SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Goodman"/1) | (@(roleclean,performerclean) "Goodman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 207 matches on Roles/Actors, 66 matches on Event Comments, 63 matches on Performance Comments, 2 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Pannel

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Prize

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Strangers at Home

Dance: In: a favorite Pas Seul-Sga Bossi DelCaro

Event Comment: [N+New Wells, Lemon St. Goodman's Fields.] As Church wardens and Overseers of the Parish of Whitechapel did lately receive Information, that several young Persons have exhibited Plays at Goodman's Fields Wells...that the said young Persons have actually met and rehearsed Plays on the Lord's Day, in Defiance of all Laws, Divine and Human; the said Churchwardens and Overseers, assisted by proper Authorities, went last Night to Goodman's Fields Wells, which they found vastly crowded, and having severly reprimanded the Performers, dismissed the Audience (Daily Advertiser, 2 March)

Performances

Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Event Comment: Benefit Mrs Daniel. [Prices return to Boxes 2s. 6d. Pit and First Gallery 1s. 6d. Upper Gallery 1s.] Tickets of Mrs Daniel at Mrs Cliff's, in Buckle St., near the Lead House, Goodman's Fields; Cardmakers Arms in Gray's Inn Passage, Red Lion Square; King Harry's Head, Red Lion St., Goodman's Field

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Love And Madness

Afterpiece Title: 'Tis a Wise Child Knows its Father

Performance Comment: Characters-Davies, Wilkinson, Palmer Jun., Usher, Waldron, Waldron Jun., A Young Lady, Mrs Harlowe. [Larpent MS lists the parts: Lord Sealand, Sir ThomasRichacre, Doctor Goodman, George, Metre, William, Emily, Patty.]Larpent MS lists the parts: Lord Sealand, Sir ThomasRichacre, Doctor Goodman, George, Metre, William, Emily, Patty.]
Event Comment: During this month the dissident players from the King's Company--Goodman, Gray, and Clarke--returned from Edinburgh. For details, see Hotson, Commonwealth and Restoration Stage, pp. 262-63

Performances

Event Comment: The King's Company. The date of the first production is not known. Although the play was not entered in the Term Catalogues until May 1681, Wilson (Six Restoration Play-Dates, p.222) has argued that the reference in the Prologue to the young men (presumably Gray, Goodman, and Clarke; see February 1679@80) who had gone to Scotland and returned empty-handed suggests a performance near March 1680, when these references would have more point than they would have a year later

Performances

Mainpiece Title: Thyestes

Performances

Mainpiece Title: Mithridates, King Of Pontus

Performance Comment: For a previous cast, see February 1677@8. A Prologue spoken at Mithridates King of Pontus, the First Play Acted at the Theatre Royal this Year, 1681. Written by John Dryden. Epilogue written by Dryden and spoken by Goodman and Mrs Cox.
Event Comment: Cardell Goodman, the actor, was brought to court for complicity in a poisoning case. See Luttrell, A Brief Relation, I, 318, and J. C. Jeaffreson, A Young Squire of the Seventeenth Century (London, 1878), II, 143-44

Performances

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performance Comment: . Possibly Goodman acted Alexander after the death of Hart on 18 Aug. 1683; or Mountfort may have succeeded to the role.

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

Performance Comment: but possibly Goodman acted Alexander. See16860216@7.
Event Comment: John Dryden to Sir George Etherege, 16 Feb. 1686@7: The Coffee-house stands certainly where it did, & angry men meet in the square sometimes, as Abercomy, & Goodman lately did, where they say Alexander the Great was wounded in the arme (The Letters of John Dryden, ed. Ward, p. 27). See 27 Oct. 1686

Performances

Event Comment: By Authority. At 6 P.M. Boxes 3s. Pit 2s. Gallery 1s. [The opening night of the new theatre in Goodman's Fields. The Prologue and Epilogue were printed in Weekly Journal or British Gazetteer, 8 Nov.

Performances

Mainpiece Title: The Recruiting Officer

Dance:

Event Comment: DDaily Journal, 31 Dec.: Whereas a Cracker was thrown with an evil Intention into the New Theatre in Goodman's-Fields on Tuesday last...This is to certify, that Peace Officers are constantly attending to prevent all kinds of Disorders, and that whoever shall discover the Offender or Offenders above-mentioned, shall receive five Guineas reward from me the Master of the said House. December 31, 1729. Thomas Odell

Performances

Mainpiece Title: The Constant Couple

Dance: As17291220

Song: Mrs Mountfort, Miss Thornowets

Event Comment: Benefit R. Williams. Mainpiece: Not Acted these Twenty Years. On this day the Lord Mayor and the Court of Aldermen of the City presented a petition to the King seeking the suppression of the theatre in Goodman's Fields. Thomas Odell, Master of the Theatre, also appeared before His Majesty and sought royal leave to continue acting.--See Grub St. Journal, 7 May, for a summary of the events, but see also Weekly Journal or British Gazetteer and London Journal, 2 May

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe White Joke (new)-Eaton

Event Comment: UUniversal Spectator, 27 June: Thomas Odell, Esq. Master of the New Theatre in Goodman's Fields, hath been at Windsor to obtain Leave to bring his Company of Comedians down thither to perform Plays during the Court's Stay at Windsor; and we hear that he hath succeeded therein

Performances

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Carlos-Roberts, from Drury Lane; Cholerick-Morgan, from Lincoln's Inn Fields; Clodio-Woodward, from Goodman's Fields; Angelina-Mrs Morgan, her first on this Stage; Louisa-Mrs Woodward, her first on this Stage; Antonio-Jones; Charino-Ayres; Governor-Mullart; Duart-Lacy; Manuel-Haverd; Sancho-Reynolds; Elvira-Mrs Mullart; Honoria-Mrs Lacy; With a new Prologue on the Occasion-Roberts.
Event Comment: Benefit Havard and Boucher, Prompter. Daily Advertiser, 2 June: We hear Mr Odel, Master.., Goodman's-Fields, intends to decline to concern himself any longer with the Management of that Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Biter Bit; or, The Humours of Harlequin and Scaramouch

Afterpiece Title: The Throwsters Opera

Event Comment: The Article in the Daily Advertiser of Wednesday last, which mentions Mr Odell's intending to decline concerning himself any longer with the management of Goodman's-fields Playhouse, is a false and scandalous Libel

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Biter Bit

Event Comment: By a Company of Comedians from Goodman's Fields, and both the Theatres Royal, at the New Theatre in Tottenham Court

Performances

Mainpiece Title: Amurath, The Great Emperor Of The Turks; Or, The London Prentice's Glory

Song: Excell

Event Comment: DDaily Advertiser, 13 Nov., has a poem: To Mr Giffard, on the New Theatre in Goodman's Fields

Performances

Mainpiece Title: The Old Batchelor

Dance: TTambourine-Miss Wherrit; Scots Dance-Mrs Bullock; Sailor's Dance-Jones