SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Goldoni"/1) | (@(roleclean,performerclean) "Goldoni")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 215 matches on Author, 20 matches on Event Comments, 0 matches on Performance Title, 0 matches on Performance Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: La Buona Figliuola

Related Works
Related Work: La Buona Figliuola Author(s): Carlo Goldoni

Dance: End of Act I A la Plus Sage [performers not listed, but see17850303 End of Opera Il Convitato di Pietra [performers not listed, but see17850312

Performances

Mainpiece Title: La Buona Figliuola

Related Works
Related Work: La Buona Figliuola Author(s): Carlo Goldoni

Dance: End I: New Divertissement-[See17890110]; in which the Minuet of Iphigenia, as17890428; Pas de Deux Anacreontique, as17890428; End Opera: Les Caprices de Galatee, as17890523

Performances

Mainpiece Title: Le Nozze Di Dorina

Related Works
Related Work: Le Nozze Di Dorina Author(s): Carlo Goldoni
Related Work: Le Nozze di Dorina Author(s): Carlo Goldoni

Dance: End I: Les Epoux du Tempe, as17930126

Ballet: End Opera: an entire new Heroic Pantomime Ballet Venus and Adonis (composed by Noverre). Cupid-Nivelon; Adonis-Favre Gardel; Mercury-Gentili; Jupiter-D'Egville; Hebe-Mlle Hilligsberg; The Graces-Mlle Bourgeois, Mlle Vedie, Mlle Droma; Venus-Mlle Millerd; Nymphs, Chasseurs-the Corps de Ballet

Performances

Mainpiece Title: Le Nozze Di Dorina

Related Works
Related Work: Le Nozze Di Dorina Author(s): Carlo Goldoni
Related Work: Le Nozze di Dorina Author(s): Carlo Goldoni

Dance: As17930226

Ballet: Venus and Adonis. As17930226

Performances

Mainpiece Title: Le Nozze Di Dorina

Related Works
Related Work: Le Nozze Di Dorina Author(s): Carlo Goldoni
Related Work: Le Nozze di Dorina Author(s): Carlo Goldoni

Dance: End I: Divertisement, as17930216

Ballet: End Opera: Venus and Adonis. As17930226

Performances

Mainpiece Title: Le Nozze Di Dorina

Related Works
Related Work: Le Nozze Di Dorina Author(s): Carlo Goldoni
Related Work: Le Nozze di Dorina Author(s): Carlo Goldoni

Dance: As17930305

Ballet: Venus and Adonis. As17930305

Performances

Mainpiece Title: Le Nozze Di Dorina

Related Works
Related Work: Le Nozze Di Dorina Author(s): Carlo Goldoni
Related Work: Le Nozze di Dorina Author(s): Carlo Goldoni

Dance: As17930305

Ballet: Venus and Adonis. As17930305

Performances

Mainpiece Title: Le Nozze Di Dorina

Related Works
Related Work: Le Nozze Di Dorina Author(s): Carlo Goldoni
Related Work: Le Nozze di Dorina Author(s): Carlo Goldoni

Dance: As17930305

Ballet: Venus and Adonis. As17930305

Performances

Mainpiece Title: Le Nozze Di Dorina

Related Works
Related Work: Le Nozze Di Dorina Author(s): Carlo Goldoni
Related Work: Le Nozze di Dorina Author(s): Carlo Goldoni

Dance: End I: Le Faune Infidele, as17930406, but Gentili

Ballet: End Opera: Venus and Adonis. As17930226

Performances

Mainpiece Title: Le Nozze Di Dorina

Related Works
Related Work: Le Nozze Di Dorina Author(s): Carlo Goldoni
Related Work: Le Nozze di Dorina Author(s): Carlo Goldoni

Dance: End I: Les Epoux du Tempe- [See17930205]

Ballet: End Opera: the Grand Historical Ballet in 4 Parts, which has been so long in preparation, Iphiginia in Aulide; or, The Sacrifice of Iphiginia composed by Noverre. Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet

Performances

Mainpiece Title: Le Nozze Di Dorina

Related Works
Related Work: Le Nozze Di Dorina Author(s): Carlo Goldoni
Related Work: Le Nozze di Dorina Author(s): Carlo Goldoni

Dance: End I: Le Faune Infidele, as17930420

Ballet: End Opera: Iphiginia in Aulide. As17930423

Performances

Mainpiece Title: Le Nozze Di Dorina

Related Works
Related Work: Le Nozze Di Dorina Author(s): Carlo Goldoni
Related Work: Le Nozze di Dorina Author(s): Carlo Goldoni

Dance: End I: Divertisement- [See17930126]

Ballet: End Opera: Iphiginia in Aulide. As17930423

Performances

Mainpiece Title: Le Nozze Di Dorina

Related Works
Related Work: Le Nozze Di Dorina Author(s): Carlo Goldoni
Related Work: Le Nozze di Dorina Author(s): Carlo Goldoni

Afterpiece Title: Semiramide (Act II only)

Dance: End 1st piece: L'Amant Retrouve, as17950124; End 2nd piece: L'Odio vinto dall' Eroismo, as17950613

Music: End I 2nd piece: Preserving the favourite trio-; and with an additional new song here for the occasion by Bianchi-Mme Banti; accompanied by the English horn-Ferlendis; violoncello-Lindley; French Horns-the Leanders; bassoon obligato-Holmes

Performances

Mainpiece Title: Le Nozze Di Dorina

Related Works
Related Work: Le Nozze Di Dorina Author(s): Carlo Goldoni
Related Work: Le Nozze di Dorina Author(s): Carlo Goldoni

Afterpiece Title: Semiramide (Act II only)

Dance: As17950522

Music: As17950616

Performances

Mainpiece Title: La Buona Figliuola

Related Works
Related Work: La Buona Figliuola Author(s): Carlo Goldoni

Dance: As17960423

Event Comment: Libretto by Goldoni; Music by Galuppi. A new comic Opera. To begin at 6:30 p.m. Pit and Boxes Half a Guinea. Gallery 5s. By His Majesty's Command No Persons admitted behind the Scenes [Repeated. The 1760 Libretto of Arianne e Teseo calls for Prologue to be sung by Signora Mattei on this night.

Performances

Mainpiece Title: Il Mondo Nella Luna

Dance: New DancesDirector of Dances-Gherardi; Dancers-Mlle Asselin, Gherardi, Miss Polly Capitani, Tariot

Event Comment: A new comic Opera...By Command of their Majesties. Music-Galuppi. Overture-J. S. Bach. Text-Goldoni. The first performance in England. Deferred from 30 Jan., because of Martyrdom of King Charles I. [A general Practice upon the Stage at noon 28 Jan.

Performances

Mainpiece Title: La Calamita Di Cuori

Event Comment: The Book of the opera at the Theatre. Comic opera in 3 acts by Lloyd .Music by Mr Rush. [See reduction to two-act farce, 2 March 1765. First performance in England of C. S. Favart's Le Caprice Amoureux (a parody of Goldoni's Bertoldo).

Performances

Mainpiece Title: The Capricious Lovers

Dance: Grimaldi, Aldridge, Giorgi, Berardi, Sga Giorgi, Miss Baker

Event Comment: Benefit for Mrs Thompson. Prices 3s. The Musical Piece from the Italian of Goldoni, and adapted to the original Music of Galuppi by Storace, compiler of La Serva Padrona

Performances

Mainpiece Title: The Coquet

Entertainment: Singing-Miss Catley; Musical Imitations-Bannister; With Horns and with Hounds-Mrs Thompson

Event Comment: Music of Afterpiece entirely new Composed by Dibdin. [An adaptation of Goldoni's Il Filosofo di Campagna.] Book of Songs to be had at Theatre (playbill). The Wedg R. a Comic Opera of Two Acts wrote & composed by Mr Dibdin. The Music very pretty--as the Author was kept a Secret The Town fancy'd that is one of Mr Bickerstaff & call'd out to know who was the Author. Mr Garrick inform'd them that he had no power to declare who the Author was but he could assure them that it was not Mr Bickerstaffs this did not Satisfy them at last Mr Dibdin went on & declard himself to be the Author & made an Affidavit of it & then the Farce went on with Applause (Hopkins Diary). [Account of The Wedding Ring in Westminster Magazine for Feb. 1773.] Paid #4 4s. for licensing The Wedding Ring and Alonzo (Treasurer's Book). [Maria Macklin, in a MS letter to her father, 3 Feb. 1773, commented fully on this night's performance: "Written as it was suppos'd by Bickerstaffe. The music by Dibdin. I went with a party into the Gallery to see the event as there was a great riot expected, & indeed never did I see an audience more inflamed. They would not suffer them to begin the piece. At last Mr King came on with a written paper in his hand, which he said he was desir'd to read in the name of the managers. After a great noise they let him read it. He said just before the play began the managers had receiv'd a letter from Mr Dibdin in which he declared that Bickerstaff was not the author of that piece, that he had made oath of it, and was ready to do the same again, but that for very particular reasons the author could not be given up. Then they stopp'd him & roar'd out that the author should be given up then. He continued as loud as he possibly could, reading on that 'but that if Mr Dibdin did not very soon given up the author he never should be suffered to appear again on that stage or any other.' Very luckily that turn'd them as I believe the House would have come down. The piece then began. Before the end of the first act one of Bannister's songs were encor'd. The other party were against it and would not let it go on. They all stood up and insisted that the author should be known then. After some time the house being nothing but confusion, Dibdin was push'd upon the stage ready to drop with fright, and declared that he was the author himself. Then they were as noisy the other way. Made them finish the piece, but how you may guess in a storm. It is like the Padlock, but the songs not so good." (Brander Matthews, Actors and Actresses, extra illustrated, Vol. I. Harvard Theatre Collection.). Westminster Magazine this month included in parallel columns flattering "Characters of Mr Garrick and Mr Colman," the Rival managers. The article especially praised Garrick's acting.] Receipts: #252 3s. 6d

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Wedding Ring

Event Comment: Afterpiece [1st time; F 2, by Thomas Vaughan, based on Il Servitor di due Padroni, by Carlo Goldoni. Prologue by the author (Town and Country Magazine, Dec. 1776, p. 663)]: With New Dresses. Public Advertiser, 2 Dec. 1776: This Day at Noon is published The Hotel (1s.). Receipts: #182 1s

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Hotel; or, The Double Valet

Event Comment: Mainpiece [1st time; C 5, by Elizabeth Griffith, based on Le Bourru Bienfaisant, by Carlo Goldoni. Author of Prologue unknown; Epilogue by Horace Walpole (Works, 1798, IV, 402-3)]: With new Dresses and Scenes. Receipts: #199 16s. (184.17.0: 14.11.6; 0.7.6)

Performances

Mainpiece Title: The Times

Afterpiece Title: The Padlock

Event Comment: 2nd piece: Never [previously] acted in this Kingdom [by Robert Jephson, altered by the author from his The Hotel; or, The Servant with Two Masters, which was based on Il Servitore di due Padroni, by Carlo Goldoni, and on Arlequin Valet de deux Maitres, by Jean Pierre de Ours de Mandajors, and 1st acted at Smock Alley Theatre, Dublin, 8 May 1783]. Oracle, 18 Mar. 1791: This Day is published Two Strings to Your Bow (1s). Receipts: #210 3s. 6d. (205.17.0; 4.6.6)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Two Strings to Your Bow

Afterpiece Title: A Divertisement

Dance: As17901123

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on La Serva Amorosa and on Il Padre di Famiglia, both by Carlo Goldoni. Author of Prologue unknown. Epilogue by Matthew Gregory Lewis (see text)]. Times, 7 Feb. 1798: This Day is published Knave or Not (2s.). Receipts: #358 2s. (283.11.6; 71.2.0; 3.8.6)

Performances

Mainpiece Title: Knave Or Not

Afterpiece Title: Blue-Beard