SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Greek Roman and modern French Italian Societiesofliberalinvestigation"/1) | (@(roleclean,performerclean) "Greek Roman and modern French Italian Societiesofliberalinvestigation")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1326 matches on Performance Title, 749 matches on Event Comments, 572 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Receipts: #104 18s. 6d. Probable attendance: boxes, 88 paid and 23 orders; pit, 248 paid and 18 orders; slips, 23 paid and 7 orders; first gallery, 298 paid and 25 orders; second gallery, 152 paid and 1 order

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin a Sorcerer; With the Loves of Pluto and Proserpine

Performance Comment: Harlequin-Lun; Witches-Leveridge, Papillion, Harrison, Mrs Chambers; 1st Bird Catcher-Pelling; 2d Bird Catcher-Spiller; Petit Maitre-Legar; Italian Italian-Rochetti; Pluto-Leveridge; Proserpine-Mrs Seedo; Sysiphus-Dupre Jr; Prometheus-Newhouse; Ixion-Lanyon; Clotho-Miss LaTour; Lachesis-Mrs Pelling; Atropos-Mrs Ogden; Furies-Dupre, Moreau, Pelling.
Cast
Role: Italian Italian Actor: Rochetti
Event Comment: By Command of His Royal Highness. Mainpiece: Written by the late Mr Congreve. Afterpiece: A New Pantomime

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Merlin; or, The Devil of Stone-Henge

Performance Comment: Merlin-Laguerre; Spirits-Mrs Cibber, Mrs Clive; Ghost of Faustus-Salway; Harlequin Faustulus-Le Brun; Harlequin's Servant-Nivelon; Italian-Lalauze; Fanner-Mechlin; Italian Lady-Cibber; Country Lass-Mrs Clive; Italian Lady's Servant-Mrs Laguerre; Shepherds-Pelling, Davenport; Shepherdesses-Mrs Pelling, Mrs Davenport; Pluto-Denoyer; Furies-Livier, Villeneuve, Pelling, Davenport; but edition of 1734 lists: Merlin-Laguerre; Ghost of Faustus-Salway; Spirits-Mrs Cibber, Mrs Clive; Mountebank's Zany-Salway; Country Girl-Mrs Clive; Time-Salway .
Cast
Role: Italian Actor: Lalauze
Role: Italian Lady Actor: Cibber
Role: Italian Lady's Servant Actor: Mrs Laguerre

Entertainment: [By Lewis Theobald and John Galliard.] With New Habits, Scenes, Machines, and other Decorations. No Money under the full Price to be taken during the whole Time of the Performance. The advanc'd Money to be return'd to those who go out before the Overture of the Entertainment begins. 5s., 3s., 2s., 1s

Performance Comment: ] With New Habits, Scenes, Machines, and other Decorations. No Money under the full Price to be taken during the whole Time of the Performance. The advanc'd Money to be return'd to those who go out before the Overture of the Entertainment begins. 5s., 3s., 2s., 1s .
Event Comment: "The Italian singers, male and female, whom I saw on this stage, distinguished themselves by good action, which is uncommon among the Italians. But the Italian opera would instantly be abandoned, notwithstanding the talents of the singers and the beauty of the music, if dancing were not the powerful magnet which attracts the Londoners. All Italian operas are, therefore, abridged, divertisements introduced between the acts, and the ballets considerably lengthened, in order to gratify the public taste" (Goede, p. 263)

Performances

Mainpiece Title: The 1st Act Of Le Gelosie Villane

Afterpiece Title: The 1st Act of Merope

Dance: As17970715

Performances

Mainpiece Title: Camilla

Performance Comment: Latinus-Turner; Prenesto-Signora Margarita (part in Italian); Turnus-Valentino (in Italian); Metius-Ramondon; Linco-Leveridge; Camilla-Mrs Tofts; Lavinia-Baroness (most in Italian); Tullia-Mrs Lindsey.

Dance:

Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17971004, but Sir Francis Gripe-Quick; Miranda-Miss Betterton.
Cast
Role: Miranda Actor: Miss Betterton.

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .
Event Comment: Mainpiece: Never Acted before. [Author unknown. Apparently not published.] Afterpiece: With Alterations and Additions. Written by the Author of the Comedy. At Common Prices. 6:30 P.M

Performances

Mainpiece Title: Squire Basinghall; Or, The Cheapside Beau

Performance Comment: Squire Basinghall-Mullart; Archer-Mrs Charke; Lord Belmont-Walker; Captain Modely-Lacy; Modern Wit-Boothby; Classic-Aston; Lady Charlot-Mrs Freeman; Lucella-Miss Brett; Darneit-Mrs Mullart; Mrs Basinghall-Mrs Bennet .
Cast
Role: Modern Wit Actor: Boothby

Afterpiece Title: The Stage Mutineers

Event Comment: Benefit Walker, a Brother. For the Entertainment of the Grand Master and the Worthy Brothers and Sisters of the Honourable Community of Modern Free-Masons. Mainpiece: Written by the late Mr Gay. Afterpiece: Taken from Moliere, and Intermixed with Songs. Boxes 5s. Pit 3s. Gallery 2s. 6:30 p.m

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Song: Concluding with theModern Free@Masons Song-in the Character of Robin Hooda Brother

Dance: HHornpipe, Drunken Peasant-Phillips

Event Comment: Benefit Mr and Mrs Cushing. At the Desire of several Persons of Distinction. Tickets at Cushing's, No 3, Lambeth St. [Prices as 14 Jan.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Tom-Cushing; Phyllis-Mrs Cushing; Witha Prologue on Modern Tragedy-Mr Cushing in the character of a Jew; an Epilogue-No/body.

Afterpiece Title: The Mock Doctor

Dance: Two Masters Granier, Miss Granier; Hornpipe-Williams

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Gibson; Benvolio-Usher; Paris-Anderson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennett; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-aYoung Gentlewoman (who never appeared on any stage before); [With a Masquerade Dance- [proper to the play; [and an Additional Scene introduced representing the Funeral Procession of Juliet-; [which will be accompanied with a Solemn Dirge-; the vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers; [With an Occasional Prologue-Barry.*c1753 10 10 cg A Prologue by Barry to introduce a young gentlewoman in Juliet (Miss Nossiter) who never appear'd upon any stage. Great Applause. The Prologue about Mrs Cibber's Leaving Rich (Cross). Romeo was perform'd by Barry and Juliet by Miss Nossiter, being the first time of her appearing on any theatre. The delicacy of her figure, and her gracefull distress, obtained for her the warmest applause; and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.] and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.]

Performances

Mainpiece Title: A Medley Concert And Auction

Performance Comment: As17570813, but Blind Man's Buff-_; English song-Miss Gaudry. In Miss Dorothy Midnight's Oration will be introduced several Specimens of Modern Oratory.

Afterpiece Title: Harlequin's Frolic

Cast
Role: Blander Actor:
Role: Frenchman Actor:

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Oracle

Song: Between the parts: singing-two Young Ladies; The Midshipman-a Young Lady; Jack Rattling (in character)-a Young Lady

Entertainment: Monologues.An Address to the Ladies-Miss C?. Kent (a Child of 6 years of Age); Collins' Ode on the Passions, Garrick's Picture of a modern Fine Lady-Miss Kent; conclude: an Address of Thanks-Kent

Performance Comment: An Address to the Ladies-Miss C?. Kent (a Child of 6 years of Age); Collins' Ode on the Passions, Garrick's Picture of a modern Fine Lady-Miss Kent; conclude: an Address of Thanks-Kent.
Event Comment: This play was presumably acted by the Duke's Company. In the preface to Heraclius, Emperour of the East, published in 1664, the author, Lodowick Carlell, complains that he had submitted his translation of Corneille, only to have it returned the very day that this version appeared on the stage. See also the letter by Katherine Philips, under Pompey the Great, Jan. 1663@4. Pepys, Diary: We made no long stay at dinner; for Heraclius being acted, which my wife and I have a mighty mind to see, we do resolve, though not exactly agreeing with the letter of my vowe, yet altogether with the sense, to see another this month, by coming hither instead of that at court, there having ueen none conveniently since I made my vowe for us to see there, nor like to be this Lent, and besides we did walk home on purpose to make this going as cheap as that would have been, to have seen one at Court, and my conscience knows that it is only the saving of money and the time also that I intend by my oaths....The play hath one very good passage well managed in it, about two persons pretending, and yet denying themselves, to be son to the tyrant Phocas, and yet heire of Mauricius to the crowne. The garments like Romans very well. The little girle is come to act very prettily, and spoke the epilogue most admirably. But at the beginning, at the drawing up of the curtaine, there was the finest scene of the Emperor and his people about him, standing in their fixed and different postures in their Roman habitts, above all that ever I yet saw at any of the theatres

Performances

Mainpiece Title: Heraclius

Event Comment: The King's Company. The date of the premiere is not known, but a licensing date of 28 March 1678 suggests a first performance not later than February 1678. One song, One night while all the village slept, with music by Louis Grabu and words by Sir Car Scroop, is in Choice Ayres and Songs, The Third Book, 1681. Downes (Roscius Anglicanus, p. 17): Major Mohun...[in] Mithridates, &c. An Eminent Poet seeing him Act this last, vented suddenly this Saying: Oh Mohun, Mohun! Thou little Man of Mettle, if I should write a 100 Plays, I'd Write a Part for thy Mouth; in short, in all his Parts, he was most Accurate and Correct. [Downes, p. 12, gives an identical cast except for omissions.] Princess Anne apparently played Ziphares and Frances Apsley played Semandra in a production of this drama, probably at St James's Palace or at Sir Allen Apsley's house in St James's Square, between January 1677@8 and August 1679. See Benjamin Bathurst, Letters of Two Queens (London, 1924), p. 61

Performances

Mainpiece Title: Mithridates, King Of Pontus

Performance Comment: Edition of 1678: Prologue-; Mithridates-Mohun; Ziphares-Hart; Pharnaces-Goodman; Archelaus-Griffin; Pelopidas-Wintershul; Andravar-Powell; Aquilius-Clark; Another Roman Officer-Wiltshire; Monima-Mrs Corbett; Semandra-Mrs Boutel; Epilogue by Mr Dryden-.
Cast
Role: Andravar Actor: Powell
Role: Another Roman Officer Actor: Wiltshire
Role: Semandra Actor: Mrs Boutel
Event Comment: Gentleman's Journal, February 1691@2 (licensed 12 Feb. 1691@2): Mr Dryden has compleated a new Tragedy, intended shortly for the Stage, wherein he hath done a great unfortunate Spartan no less justice than Roman Anthony met with in his All for Love. You who give Plutarch a daily reading, can never forget with what magninimity (under all his tedious misfortunes) Cleomenes behaved himself, in the Aegyptian Court. This Hero, and the last Scene of his Life, has our best Tragic Poet chose for his fruitful Subject....Mr Dryden makes his Spartans, in this, speak as manly heroic Lacedaemonians, those more than Romans ought to speak, and since I am certain of your assent, at least, to my faith, I shall be bold to add, That tho I cannot but grant that Cleomenes alone could be author of his own glorious performances, yet I am most confident that their intire lustre will be fully maintained by Dryden's lively description, and Mr Betterton's natural imitation

Performances

Event Comment: Robert Shirley to Thomas Coke, Chartly, 21 Jan. 1695@6: I must agree with you that Wit and Sense seem this winter to have suffered an eclipse, and the dramatic writers more especially have showed how little they consulted either. I do assure you, I have not of late met with more of both than in your ingenious diverting letter to me, so that I am satisfied Wit is not retired out of town, but has only forsaken the stage. We that live in these northern parts are forced to range over fields and woods to find subjects of diversion, for in the frozen season of the year, there is nothing that is more so in the country than conversation. In my last ramble, either my own innate fancy, or the aversion I had to see such plays wrote in English as would hardly bear the reading, made me imagine I met with one of the Muses that had left the town, and by her discourse seemed to be Patroness of Dramatic Poetry. You know, Sir, to meet with a Nymph in the desert was no rarity in some countries heretofore, but yet I vow and swear between us, I asked her the occasion of her leaving the town, to which she made this sudden answer: @Neglected Wit is silent at a time@When puns, or bombast, stuff each doggrill rhyme.@In comic strain when they'd describe a fool,@The author proves the only ridicule.@In tragic verse while others fain would boast,@Landing some thousand Romans on the coast,@In what they would express themselves are lost,@Make Romans cowards, and make English great,@And make Bonduca valiant, to be beat.@Would Congreve or would Blackmoor now engage,@They might with manly thoughts reform the stage:@ ... As for Mr Southern's play, I have not yet seen it, so that I cannot at present give you my thoughts on it (HMC, 12th Report, Appendix, Part II, Cowper MSS., II, 359-60)

Performances

Event Comment: Chetwood, A General History of the Stage, p. 198: Yet a blind Man might have borne with Norris in the Roman Patriot , for he spoke it with all the Solemnity of a suffering Hero; while Penkethman, and the rest of the motley Tribe, made it as ridiculous by Humour and Action: And yet some of the first Rank in the Kingdom seemed highly diverted whilst others invoked the...dead Roman and Briton to rise, and avenge their own Cause. Lady Bristol in. Letter Books of John Hervey, II, 74-75: I had no patience to see [Addison's] play burlesqued as it was last night for the entertainment of their Royal Highnesses...their Audience was much too good for them, for there was a great many people of quality

Performances

Mainpiece Title: Cato Burlesqued

Event Comment: By Command of His Royal Highness

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discover'd

Performance Comment: Pierre-Mills; Jafteir-Milward; Priuli-Roman; Renault-Cibber; Belvidera-Mrs Thurmond .
Cast
Role: Priuli Actor: Roman

Afterpiece Title: The Devil to Pay

Dance: Revellers, as17340910 Pierrots, as17341023

Event Comment: A tragedy written by Mr Glover, great Applause-but a thought dull (Cross). Never Acted before. [Mainpiece complimented left-handedly by Murphy in Gray's Inn Journal, 8 Dec. The music and scenery were both suited to the piec e, and the acting of it, were there no other inducement, should be sufficient to draw numerous audiences...I cannot but remark that the applause it met with, was scarcely warm enough for such fine writing...I am convinced that this Tragedy will prove an elegant Closet-companion to every reader of taste."] Receipts: #230 (Cross)

Performances

Mainpiece Title: Boadicia

Performance Comment: Parts-Garrick, Mossop, Havard, Burton, Bransby, Davies, Mozeen, Jefferson, Mrs Pritchard, Mrs Cibber. Dumnorix-Garrick; Aenobarbus-Mossop; Flaminius-Havard; Tenantius-Burton; Ebrancus-Mozeen; Roman Ambassador Icenians and Trinobanitans-Bransby, Davies, Jefferson; Boadicia-Mrs Pritchard; Venusia-Mrs Cibber; [With new pieces of music- [between the acts, adapted to the play; Prologue-Mossop; Epilogue-Havard [(Edition of 1753).].(Edition of 1753).].

Music: With new pieces of Between the Acts: Music , adapted to the play, and by Dr Boyce-

Performances

Mainpiece Title: Coriolanus

Performance Comment: As17541111, but Titus Lartius-Simson; In Act II will be introduc'd the Representation of a Roman Triumph-.
Event Comment: Benefit for Smith. Mainpiece: not acted these 4 years. No building on stage. Receipts: #60 12s. 6d. plus tickets #222 5s. (boxes 458; pit 605; gallery 170). Charges #63. Mr Robt. Lewis came in for 1 share (Account Book). [Smith advertised, and it appeared his house at his benefit was too full & [there was] confusion in getting to places (Winston MS 8). See Smith's note in Public Advertiser, 16 March.

Performances

Mainpiece Title: Coriolanus

Performance Comment: Coriolanus-Smith; Tullus-Ryan; Volusius-Sparks; Menenius-Shuter; Cominius-Ridout; Galesus-Gibson; Brutus-White; Sicinius-Bennet; Plebeians-Dunstall, Barrington, Collins, Costollo; Volumnia-Miss Condill; Veturia-Mrs Hamilton. In which will be introduc'd a Roman Ovation after the manner of the Antients.

Afterpiece Title: The Sheep Shearing

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Benefit for Barrington and Mrs Lampe. No building on Stage. Receipts: #24 6s. 6d. in cash. Charges #64 5s. Deficit to each beneficiary, #19 19s. 3d., covered by income from tickets: Barrington #48 9s. (Boxes 66; Pit 188; Gallery 69); Mrs Lampe #40 10s. (Boxes 34; Pit 107; Gallery 128). Total income #113 5s. 6d. [At this point in the benefit season the house shows profitable balance on the books of only #225 5s.

Performances

Mainpiece Title: Coriolanus

Performance Comment: Coriolanus-Smith; Tullus-Clarke; Volusius-Sparks; Menenius-Shuter; Cominius-Ridout; Galesus-Gibson; Brutus-Davis; Sicinius-Bennet; Plebeians-Dunstall, Barrington, Collins, Costollo, Stoppelaer; Volumnia-Mrs Vincent; Veturia-Mrs Hamilton. In which will be introduc'd a Roman Ovation, after the manner of the ancients.

Afterpiece Title: Lethe

Dance: III: Fingalian Dance-Miss Hilliard; End: The Threshers-Leppie, Granier, Mlle Capdeville

Event Comment: By Command of their Majesties. Mainpiece: Altered from Shakespeare and Thomson. Not acted these five years. [See 18 April 1760.

Performances

Mainpiece Title: Coriolanus

Performance Comment: Coriolanus-Smith; Menenius-Shuter; Cominius-Gibson; Minucius-Anderson; Sicinius-Bennet; Brutus-Davis; Plebeians-Barrington; Dunstall, Cushing, Costollo, Lewis; Tullus-Clarke; Volusius-Walker; Galesus-Hull; Titus-White; Volumnia-Miss Macklin; Veturia-Mrs Bellamy. In which will be introduc'd a Roman Ovation after the manner of the ancients.

Afterpiece Title: Lethe

Cast
Role: Frenchman Actor: Holtom

Dance: End: Rural Love, as17641212

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Performance Comment: Antony-Powell; Ventidius-Holland; Dolabella-Lee; Alexas-Dodd; Cleopatra-Mrs Yates; Octavia-Mrs Hopkins; Serapion-Bransby; Myris-Keen; Romans-Ackman, Strange; Antonio-Miss Rogers; Agrippina-Miss Ford; Charmion-Miss Plym; Iras-Mrs Hippisley; In Act III, a Dance incident to the Play,-Sg Giorgi, Sga Giorgi, Miss Baker.
Cast
Role: Ventidius Actor: Holland
Role: Romans Actor: Ackman, Strange

Afterpiece Title: The Deuce Is in Him

Dance: End: The Irish Milk Maids, as17651209

Event Comment: Benefit for Holland. Farce never before acted. Part of Pit laid into boxes. Farce written by the author of Lionel and Clarissa

Performances

Mainpiece Title: All For Love

Performance Comment: Antony-Barry; Ventidius-Holland; Dolabella-Aickin; Octavia-Mrs Hopkins; Alexas-Packer; Serapion-Bransby; Charmion-Mrs Johnston; Romans-Ackman, Strange; Iras-Mrs Hippisley; Cleopatra-Mrs Dancer; In Act II, a Dance- incident to the play.
Cast
Role: Ventidius Actor: Holland
Role: Romans Actor: Ackman, Strange

Afterpiece Title: The Absent Man

Performance Comment: Parts-King, Palmer, Cautherly, J. Palmer, Hurst, Fawcett, J. Burton, Mrs Barry, Mrs Jeffries, Mrs Bradshaw, Mrs Hopkins. With a Prologue-; Shatterbrain-King; Frank-Palmer; Weldon-Cautherly; Dr Gruel-Hurst; Capt. Slang-J. Palmer; Mrs Junket-Mrs Hopkins; Miss Frolick-Mrs Jeffries; Flavia-Mrs W. Barry; Landlady-Mrs Bradshaw; Coxcomb-Fawcett (Genest, V, 167).
Cast
Role: Landlady Actor: Mrs Bradshaw

Dance: V: The Wake, as17680220

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Performance Comment: Ventidius-Aickin, first time; Antony-Barry; Dolabella-Palmer; Cleopatra-Miss Younge, first time; Octavia-Mrs Barry, first time; Alexas-J. Bannister; Iras-Miss Platt; Serapion-Bransby; Charmion-Mrs Johnston; Mysis-Keen; Romans-Ackman, Wrighten.
Cast
Role: Romans Actor: Ackman, Wrighten.

Afterpiece Title: The Elopement