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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Giovanni de Gamerra"/1) | (@(roleclean,performerclean) "Giovanni de Gamerra")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2418 results for: Keyword - Giovanni de Gamerra
We found 1035 matches on Author, 999 matches on Performance Title, 446 matches on Performance Comments, 180 matches on Event Comments, and 0 matches on Roles/Actors.

1976
03 September 1794 @ Haymarket Theatre

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE APPARITION

Monologue: 1794 09 03 End of mainpiece, as 30 Aug

1977
06 September 1794 @ Haymarket Theatre

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: THE PRIZE or 2 5 3 8

1978
21 February 1795 @ Covent Garden

Performances

Mainpiece Title: England Preservd

Afterpiece Title: Crotchet Lodge

Ballet: Dermot and Kathlane. As17950219

1979
13 June 1795 @ Haymarket Theatre

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The Surrender of Calais

Afterpiece Title: New Hay at the Old Market

Song: 2nd piece: Vocal Parts-Cooke, Lyons, Aylmer, Boyce, Brown, Dibble, Dorion, Kenrick, Linton, Little, Walker, Miss Leak, Miss DeCamp, Mrs Gaudry, Mrs Hale, Mrs Butler, Mrs Norton, Miss Menage, Miss Granger

1980
10 December 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Adopted Child

Song: Mainpiece: Vocal Parts-Danby, Fisher, Maddocks, Trueman, Welsh, Master DeCamp, Master Gregson, Annereau, Atkins, Aylmer, Boyce, Bardoleau, Brown, Cook, Denman, Dixon, Dibble, Caulfield Jun., [J.] Fisher, Gallot, Tett, Walker, Willoughby, Miss Leak, Miss DeCamp, Miss Arne, Mrs Boimaison, Mrs Bramwell, Miss Chatterley, Miss Granger, Miss Jackson, Mrs Maddocks, Miss Menage, Miss Mellon, Mrs Butler, Miss Stuart

1981
15 July 1796 @ Haymarket Theatre

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Devil to Pay or The Wives Metamorphosed

Song: Mainpiece: Vocal Parts-Aylmer, Boyce, Brown, Dibble, Kenrick, Linton, Little, Walker, Willoughby, Miss Leak, Miss DeCamp, Mrs Gaudry, Mrs Hale, Mrs Butler, Mrs Masters, Mrs Norton, Miss Menage, Miss Granger

1982
22 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Sylvester Daggerwood

Dance: End I: The Camp-[i.e. Les Delassements Militaires] (by permission of the Proprietor of the Opera House); End afterpiece: Cupid and Psyche-Mme Rose, Didelot, Mlle Parisot, Gentili, Fialon, Mme Hilligsberg, with Corps de Ballet from the Opera House [will appear, positively for that night only

1983
23 June 1797 @ Haymarket Theatre

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Prisoner at Large

Song: Mainpiece: Vocal Parts-Aylmer, Brown, Dibble, Kenrick, Linton, Little, Caulfield Jun., Walker, Willoughby, Miss Andrews, Mrs Edward, Mrs Hale, Mrs Gaudry, Mrs Butler, Mrs Masters, Mrs Norton, Miss Menage, Mrs Wall, Mrs Benson, Miss Leserve

1984
19 October 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Wandering Jew or Loves Masquerade

Entertainment: Entertainment.End afterpiece: As17971016

1985
13 February 1798 @ Covent Garden

Performances

Mainpiece Title: Hes Much To Blame

Afterpiece Title: Joan of Arc

1986
09 May 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue Beard

Ballet: End II: the Grand Anacreontic Ballet, Bacchus et Ariadne. Bacchus-Laborie; Ariadne-Mme Lombard Laborie; Theseus-St. Pierre; Phedra-Miss D'Egville; Silenus-Blake; Cupid-Master Menage; Hymen-Miss Denys; Chief Persons of the Train of Bacchus representing Divinities of Olympus-Didelot, Mme Hilligsberg, Miss J. Hilligsberg; Deities of the Olympus, with a Grand Procession of Bacchanals, Bacchants, Nymphs, Satyrs, Fauns-The whole Corps de Ballet from the Opera House; the celebrated Pas de Quatre from Panurge-Didelot, Laborie, Mme Laborie, Mme Hilligsberg

1987
14 July 1798 @ Haymarket Theatre

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: The Surrender of Calais

Afterpiece Title: Blue Devils

1988
04 December 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Apprentice

Song: Vocal Parts-Danby, Wentworth, Brown, Tett, Denman, Atkins, [J.] Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun., Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates

1989
02 July 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: Fortunes Frolick

1990
21 August 1799 @ Haymarket Theatre

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Red Cross Knights

Afterpiece Title: The Purse

1991
14 May 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Haunted Tower

Dance: End I: Telasco and Amgahi ; or, The Peruvian Nuptials. Principal Characters-Didelot, Laborie, Deshayes, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mme Hilligsberg; Pas de Quatre-Deshayes, Laborie, Mme Hilligsberg, Mlle Parisot

Ballet: End Opera: Atalante and Hyppomenus; or, The Foot Race. Grecian Princes Hyppomenus-Deshayes; Pelus-Didelot; Adrastus-Laborie; Atalante-Mlle Parisot; Sererine (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mme Laborie; Clitie (nymph of the Woods)-Mme Hilligsberg; Shepherdesses Mlles D'Egville, Denis, B.? Denis, Lupini, Cranfield; Nymphs of the Woods, Fauns, Shepherds-The whole corps de Ballet; In which the favourite Skipping@rope Pas de Deux-Didelot, Mme Hilligsberg

1992
19 June 1800 @ Haymarket Theatre

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: Tis All a Farce

1993
28 September 1668 @ Whitehall or St. James's

Event Comment: Pepys, Diary: So I to White Hall, and there all the evening on the Queen's side; and it being a most summer-like day, and a fine warm evening, the Italians come in a barge under the leads, before the Queen's drawing-room; and so the Queen and ladies went out, and heard them, for almost an hour; and it was indeed very good together; but yet there was but one voice that alone did appear considerable, and that was Seignor Joanni [Giovanni Baptista Draghi?]

Performances

Mainpiece Title: Concert

1994
April 1682 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first performance is not known, but Luttrell purchased his copies of the separately printed Prologue and Epilogue on 15 May 1682 (Huntington Library); hence, the premiere occurred before that date. The Prologue also refers to the feast which the Whigs attempted to hold at Haberdashers' Hall on 21 April 1682 but were restrained, pointing toward late April as a probable date for the first performance. The separately printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 77-79. A song, In Phyllis all vile jests are met, with music by Giovanni Draghi, is in Choice Ayres and Songs, The Fourth Book, 1683. Langbaine (English Dramatic Poets, 1691, p. 19): This Play had the luck to be well receiv'd in the Town

Performances

Mainpiece Title: The City Heiress Or Sir Timothy Treatall

1995
10 August 1682 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Newdigate newsletters, 15 Aug. 1682: Thursday last being acted a play called the Tragedy of Romulus att the Dukes Theatre & the Epilogue spoken by the Lady Slingsby & written by Mrs Behn having reflected on ye Duke of Monmouth, ye Lord Chamberlaine thereupon has order[ed] them both in Custody to answer th[at] affront for ye same (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). See also True Protestant Mercury, 12-16 Aug. 1682, for essentially the same statement. The Prologue and Epilogue were printed separately, and Luttrell' copy (Huntington Library) bears his acquisition date of 8 Aug. 1682. They are reprinted in Wiley, Rare Prologues and Epilogues, pp. 132-34. The separately printed Prologue states that Mrs Behn also wrote it. A song, Where art thou god of love, the music by Giovanni Draghi, is in Theater of Music, The Third Book, 1686

Performances

Mainpiece Title: Romulus And Hersillia Or The Sabine War

1996
30 January 1687 @ Whitehall or St. James's

Event Comment: Evelyn, Diary: I heard the famous Cifeccio (Eunuch) [Giovanni Francesco Grossi, called Siface] sing, in the new popish chapell this afternoone, which was indeede very rare, & with greate skill: he came over from Rome, esteemed one of the best Voices in Italy, much crowding, little devotion

Performances

Mainpiece Title: Concert

1997
12 February 1737 @ King's Theatre

Event Comment: A New Opera. [Music by Giovanni Battist Pescetti.

Performances

Mainpiece Title: Demetrius

Afterpiece Title: Il Giocatore

1998
13 April 1737 @ Covent Garden

Event Comment: A New Opera. [Text by Giovanni Alberto Ristori. Music arranged by Handel. Apparently not published.

Performances

Mainpiece Title: Dido

Related Works
Related Work: Dido Author(s): Giovanni Alverto Ristori

1999
28 January 1738 @ King's Theatre

Event Comment: A New Opera. [Music by Giovanni Battist Pescetti.

Performances

Mainpiece Title: La Conquista Del Vello Doro

2000
01 December 1739 @ Haymarket Theatre

Event Comment: A New Serenata. [Music by Giovanni Battista Pescetti.] Tickets half a guinea. 6 p.m. Mrs Pendarves to Lady Throckmorton, 28 Nov.: The concerts begin next Saturday at the Haymarket. Caristini sings, Peschetti composes; the house is made up into little boxes, like the playhouses abroad; Lord Middlesex is the chief undertaker, and I believe it will prove to his cost, for concerts will not do. --Delany, Autobiography, II, 66

Performances

Mainpiece Title: Diana And Endymion