SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Gilbert West Esq"/1) | (@(roleclean,performerclean) "Gilbert West Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 400 matches on Event Comments, 245 matches on Performance Comments, 195 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Bold Stroke For A Wife; Or, The Quaker's Wedding

Performance Comment: Colonel Feignwell-Russell; Freeman-Cooke; Sir Philip Modelove-Massey; Obadiah Prim-Watts; Simon Pure-Bailey; Anne Lovely-Mrs Burden; Betty-Mrs West; Mask'd Lady-Mrs Heard; Mrs Prim-Mrs Russell.

Afterpiece Title: High Life below Stairs

Performance Comment: Lovell-Russell; Freeman-Bailey; Lord Duke's Servant-Everard; Sir Harry's Servant-Cooke; Robert-Burnett; Tom-Newton; Kingston-Master Nelson; Coachman-Fildew; Kitty (with a song)-Mrs Russell; Lady Bab-Mrs West; Lady Charlotte-Mrs Bailey; Cook-Mrs Newby.

Dance: As17780601

Song: As17780529

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favourite

Performance Comment: Essex-West; Burleigh-Burnett; Southampton-Cooke; Sir Walter Raleigh-Everard; Officer-Massey; Queen Elizabeth-Mrs Burden; Nottingham-Mrs Bailey; Rutland-The Lady who performed Belvidera [on 15 June; unidentified].on 15 June; unidentified].

Afterpiece Title: The Ghost; or, The Dead Man Alive

Dance: As17780601

Song: As17780529

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-Stokes; King Henry-Newton; Prince Edward-A Young Gentleman (1st appearance on any stage [unidentified]); Buckingham-Russell; Duke of York-Master Nelson; Stanley-Lear; Tressel-Cooke; Lieutenant of the Tower-Burnett; Catesby-Massey; Lord Mayor-Fildew; Blunt-Bailey; Earl of Richmond-West; Lady Ann-Mrs Bailey; Duchess of York-Mrs Newby; Queen-Mrs Russell.

Afterpiece Title: The Ghost

Dance: As17780601

Song: As17780529

Event Comment: Benefit for the Subscription opened in favour of the West India Sufferers [from two hurricanes that had devastated the West Indies on 3 and 10 Oct. 1780]

Performances

Mainpiece Title: Rinaldo

Dance: As17801216

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Afterpiece Title: The Deserter

Ballet: End: Dermot and Kathlane; or, The Irish Wedding (1st time; composed by Byrn). Dermot-Byrn; Darby-West; Patrick-Holland; Father Luke-Platt; Norah-Mlle St.Amand; Kathlane-Mme Rossi

Performance Comment: Dermot-Byrn; Darby-West; Patrick-Holland; Father Luke-Platt; Norah-Mlle St.Amand; Kathlane-Mme Rossi.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS; or, The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Business and Characters: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Titius, Phlegyas, &c. &c. (design'd and executed by Richards; music by Shield). Lucifer-Cubitt; Pillardoc-Richardson; Asmodius-Townsend; Orchus-Blurton; Bclial-Linton; Ades-Street. II. The Study of Dr Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-West. III. A Landscape and Water Mill (painted by Walmsley). Harlequin-Boyce; Pierrot-Follett; Miller-Hawtin; Taylor-Simmons; Bridemen-Cranfield, Ratchford, Blurton, Wilde, Rayner, Jackson, &c.//Miller's Wife-Miss Leserve; Bridemaids-Mrs Follett, Mrs Watts, Mrs Ratchford, Mrs Cranfield, Mrs Crowe, Mrs Lloyd, &c.; Colombine-Mme Rossi; Philidel (the Celestial Spirit)-Mrs Mountain. IV. A View of a Country Inn: The Bull and Dog (The Machinery invented by Hodgins). Landlady (with a song in character)-Mrs Henley. V. A Representation of tht Scaffolding prepared for erecting the New Theatre-Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed (designed and painted by Malton). Playhouse Glee (composed by Dr Arne) by Blanchard, Bernard, Davies, Linton, Street, Spofforth, &c. VI. A View of Smithfield on a Market-Day (painted by Hodgins and Phillips). A New Glee (composed by Shield [singers not listed]). VII. The Garden of Faustus (painted by Pugh). Zephyrus-Byrn//Flora-Mlle St. Amand. VIII. A Tobacco Warehouse, which changes to an Equestrian Figure by Roubiliac. IX. A Street, in which is introduced two Irish Sedan Chairs (designed by Hodgins). Harington's Stammering Glee by Blanchard, Townsend, Cubitt. X. A View of a Garden and Tent, which changes to a Canal, in which will be introduced the celebrated piece of machinery, The Peacock. XI. A Farm Yard, which changes to a Chinese Bridge. XII. The Infernal Regiom, with a Shower of Fire. XIII. The Temple of Glory (designed and executed by Hodgins). Aerial Spirits-Byrn, Holland, Mlle St. Amand, Cranfield, Ratchford, King, Blurton, Wilde, Mrs Castelle, Miss Kirton, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Blurton .

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Genoese Pirate; or, Black-Beard

Performance Comment: Principal Ballet Characters-Follett, Bologna Jun., Bologna Sen., Dyke, Whitmore, Abbot, Wilde, Blurton, Platt, Jackson, Hawtin, Powers, Findlay, Rayner, Webb, Farley, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Burnett, Mrs Ward, Miss Bologna, Mrs Wybrow (1st appearance); Vocal Characters-Townsend, Hill, Linton, Street, Tett, Curties, Master Standen, Miss Gray; [Larpent MS lists the parts: Abdallah, Capt. Teach, Garrat Gibbons, Cesar, Gunner, Carpenter, Seamen-West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria">Clarke, William, Drunken Negro-$Simmons, Servants, Negro Boy-$Master Standen, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.] the following new Scenes, Songs: Grand Cabin. While the jolly grog-Townsend, Hill, Linton, Street, Abbot; [Entrance into Cabin. My Willy was a Sailor bold-Miss Gray; [Between Decks. Stand to your guns our cannons thunder-Townsend, Hill; [Entrance into Cabin. A pirate's Life-Townsend; [Roads of Madagascar. Negro Air: When sunny Beams-Master Standen; [Sea Ballad. Three Years I've bade sweet Home adieu-Hill; [Inside of Black-Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.

Dance: In afterpiece: Dance of Negroes-

Performances

Mainpiece Title: The Disappointment; Or, The Mother In Fashion

Performance Comment: Edition of 1684: Alphonso-Betterton; Lorenzo-Smith; Alberto-Wilshire; Lesbino-Carlisle; Rogero-Leigh; Erminia-Mrs Cook; Juliana-Mrs Percival; Angelline-Mrs Knight; Her Supposed Mother-Mrs Corey; Clara-Mrs Leigh; The Prologue by Mr John Dryden-Mr Betterton; The Epilogue by the Honourable John Stafford, Esq</a>-.

Performances

Mainpiece Title: Achilles; Or, Iphigenia In Aulis

Performance Comment: Edition of 1700: Prologue by Tho. Cheek Esq</a>-Mr Powell; Epilogue by Mr Motteux-Mr Norris; Eriphile-Mrs Wilkins.
Event Comment: At the Desire of several Ladies of Quality. Mainpiece: Written by the late N. Rowe, Esq. Afterpiece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Dido and Aneas

Afterpiece Title: The Burgomaster Trick'd

Dance: As17340112

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Hamlet-Giffard; King-W. Giffard; Polonius-Lyon; Laertes-Richardson; Ostrick-Woodward; Horatio-Havard; Guildenstern-Hamilton; Bernardo-Dove; Queen-Mrs Haughton; Ophelia-Mrs Hamilton; Ghost-Rosco; Gravediggers-Penkethman, Ray. After which will be introduced, The Ceremony of Hamlet's Lying in State, after the Manner of his Grace, the late Duke of Buckingham. With new Musick proper to the Occasion, set by Mr Carey. The Words by Henry Saville, Esq. [but see17351205] .but see17351205] .

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Devil to Pay

Performance Comment: As17380421 With a Prologue to the Farce, written by Aaron Hill, Esq-Miss Wright; in Boy's Cloaths. and an Epilogue to the Farce-Miss Wright, as Captain of the Lilliputians, at the Head of her Company.

Dance: I: Saraband-Miss Wright, Miss Morrison; II: French Peasant-Master Ferg, Miss Wright, Scholars to Leviez; AII: La Pieraite-Leviez, Mrs Thompson; IV: Grand Ballet in Comic Characters-the Lilliputians; V: Minuet-Leviez, Mrs Walter

Song: II: Beard

Event Comment: Paid to Sun Fire Office Insurance #15; Paid for a poker and shovel 5s. (Treasurer's Book). [This policy was doubltless similar to No 109085 dated 29 July 1747 issued to James Lacy and David Garrick Esq. Patentees of His Majesties Company of Comedians of the Theatre Royal Drury Lane, for #4,000: "On the Goods and Furniture, Wardrobe Apparel, Machines and Scenes, not valued as pictures, in the House, Dressing Rooms, Wardrobe, and Scene Rooms, of the said Theatre Royal, adjoining togethe r and situate in Drury Lane aforesaid and not elsewhere, not exceeding #4,000...Note: Except such Loss and Damage as may happen by any Fire occasioned by means of any representation in any Play or Farce or in any Rehearsal of the same." (From copy of original policy, by courtesy J. A. Miller, Esq. General Manager, Sun Insurance Office Ltd., sent me in ltr. dated 5 July 1951.)] Receipts: #110 (Cross). #104 5s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Dance: As17491220

Song: III: Master Mattocks

Event Comment: Yesterday George Frederick Handel, Esq</a>; was couch'd by William Bromfield, Esq</a>; Surgeon to her Royal Highness the Princess of Wales, when it was thought there was all imaginable hopes of success by the Operation, which must give the greatest pleasure to all lovers of Music

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Fair

Event Comment: JJohn Rich Esq</a>, Master and Patentee of the TRCG, died Thursday 26 Nov. 1761, about six o'clock in the evening, at his house adjoining to the Theatre Royal in Covent Garden, in the seventieth year of his age. Mrs Priscilla Rich sole executrix of the Will of John Rich Esq, deceas'd. Mr John Rich was buried in Hillingdon Churchyard. (See his Epitaph, Lysons's Middlesex Parishes, p. 162) Dec. 4, 1761. ibid p. 173 (Hopkins MS Notes). Income from Boxes #85 5s. Rec'd of John Condill on acct of Fruit #20. Expenses #46 3s. 8d. [The balance brought forward to this date for this season was #2007 9s. 1d. From this was subtracted the #1291 19s. 4d. necessary for starting the season (see 9 Sept.), which left Beard a favorable balance of #715 9s. 9d. with which to carry on. The Winston Theatrical Record ceases on this date.

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Coronation

Event Comment: Mainpiece: By Particular Desire. Paid Mr Vincent for 3 sets of Abels Symphonies #2 5s. (Account Book). Receipts: #116 11s. (Account Book). This was the last time Mr Beard appeared on the stage. John Beard Esq</a> Buried in the vault (at Hampton) 12 Feb. 1791. This celebrated actor was bred up at the King's Chapel, and was afterwards one of the singers at the Duke of Chandos's Chapel at Canons, where he took a part in Handel's Oratorio of Hester. His first appearance on the stage was 30 August 1737, in the character of Sir John Loverule [Devil to Pay], at Drury Lane. In 1739 he married Lady Henrietta Herbert, daughter of James, Earl of Waldegrave, and Widow of Lord Edward Herbert. Upon this event he quitted the Stage. After a few years he returned to it again, and continued to be a great favourite with the public both as an actor and a vocal performer till 1767, when he finally retired from the theatre. Lady Henrietta Beard died in 1753; and in 1759 Mr Beard married a Daughter of John Rich Esq</a> Patentee of Covent Garden Theatre. On this occasion he removed a second time to that theatre, where he had acted from 1744 to 1748; and on the death of his father-in-law in 1761, was appointed Manager. Mr Beard, who was as much esteem'd in private life as he was admired on the stage, was for many years an Inhabitant of Hampton. See Lysons's Middlesex Parishes, p. 89 and 80. Mr Beard died 4 Feb. 1791, aged 74 years. See his Epitaph, ibidem. See Lady Beard's Epitaph in St Pancreas Churchyard (Hopkins MS Notes)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Perseus and Andromeda

Event Comment: Benefit for Dodd. Afterpiece: Not acted these 9 years. [See 26 March 1763.] Married at Marylebone Church-W. Lacy, Esq one of managers of Drury Lane to Miss Orpen, daughter of an eminent hatter (Winston MS 10). Married: Willoughby Lacy, Esq</a> to Miss Orpen of St Mary-le-bon (Gentleman's Magazine, 1744, p. 141). Receipts: #166 16s. Charges: #64 12s. Profits to Dodd: #102 4s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The School Boy

Entertainment: Bucks Have at ye All-Dodd

Performances

Mainpiece Title: Lord Russel

Performance Comment: Characters are as follows: King Charles II, James Duke of York, Earl of Bedford, Lord Russel, Algernon Sidney, Lord Howard, Sir George Jefferies, Father Peters, Hubert, Lieutenant of the Tower; Lady Russel. Which are kindly undertaken to be represented by Ladies and Gentlemen, who never performed on any Stage. [Cast from text (no pub. [c. 1794]): King Charles II-Capt. Harriett (of the Navy); James Duke of York-Hyanson (a Yorkshire Attorney, Brother to Mrs McNally); Earl of Bedford-Laurence [sic] (Father to the celebrated Painter); Lord Russel-Horne (of the Temple); Algernon Sidney-another Laurence (not the Painter); Lord Howard of Eserick-Supple; Sir George Jefferies-A Young Lawyer of the Temple; Father Peters-Major Sykes; Hubert, Preceptor to Lord Russel-Henry Lucas, Esq. (Son of the late celebrated Dr Lucas) (who also wrote and spoke the Prologue); Kirk, Lieutenant of the Tower-Elliot; Lady Russel-Mrs Batiere (who also wrote and spoke the Epilogue).] Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug . Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug .
Event Comment: Benefit for Wild. 1st Piece: 1st Time at this Theatre, and with Permission of G. Colman, Esq. [owner of the copyright]; written by Joseph Atkinson, Esq. [i.e. altered from his The Mutual Deception (see hay, 29 Aug. 1786)]. 2nd piece: Not acted these 2 years. 3rd piece: Not acted these 7 years [acted 23 May 1783]. Receipts: #225 0s. 6d. (113.0.6; 5.5.0; tickets: 106.15.0)

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: The Nunnery

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End I 1st piece: Oh say Bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr

Entertainment: Monologue. End II 1st piece: A Description of the Curiosities in the Tower-Edwin

Event Comment: Benefit for Johnstone. 1st piece [1st time; M. INT 1, by John Cartwright Cross. Text Q. Roach, 1794). For music see 1 May]. 2nd piece: For that night only, by Permission of George Colman, Esq. Jun.; Never (previously] performed here. 3rd piece: For this night only, by Permission of George Colman, Esq. Jun. [holder of copyright of both pieces]. Morning Chronicle, 7 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden. Receipts: #333 8s. 6d. (146/2/0; 5/17/6; tickets: 181/9/0)

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship; Or, An Escape From France

Afterpiece Title: THE LONDON HERMIT; or, Rambles in Dorsetshire

Afterpiece Title: THE SON-IN-LAW

Performance Comment: Signor Arionelli-Incledon; Bowkitt-Fawcett (Their 1st appearance in those characters); Bouquett-Davies; Vinegar-Cubitt; Cranky-Powel; Idle-Farley// Cecilia-Mrs Clendining. VAUDEVILLE. End of 2nd piece An Irishman's Tour through London; or, Tully's Vocal and Rhetorical Description of Westminster Abbey, St. James's, St. Paul's, The Tower, A Quarrel, A Masquerade, &c., by Johnstone . or, Tully's Vocal and Rhetorical Description of Westminster Abbey, St. James's, St. Paul's, The Tower, A Quarrel, A Masquerade, &c., by Johnstone .

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: LOVE AND HONOR; or, Britannia in Full Glory at Spithead

Performance Comment: William-Incledon; Dick-Blanchard; Grapple-Townsend; Lieutenant Capstem-Johnstone//Mary-Mrs Martyr. [European Magazine, May 1794, p. 388, adds: Farmer Ploughfield-Thompson; Clodpole-Rees; Hobnail-Abbot.] In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead . In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead .

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

Event Comment: Benefit Gilbert and Miss Besswick. At the Desire of several Persons of Quality. Tickets deliver'd out for Thursday 31 March will be taken this Day

Performances

Mainpiece Title: The Stratagem

Song:

Dance:

Event Comment: Receipts: #170 9s. 6d. Probable attendance: boxes, 236 paid; stage, 44 paid; balcony, 2 paid; Pit, 290 Paid and 3 orders; slips, 47 paid and 1 order; first gallery, 419 paid and 1 order; second gallery, 189 paid. For a comment on the play by Thomas Edwards, see V. M. Gilbert, Unrecorded Comments on John Gay, Henry Travers, and Others, Notes and Queries, August 1953, pp. 337-38

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: Paid Quin on account #100. Gilbert Walmesley to Garrick, 3 Nov,: I see by the prints you are engaged with Mr Rich. I hope you will take care not to hurt your health by playing more than you can well bear....But I must not forget to tell you what Lord Chesterfield says of you. He says you are not only the best tragedian now in the world, but the best, he believes, that ever was in the world; but he does not like your comedy, and particularly objects to your playing Bayes, which he says is a serious solemn character and that you mistake it. He spoke much in praise of Barry's handsome figure, but made a joke of his rivaling or hurting you.-Boaden, Private Correspondence of Garrick, I, 44. Receipts: #170 9s

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked