vernon sung for the first time very well. It is said some of the Scenes were bought from Sadler's Wells, wch is shut up by ye Law (Cross). Woodward Harlequin 1st time in three years. Pantomime a New Entertainment in Italian Grotesque Characters (General Advertiser). Receipts: #150 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Event Comment: Benefit for Palmer and Shuter. Last time of acting mainpiece this season. Tickets of Hobson at the stage Door. At Sadler's Wells near Islington will this day be opened a Concert of Vocal and Instrumental Music, divided into two parts; the vocal parts to be perform'd by Hemskirk, Bell, Mrs Yates, and Mrs Hooper. Between the two parts of the concert will be introduced several curious Performances, among which will be a fine representation of the Italian Shadows, which have not been performed in England these 30 years. The whole to conclude with a Grand piece of Fireworks, decorated with machinery and paintings entirely new, Each person to be admitted for a pint of Wine. To begin at 5 o'clock (General Advertiser). Receipts: #170 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17510412 but Strictland-Berry.
Cast
Role: Strictland Actor: Berry.
Role: Landlady Actor: Mrs Yates
Role: Mrs Strictland Actor: Mrs Ward

Afterpiece Title: The Anatomist

Dance: Mathews, Mad Camargo, the Little Swiss

Event Comment: Afterpiece: A new Entertainment in Italian Grotesque Characters. A blunder in the scenes of ye Entertainment & great noise as No more, Off, Off &c. (Cross). [Inspector No 195 appeared giving another favorable accolade to Mossop (Daily Advertiser and Literary Gazette).] Receipts: #120 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Sealand Actor: Berry
Role: Mrs Sealand Actor: Mrs Cross

Afterpiece Title: Queen Mab

Song: Mattocks

Performances

Mainpiece Title: The Comical Lovers

Performance Comment: Palamede-Ross; Rhodophil-Palmer; Celadon-Woodward first time; Sabrina-Mrs Simson; Florimel-Mrs Pritchard, first time; Doralice-Mrs Willoughby; Flavia-Miss Minors; Melissa-Mrs James; Philotas-Mrs Cross; Olinda-Mrs Bennett; Melantha, with songs proper to the part and an Italian Mimic Song-Mrs Clive; Beleza-Mrs Toogood.

Afterpiece Title: Miss in Her Teens

Song: III: Mattocks

Dance: IV: Mad Auretti

Event Comment: Yesterday arriv'd Sg Casimo Maranesi and Sga Bugiani, two celebrated Italian Comic Dancers from the Opera at Paris, and will soon make their appearance at the Theatre Royal in Covent Garden

Performances

Mainpiece Title: The City Wive's Confederacy

Afterpiece Title: Perseus and Andromeda; or, The Cheats of Harlequin

Performance Comment: Perseus-Lowe; Cepheus-Howard; Aethiopian-Baker; Cassiope-Miss Young; Mercury-Vincent; Andromeda-Mrs Lampe; Amazons-Miss Davis, Miss Allen, Miss Ferguson, Miss Mullart, Miss Morrison; Cyclops-Roberts, Smith, Courtney, Whitacre; Infernals-Villeneuve, Desse, Gardner, Dennison; Harlequin-Miles; Hussar-Bencraft; Colombine-Miss Haughton; Hussar's Servant-Arthur; Valet de Chambre-Holtom; Petit Martre-LaLauze.
Cast
Role: Andromeda Actor: Mrs Lampe
Event Comment: By Command of the Prince of Wales. We hear their Royal Highnesses the Prince of Wales, Prince Edward, Prince William, Prince Henry, Princess Augusta, and Princess Elizabeth will be this evening at Covent Garden to see the Siege of Damascus and the Italian Dancers

Performances

Mainpiece Title: The Siege Of Damascus

Cast
Role: Daran Actor: Anderson

Afterpiece Title: Apollo and Daphne

Dance: As17521219

Event Comment: MMrs Cowper did Sylvia, for her first appearance here (she came from Bath, Richmond &c.)-Toll. Afterpiece as originally perform'd (Cross) [i.e., without the burlesque scenes of The Fair (see 6 Nov. 1752).] This piece [Harlequin Ranger] was now acted as originally written. It is surprising that Mr Garrick should be the first to introduce Pantomime Entertainments (this season) especially as his own universal talents are seconded by a good company of performers. We suppose he does it to gratify the taste of the town; but such Smithfield exhibitions should certainly be banish'd from all regular theatres; and as Mr Woodward is an excellent comedian, it would be more eligible in him if he chuses to wear the motley dress any more to appear in the character of a speaking Harlequin, after the manner of the Italian Comedy; and indeed it is not a little surprising that nothing of this kind has yet been admitted upon our stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct. 1753.). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Palmer; Sylvia-Mrs Cowper[, her 1st appearance there she went to Ireland the next season-(Genest, IV, 380)]; Justice Balance-Burton; Worthy-Havard; Kite-Berry; Bullock-Taswell; Welch Collier-Blakes; Brazen-Woodward; Recruits-Vaughan, W. Vaughan; Melinda-Mrs Mills; Rose-Miss Minors; Lucy-Mrs Bennet.

Afterpiece Title: Harlequin Ranger

Event Comment: An Italian Comic Opera by some performers just arriv'd from Paris. Went off pretty well, -a Girl greatly admir'd (Cross). [The girl seems to have been Sga Spiletta.] She plays off with inexhaustible spirits all muscular evolutions of the face and brows; while in her eye wantons a studied archness, and pleasing malignity. Her voice has strength and scope sufficient; has neither too much of the feminine, nor an inclining to the male. Her gestures are ever varying; her transitions quick and easy. Some over-nice critics, forgetting, or not knowing the meaning of the word Burletta, cry that her manner is outre. Wou'd she not be faulty were it otherwise? The thing chargeable to her is (perhaps) too great a luxurience of comic tricks; which (an austere censor would say) border on unlaced lasciviousness, and extravagant petulance of action (Paul Hiffernan, The Tuner, No 1). [Spiletta was the name of the character to whom Sga Nicolina Giordani gave such life that the name stuck to her. See Saxe Wyndham, Annals of Covent Garden Theatre.] [A Comic Opera by G. Giordani, Music by G. Cocchi-Nicoll, English Drama, III, p. 349.] Nothing less than the full price will be taken during the Performance. Printed books of the opera sold at the theatre. Tomorrow, Venice Preserved. [Murphy commented in Gray's Inn Journal (22 Dec.): "A great deal of whatever humour this production may contain, is certainly lost to an English audience; and the manner of acting, being a burlesque upon what people here are not very well acquainted with, is not universally felt. But notwithstanding these disadvantages, there is one among them, Sga Nicolina Giordani, who displayed such lively traces of Humour in her countenance, and such pleasing variety of action, and such variety of graceful deportment, that she is generally acknowledged to be, in that Cast of playing, an excellent comic actress."

Performances

Mainpiece Title: L'amanti Gelosi

Dance: [Unspecified.]

Event Comment: On Monday next an Italian Comic Opera , never performed before, call'd L'Amore Constante

Performances

Mainpiece Title: The Funeral

Cast
Role: Cabinet Actor: Anderson
Role: Lady Brumpton Actor: Mrs Bland.

Afterpiece Title: Harlequin Sorcerer